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Jeffery, Isobel Jane. "The contemporary influences of Muhyiddin Ibn #Arabi in the West : the Beshara School and the Muhyiddin Ibn #Arabi Society." Thesis, University of Exeter, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272997.
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Waldenmaier, Jacob. "Mapping embodied theological space in Ibn 'Arabi and Ramanuja." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553067.
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This comparative theology argues for three epistemological nodes across which the theologies ofIbn 'Arabi and Ramanuja can be accurately related: the Internal, External, and Hidden. The mapping is justified by its derivation from the human being's experience as a body, which distinguishes imagination, sensation, and mystery. This proposed 'Embodied Theological Space' (ETS) is explored and contrasted across two theological systems. Ibn 'Arabi, the Andalusian Sufi, develops a theory of the imagination capable of answering many problems of philosophy because the imagination is God's primary vehicle for revelation, with the world as a sensory field and God's transcendence as the hidden reality behind all that is. The Tamil Vaishnava Ramanuja articulates a triadic layering of reality, the highest degree of which is Brahman, followed by cit (mind) and acit (non-mind, or non-conscious entities), all of which are likened to composites of one body. Examining the way in which cit is related to Brahman, and the role of acit in that relationship, elucidates how Ramanuja's system can be mapped in theological space. The systems ofIbn 'Arabi and Ramanuja are then mapped together in theological space over the embodied nodes Internal, External, and Hidden. With this mapping, differences in detail can be correlated across common dimensions because the categories emerge from embodied human experience. This triadic model is offered as a helpful framework for comparative theology that may be applicable not only in comparative but also in multi disciplinary settings, since it can relate different types and contexts of revelation, religious experience, and doctrine. The comparative theological project ultimately constructs a theological ontology from the triadic epistemology.
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Abdelkhalek, Saliha Osama Farid. "Being, reification and ritual : the esoteric paradigm of Ibn Arabi." Thesis, University of Exeter, 2018. http://hdl.handle.net/10871/34518.
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Despite being a key notion in the examination of the process of human objectification, reification has not received sufficient attention in recent years, especially in the study of religion. Building on Axel Honneth’s analysis, I examine the concept of reification within a Sufi context, more precisely, within the esoteric paradigm of Ibn ‘Arabī’s oneness of being (waḥdat al-wujūd). I contend that the root of reification, not only lies in the forgetfulness of the origin of cognition in recognition, as Honneth argued, but also in the forgetfulness of the origin of recognition in pure consciousness, i.e. the oneness of being. I argue that since the problem of reification consists of the loss of the primacy of our non-discursive dimension over the discursive one, the solution must lie in the rectification of that order. This can only be brought about through mystical experience, in which a momentary suspension of thought occurs, and our identity as part and parcel of the continuum of consciousness is disclosed. Hence, I argue for the necessity of the preparation for mystical experience through ritual practice, as it moves us from discursive to non-discursive states of being. Through physical activity, our sense of embodiment is increased, shifting us from a ‘thinking’ to a ‘sensory’ mode, which paradoxically detaches us from our identification with the physical body. Using phenomenological methods and knowledge by presence theories, I examine Ibn ‘Arabī’s esoteric approach to the ritual practice of purification, prayer and fasting. I maintain that the essence of ritual is the disclosure of one’s ontological poverty, which within the paradigm of the oneness of being (waḥdat al-wujūd), must also amount to the phenomenal self-differentiation of the divine. Thus, I conclude that the root of the problem of reification essentially lies in accounts of selfhood.
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Castro, Ana Carolina Pinheiro e. "Os engastes das sabedorias. A metafísica do real em Ibn\'Arabi." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8159/tde-15052015-095747/.
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A obra de Ibn Arab (1165 d.C. /560 H.) é bastante extensa, compreendendo cerca de 400 títulos, dos quais Kitb fu½½ al-¬ikam (O livro dos engastes das sabedorias) destaca-se como um dos principais escritos no qual o autor apresenta sua concepção metafísica, de forma mais sistematizada, como sua teoria dos nomes divinos através dos quais a essência do real procede, manifestando todos os existentes, assim como trata, de maneira aprofundada, do significado dos profetas e das sabedorias por eles transmitidas, propondo uma conotação totalmente metafísica para o profético. A profecia assume, nessa obra, uma importância fundamental, ela é apresentada como a condição de possibilidade da existência determinada, assim como também a condição de possibilidade do conhecimento da essência do real, ou seja, a condição de possibilidade de conhecer a realidade primeira. É interessante notar ainda a riqueza e a complexidade discursiva, na qual vida e obra encontram-se implicadas nesse processo de existenciação, de modo que tanto o autor quanto sua obra recebem estatutos muito significativos e particulares referentes ao sistema metafísico apresentado. Servindo-se da filosofia, da teologia e da mística arabo-islâmicas, oferecendo, com isso, um pensamento, embora complexo, de alcance universal que reconhece todos os profetas do ciclo histórico e as diversas tradições reveladas, a hermenêutica de Ibn Arab evidencia-se em muito original, promovendo um diálogo criativo e conciliador entre diversas culturas, permanecendo, até os dias de hoje, profundamente rico, inovador e inspirador para as mais diversas culturas e domínios do pensamento.The work of Ibn \'Arab (1165 AD / H. 560) is quite extensive, comprising about 400 titles, of which Kitb fu½½ al-¬ikam (The Book of the bezels of wisdom) stands out as one of the major writings in which the author presents his metaphysical conception in a more systematic way as his theory of divine names, by which the essence of real conceives, showing all as he deeply addresses, the meaning of the prophets and the wisdom transmitted by them, proposing an entirely metaphysical connotation for the prophetic. On this work, the prophecy itself assumes a fundamental importance. It is presented as the condition of possibility of determined existence, as well as the condition of possibility of knowledge of the essence of real, i.e.: the condition of possibility of knowing the first reality. It is quite interesting to notice the richness and discursive complexity, in which life and the paper are implied in this existence process, so that both the author and his work receive very significant and specific status relating to the metaphysical system presented. Making use of philosophy, theology and the Arab-Islamic mysticism, offering thereby a thought, though complex, universal reach that recognizes all the prophets of the historical cycle and several revealed traditions, the hermeneutic of Ibn \'Arab evidences itself as being very original, promoting a creative and conciliatory dialogue among several cultures and remaining until this day, deeply rich, innovative and inspiring for several cultures and thought domains.
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Rahmati, Fateme. "Der Mensch als Spiegelbild Gottes in der Mystik Ibn ʻArabīs." Wiesbaden Harrassowitz, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2928492&prov=M&dok_var=1&dok_ext=htm.
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Peat, Campbell. "Presuppositions in mystical philosophies : an examination of the mystical philosophies of Sankara and Ibn Arabi." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Religious Studies, c2011, 2011. http://hdl.handle.net/10133/3102.
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This study is a comparison of the philosophical systems composed by the Indian
philosopher Sankara (788-830 CE), and the Muslim mystic, Ibn Arabi (1165-1240 CE).
The primary thesis found in this study is that the conceptual systems constructed by
Sankara and Ibn Arabi are not perfectly new creations derived from the core of their
mystical realizations. Rather, they contain fundamental pre-existing principles, concepts,
and teachings that are expanded upon and placed within a systematic philosophy or
theology that is intended to lead others to a state of realization. A selection of these
presuppositions are extracted from within each of these thinkers’ philosophical systems
and employed as structural indicators. Similarities are highlighted, yet the differences
between Sankara and Ibn Arabi’s thought, witnessed within their philosophical systems,
lead us to the conclusion that the two mystics inhabited different conceptual space.iv, 195 leaves ; 29 cm
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Addas, Claude. "Essai de biographie du Shaykh al-Akbar Muhyi l-Din Ibn Arabi, ob. 638/1240." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376021066.
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Addas, Claude. "Essai de biographie du Shaykh Al-Akbar Muhyi i-Din Ibn Arabi (OB. 638 1240)." Paris 1, 1987. http://www.theses.fr/1987PA010666.
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Essentiellement biographique, le propos de ce travail est de restituer l'itinéraire spirituel et intellectuel du grand soufi Muhyi l-din Ibn Arabi (ob. 638 1240) en le situant autant que possible dans le contexte religieux et historique de l'époque. Né à Murcie en 1165, Ibn Arabi meurt à Damas en 1240 après avoir passé la majeure partie de sa vie à sillonner l'occident musulman d'abord, puis l'orient. Sa destinée s'inscrit donc à l'un des moments les plus dramatiques de l'histoire du monde musulman : en Occident, ou Ibn Arabi passe les quarante premières années de sa vie, la reconquista gagne chaque jour du terrain ; en Orient, ou il émigra ensuite, les croisades se succèdent et le péril mongol se rapproche. Par un dépouillage minutieux des sources internes et des sources externes, ce travail tente non seulement de retracer la vie d'Ibn Arabi de manière chronologique et évènementielle mais également d'en mieux éclairer et ordonner les moments privilégiés, les étapes spirituelles marquantes et, d'autre part, de situer cette destinée exceptionnelle dans l'époque et la société qui en constituent le cadreThe aim of this biographical work is to reconstruct the spiritual and intellectual itinerary of the famous sufi Muhyi al-din Ibn Arabi (d. 638 1240) by placing it, as much as possible, in the religious and historical context of his time. Ibn 'Arabi was born in Murcia (Spain) in 1165 and died in Damascus in 1240, after having spent most of his life travelling throughout the Islamic world, first in the Maghreb and then in its eastern regions. Thus his destiny was to participate in one of the most dramatic periods in the history of the Muslim world: in the west, where Ibn Arabi spent the first forty years of his life, the reconquista was constantly gaining new ground ; in the Islamic east, to which he emigrated, the crusades were continuing and the Mongols hordes were approaching. This study, based on the detailed examination of both Ibn 'Arabi's own voluminous writings and external sources, does more than simply retrace the chronology and external events of his life. It also attempts to outline and clarify the critical moments, the decisive spiritual stages of his life, while at the same time relating that extraordinary destiny to the society in which it was situated
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DaCrema, Norma. "TRANSCENDING THE FEMININE: NEGOTIATING GENDER IN THE MYSTICISM OF IBN AL-‘ARABĪ AND FRANCIS OF ASSISI." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/313501.
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ReligionPh.D.
Explorations of how "the feminine" functions in the systematic mystical theology of Ibn al-ʿArabī (1165-1240) begin, in English, with Reynold Nicholson's early 20th century analysis of Tarjumān al-Ashwāq and extend through the work of dozens of scholars since then, most notably Henry Corbin, Toshihiko Izutsu, William Chittick, Sachiko Murata and Sa'diyya Shaikh. (Of course, one could argue that such studies in Arabic reach back as far as his foremost disciple al-Qunawi, and his foremost critic, Ibn Tamiyya. St. Francis of Assisi (1181-1226) shares with the Shaykh a general historical context as well as a famously passionate devotion to mystical practice as a strategy for achieving proximity to God. He, too, has engendered scholarly interest in his attitude toward women and the feminine as intrinsic to making that ascent, and not just among his earliest hagiographers, but through hundreds of interpreters since, most recently André Vauchez and Jacques Dalarun. Yet, despite generations of scholarship on that point, a comparative study of these two mystics has yet to be published. "Transcending the Feminine: Negotiations of Gender in the Mysticism of Ibn al-ʿArabī and Francis of Assisi" endeavors to fill that gap, and in so doing to unpack the distinctive aspects of the saint's and the Shaykh's mystical approaches, demonstrating intersections as well as departure points. Instrumental to that task are the conclusions of feminist scholars focusing on either man, but also--because the question of the feminine is so intimately associated in mystical texts with physical and spiritual desire--such an endeavor is relevant to the psychoanalytical approach to medieval religious texts, one made possible by Sigmund Freud and particularly Jacques Lacan, and then expanded upon by Luce Irigaray and Amy Hollywood. The pathway linking Francis and Ibn al-ʿArabī traverses their mysticisms, their use of metaphorical language, their specific constructions of gender, theologically and poetically, and their surprisingly complementary strategies for underscoring how the physical body emerges as crucial to the mystical ascent. Accordingly, this dissertation navigates the intriguing space in between the two--that is, in Ibn al-ʿArabī's phrasing, the barzakh where the ultimate priorities of one virtually touch those of the other, yet in a way that preserves their contradictions.
Temple University--Theses
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Johansson, Kiviaho Tilda. "Sufism ur ett genusperspektiv : En innehållsanalys av Muhuiddin Ibn ’Arabis och Abu-Hamid Muhammad al-Ghazalis texter." Thesis, Uppsala universitet, Teologiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-374853.
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There are many negative preconceptions about Islam and especially how Islam affects men and women. Women are often described to be subjugated by Islam. Sufism is Islamic mysticism and has been described as one way to give women the same opportunities as men. This thesis examines and compares how men and women are portrayed in texts written by two prominent Sufi mystics, Muhuiddin Ibn ’Arabi and Abu-Hamid Muhammad al-Ghazali. To achieve this, I have analyzed one text of each author with a qualitative content analysis. Then I have compared the results to see if there are any differences or similarities in their way of describing men and women. The theory that has been used is Yvonne Hirdman’s gender theory. The aim of the thesis is to come to a greater understanding of whether Ibn ‘Arabi and al-Ghazali increase or decrease differences between men and women in their writings. Hirdmans gender theory says that by increasing differences between men and women it negatively affects gender equality. The aim is also to examine if they support the subjugation of women. The analysis shows that al-Ghazalis writings contribute to increase differences between men and women and he also supports the subjugation of women in his text. The majority of Ibn ‘Arabis writings does not describe men and women in a way that increases differences between men and women or subjugates women.
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Abdel, Aal Ahmed. "L'art islamique et le soufisme : étude sur les fondements esthétiques chez le maître Soufi : Ibn Arabi : 1165-1240." Bordeaux 3, 1987. http://www.theses.fr/1987BOR30034.
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L’objet essentiel de cette thèse est l'analyse du problème des images en islam. Nous avons considéré l'interdiction religieuse des images d'êtres vivants dans les hadiths du prophète Muhammad comme notre meilleur accès a l'étude de l'esthétique de l'art islamique. On sait que le monothéisme est le fond de la religion en islam, ce monothéisme, en dernier ressort, est une vision de l'homme, du monde et de dieu. Cette vision est celle qui a entrainé l'art islamique à dépasser le relatif vers l'absolu, l'immédiat vers le conceptuel. Or, l'esthétique de cet art allait se baser sur le conceptuel et l'imaginal, beaucoup plus que sur les données immédiates de la nature. Nous avons expliqué qu'une vraie appréciation de la vocation de l'art islamique vers l'abstrait et les formes stylisées, est une chose inséparable d'une profonde compréhension des principes spirituels de l'islam. Notamment, la société islamique à travers le moyen-âge a bien compris l'interdiction des images comme une question de dogme. L’auteur de cette thèse ne discute pas l'esthétique de l'art islamique à partir de son jugement personnel, mais à partir de la situation de l'image en islam, et à partir de la conception musulmane sur l'art. Pour réaliser ce but, nous avons choisi le grand maitre soufi, ibn arabi 1165-1240, qui a assimile l'expérience des cinq siècles de l'islam spirituel qui l'ont précédé. A travers la pensée d'ibn arabi, nous avons étudié la réalité de l'art islamique dans trois expressions : 1) abstraction et stylisation,2) arabesque,3) calligraphie. Selon cette étude, nous avons démontré qu'ibn arabi n'est pas seulement un grand soufi, mais un esthète et un critique d'art. Même les grands fondements de l'esthétique de l'art musulman se trouvent traites dans ses écrits tout en étant des enseignements doctrinaux. En outre, ibn arabi nous présente une explication originale et profonde pour le "problème des images", fondée sur ce qu'il appelle "le monde de l'imagination". Ce nouveau portrait d'ibn arabi nous assure que les fondements esthétiques et l'art musulman sont bien lies a la métaphysique musulmaneThe main subject of this thesis is an analysis of the "problems of pictures in Islam". We have considered Prophet Muhammad’s hadiths that prohibit pictures of living creatures as the best access to the aesthetics of Islamic art. Monotheism is the essence of religion in Islam. It is a vision of man, world, and god. This vision has led Islamic art to surpass the relative to the absolute, the immediate to the conceptual. Hence, the aesthetics of Islamic art depend on the conceptual and the imaginal, more than on the imitation of given appearance of nature. We have explained that there is no true appreciation of abstraction and stylized forms, without a deep comprehension of spiritual principles of Islam. The Islamic society of middle-ages has understood the banning of pictures of living creatures as a question of faith. The author of this thesis doesn't discuss the aesthetics of Islamic art from a personal angle; discusses them in regard to the situation of pictures in Islam, and the impact of the conception of man, world, and god, in the mystical experience of Islam, whose teachings are based on the coran, and the tradition of prophet Muhammad. Among the soufis, we have chosen the thoughts of the great master ibn arabi 1165-1240, who had assimilated the experience of five centuries of spiritual Islam. Through ibn arabi, we have studied the reality of Islamic art, in three expressions:1) abstraction and stylization,2) arabesque,3) calligraphy. By this study, we have proved that ibn arabi isn't only a great soufi, but also an aesthete and a critic of art, who has presented to us a deep explanation of the problem of pictures in Islam, through the "world of imagination". This a new portrait of the great Islamic saint ibn arabi; accordingly to it, the aesthetics of Islamic art find its main fundaments in Islamic metaphysics
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Arnel, Iskandar. "The concept of the Perfect Man in the thought of Ibn 'Arabi and Muhammad Iqbal, a comparative study." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37184.pdf.
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Shah-Kazemi, Reza. "Transcendent experience or the transcendence of experience? An analysis of transcendent realization in Shankara, Ibn Arabi and Meister Eckhart." Thesis, University of Kent, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385601.
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Benato, Sandra Regina. "O coração do si mesmo : identidade essencial no pensamento de Ibn 'Arabi / Sandra R. Benato ; orientador, Jamil Inrahim Iskandar." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2008. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=971.
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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2008Bibliografia: f. 116-120
A obra de Ibn 'Arabi (1165DC), conhecido por al-Sheikh al-Akbar, o Mestre Maior, bem como sua pessoa, constituem um marco no pensamento místico muçulmano. Sua intensa experiência metafísica aliada a uma extrema plástica no cuidado das palavras e um profun
The works of Ibn 'Arabi (1165AD) known as, Al-Sheikh Al-Akbar, the Greatest of the Masters, as well as his own person, are a reference in the mystical Muslim thought. His intense metaphysical experience added to his extremely pliable use of Arabic words a
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Lipton, G. A. Ernst Carl W. "Muhibb Allah Ilahabadi's The equivalence between giving and receiving Avicennan Neoplatonism and the School of Ibn Arabi in South Asia /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,877.
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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2007.Title from electronic title page (viewed Dec. 18, 2007). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Religious Studies." Discipline: Religious Studies; Department/School: Religious Studies.
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Lala, Ismail. "The term Huwiyya in Muhyi al-Din ibn 'Arabi and 'Abd al-Razzaq al-Qashani's Sufi thought : analysis of ideas and methods." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:4ae136ee-ee89-4649-a003-d2c78855f9e3.
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Huwiyya is a term that essentially denotes the non-manifest aspect of God, His essence. But in the works of Ibn 'Arabī and al-Qāshānī, this term has many different applications corresponding to the many different facets of God and the many different modalities of His interaction with the Cosmos. God is fundamentally non-manifest, unfathomable to a creation that is ontologically and epistemologically incapable of comprehending Him - upon this primary signification both Sufis agree. However, al-Qāshānī discreetly breaks ranks with his master when he emphasises God's connection to His creation more than His dissociation from it in the context of this term, and though this aspect is also present in Ibn 'Arabī's usage of the term, in al-Qāshānī it is far more prominent. Moreoever, his scientific style and analytic approach stand in stark contrast to that of his predecessor. Both are the result of a pedagogical concern that supercedes commentative fidelity. However, though it is undeniable that al-Qāshānī's style is far more didactic, it more than just that, it is the forging of a new worldview - one that is completely congruent with, but still subtly different from, that of Ibn 'Arabī. But in order to elucidate this, it is necessary to analyse relevant aspects of Ibn 'Arabī's thought. In attempting to excavate these and other nuances of difference, I have been influenced by the method of Toshihiko Izutsu in using a term, huwiyya, as a window in to the thought and cosmology of Ibn 'Arabī and al-Qāshānī. I have also been influenced by Ronald Nettler's approach in Sufi Metaphysics and Qur'ānic Prophets, where Ibn 'Arabi's thought is rigorously pursued to expose underlying assumptions and arguments. I have used these approaches in my own way, and towards my own interpretative analysis which compares the works of Ibn 'Arabī and al-Qāshāni. Furthermore, I have supplemented this type of analysis, which is primary source based (and appears as such in the works of both Izutsu and Nettler) with secondary material to provide a broader context of the rationale behind the differences in style and content between the master and his disciple.
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Benstein, Patricia. "La conception du divin et de l’être humain universel chez Ibn ‘Arabi à travers des oeuvres et études en anglais et en français." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3011.
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Le sujet de cette thèse est la conception du divin et de l’être humain parfait (insân kâmil) et du voyage spirituel dans la doctrine d’Ibn ‘Arabi à travers une présentation et une analyse de ses œuvres et études en anglais et en français. Cela implique une analyse profonde des sujets qui sont fondamentaux tout en étant dispersés dans l’œuvre du maître. Cette étude interprétative se concentre sur l’analyse et la discussion de ce que les traductions et les études offrent au chercheur occidental. La première partie présente la conception du divin chez Ibn ‘Arabi, ce qui inclut la présentation de la doctrine des différentes dimensions de la réalité divine. Le mouvement de l’unicité à travers les noms divins à la création du cosmos et de l’être humain est présenté et analysé. La deuxième partie analyse la totalité de la réalité de l’autre angle, celui de la perspective de l’être humain dans la doctrine d’Ibn ‘Arabi. Les caractéristiques de l’amour et de la lumière, que les humains et Dieu partagent, sont éclaircies. Le développement spirituel du serviteur qui cherche la proximité de Dieu et les différences entre les saints et les prophètes sont décrites dans la deuxième partie. La troisième partie précise le lien entre les deux parties précédentes. La question de l’identité du voyageur, sa motivation et sa destination sont examinées dans la perspective de l’ascension et de la redescente. Le chapitre conclusif rassemble les conceptions clés du sujet et introduit la conception de la transcendance inclusive dans l’œuvre d’Ibn ‘ArabiThis thesis explores the concepts of the divine, the perfect human being (insan kamil) and the spiritual journey in the doctrine of Ibn ' Arabi through a presentation and analysis of his works and studies in English and French. This involves a thorough analysis of the topics that are fundamental and yet dispersed in the work of the sheikh. This interpretative study focuses on the analysis and discussion of what the translations and studies provide the Western researcher. The first part presents the concept of the divine in Ibn 'Arabi, which includes the presentation of the doctrine of the different dimensions of the divine reality. The movement of unity through the divine names in the creation of the cosmos and of human beings is presented and analysed.The second part analyses the totality of reality from another angle, that of the perspective of the human being in the doctrine of Ibn 'Arabi. The characteristics of love and light that God and humans share are elucidated. The spiritual development of the servant who seeks proximity to God and the differences between the saints and the prophets are also described. The third part of the thesis establishes the connection between the previous two parts. The question of the identity of the traveller, their motivation and final destination are discussed from the perspective of the ascent and subsequent descent. The concluding chapter brings together the key concepts of the study and introduces the concept of ‘inclusive transcendence’ in the work of Ibn 'Arabi
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Stenberg, Carl-Johan. "Religiös feminism och sufism : en hermeneutisk analys av sufisk teologi." Thesis, Uppsala universitet, Religionshistoria, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-296208.
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Abdelouahed, Houriya. "Le langage et le visuel : contribution à l'étude de la fonction du visuel dans le langage au travers du texte d'Ibn 'Arabi." Paris 7, 1993. http://www.theses.fr/1993PA070017.
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Kchouk, Ayachi Khedija. "L'héritage du soufisme dans la poétique arabe contemporaine." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAC018/document.
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Dans son premier chapitre, cette étude présente la poétique chez les penseurs, poètes et critiques confondus, dans le patrimoine arabe traditionnel jusqu’au XIVe siècle en en faisant la synthèse. Son deuxième chapitre expose le soufisme dans ses grandes lignes et dans ce qui le distingue en tant qu’approche existentielle de l’ensemble de la vision islamique. Ces mêmes caractéristiques se reflètent dans le troisième chapitre à travers la production poétique de trois de ses plus célèbres représentants à savoir Râbia Al- Adawiyya (m. 725), Umar Ibn Al-Fâridh (m.1235) et Mohyî Al-Dîn Ibn Arabî (m.1240). L’analyse de leurs œuvres respectives démontre que Râbia dans sa quête de purification, Ibn Al-Fâridh dans sa recherche à propager sa foi soufie à travers sa Tâiyya Al-Kubrâ (La Grande Tâiyya), et Ibn Arabî avec son dessein de réfuter tout écrit stable et rigide dans son recueil Turjumân Al-Achwâq (l’Interprète des désirs), ont eu trois approches différentes de la création poétique. Râbia l’utilise comme catharsis. Ibn Al-Fâridh, en s’adressant essentiellement à son lecteur, essaye de l’imprégner de sa propre foi soufie, alors qu’Ibn Arabî cherche à instaurer « un Texte » idéal. Aussi conclut‑on que ces poètes soufis ont eu trois approches différentes de la création poétique. L’analyse de leurs œuvres respectives démontre qu’« émetteur », « récepteur » et « message » sont les trois pôles d’intérêts de ces poètes. Dans le quatrième chapitre de cette étude, trois œuvres poétiques de trois poètes contemporains sont analysées afin de déceler les filigranes soufis de leurs poèmes. Il s’agit de « Al-Tûfân Al-Aswad » (Le déluge noir) de Muhammad Miftâh Al-Faytûrî (1936-…), d’Al-Kibrît wa Al-Asâbi (l’Allumette et les doigts) de Nizâr Qabbânî (1923-1998), et de Qaṣîdat Al-Takwîn (le poème de la genèse) d’Adonis (1930-…). Ainsi cette analyse prouve-t-elle l’influence du soufisme dans la pratique de la création poétique arabe. Quant au cinquième chapitre, il démontre cet héritage soufi dans les théories poétiques arabes contemporaines et son influence dans l’instauration de trois approches poétiques différentes constituant ce que l’on appellerait « l’école purificatrice », « l’école imprégnatrice » et « l’école de la réfutation» ; ces théories ne tenant nullement compte du corpus littéraire exposé dans le premier chapitre. Outre la traduction de Claudine Chonez de « la Grande Tâiyya », les poèmes analysés sont cités en annexe à la fin de cette étude avec une traduction personnelle, qui bien qu’elle ne prétende nullement refléter la profondeur et la beauté des poèmes arabes, ne désespère pas pour autant de la laisser entrevoirThe first chapter in this study presents the poetic thinkers, poets and critics alike, in the traditional Arabic heritage until the fourteenth century by making a synthesis. The second chapter presents Sufism in outline and in what distinguishes it as an existential approach throughout the Islamic view. These same characteristics are reflected in the third chapter through the poetic production of three of its most famous representatives namely Rabia Al-Adawiyya (d. 725), Umar Ibn Al-Fâridh (d. 1235) and Mohyî Al -Dîn Ibn Arabi (d. 1240). The analysis shows that in their respective works, they also had three different approaches to poetic creation. Rabia with her quest for purification uses it as a catharsis, Ibn Al-Fâridh, with his quest to spread his Sufi faith through his Al-Tâiyya Kubrâ (The Great Tâiyya),tries to impregnate his own Sufi liver faith, and Ibn Arabi, with his plan to refute any writing stable and rigid trough his collection of poems Turjumân Al-Achwaq (the interpreter of desires), seeks to establish an ideal "Text ".Thus we can conclude that these Sufi poets had three different approaches to poetic creation. The analysis of their respective writings demonstrates that "issuer", "receiver" and "message" are the three core interests of these three Sufi poets. In the fourth chapter of this study, three poetic works of three contemporary poets are analyzed to detect the Sufi watermarks of these poems. It is Al-Tufan Al-Aswad (The Black Flood) of Muhammad Miftâh Al-Faytûrî (1936 - ...), Al-Kibrît wa Al-Asâbi (The Match and the Fingers) of Nizar Qabbâni (1923-1998), and Qasîdat Al-Takwîn The Poem of the Genesis of Adonis (1930 - ...). Their analysis proves the influence of Sufism in the practice of the creation of Arabic poetry. The fifth chapter demonstrates this Sufi legacy in poetic theories in contemporary Arab thought and its influence in the establishment of three different poetic approaches constituting the so-called " the Purifying School," " the Impregnator School" and "the Refutation School", these theories take no account of the literary corpus described in the first chapter. Besides the translation of Claudine Chonez of "Great Tâiyya," the poems are cited in Appendix at the end of the study with a personal translation, which, although it does not claim to reflect in any way the depth and beauty of Arabic poems, she does not despair for the many suggest
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Villagrán, David. "Identidad del amado, identidad del amor: Estudio simbólico del epitalamio en la poesía de Muhyiddin Ibn ‘Arabi de Murcia (1165-1240) y San Juan de la Cruz (1542 – 1591) para la comprensión de una ‘doctrina del amor’." Tesis, Universidad de Chile, 2005. http://repositorio.uchile.cl/handle/2250/110231.
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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Hispánica mención LiteraturaSeminario de grado: Desde la escritura: imágenes y representaciones del Islam y los musulmanes
En el presente trabajo intentaremos defender la existencia de una ‘doctrina del amor’ a partir del estudio del símbolo epitalámico presente tanto en la obra de Ibn ‘Arabi (1165 – 1240), como en la de San Juan de la Cruz (1542 – 1591). Para esto dividiremos el estudio en tres partes: En primer lugar nos orientaremos hacia el problema del lenguaje y la escritura de la experiencia ‘mística’ de ambos autores, siguiendo su contexto histórico-tradicional, y lo apreciado por la crítica de Pablo Beneito y Luce López-Baralt. En segundo lugar nos centraremos en el simbolismo del epitalamio para el estudio comparativo de dichos textos, extendiéndonos al marco de sus tradiciones cuando sea necesario, y a las características específicas de la escritura mística de sus autores. Por último, realizaremos un estudio comparativo del simbolismo del epitalamio en ambos autores en función de mostrar su confluencia y particularidad, además de clarificar la identidad del amado en relación a sus amantes.
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Kchouk, Khedija. "L'héritage du soufisme dans la poétique arabe contemporaine." Phd thesis, Université de Strasbourg, 2012. http://tel.archives-ouvertes.fr/tel-00762584.
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Dans son premier chapitre, cette étude présente la poétique chez les penseurs, poètes et critiques confondus, dans le patrimoine arabe traditionnel jusqu'au XIVe siècle en en faisant la synthèse. Son deuxième chapitre expose le soufisme dans ses grandes lignes et dans ce qui le distingue en tant qu'approche existentielle de l'ensemble de la vision islamique. Ces mêmes caractéristiques se reflètent dans le troisième chapitre à travers la production poétique de trois de ses plus célèbres représentants à savoir Râbia Al- Adawiyya (m. 725), Umar Ibn Al-Fâridh (m.1235) et Mohyî Al-Dîn Ibn Arabî (m.1240). L'analyse de leurs œuvres respectives démontre que Râbia dans sa quête de purification, Ibn Al-Fâridh dans sa recherche à propager sa foi soufie à travers sa Tâiyya Al-Kubrâ (La Grande Tâiyya), et Ibn Arabî avec son dessein de réfuter tout écrit stable et rigide dans son recueil Turjumân Al-Achwâq (l'Interprète des désirs), ont eu trois approches différentes de la création poétique. Râbia l'utilise comme catharsis. Ibn Al-Fâridh, en s'adressant essentiellement à son lecteur, essaye de l'imprégner de sa propre foi soufie, alors qu'Ibn Arabî cherche à instaurer " un Texte " idéal. Aussi conclut‑on que ces poètes soufis ont eu trois approches différentes de la création poétique. L'analyse de leurs œuvres respectives démontre qu'" émetteur ", " récepteur " et " message " sont les trois pôles d'intérêts de ces poètes. Dans le quatrième chapitre de cette étude, trois œuvres poétiques de trois poètes contemporains sont analysées afin de déceler les filigranes soufis de leurs poèmes. Il s'agit de " Al-Tûfân Al-Aswad " (Le déluge noir) de Muhammad Miftâh Al-Faytûrî (1936-...), d'Al-Kibrît wa Al-Asâbi (l'Allumette et les doigts) de Nizâr Qabbânî (1923-1998), et de Qaṣîdat Al-Takwîn (le poème de la genèse) d'Adonis (1930-...). Ainsi cette analyse prouve-t-elle l'influence du soufisme dans la pratique de la création poétique arabe. Quant au cinquième chapitre, il démontre cet héritage soufi dans les théories poétiques arabes contemporaines et son influence dans l'instauration de trois approches poétiques différentes constituant ce que l'on appellerait " l'école purificatrice ", " l'école imprégnatrice " et " l'école de la réfutation" ; ces théories ne tenant nullement compte du corpus littéraire exposé dans le premier chapitre. Outre la traduction de Claudine Chonez de " la Grande Tâiyya ", les poèmes analysés sont cités en annexe à la fin de cette étude avec une traduction personnelle, qui bien qu'elle ne prétende nullement refléter la profondeur et la beauté des poèmes arabes, ne désespère pas pour autant de la laisser entrevoir.
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Nurasiah. "Muḥyī al-Dīn Ibn al-Arabī and Sharīah." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21246.
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This thesis examines the views held by Muh&dotbelow;yi al-Din Ibn al-`Arabi on shari`ah, based for the most part on his magnum opus, al-Futuh&dotbelow;at al-Makkiyyah. It explores his attitude towards the shari`ah as practical religious law and his teachings concerning its sources and interpretation. Despite being misunderstood on account of his s&dotbelow;ufi background and his well-known criticism of the fuqaha' Ibn al-`Arabi's teaching, in fact, advocated a strict and consistent orientation to the shari`ah. This thesis shows how, on the one hand, his criticism of the jurists was due to their inability to achieve the high standards that he set for interpreting the law, and how, on the other, his s&dotbelow;ufi beliefs complemented, rather than weakened, the foundations of the shari`ah. It is clear that the principle underlying his approach to the shari`ah's application was his belief in its being a manifestation of God's mercy. He demonstrates this by pointing to the direct sources of God's law, accepting differences in legal opinion and seeking as much as possible the deeper spiritual and universal meaning of God's intentions in the law.
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Langella, Maria-Luisa. "L'utilisation de l'arabe écrit en caractères arabes par les Juifs aux XIXe et XXe siècles." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10177/document.
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L'utilisation de l'arabe écrit en caractères arabes par les Juifs entre la fin du XIX° et la fin du XX° siècle s'inscrit dans la continuité d'un rapport de longue durée entre les Juifs et la langue arabe, et constitue un phénomène linguistique jusqu'à présent peu étudié. Afin d'en délimiter les contours et d'en prendre la mesure, nous avons constitué, à partir du travail de Shmuel Moreh en Israël, un corpus bibliographique de 654 notices de textes publiés en langue arabe par des auteurs juifs. Son analyse nous a permis de mettre en évidence la faible ampleur de ce phénomène. Premièrement du point de vue de son étendue dans le temps, car même si la première notice de notre corpus date de 1847 et la dernière de 2008, ce n'est qu'entre 1930 et 1970 que se concentre la plupart des documents répertoriés. Deuxièmement, du point de vue de son étendue géographique, car c’est essentiellement en Egypte, en Iraq et finalement en Israël que se développe ce phénomène. A ce sujet, nous préciserons cependant que celui-ci s’est exporté vers Israël, suite au départ des Juifs des pays arabes principalement durant les années 1950. Troisièmement, car il n’est soutenu que par un petit nombre d'individus, sur l’ensemble des auteurs de notre corpus. Ces considérations mises à part, nous avons pu observer un certain dynamisme dans cette production écrite. Celui-ci se manifeste d’abord du point de vue de l'hétérogénéité des genres observés dans le corpus, allant de la poésie au théâtre, en passant par les romans, les nouvelles, les essais et le journalisme. Il apparaît ensuite à travers les différentes variétés de langue arabe utilisées, telles que l’arabe classique, ou les dialectes locauxThe use of Arabic language, in Arabic characters, by the Jews between the end of the XIXth century and the end of the XXth century is one aspect of the long-standing relationship between the Jews and the Arabic language, and constitutes a distinctive linguistic phenomenon which has so far been little researched. In order to outline it and describe it, and building on Shmuel Moreh’s pioneering work in Israel, we have established a bibliographic corpus of some 654 texts and works published by Jewish authors in the Arabic language in Arabic characters. Its analysis has enabled us to highlight the limited extent of this phenomenon. First of all, from a chronological point of view: although the first reference at our disposal dates back to 1847 and the last one to 2008, most of this literature was produced between 1930 and 1970. Secondly, from a geographical point of view: this phenomenon is associated mainly with Egypt, Iraq and later Israel. In this regard, it must be noted that the phenomenon was exported to Israel after the departure of the Jews from the Arab countries principally during the 1950s, and involves almost exclusively émigré writers. Thirdly, because it involves only a small number of individuals, out of the total number of authors listed in our corpus. However, despite all these considerations, this literature is characterised by a certain degree of dynamism. This can be seen first of all in the heterogeneity of the genres observed, spanning poetry, theatre, novels, short stories, essays and journalism, and in its employ of different varieties of Arabic, such as Classical Arabic or local dialects
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Boutz, Jennifer Hill. "Ḥassān ibn Thābit, a true mukhaḍram a study of the Ghassānid odes of Ḥassān ibn Thābit /." Connect to Electronic Thesis (ProQuest), 2009. http://0-pqdtopen.proquest.com.library.lausys.georgetown.edu/#abstract?dispub=3371616.
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Dhanidina, Adil S. "Experiencing Tawḥīd : ibn 'Arabī and the power of imagination." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82699.
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This thesis will examine how the Islamic concept of tawḥid ("monotheism") was understood, and perhaps more importantly, experienced by the 12th/13th Sufi, Ibn 'Arabi (1165-1240), also known as al-Shaykh al-Akbar ("The Greatest Master"). It has been argued that tawḥid is not simply a belief but also an operation, that is to say, a continual process whereby the literal meaning of tawḥid ("asserting oneness") is upheld. This understanding of tawḥid implies a certain dualism which for Ibn 'Arabi is a reflection of the two perspectives which express God's oneness, namely, tanzih ("transcendence"), which literally means "declaring something to be pure and free of something else," and tashbih ("immanence"), of which the literal meaning is "declaring something to be similar to something else." As can be seen, tanzih and tashbih are mutually contradictory and thus present tawḥid as a paradox. However, for Ibn 'Arabi, it is essential to not ignore any one perspective in favor of the other. For him, the paradox can and must be reconciled through the power of khayal, or imagination, which alone has the ability to combine opposites and thus, bridge the gap between tanzih and tashbih , thereby allowing for the experience of tawḥid .
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Haj, Mohamad Mohamad. "Ezra Pound and Ibn Hazem : modernism and arabic culture." Thesis, Keele University, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332358.
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Rudavsky-Brody, Miriam. "Solomon ibn Gabirol and Samuel ibn Naghrela: An Examination of Life and Death." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1374014712.
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Ghazzī, Muḥammad ibn Qāsim Khatrūshī Imḥammad al-Mabrūk Ibn Mālik Muḥammad ibn ʻAbd Allāh. "Fatḥ al-Rabb al-Mālik bi-sharḥ Alfīyat Ibn Mālik." Ṭarābulus, al-Jamāhīrīyah al-ʻUẓmá : Kullīyat al-Daʻwah al-Islāmīyah wa-Lajnat al-Ḥifāẓ ʻalá al-Turāth al-Islāmī, 1991. http://catalog.hathitrust.org/api/volumes/oclc/29873051.html.
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Benjamaa, Abdelbaqui. "Lisan al-Din ibn al-Khatib homme de lettres et historien /." Online version, 1992. http://dds.crl.edu/CRLdelivery.asp?tid=12274.
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Faultless, Julian. "The prologue to John in Ibn al-Tayyib's Commentary on the Gospels." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273157.
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Embaló, Birgit. "Palästinenser im arabischen Roman Syrien, Libanon, Jordanien, Palästina 1948-1988 /." Wiesbaden : Reichert, 2000. http://catalog.hathitrust.org/api/volumes/oclc/47694365.html.
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Lazar, Louis. "Quelques réflexions sur le législateur chez Ibn Roschd." Paris 10, 1986. http://www.theses.fr/1986PA100012.
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El-Salem, A. K. A. A. "Rhetoric in Al-Mathal Al-Sa'ir : Ibn Al-Athir's contribution to 'Ilm Al-Balagha." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372628.
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Chodkiewicz, Cyrille. "Les premières polémiques autour d'Ibn 'Arabī : Ibn Taymiyya (661-728/1263-1328)." Paris 4, 1985. http://www.theses.fr/1985PA040102.
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Damāmīnī, Muḥammad ibn Abī Bakr Maṭar Fākhir Jabr. "al-Manhal al-ṣāfī fī sharḥ al-Wāfī wa-huwa sharḥ lil-Wāfī wa-huwa matn wajīz fī al-naḥw li-muʼallifihi Jamāl al-Dīn Muḥammad ibn ʻUthmān ibn ʻUmar al-Balkhī al-mutawaffī fī ḥudūd sanat 800 H /." Bayrūt : Dār al-Kutub al-ʻIlmīyah, 2008. http://catalog.hathitrust.org/api/volumes/oclc/277175414.html.
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Enderwitz, Susanne. "Liebe als Beruf : Al Abbas ibn al Ahnaf und das Gazal /." Stuttgart : F. Steiner, 1995. http://catalogue.bnf.fr/ark:/12148/cb392232568.
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Gully, Adrian John. "Aspects of semantics, grammatical categories and other linguistic considerations in Ibn-Hisham's Mughni al-Labib." Thesis, University of Exeter, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.292947.
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Buturović, Amila 1963. "Love in the poetry of Ibn Quzmān." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63925.
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Jagonak, Martin. "Das Bild der Liebe im Werk des Dichters Ǧamīl ibn Maʻmar /." Wiesbaden : Harrassowitz, 2008. http://catalogue.bnf.fr/ark:/12148/cb412978508.
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Aljelajel, Almazroui Karima Matar. "Invented Spelling in Arabic: What Do United Arab Emirates (U.A.E.) Sixth Grade Students Know about Arabic Spelling." Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/195470.
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This study explores invented spelling in Arabic. Since spelling in the United Arab Emirates (UAE) is taught through dictation and composition, this study explores and compares spelling inventions that occur in students' writing in each context. Samples of dictation and composition were collected from three sixth grade classrooms taught by UAE teachers. In addition, this study aimed to investigate what sixth grade students in the (UAE) know about Arabic spelling. A number of features were examined to explore the participants' knowledge and use of certain Arabic spelling rules. Spelling inventions were categorized into three linguistic levels for analysis: 1) phonological level, 2) grammatical level, and 3) orthographic level to answer three of the research question. The findings of student's spelling inventions in their compositions were compared to those found in dictation. Interviews were also conducted to supplement written samples, and to study what sixth grade students report that they do when Arabic standard spelling in unknown. In practice, this study will serve Arabic teachers in the Arabic world as a resource in teaching, evaluating, and understanding invented spelling. Students' invented spellings must be seen as opportunities to contribute actively to their own learning. By combining an understanding of invented spelling with formal spelling instruction, teachers will develop more effective spelling instructions. Findings included: sixth grade students' spelling inventions that occurred in dictations reflected the phonological level primarily; writing compositions drew students' attention to meaning making rather than writing every word accurately; students wrote spontaneously and used their knowledge of information, poems, Koran and Hadith in their compositions. When standard spelling in unknown, students reported that they have many strategies to overcome spelling difficulties such as sounding out, asking for help, visualization, etc. However, they do not advise other students who have spelling difficulties to use the same techniques they use in the same order.
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Guellati, Amel. "La notion d’adab chez Ibn Qutayba : étude générique et éclairage comparatiste." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040106.
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Cette recherche s’inscrit dans une double démarche : restitution d’une cohérence globale à l’œuvre d’Ibn Qutayba et essai de définition de la littérature d’adab. Elle s’articule autour de la fonction auteur dans les 'Uyºn al-AÏbær, et dans ce type de textes, ainsi que de la fonction rhétorique de cet ouvrage qui l’apparente à un recueil d’exempla de l’Occident médiéval. La parenté des 'Uyºn al-AÏbær avec le genre de l’encyclopédie y est également abordée. Enrichie d’un éclairage comparatiste apporté par la littérature médiévale occidentale, la confrontation critique de ce texte avec les interprétations qui en ont été données est fondée sur l’analyse rhétorique et stylistique du prologue des 'Uyºn al-AÏbær, ainsi que sur la lecture transversale des introductions des trois ouvrages fondamentaux d’adab d’Ibn Qutayba, que sont l’Adab al-Kætib, les 'Uyºn al-AÏbær et les Ma'ærif. La traduction annotée des deux dernières citées accompagne cette rechercheThe objectives of this thesis were twofold : the first was to restore to the work of Ibn Qutayba its overall coherence ; with this primary objective in view, it was necessary to elucidate its literary context : adab literature.The analysis is conducted firstly in terms of the author-function both in the 'Uyûn al-Akhbâr and in texts similar to it, and secondly in terms of the rhetorical function wich allies it with the Medieval exempla collections of the Western tradition. Drawing on rhetorical and stylistic analysis of the Prologue of the 'Uyûn al-Akhbâr, as well as on a transversal reading of the introductions to the three primary adab works : the Adab al-Kâtib, the 'Uyûn al-Akhbâr and the Ma'ârif of Ibn Qutayba, it was possible to confront the original with critical interpretations of the work. Annotated translations of the introductions to two of these three sister works (the 'Uyûn al-Akhbâr and the Ma'ârif) accompany this study
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Sartori, Manuel. "Le Šarḥ al-Kāfiyaẗ de Ibn al-Ḥāǧib : édition critique d’un manuscrit grammatical arabe du VII e/XIII e siècle." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3064.
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Édition critique d'un traité grammatical arabe du viie/xiiie siècle, dit Imlāʾ ʿalā al-Kāfiyaẗ(«la Scolie du Précis») ou Šarḥ al-Kāfiyaẗ («Le Commentaire du Précis»), ce travail présente l'autocommentaire (1-601) fait par Ibn al-Ḥāğib (désormais IḤ, m. 646/1249) de son propre épitomé grammatical, al-Kāfiyaẗ fī al-naḥw («le Précis en syntaxe»), lui-même résumé du Mufaṣṣal («Capitulaire») de Zamaḫšarī (m. 538/1144). Cette édition se fonde sur quatre sources : trois manuscrits médiévaux (Damas ixe/xve, Dublin xe/xive et Londres 717/1317) et une édition imprimée ancienne (Istanbul, 1311/1894). Un ensemble de notes d'apparat critique justifient le choix de l'éditeur scientifique. Le texte est par ailleurs complété par une table détaillé des matières/notions, des index (versets coraniques, vers poétiques et auteurs cités) et une bibliographie. L'édition est introduite par une partie française qui rapelle l'histoire de l'édition occidentale de textes grammaticaux arabes dans laquelle elle s'insère (Introduction, I, ii-viii) et présente les détails techniques de l'édition en question (Int., II, ix-xvi). Ce travail s'attarde ensuite sur la vie de IḤ et présente ses maîtres, disciples et entourage afin de mieux connaître ce grammairien et jurologue arabe médiéval (Présentation, I, 2-28)This work, as a critical edition of an Arabic grammatical treatise from the seventh/thirteenth century, called al-Imlāʾ ʿalā al-Kāfiyaẗ(«The Scolia of the Precis») or Šarḥ al-Kāfiyaẗ(«The Commentary on the Precis»), presents the self-commentary (p. 1-601) made by Ibnn al-Ḥāğib (now IḤ, d. 646/1249) of its own grammatical epitome, al-Kāfiyaẗfī al-naḥw («The Precis of the Syntax»), itself being the Mufaṣṣal's summary of Zamaḫšaī's (d. 538/1144). This edition is based on four sources: three medieval manuscripts (Damascus ninth/fifteenth, Dublin tenth/fourteenth and London 717/1317) and an ancient printed edition (Istanbul, 1311/1894). A set of notes that are critical apparatus justify the choice of the editor. The text is also supplemented with a detailes table of contents/concepts, index (Qur'anic verses, poetic verses and quoted authors) and an bibliography. The edition is introduced by a French section that reminds the history of Western editing of Arabic grammatical texts in which this work takes place (Introductio, I, ii-viii) and presents the technical details of the edition in question (Int., II, ix-xvi). Then this work focuses on IḤ's life and presents his masters, followres and acquaintance to learn more about this medieval Arab grammarian and law specialist (Presentation, I, 28-28). Follows a presentation of the works of IḤ, both in grammar and law fields and, in detail, the basic texte (matn) of the self-commentary, al-Kāfiyaẗ(Pres., II, 29-40)
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Smithuis, R. "Abraham ibn Ezra the astrologer and the transmission of Arabic science to the Christian West." Thesis, University of Manchester, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503695.
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Haj, Yousef Mohamed Ali. "The concept of time in Ibn 'Arabȋ's cosmology and its implication for modern physics." Thesis, University of Exeter, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414261.
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Durūbī, Samīr Maḥmūd Ibn Faḍl Allāh al-ʻUmarī Aḥmad ibn Yaḥyá. "A critical edition of and study on Ibn Faḍl Allāh's manual of secretaryship "al-Taʻrīf bi'l-muṣṭalaḥ al-sharīf"." [al-Karak, Jordan] : Publications of the Deanship of Research and Graduate Studies, Muʼtah Univ, 1992. http://catalog.hathitrust.org/api/volumes/oclc/28875336.html.
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Chatrath, Nick. "Tradition and innovation in the Mamluk period : the anti-bid‘a literature of Ibn al-Ḥājj (d. 737/1336) and Ibn al-Naḥḥās (d. 814/1411)." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:feda45d1-c656-4d7c-aa27-9846c788c375.
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This study seeks to contribute to a growing discussion about Islamic intellectual endeavours in the Middle Periods, providing new evidence from the genre of anti-innovation tracts (anti-bid‘a tracts) that has hitherto received relatively little modern scholarly attention. Specifically, this thesis examines tradition and innovation in Islam during the Mamluk period (648/1250 – 922/1517) through the lens of two jurists and their anti-innovation tracts. Ibn al-Ḥājj (d. 737/1336) was a Mālikī from North Africa who wrote Madkhal al-shar‘ al-sharīf. Ibn al-Naḥḥās (d. 814/1411), by contrast, was a Shāfi‘ī (and former Ḥanafī) from Damascus, who wrote a tract contained within his Tanbīh al-ghāfilīn, a work concerned with the duty of commanding right and forbidding wrong, and with naming and briefly discussing various sins and innovations. Ibn al-Ḥājj’s and Ibn al-Naḥḥās’ anti-innovation tracts are studied here for the first time in their own right, together with English translations of representative passages of their work that allow the reader to gain a direct impression of them. In addition to this, this thesis makes three unique arguments. First, anti-innovation tracts should be read as prescriptive yet flexible examples of furū‘. Second, the authors of the tracts investigated here, Ibn al-Ḥājj and Ibn al-Naḥḥās, were both ‘outsiders’ to Mamluk Egypt, who used this genre to define and regulate correct Muslim practices, in less formal ways that were both new and continuous with earlier thinking. Ibn al-Ḥājj’s programme - urging fledgling scholars, in almost encyclopaedic fashion, to know about and teach against innovative practices - was more important for him than addressing the topics of intention and innovation that feature in the full title of his work. Ibn al-Naḥḥās is an interestingly obscure figure. In an abbreviated and direct style, he urged non-specialists in Mamluk lands to censure innovations, and even to prevent them. Third, Ibn al-Ḥājj and Ibn al-Naḥḥās conceived of loyalty to their legal school in ways that require us to expand the terms of modern scholarly debates about such loyalty. This study contributes to the relatively recent, and fast-growing, literature on the Mamluk period in general, and its legal literature in particular. It supports a recent perspective on the Mamluk period, by illustrating the continuity and evolution of legal thinking during this period, which is both predicated upon, and differs substantially from, earlier periods of Islamic history. and deserves study in its own right.
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Crofts, C. M. "Kitab al-Iktiyarat 'ala l-buyut al-itnai 'asar by Sahl ibn Bisr al-Isra'ili with its Latin translation De Electionibus." Thesis, University of Glasgow, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233166.
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Nurasiah. "Mu¥hy¢i al-D¢i n Ibn al-¬Arab¢i and shar¢i¬ah." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0028/MQ50552.pdf.
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Al-Droubi, S. M. A. "A critical edition of and study on Ibn Fadl Allahs manual of secretaryship al-Tac rif bil-Mustalah al-Sharif." Thesis, University of Manchester, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234217.
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