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Dissertations / Theses on the topic 'Iberian Literature'

Author: Grafiati

Published: 7 September 2021

Last updated: 29 July 2025

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1

Rodriguez-, Pereira Victor. "Change, Monstrosity, and Hybridity in Medieval Iberian Literature." Thesis, Indiana University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10937457.

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<p> Monstrosity and transformation were intrinsically connected topics during premodern times. From Ovid’s <i>Metamorphoses</i> (<i> circa</i> 8 CE) to Isidore of Seville’s <i>Etymologies</i> (560–636 CE), intellectuals of all fields of knowledge explored the possibility of human physical transformation, and its consequences. This dissertation will approach hybrid monstrosity in imaginative literature of medieval Iberia on the basis of its textual and formal representations, but also as the repository of cultural significance and ideologies that characterize a particular time

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2

O'Brien, Erica F. ""FLIPPING THE SCRIPT": FEMININE CULPABILITY MODELS IN FIFTEENTH-CENTURY IBERIAN TEXTS." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/577421.

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Spanish<br>Ph.D.<br>This dissertation explores the ways in which feminine culpability is verbally articulated by the male courtly lover to his beloved lady within the amorous relationship in three fifteenth-century Spanish sentimental novels: Diego de San Pedro’s Cárcel de amor, published in 1492, and two of Juan de Flores' sentimental novels, Grimalte y Gradissa and Grisel and Mirabella, both published in approximately 1495, and how these motifs of feminine culpability are subverted in the anonymous fifteenth-century Catalan chivalric novel Curial e Güelfa. This subversion of culpability moti

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3

Soric, Kristina Maria. "Empires of Fiction: Coloniality in the Literatures of the Nineteenth-Century Iberian Empires after the Age of Atlantic Revolutions." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1502913220147523.

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4

Fino, Vicente Vivaldo Figueira. "Finezas venturosas: uma novela inédita do séc. XVII." Master's thesis, Universidade de Évora, 2018. http://hdl.handle.net/10174/24443.

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O objectivo do presente estudo prende-se com a divulgação e análise de um texto anónimo, com o título Finezas Venturosas, que se encontra inserido em um volume de manuscritos pertencente ao fundo de documentação patrimonial da Biblioteca Pública de Évora. Pretende-se realizar um trabalho de análise, numa primeira fase, dando a conhecer o texto e, posteriormente, estabelecer pontos de ligação com as Novelas Exemplares de Gaspar Pires de Rebelo através de estudo comparativo. Uma vez que trabalharemos com textos curtos, comummente denominados de “novelas exemplares”, será fundamental abordar as n

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5

Burner, Matthew. "An Overview of the Medieval Iberian Peninsula Culture: From the Pages of the Literature of Medieval Spain to its Cultural Context." Honors in the Major Thesis, University of Central Florida, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1579.

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The literature of Medieval Europe has been studied so extensively that there are a great number of academic contributions that can be analyzed by current and future generations. The purpose of this particular work is to examine this topic, but as it pertains to the Medieval Iberian Peninsula. The medieval age of Spain has been considered a period wrought with conflict and religious persecution throughout the confines of its borders. From the inception of the invasions of various European tribes into the Iberian Peninsula, the stage was set for a continual onset of conquest for many years to co

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6

López-Vega, Martín. "Periferias emancipadas. Políticas de la representación espacial en la Iberia reimaginada." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5556.

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This dissertation, Emancipated Peripheries. Politics of Spatial Representation in the Re-imagined Iberia, explores how the emergence of Basque, Galician and Asturian literatures has changed the web of relations between these literatures and the other consolidated Iberian literatures (Castilian, Portuguese, and Catalan), and how the coexistence of these literatures in the Iberian Peninsula forces us to re-conceptualize Iberian space as the place where the identity of a certain linguistic community is performed, understanding space in a performative way. This dissertation questions two predomina

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7

Valerio, Miguel A. ""Kings of the Kongo, Slaves of the Virgin Mary: Black Religious Confraternities Performing Cultural Agency in the Early Modern Iberian Atlantic"." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500220110065696.

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8

Mills, Vivian M. "Estudio y transcripción del Libro declarante atribuido a Abner de Burgos (MS Escorial P-ii-21)." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5381.

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Este trabajo supone un estudio y análisis, así como una transcripción semipaleográfica, del manuscrito inédito P.iii.21 de la Biblioteca del Real Monasterio de San Lorenzo de El Escorial, que contiene una copia del Libro declarante o el Libro de las tres creencias, una obra generalmente atribuida al converso castellano Abner de Burgos y que se cree se redactó a mediados del siglo XIV. Consiste de dos partes principales: Una introducción crítica donde se analizan la estructura y el propósito del Libro, así como varios temas que todavía generan controversia y a los que no se ha llegado a dar una

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9

Granados, Sáenz Martha Elena. "LAS ISLAS EN LA LITERATURA CASTELLANA DE LA BAJA EDAD MEDIA." UKnowledge, 2019. https://uknowledge.uky.edu/hisp_etds/38.

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This dissertation explores references to islands in 13th and 14th century Iberian literature in a corpus of encyclopedias, travel books and chivalry novels from 1223 through 1396. I explore how island geography became part of the Medieval imago mundi. Many Medieval readers were interested in these faraway lands where, they believed, monstrous races flourished, sea monsters lurked, and Paradise awaited to be rediscovered. The physical and human geography featured in these narratives, gave birth to an imaginary, utopian, exotic, extravagant, and mysterious concept of “islandness” located in idyl

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10

Darici, Katiuscia. "Traslaciones: Identidades híbridas en las literaturas ibéricas." Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/663636.

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En el presente trabajo presentamos casos de traslaciones culturales y lingüísticas dentro del marco teórico de los Estudios Ibéricos y de un Hispanismo renovado que supone la consideración de escritores cuya lengua de escritura no es necesariamente el castellano. Con una mirada transnacional y translacional estudiamos Pandora al Congo de Albert Sánchez Piñol, El viajero de siglo de Andrés Neuman y La filla estrangera de Najat El Hachmi. Las tres son identidades diaspóricas cuyo rasgo en común reside en el desplazamiento territorial y/o identitario que supone su biografía o su obra.<br>This wor

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11

Polidoro, Francine Alves. "Auto do Frade: a dialética das vozes." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-26032018-153944/.

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Este trabalho propõe uma leitura da obra Auto do Frade (1984), de João Cabral de Melo Neto, considerando a vertente teatral do poeta, iniciada pela tradução de duas peças espanholas, A Sapateira Prodigiosa (1951), de Federico García Lorca, e Os Mistérios da Missa (1963), de Pedro Calderón de la Barca. Parte-se do princípio de que esses dois trabalhos, nos quais estão presentes formas tradicionais ibéricas como o romance e o auto, serviram de estopim para que João Cabral construísse a sua própria obra dramatúrgica. O poema narrativo O Rio (1953) seria uma mediação entre a sua experiência enquan

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12

Benito, J. Javier Puerto. "THE HEROIDES IN ALFONSO X'S GENERAL ESTORIA: TRANSLATION, ADAPTATION, USE, AND INTERPRETATION OF A CLASSICAL WORK IN A THIRTEENTH-CENTURY IBERIAN HISTORY OF THE WORLD." Lexington, Ky. : [University of Kentucky Libraries], 2008. http://hdl.handle.net/10225/847.

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Thesis (Ph. D.)--University of Kentucky, 2008.<br>Title from document title page (viewed on November 5, 2008). Document formatted into pages; contains: x, 423 p. Includes abstract and vita. Includes bibliographical references (p. 375-421).

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13

Ikoff, Ventsislav. "Mediación cultural entre Bulgaria y el mundo hispánico: la circulación de las traducciones literarias y sus mediadores (1882-2012)." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/462204.

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Esta tesis doctoral estudia la circulación de las traducciones literarias en formato libro entre Bulgaria y el mundo hispánico (España e Hispanoamérica) durante el periodo situado entre 1882 y 2012. La investigación se ocupa de tres aspectos de la traducción literaria: 1) los flujos de traducción; 2) el papel y las prácticas de los mediadores culturales —traductores y editores— que favorecieron el intercambio cultural; y 3) los factores culturales, políticos y económicos que determinaron dicho intercambio. Un corpus de traducciones en formato libro de literatura hispánica en lengua búlgara y d

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14

Valladares, Susan. "English Romantic theatre during the Peninsular War." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:a6dc8702-5827-41c9-bb82-94a52ecb5dee.

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Between 1808 and 1814 England was committed to an expensive and bloody campaign against the French invasion of the Iberian Peninsula. The Peninsular War, as it came to be known, was initially celebrated as a war of national independence that attracted widespread support. Soon after, it was characterised by political scandal and public controversy. Literary scholars have devoted much attention to the political, social and cultural effects of the French Revolution, but have written surprisingly little about the later years of the campaign against Napoleonic France. The principle objective of thi

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15

Da, Soller Claudio. "The beautiful woman in medieval Iberia rhetoric, cosmetics, and evolution /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4175.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (July 17, 2006) Vita. Includes bibliographical references.

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16

Moreira, Sofia Lopes. "The ambiguous history of imperialism and multiculturalism in India: referencing Iberia in Salman Rushdie's The Moor's last sigh." Master's thesis, Universidade de Aveiro, 1999. http://hdl.handle.net/10773/18517.

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17

Albala, Pelegrin Marta. "De la peninsula Iberica a Italia| Concepcion y practica teatral de las primeras comedias castellanas." Thesis, City University of New York, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3601853.

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<p>In my dissertation, <i>De la península Ibérica a Italia: concepción y práctica teatral de las primeras comedias castellanas </i>, I analyze the formation of early modern Spanish comedia, in the context of Italo-Iberian cultural exchanges. My aim is to incorporate the most popular Spanish plays of the first half of the sixteenth century into the larger scenario in which they belong: one that we could name the "formation of the genre of comedy". Works such as Juan del Encina's<i> Eclogues </i>, <i>La Celestina</i> (<i>The Spanish Bawd</i>), and Torres Naharro's <i>

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18

Smolen, Carol Tueting. "Reconciliation of the Prostitute, Anchoress, and Wandering Shepherd: Coming to Terms with Self, Society, and the Divine in Thirteenth Century Iberia." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/446331.

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Spanish<br>Ph.D.<br>This doctoral dissertation examines the manifestation of Christian reconciliation in three thirteenth century literary works from the Iberian Peninsula and the island of Mallorca, then part of the Crown of Aragon. This study discusses interpretations of the term “reconciliation” and applies the term to each work with regard to three aspects: reconciliation of self with self, of self with society, and of self with the divine. Chapter 1 discusses the various connotations of the term “reconciliation.” It outlines reconciliation as a synonym of penance, as in the four-steps in

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19

Feile, Tomes Maya Caterina. "Neo-Latin America : the poetics of the "New World" in early modern epic : studies in José Manuel Peramás's 'De Invento Novo Orbe Inductoque Illuc Christi Sacrificio' (Faenza 1777)." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/273742.

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This is an investigation of the epic poetry produced in and about the Ibero-American world during the early modern period (sixteenth to eighteenth centuries) in trilingual perspective: in addition to the more familiar Spanish- and Portuguese-language texts, consideration is also––and, for the purposes of the thesis, above all––given to material in Latin. Latin was the third of the international literary languages of the Iberian imperial world; it is also by far the most neglected, having fallen between the cracks of modern disciplinary boundaries in their current configurations. The thesis see

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20

Paula, Daniel Carvalho de. "Diccionario das antiguidades de Portugal: história e edição crítica de um manuscrito (séculos XVIII e XIX)." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-11042016-134639/.

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Nosso trabalho consiste em produzir uma edição crítica e investigar a história, modo de composição e transmissão da obra inédita Diccionario das Antiguidades de Portugal. Inicialmente, este trabalho se dedicou a uma cópia manuscrita do século XIX, depositada no Instituto Histórico e Geográfico Brasileiro. A análise das referências bibliográficas de cada verbete e sistema de escrita nos convenceu de que a obra original teria sido composta no século XVIII. O estudo desta cópia levou-nos a encontrar o manuscrito original localizado na Academia das Ciências de Lisboa, sob a autoria de Pedro José d

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21

Liuzzo, Scorpo Antonella. "The idea of friendship in the literary, historical and legal works of Alfonso X of Castile (1252-1284)." Thesis, University of Exeter, 2009. http://hdl.handle.net/10036/71655.

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This research project explores an area which had been touched only tangentially, being a comparative analysis of the idea and interpretations of friendship which emerge from the three vernacular collections attributed to the supervision of King Alfonso X of Castile (1252-1284): namely the Marian songs Cantigas de Santa María, the law code known as the Siete Partidas and the chronicle Estoria de España. These sources have been examined by adopting a thematic approach which has highlighted the existence of categories such as spiritual, religious and political friendships, as well as other forms

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22

ALBARRAL, Érica Viana. "Do cantar de Mio Cid ao El Cid em quadrinhos: as representações do cavaleiro medieval em sala de aula." Universidade Federal de Alfenas, 2017. https://bdtd.unifal-mg.edu.br:8443/handle/tede/1088.

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Atualmente, é notável o interesse de um grande público pelas produções que evocam o passado medieval. Também em sala de aula, encontramos alunos que se deixam envolver pelos cenários, literaturas, histórias em quadrinhos, jogos, séries e filmes que tratam o período como algo fantástico, por isso, como um momento em que tudo é possível. O presente trabalho, objetiva analisar as representações do cavaleiro medieval, utilizando como elemento principal o Poema de Mio Cid. Por se tratar de uma pesquisa que visa a aplicabilidade do objeto estudado, utilizaremos em sala de aula as representaçõe

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23

Dodman, Maria Joao. "Beauty and ugliness in early modern Iberian literature." 2007. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=742129&T=F.

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24

Wade, Jonathan. "Early modern Iberian landscapes language, literature, and the politics of identity /." Diss., 2009. http://etd.library.vanderbilt.edu/available/etd-07272009-185557/.

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25

Martin, Santo Noemi. "“Cosas de tierras extrañas”: textos y contextos de la Relación del reyno del Nippon de Bernardino de Ávila." Thesis, 2016. https://hdl.handle.net/2144/19541.

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Bernardino de Ávila Girón was a Spanish merchant and notary who lived in Japan between 1594 and 1619. He traveled from Spain to Manila around 1583, took up residence in Nagasaki and was living there when six missionaries and twenty Japanese were crucified on February 5, 1597. He witnessed the persecution of Christians after the edict of expulsion of European missionaries on February 14, 1614. Based on these experiences and his observation of Japanese customs, he wrote the Relación del reyno del Nippon al que llaman corruptamente Jappon, the only secular account written in Spanish about Japan

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26

Méndez-Oliver, Ana L. "Frontier Identities and Migrating Souls: Reconceptualizing New Religious and Cultural Imaginaries in the Iberian Worlds." Thesis, 2017. https://doi.org/10.7916/D8NP2GSP.

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This dissertation studies the presence of hybridity, in both text and images, as a way of representing the different ethnic groups that resided in the Iberian Peninsula in the texts outlined above, along with a number of late-fifteenth-century and sixteenth-century texts belonging to lay and religious culture. The category of hybridity in conjunction with the construction of spaces and counter-spaces present in the texts and images of my dissertation serve as the unifying principle of this study by providing a particularly fruitful case study of ethnic representations of Jews, conversos, Musli

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27

Stein, Rachel Sarah. "Re-composing the Global Iberian Monarchy through the Lisbon Press of Pedro Craesbeeck (1597-1632)." Thesis, 2017. https://doi.org/10.7916/D85Q51TW.

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This dissertation investigates the role of the printing press in the global Iberian Monarchy of the Union of Crowns (1581-1640), when the Portuguese empire was annexed to Spain’s. I argue that the book printer Pedro Craesbeeck and the authors and editors who published works treating America, Africa, and Asia at his Lisbon house used the printing press to attempt to alter the Iberian Monarchy’s commercial and political composition. Pedro Craesbeeck reconfigured the printing industry of Iberian Europe by building a global publishing hub in Lisbon that attracted editorial projects from all over t

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28

Ibanez, Aristondo Miguel. "Disclosing the Far East: Transpacific Encounters and the Beginnings of Global History in the Early Modern Iberian World (1565-1670)." Thesis, 2018. https://doi.org/10.7916/D8321C11.

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This dissertation avers that the transpacific circulation of narrative artefacts - travel accounts, letters, relaciones, and illustrated codices- enabled the emergence of a new global history that departs from the ancient tradition of universal history. In the late 16th and early 17th centuries, Iberian missionaries and historians began to incorporate into their histories and chronicles of the Indies sources and material dealing with China, Japan and other regions of the Far East. The dissertation argues that this transpacific interaction enabled historians to produce synchronic modes of writi

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29

Pazos, Romero Lorena. "Monstros e seres fantásticos: un imaxinario fundador na construción da imaxe do Oriente." Master's thesis, 2017. http://hdl.handle.net/10362/33709.

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Esta tese pretende recrear a imaxe marabillosa do Oriente que se difunde na Península Ibérica nos séculos finais da Idade Media. Para cumprir tal cometido, estúdanse os monstros e seres fantásticos que aparecían nos libros de viaxes que exploraban o continente asiático. Os relatos de viaxes escollidos son aqueles que chegaron a circular na Península desde o século XIV ao XVI. En primeiro lugar, analizarase a figura do monstro, o concepto de Asia no Medievo europeo e a redescuberta do Oriente na Idade Media. Estes capítulos son necesarios para comprender despois tanto as características coma a

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30

Georgieva, Elitsa. "Teatro religioso en el siglo XVI : encuentro cultural entre Japón y el mundo ibérico." Thesis, 2020. http://hdl.handle.net/1866/24187.

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Ce mémoire s’inscrit dans le cadre disciplinaire d’études théâtrales. Son but est d’approfondir les connaissances concernant le théâtre d’évangélisation du XVIe siècle qui s’est développé au Japon après l’arrivée de missionnaires jésuites en 1549, afin de mieux saisir l’envergure et les éléments qui le définissent. En premier lieu, ce type d’art dramatique est situé dans le contexte du théâtre religieux européen du XVIe siècle en considérant, en plus, sa relation avec le théâtre d’évangélisation en Nouvelle Espagne. Ensuite, en tenant compte des investigations de Bourdon, Leims, Rubiera et R

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31

García, Borsani Laura Juanita. "Paulina Medeiros y su obra, o desde dónde ver a una mujer uruguaya del siglo XX." Master's thesis, 2015. http://hdl.handle.net/10362/15925.

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32

Nardelli, Marina Cestari. "Omissão de pronomes clíticos em crianças bilingues português europeu e espanhol ibérico." Master's thesis, 2015. http://hdl.handle.net/10362/18215.

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A omissão de pronomes clíticos por crianças em fase de aquisição da língua tem sido objeto de estudo em vários idiomas e os estudos têm revelado que existem diferenças nas taxas de omissão entre crianças monolingues e bilingues, nas faixas etárias e nas condições que são testadas. Na presente dissertação compara-se a omissão de clíticos por parte de crianças monolingues espanhol ibérico e bilingues português europeu/ espanhol ibérico em fase de aquisição, sendo que não existem ainda trabalhos que comparem bilingues a adquirir estas duas línguas. Com os dados obtidos é possível corrobora

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33

Atmaca, Delia Avila. "The paradoxical exemplar : the image of Saladin in Don Juan Manuel's El conde lucanor." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-12-4809.

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Don Juan Manuel’s laudatory portrayal of Saladin, the Muslim Sultan of Babylon, in Exempla 25 and 50 of El Conde Lucanor presents an interesting paradox, particularly when considering that the fourteenth-century text was intended as moral instruction for a Christian audience. This report addresses this paradox by determining Saladin’s placement within Juan Manuel’s moral and spiritual philosophy through textual and comparative character analyses. The first section applies Victor Turner’s social drama theory in a textual analysis of Exempla 25 and 50 to establish Juan Manuel’s representation

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