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Journal articles on the topic 'Iberian ceramic'

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1

Ruiz-Ardanaz, Iván, Sayoa Araiz-González, Esther Lasheras, and Adrián Durán. "The Ceramic Production and Distribution Network in the Ancient Kingdom of Navarre (Spain) during the 12th–15th Centuries." Heritage 7, no. 9 (2024): 4814–28. http://dx.doi.org/10.3390/heritage7090228.

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The Kingdom of Navarre was a Christian kingdom located in the north of the Iberian Peninsula during the Middle Ages. Its location on the west of the isthmus between the Iberian Peninsula and the European continent allowed an exchange of cultural currents. The main pottery production centres were in Estella, Lumbier, Pamplona, Tafalla, and Tudela. Ceramic pastes from various mediaeval sites were analysed for both elemental and mineralogical composition determination. The results were evaluated using Principal Component Analysis and allowed us to identify each production centre. Each manufacturi
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Oms, F. Xavier, Araceli Martín, Xavier Esteve, et al. "The Neolithic in Northeast Iberia: Chronocultural Phases and14C." Radiocarbon 58, no. 2 (2016): 291–309. http://dx.doi.org/10.1017/rdc.2015.14.

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AbstractAs in many other regions, the periodization of the Neolithic in the northeastern Iberian Peninsula was based upon relative dating obtained through ceramic typologies. Moreover, this prehistoric period was structured using nomenclature borrowed from the Neolithization of southern France. A total of 37 new radiocarbon dates for NE Iberia have been recently obtained with appropriate sampling criteria. These results have been used in conjunction with other reliable14C dates in order to assess the validity of traditional classifications established through the study of ceramic typologies. T
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Pérez-Arantegui, Josefina, and Paz Marzo. "Characterization of Islamic Ceramic Production Techniques in Northeast Iberian Peninsula: The Case of Medieval Albarracin (Spain)." Applied Sciences 11, no. 16 (2021): 7212. http://dx.doi.org/10.3390/app11167212.

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Ceramic objects found in the Islamic Taifa of Albarracin (Spain), 12th century CE, were studied to ascertain the main characteristics and influences of its manufacture. Production centers even from small kingdoms can add new insights in medieval ceramic technology. Several types of decorated ceramics, such as tin-opacified glazed, monochrome glazed and cuerda seca, were investigated. Ceramic bodies were analyzed by ICP-Optical Emission Spectrometry, and glazes were studied by Scanning Electron Microscopy with Energy Dispersive X-ray Spectrometry. All the ceramic bodies showed the use of Ca-ric
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Kondakova, Olga V. "Imitation as an adaptation tool in pottery making in New Spain." Latinskaia Amerika, no. 6 (December 15, 2024): 55–75. http://dx.doi.org/10.31857/s0044748x24060041.

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Ceramics produced in the Viceroyalty of New Spain in the 16th – 18th centuries serve as a valuable source for studying the history of intercultural contacts and colonization of the American continent. This article focuses on tableware ceramics and their significance in the sociocultural adaptation of colonial populations. The production of pottery on the Iberian Peninsula prior to colonization is described, and the function of ceramic vessels during the initial stages of conquest is explored. The article also examines questions of continuity and innovation in pottery production technology, and
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Oms Arias, F. Xavier, Josep Mestres, Rafael Laborda, Àngel Bosch, Araceli Martín, and Josep Tarrús. "5300-4700 cal BC in the Middle Ebro valley and the northeast of the Iberian peninsular." SAGVNTVM. Papeles del Laboratorio de Arqueología de Valencia 56 (February 2, 2024): 49–78. https://doi.org/10.7203/sagvntvm.56.27752.

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Neolithic of impressed, incised and grooved potteries and the Epicardial Neolithic represent cultural phenomena that are part of the first agropastoral groups in the Iberian Peninsula, sometimes as the first stage of neolithization, and sometimes as its consolidation. In Ebro valley and the NE of Iberia, these two cultural groups have a similar chronological development and similar ceramic decorations. However, their geographical distribution differs markedly. In this work we have analyzed these parameters to determine the origins of each group, its development and its dissolution in others, i
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Sinner, Alejandro G., and Joan Ferrer i Jané. "Novedades epigráficas de Ilduro (Cabrera de Mar, Barcelona)." Palaeohispanica. Revista sobre lenguas y culturas de la Hispania Antigua, no. 18 (April 5, 2019): 203–16. http://dx.doi.org/10.36707/palaeohispanica.v0i18.17.

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We here present thirteen graffiti on ceramic vessels recovered from the various archaeological sites of Cabrera de Mar. Unfortunately, the inscriptions are short, all of one or two signs, but attest to the use of the Iberian script in the Cabrera de Mar valley during the 2nd and 1st centuries BC, and confirm that the inhabitants of Ilduro used the Iberian language until at least the first half of the 1st century BC.
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Rivero, Saúl Guerrero, Javier G. Iñañez, Fernando Amores Carredano, et al. "From Andalusia to the Atlantic During Early Globalization: Multidisciplinary Archaeometric Approach to Ceramic Production from Jerez de la Frontera (Spain)." Ceramics 8, no. 1 (2025): 20. https://doi.org/10.3390/ceramics8010020.

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The technological development of ceramic production during the early modern period in the Iberian Peninsula is a crucial topic in historical archaeological research. The present study analyzes pottery from Jerez de la Frontera, Andalusia, focusing on ceramic materials from the Convent of Santo Domingo (late 15th to early 17th centuries). Through the analysis of production wastes, including dolia and olive jars (botijas), this text unveils key aspects of regional ceramics practices. Using a multidisciplinary archaeometric approach, we applied petrography, X-ray diffraction (XRD), and inductivel
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Meulemeester, Johnny De. "Islamic archaeology in the Iberian peninsula and Morocco." Antiquity 79, no. 306 (2005): 837–43. http://dx.doi.org/10.1017/s0003598x00114978.

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The author reviews the development of Islamic archaeology in Spain, Portugal and Morocco through its publications and fieldwork, identifying research themes such as ceramic studies, fortified settlement and landscape archaeology, irrigation and urban archaeology. Features excavated in Spain or Portugal can best be understood through ethno-archaeological studies of the Moroccan landscape and its living traditions.
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de Groot, Beatrijs G., Kamal Badreshany, Jesús F. Torres-Martínez, and Manuel Fernández-Götz. "Capturing technological crossovers between clay crafts: An archaeometric perspective on the emergence of workshop production in Late Iron Age northern Spain." PLOS ONE 18, no. 5 (2023): e0283343. http://dx.doi.org/10.1371/journal.pone.0283343.

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In the Iberian Iron Age, the transition to workshop-based pottery production involved the use of innovative tools (the potter’s wheel and kiln) and dedicated workspace. This facilitated an intensification of production, with repercussions for consumption practices and the economy. Cross-craft comparison can contribute to understanding the transmission processes underpinning this transition, as well as its impact on local craft traditions. This paper discusses an archaeometric methodology to compare the technological procedures underpinning different clay crafts to reveal crossovers and diverge
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Nádai, Zsófia, Ágnes Kolláth, and Bianka Gina Kovács. "A Unique Iberian Majolica Fragment from the Marketplace of Győr (Hungary)." Hungarian Archaeology 12, no. 3 (2023): 35–45. http://dx.doi.org/10.36338/ha.2023.3.5.

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This paper explores the origin, chronology, and connections of a majolica vessel found during excavation in the marketplace of Győr. The piece is of exceptionally high quality and counts as exceptional in the archaeological record of Hungary. It is adorned with painted cobalt blue motifs and lustre decoration. Its analogies are known from major museums’ collections, including the Metropolitan Museum, the British Museum, and the Louvre. Based on these, its place and time of origin could be identified as the 15th-century Valencia in today’s Spain, more specifically, Manises (now a district of Va
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Vázquez, M., J. Jiménez-Millán, C. Sánchez-Jiménez, and J. Parras. "Composición y propiedades cerámicas de las pizarras de la Zona Centro Ibérica del Macizo Ibérico Meridional (Norte de Jaén, España)." Boletín de la Sociedad Española de Cerámica y Vidrio 42, no. 4 (2003): 215–21. http://dx.doi.org/10.3989/cyv.2003.v42.i4.638.

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Martín, Domingo, Adolfo Miras, Antonio Romero-Baena, et al. "Evaluation of Ceramic Properties of Bauxitic Materials from SE of Iberian Range." ChemEngineering 8, no. 1 (2024): 13. http://dx.doi.org/10.3390/chemengineering8010013.

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The use of aluminum-rich clays and bauxites as refractory materials is common. Upon firing, these materials form mullite crystals in the shape of needles embedded in a siliceous and vitreous matrix, with mullite being responsible for the refractory properties. In this study, bauxite samples for use in refractory applications have been characterized. Chemical analysis revealed that the alumina content varied between 34 and 40%, with silica values generally being high (around 40%), except for one sample (26%). Two samples were found to be the most suitable for use as “refractory clay” refractori
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Garcia, Porras Alberto, Claudio Capelli, Roberto Cabella, Julia Romero-Pastor, and Fernández Carolina Cardell. "Ceramic production in Granada and in the southeast of Iberian Peninsula during the late middle Ages. Clays, tools and pots - some preliminary notes." Medieval Ceramics 32 (June 5, 2013): 29–43. https://doi.org/10.5281/zenodo.10678897.

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This work presents the preliminary features of ceramics production in the Southeast of the Iberian Peninsula and especially in Granada during the late middle Ages. This research is based on complementary archaeometrical analyses carried out on clays from traditional quarries used in the area, as well as on ceramics that were selected as representative due to their chronology, origin (the area where potters’ workshops were located) and function (tools used by the potters).
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CULTRONE, G., E. MOLINA, C. GRIFA, and E. SEBASTIÁN. "IBERIAN CERAMIC PRODUCTION FROM BASTI (BAZA, SPAIN): FIRST GEOCHEMICAL, MINERALOGICAL AND TEXTURAL CHARACTERIZATION." Archaeometry 53, no. 2 (2010): 340–63. http://dx.doi.org/10.1111/j.1475-4754.2010.00545.x.

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15

Blanco-González, Antonio, Attila Kreiter, Kamal Badreshany, John Chapman, and Péter Pánczél. "Matching sherds to vessels through ceramic petrography: an Early Neolithic Iberian case study." Journal of Archaeological Science 50 (October 2014): 139–52. http://dx.doi.org/10.1016/j.jas.2014.06.024.

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Hiriart, Eneko, Laurent Callegarin, Philippe Gardes, and François Réchin. "La singularidad cultural del área pirenaico-occidental: dinámicas y persistencias entre la Edad del Hierro y la Época romana / The cultural specificity of West Pyrenean area: dynamics and continuities between the Iron Age and the Roman period." Anuario del Seminario de Filología Vasca "Julio de Urquijo" 52, no. 1/2 (2019): 323. http://dx.doi.org/10.1387/asju.20206.

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It is not an easy task to study the «Basque-Aquitanian» area during the Antiquity. Fortunately, Joaquín Gorrochategui’s research opened up a few new research routes to improve our knowledge of this area. From an archaeological point of view, both sides of the western Pyrenees have their own cultural specificity, which differs from their Gaulish, Iberian and Celtiberian neighbours. This paper focuses on two archaeological materials, ceramic and coinage, to better understand the cultural dynamics, the ethnic complexity and the evolution of the local populations, in between the Iron Age and the R
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17

Benjamín, Cutillas Victoria. "Contenedores a mano en movimiento: caracterización petrográfica y nuevas perspectivas desde el Hierro Antiguo del Sureste ibérico." Arqueologia Iberoamericana 47 (January 7, 2021): 18–25. https://doi.org/10.5281/zenodo.4420837.

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Este trabajo analiza una selecci&oacute;n de contenedores cer&aacute;micos modelados a mano cuya caracterizaci&oacute;n petrogr&aacute;fica apunta a un origen ex&oacute;geno respecto a los asentamientos en los que han sido localizados. Esta problem&aacute;tica abre diferentes interrogantes en torno a la movilidad de este tipo de envases en el Sureste ib&eacute;rico durante el Hierro Antiguo, a la vez que ampl&iacute;a las posibilidades de estas vajillas tradicionalmente vinculadas a producciones locales y espacios dom&eacute;sticos. ENGLISH: <em> Handmade Containers in Motion: Petrographic Cha
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18

Ferrer i Jane, Joan, and Vicent Escrivà Torres. "Tres nuevas inscripciones ibéricas del Museo Arqueológico de Llíria." Palaeohispanica. Revista sobre lenguas y culturas de la Hispania Antigua, no. 15 (June 10, 2019): 143–59. http://dx.doi.org/10.36707/palaeohispanica.v0i15.41.

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This paper analyses three Iberian inscriptions present on ob-jects recently donated to the Archaeological Museum of Lliria. A fragment of a lead plaque and a small lead objet allegedly both found at the Tossal de Sant Miquel (Lliria), and a fragment of a small ceramic vase with serrated cover, allegedly found at the site of Charco del Negro (Sinarcas / Benagéber) with an interesting inscription done before heating, which marks the correct closing point. Although there is a certain tradition of fakes on the environment of Llíria, in the absence of clear signs of forgery, we are inclined to beli
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Ferrer i Jane, Joan, Alberto J. Lorrio Alvarado, and Javier Velaza Frías. "Las inscripciones ibéricas en escritura suroriental de El Castellar de Meca (Ayora)." Palaeohispanica. Revista sobre lenguas y culturas de la Hispania Antigua, no. 15 (June 10, 2019): 161–76. http://dx.doi.org/10.36707/palaeohispanica.v0i15.42.

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This paper analyses three south-eastern Iberian inscriptions from Castellar de Meca (Ayora, Valencia): the first is a painted inscription brought by Pierre Paris to the Louvre Museum in the early twentieth century; the others are two small unpublished inscriptions from a private collection: a small lead sheet and a small ceramic ostrakon. In the case of the painted in-scription, we propose an alternative reading more respectful with the text palaeography. In the case of the text of the lead sheet, although it only contains three signs, clear parallels with the lead plaque of Llano de la Consol
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Romero-Pastor, Julia, Porras Alberto García, Grieken Rafael Van, Sanja Potgieter-Vermaak, Conesa Jaume Coll, and C. Cardell. "New insights in technology characterization of medieval Valencia glazes." X-Ray Spectrometry 44 (June 5, 2015): 426–35. https://doi.org/10.1002/xrs.2613.

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This study shows the first Raman microscopy (RM) and scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM-EDX) characterization of two 14th and 15th century lead-glazed and luster ceramics from the Manises and Paterna workshops (Valencia, Spain) produced after the Aragon Christian conquest of the Iberian Peninsula (14th century). According to experts, these coetaneous ceramics were most probably involved in a process of technological transfer from the Islamic area of Southeast Spain to the Christian area of Valencia (East Spain) at the beginning of the 14th century; late
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Amorós Ruiz, Victoria, and Sonia Gutiérrez Lloret. "Ceramics in transition: ceramics from the first Islamic period in the western Mediterranean – the example of al-Andalus." Libyan Studies 51 (September 7, 2020): 99–125. http://dx.doi.org/10.1017/lis.2020.19.

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AbstractThis paper updates the present knowledge of ceramic productions in the Western Mediterranean in the early Middle Ages through the example of al-Andalus. The study of pottery production is a key element for recognizing the process of Islamization, the formation of al-Andalus, and the important social and economic changes that took placed in the Mediterranean between the seventh and ninth centuries. From a historical point of view, the early Middle Ages is a transcendental moment of change: patterns and socioeconomic models of the ancient world began to fade, and the evolution towards th
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Miguel Gascón, Eva, Jaume Buxeda i Garrigós, Peter M. Day, and David Garcia i Rubert. "Phoenician Pottery in the Western Mediterranean: A New Perspective Based on the Early Iron Age (800–550 BC) Settlement of Sant Jaume (Alcanar, Catalonia)." Applied Sciences 13, no. 6 (2023): 3733. http://dx.doi.org/10.3390/app13063733.

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One of the most important reception sites for Phoenician pottery imports in the NE Iberian Peninsula is the Early Iron Age (800–550 BC) settlement of Sant Jaume. This site is exceptional in terms of preservation and the large number of complete vessels recovered. Moreover, the ceramic assemblage comprises one of the best collections of the earliest wheel-thrown pottery that is considered evidence of trade from the western Phoenician colonies and their specific interest in exploiting metallurgical resources. In this research, a sample of 58 individuals of wheel-thrown pottery has been analysed
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Sánchez-Polo, Alejandra, and Antonio Blanco-González. "Death, Relics, and the Demise of Huts: Patterns of Planned Abandonment in Middle BA Central Iberia." European Journal of Archaeology 17, no. 1 (2014): 4–26. http://dx.doi.org/10.1179/1461957113y.0000000048.

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This paper addresses the formation processes at an unparalleled Bronze Age settlement in the Iberian Meseta. The site of El Cerro (Burgos, Spain) presents a series of challenging features: the simultaneous inhumation of three subadults alongside a dwelling quarter and adjacent pits, some of them filled with apparent formality, including such anachronistic elements as Neolithic and Beaker items and several placed deposits, such as a leg of a cow. A critical evaluation of the contextual dataset, a re-fitting operation, and an assessment of the abrasion and size of a ceramic sample were carried o
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Prieto Martínez, M. Pilar, Oscar Lantes Suárez, Francisco Alonso Toucido, Luis Hixinio Flores Rivas, and Manuel Fernández (Lolo). "Cuatro ‘Botijuelas’ recuperadas en el Noroeste de Iberia. Procesos de manufactura y reutilización." Estudos do Quaternário / Quaternary Studies, no. 20 (May 8, 2020): 35–51. http://dx.doi.org/10.30893/eq.v0i20.191.

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Resumen:&#x0D; La botijuela, “anforeta de Indias” o “olive jar” es un recipiente cerámico de época moderna y contemporánea, de distribución planetaria y vinculada originalmente al comercio marítimo ibérico, empleado como transporte de alimentos, siendo reutilizado frecuentemente y utilizado de diversas formas que no tienen relación con su uso primario. En Galicia se empiezan a documentar con cierta frecuencia estos recipientes pero todavía no se ha realizado ningún estudio sobre las mismas. En este trabajo se presentan los resultados del análisis arqueométrico de cuatro vasijas (tomografía, mi
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Ocharan Ibarra, José Ángel. "La Diosa de Salchite. Estudio e interpretación iconográfica del fragmento cerámico procedente del santuario rupestre ibérico de La Nariz (Moratalla, Murcia) = The Goddess of Salchite. Study and Iconographic Interpretation of the Ceramic Fragment from the Iberian Rock Sanctuary of La Nariz (Moratalla, Murcia)." Espacio Tiempo y Forma. Serie I, Prehistoria y Arqueología, no. 12 (November 28, 2019): 67. http://dx.doi.org/10.5944/etfi.12.2019.23070.

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Presentamos una lectura iconográfica del fragmento cerámico conocido como «Diosa de Salchite». Procedente del santuario rupestre ibérico de La Nariz (Moratalla, Murcia) ha sido históricamente vinculado a la figura del lobo. Nuestra propuesta, tras excavar arqueológicamente el santuario y estudiar directamente el fragmento, nos aleja ligeramente de esta visión tradicional estableciendo una relación más directa de esta figura femenina con las representaciones mayoritarias en la pieza; las aves, así como la conífera o el fuego.AbstractWe present an iconographic reading of the ceramic fragment kno
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Alberto, Dorado Alejos. "El análisis de imagen como aportación metodológica al estudio de las cerámicas pintadas de la Prehistoria Reciente: casos de estudio desde el sudeste de la península ibérica." Arqueologia Iberoamericana S2 (March 7, 2018): 9–14. https://doi.org/10.5281/zenodo.3474189.

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El presente trabajo tiene por objeto explorar metodol&oacute;gicamente la aplicaci&oacute;n del an&aacute;lisis de imagen a cer&aacute;micas procedentes de contextos de la Prehistoria Reciente del sudeste de la pen&iacute;nsula ib&eacute;rica, un an&aacute;lisis cuyos resultados pueden aplicarse a conjuntos procedentes de otras &aacute;reas geogr&aacute;ficas. Tradicionalmente, este tipo de t&eacute;cnicas hab&iacute;a venido utiliz&aacute;ndose en el marco de los estudios de pinturas rupestres o <em>paramentales</em>, pero su potencial ha llevado a plantear su aplicaci&oacute;n sobre conjunto
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Jamieson, Ross W. "Majolica in the Early Colonial Andes: The Role of Panamanian Wares." Latin American Antiquity 12, no. 1 (2001): 45–58. http://dx.doi.org/10.2307/971756.

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As one of the most common artifact categories found on Spanish colonial sites, the wheel-made, tin-glazed pottery known as majolica is an important chronological and social indicator for archaeologists. Initially imported from Europe, several manufacturing centers for majolica were set up in the New World by the late sixteenth century. The study of colonial majolica in the Viceroyalty of Peru, which encompassed much of South America, has received less attention than ceramic production and trade in the colonial Caribbean and Mesoamerica. Prior to 1650 the Viceroyalty of Peru was supplied with m
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Barceló, Carmen, and Anja Heidenreich. "Lusterware Made in the Abbadid Taifa of Seville (Eleventh Century) and Its Early Production in the Mediterranean Region." Muqarnas Online 31, no. 1 (2014): 245–76. http://dx.doi.org/10.1163/22118993-00311p10.

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This article presents a study of the expansion of Islamic lusterware across the Mediterranean before its production was fully consolidated in al-Andalus between the end of the twelfth and the thirteenth century. A number of examples are presented here that indicate a flourishing trade around the Mediterranean as early as the tenth century, including pottery as well as other luxury goods. A survey of lusterware found on the Iberian Peninsula has yielded relevant information on the complex technical history of local luster production. We present seven Andalusi luster fragments from the eleventh
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Admin, Admin, Nuno Oliveira, César Oliveira, Ana M. S. Bettencourt, and Cláudia Costa. "ANALYSIS OF ORGANIC RESIDUES IN THE CONTEXT OF THE MIDDLE BRONZE AGE IN THE NORTHWESTERN IBERIAN PENINSULA: THE CASE OF THE COVA DA MOURA FUNERARY MONUMENT (VIANA DO CASTELO, NW PORTUGAL)." Estudos do Quaternário / Quaternary Studies, no. 24 (December 28, 2024): 43–50. https://doi.org/10.30893/eq.v0i24.231.

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ABSTRACT This paper presents and discusses the results of chromatographic analyses conducted on the contents of a ceramic pot recovered from Cova da Moura, a coastal funerary context located on the western slope of the Serra de Santa Luzia in Carreço, within the municipality and district of Viana do Castelo, Northwest Portugal. The site was excavated in 1931 by Abel Viana, who uncovered a monument beneath a tumulus that concealed a cluster of granite outcrops with numerous cavities (tafoni). Depositional activities in these cavities revealed several artifacts, including fragments of various ce
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Monteiro-Rodrigues, Sérgio, and César Oliveira. "A anta dos Currais do Galhordas (Castelo de Vide, Alto Alentejo, Portugal): Arquitetura, cronologia e análise química de resíduos orgânicos de recipientes cerâmicos." Estudos do Quaternário / Quaternary Studies, no. 18 (November 26, 2018): 15–34. http://dx.doi.org/10.30893/eq.v0i18.168.

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Recorrendo à cromatografia gasosa com deteção por massa, analisaram-se os conteúdos orgânicos extraídos de três vasos da anta dos Currais do Galhordas, monumento erigido na segunda metade do 4º milénio cal BC e reutilizado, pelo menos, no 3º e no 2º milénios cal BC.Ao que tudo indica, os três vasos relacionam-se com a reutilização mais recente do monumento megalítico, durante o Bronze Pleno (2º milénio cal BC). Em dois vasos identificaram-se vestígios de uva ou frutos vermelhos e peixe; no terceiro detetaram-se restos de gordura animal, possivelmente leite, associado a óleos de plantas. Os res
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Lorrio Alvarado, Alberto José, María Pastor Quiles, Miguel del Pino Curbelo, and Isidro Martínez Mira. "Los discos-tapadera cerámicos de Peña Negra (Crevillent, Alicante) y su problemática en la península ibérica durante el Hierro Antiguo." SPAL. Revista de Prehistoria y Arqueología de la Universidad de Sevilla 1, no. 31 (2022): 140–70. http://dx.doi.org/10.12795/spal.2022.i31.06.

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Se analiza un conjunto de tres discos de cerámica procedentes de los niveles del Hierro Antiguo de Peña Negra. Presentan diferentes acabados y estarían provistos de asas, por lo que deben interpretarse como tapaderas de grandes recipientes de almacenaje. Se ha realizado el estudio petrográfico y mineralógico mediante microdifracción de rayos X (µDRX). Los resultados indican que se trata de piezas de composición relativamente homogénea y de probable producción local, cocidas a baja temperatura. Se revisa el hallazgo de objetos similares en otros contextos del Hierro Antiguo, destacando los recu
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Martínez Sánchez, Rafael M., Juan Carlos Vera Rodríguez, Jesús Gámiz Caro, Salvador Pardo-Gordó, Guillem Pérez-Jordà, and Leonor Peña-Chocarro. "Reflections on the Other Side. A Southern Iberia Origin for the First Pottery Production of Northern Morocco?" Open Archaeology 7, no. 1 (2021): 1054–65. http://dx.doi.org/10.1515/opar-2020-0174.

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Abstract This work is a starting point for rethinking the role of the Iberian Peninsula in the neolithisation of northern Morocco. It focuses on the similarities and divergences between the first pottery productions and their decorations in both territories. This relationship is supported by the existence of an accurate chronological gradation between the first evidence of Neolithisation in Iberian Peninsula and that of northern Morocco which suggests a north–south direction. We also present arguments on the possible links between the early ceramics from the north of Morocco and those from the
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Busto, Zapico Miguel, and Porras Alberto García. "Ceramic Production and Social Change in the South east of the Iberian Peninsula between the Islamic and Christian Periods: The Case of Granada." International Journal of Historical Archaeology 26 (June 5, 2022): 715–39. https://doi.org/10.1007/s10761-021-00619-2.

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The major social and political shifts undergone by the south eastern Iberian Peninsula, and specifically Granada, Spain, between the fourteenth and seventeenth centuries brought about clear changes in the ceramic repertoire. This work analyzes these changes through the comparative analysis of three archaeological sites: the Castle of Mocl&iacute;n, the Palace of the Abencerrajes, and the Fortress of Lanjar&oacute;n. These sites present a clear transitional sequence spanning Nasrid repertoires and Early Modern Castilian productions, including instances of both continuity and rupture. The articl
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Peñín, Raquel Martínez. "The Role of Female Work in Ceramic Production in the Northwest of the Iberian Peninsula between the Middle Ages and the Early Modern Period." Procedia - Social and Behavioral Sciences 161 (December 2014): 213–19. http://dx.doi.org/10.1016/j.sbspro.2014.12.049.

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de Groot, Beatrijs G. "Material Methods; Considering Ceramic Raw Materials and the Spread of the Potter‘s Wheel in Early Iron Age Southern Iberia." Interdisciplinaria Archaeologica Natural Sciences in Archaeology XII, no. 2 (2021): 331–42. http://dx.doi.org/10.24916/iansa.2021.2.16.

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This paper discusses the role of clay selection and preparation in the production of wheel-made pottery in Early Iron Age southern Iberia. The first systematic use of potter’s wheels in the production of Early Iron Age ceramics in southern Iberia corresponds to the establishment of pottery workshops associated with Phoenician trade colonies, dating to the period between the end of the 10th and 7th century BCE. There are still many gaps in our understanding of how technological knowledge was transmitted between the Phoenician workshops and “indigenous’ communities that adopted the potter’s whee
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Camara, Carlos Andrés, Gonçalo Lopes, Nicola Schiavon, José Mirão, and Massimo Beltrame. "Islamic Middle Ages Pottery from Muge (Portugal), Serradinho Archaeological Site—A Long-Lasting Tradition of Pottery Production." Ceramics 8, no. 2 (2025): 31. https://doi.org/10.3390/ceramics8020031.

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During the Islamic period, ceramic workshops were commonly established in settlements throughout the Gharb al-Andalus region (Western Iberia at the time), to produce ceramics for local supply. Along the middle valley of the Tagus river (i.e., nowadays central Portugal), hundreds of Islamic ceramic sherds, either glazed or common wares, were recovered over different archaeological excavations. At the archaeological site of Serradinho, located at Muge (Municipality of Salvaterra de Magos, Santarem District, Portugal), a fortuitous finding was unearthed during agricultural works in which ceramic
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Marques, Rosa, Ana Luisa Rodrigues, Dulce Russo, et al. "Fingerprinting Ceramics from the Chalcolithic Santa Vitória Enclosure (SW Iberia)." Minerals 14, no. 4 (2024): 399. http://dx.doi.org/10.3390/min14040399.

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The Santa Vitória Chalcolithic site (southern Portugal) prompts several questions related to the provenance and production technology of artefacts. Archaeological ceramics from two sections of Ditch 1 of the Santa Vitória site were studied by neutron activation analysis and X-ray diffraction for the first time, with the main goal of contributing to the contextualization of the artefacts and better understanding their production processes/technologies and the provenance of raw materials. The results point to a local production of ceramics, since their mineral phases reflect the geological conte
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Camara, Carlos Andrés, María José Gonçalves, José Antonio Paulo Mirão, Susana Gómez Martínez, and Massimo Beltrame. "High-Lead Glazed Ceramic Production in Western Iberia (Gharb al-Andalus) between the 10th and Mid-13th Centuries: An Approach from the City of Évora (Portugal)." Ceramics 6, no. 4 (2023): 2213–42. http://dx.doi.org/10.3390/ceramics6040135.

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In the present study an archaeometry programme has been developed on a limited number of coarse wares, monochrome, and bichrome glazed ceramics retrieved in the cities of Évora, Mértola, and Silves, located in Western Iberia, Portugal (Gharb al-Andalus during the Islamic period). The goals were to shed light on glazed ceramics provenance, technology, trading, and on the glaze technology applied. For this purpose, a multi-analytical approach was employed to characterize ceramic pastes and glazes using optical microscopy (OM), X-ray diffraction (XRD), X-ray fluorescence (XRF), and a Scanning Ele
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Juan, J. Hernández García. "Apuntes sobre iconografía musical en la decoración de la cerámica ibérica." Música Oral del Sur, no. 2 (March 4, 1996): 52–62. https://doi.org/10.5281/zenodo.4621243.

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Ceramics is a definite documental source of approach to the Iberian culture, to its anthropology and ethnomusicology. The author analyzes musicians, musical instruments and dance as maln decorative representatlons in the Iberian iconography of ceramics as a way to obtain outstanding conclusions about their way of life
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Muscolino, Francesco. "Kalathoi iberici da Taormina. Aggiornamento sulla diffusione della ceramica iberica dipinta in Sicilia." Archivo Español de Arqueología 79 (December 30, 2006): 217–24. http://dx.doi.org/10.3989/aespa.2006.v79.11.

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Cámara Manzaneda, Javier, Xavier Clop García, Jaume García Rosselló, and Araceli Martín Cólliga. "Pottery forming of the Cardial and Epicardial Neolithic wares: Analysis and systematisation of technological traces from the ceramic productions of Cova del Frare (NE Iberian Peninsula, 5200-4800 BCE)." Journal of Archaeological Science: Reports 43 (June 2022): 103457. http://dx.doi.org/10.1016/j.jasrep.2022.103457.

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Crespo, Elena, Domingo A. Martín, and Jorge L. Costafreda. "Bentonite Clays Related to Volcanosedimentary Formations in Southeastern Spain: Mineralogical, Chemical and Pozzolanic Characteristics." Minerals 14, no. 8 (2024): 814. http://dx.doi.org/10.3390/min14080814.

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The volcanism that took place during the Neogene in the southeastern Iberian Peninsula caused a large accumulation of volcanosedimentary materials, which were subsequently altered and transformed into bentonite deposits. The mineral composition and technical quality of these deposits have been demonstrated and established in this work. The main object of this research is the mineral, chemical and thermal characterization of the bentonites that lie in the southeastern region of Spain and to demonstrate their technical capabilities to be used as pozzolans. The first phase of characterization of
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González-Paz, Lorena, Salomé F. P. de Almeida, Isabel Pardo, and Cristina Delgado. "Periphyton colonization and changes in the diatom assemblages of an artificial urban pond." Fundamental and Applied Limnology / Archiv für Hydrobiologie 193, no. 4 (2020): 313–26. http://dx.doi.org/10.1127/fal/2020/1282.

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Artificial ecosystems are sometimes the only opportunity for citizens to experience nature. Maintaining their quality is essential for continuing to enjoy the ecosystem services. We studied an urban pond in the Northwest Iberian Peninsula (Aveiro, Portugal) as a model for testing the suitability of diatom assemblages and indices of water quality in these particular ecosystems. Weekly sampling of three replicas was performed over 28 days on stones and ceramic tiles in a shaded site (Site-SH) and in a sunnier one (Site-SU). The best model of the distance-based analysis included temperature and N
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Busto, Zapico Miguel. "Maiolica sulla tavola nelle Asturie (Spagna). Consumo della ceramica italiana post-medievale in una regione del nord-ovest della Penisola Iberica." FACTA: A Journal of Late Roman, Medieval and Post-Medieval Material Culture Studies 14 (January 11, 2020): 11–51. https://doi.org/10.5281/zenodo.4432358.

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Busto Zapico, M. (2020). Maiolica sulla tavola nelle Asturie (Spagna). Consumo della ceramica italiana post-medievale in una regione del nord-ovest della Penisola Iberica. FACTA: A Journal of Late Roman, Medieval and Post-Medieval Material Culture Studies, 14, 11-51. doi:https://doi.org/10.19272/202030101002 Presentiamo i dati riguardanti l&rsquo;arrivo delle produzioni ceramiche italiane nelle Asturie (Spagna) e l&rsquo;evoluzione del suo consumo durante l&rsquo;Et&agrave; Moderna. Questa ricerca si basa sullo studio delle ceramiche italiane recuperate negli scavi realizzati nelle Asturie, ch
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García, Álvarez-Busto Alejandro, Calderón Noelia Fernández, and Zapico Miguel Busto. "La vajilla del monasterio de Corias (Asturias) en Época Moderna a partir del registro arqueológico y los libros de gastos [The pottery of the monastery of Corias (Asturias) in the Modern Age from archaeology and expense´s account records]." NAILOS Estudios Interdisciplinares de Arqueología 6 (January 1, 2019): 281–321. https://doi.org/10.5281/zenodo.4436390.

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Garc&iacute;a &Aacute;lvarez-Busto, A., Fern&aacute;ndez Calder&oacute;n, N., &amp; Busto Zapico, M. (2019). La vajilla del monasterio de Corias (Asturias) en &Eacute;poca Moderna a partir del registro arqueol&oacute;gico y los libros de gastos. NAILOS Estudios Interdisciplinares de Arqueolog&iacute;a, 6, 281-321. Las excavaciones arqueol&oacute;gicas realizadas en el monasterio de San Juan Bautista de Corias entre 2005 y 2012 proporcionaron el registro cer&aacute;mico m&aacute;s complejo, variado y dilatado documentado hasta la fecha en el suroccidente de Asturias. En este trabajo presentamos
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de Soto García, Isabel Sonsoles, María de los Reyes de Soto García, Blas Cabrera González, and Rosario García Giménez. "Archaeometry and Analysis of Ceramic Materials from Ávila (Spain): Late-Vetton Evidence." Sustainability 13, no. 11 (2021): 5910. http://dx.doi.org/10.3390/su13115910.

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From the archaeological excavations carried out during 2019/2020 in the walled Ávila city (Spain), numerous ceramic fragments of different chronologies have appeared that have allowed us to find settlement sequences in this city that place its beginnings before Romanization. The latest interventions allow us to know that the wall of Ávila has a Roman origin, and it was developed on an indigenous nucleus from the 1st century BC that received the Romanizing influence during the 1st century AD. In addition, it was possible to establish that the materials used for their preparation are consistent
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47

Forsyth, Donald W. "The Ceramic Sequence at Nakbe, Guatemala." Ancient Mesoamerica 4, no. 1 (1993): 31–53. http://dx.doi.org/10.1017/s0956536100000766.

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AbstractThe site of Nakbe, located approximately 13 km southeast of El Mirador in the far northern part of the Peten, has been investigated by the RAINPEG Project, directed by Richard Hansen, for the last four field seasons. The ceramic sequence from Nakbe has provided us with a much broader view of cultural development in the north-central Peten. We have defined a series of preliminary ceramic complexes that span Middle Preclassic through Late Classic times.The earliest complex at Nakbe, called Ox, which belongs to the Mamom horizon, is one of the two best represented at the site, and definit
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Pachkalov, Alexander V. "The Connections of the Iberian Peninsula States with the Golden Horde." Golden Horde Review 13, no. 1 (2025): 61–71. https://doi.org/10.22378/2313-6197.2025-13-1.61-71.

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The purpose of the article is to study the relations between the populations of the Iberian Peninsula and the Golden Horde. Research materials: Written sources, archaeological data (ceramics, numismatics, etc.). Novelty and results of the study: For the first time, the article specifically examines the little-studied connections during the 13th–15th centuries between the Iberian Peninsula and the Jochid Ulus. Information is collected from various written sources of the 13th–15th centuries, created in the territory of the Iberian Peninsula and reporting on the Golden Horde, as well as written s
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Lucena, Manuel, Jose Manuel Fuertes, Ana Luisa Martinez-Carrillo, Arturo Ruiz, and Francisco Carrascosa. "Efficient classification of Iberian ceramics using simplified curves." Journal of Cultural Heritage 19 (May 2016): 538–43. http://dx.doi.org/10.1016/j.culher.2015.10.007.

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Malfeito-Ferreira, Manuel, Joana Granja-Soares, Mahesh Chandra, et al. "Investigating the Influence of Vessel Shape on Spontaneous Fermentation in Winemaking." Fermentation 10, no. 8 (2024): 401. http://dx.doi.org/10.3390/fermentation10080401.

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The earliest archaeological evidence of wine came from ceramic vessels of the Transcaucasian ‘Shulaveri-Shomutepe’ or ‘Aratashen-Shulaveri-Shomutepe culture’ (SSC/AShSh: c. 6000–5200 BC). Western European ‘Bell Beaker culture’ (BB: c. 2500–2000 BC) is characterized by bell-shaped pottery vessels but has so far not been found with residues consistent with wine. Knowing that wild grapes populated both habitats, the absence of wine during the Bell Beaker period remains to be explained. The main goal of this work was to investigate whether the shape of the vessels could influence the performance o
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