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Journal articles on the topic 'Iconic group “Favor”'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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1

Олена, Рудич. "ЦЕРКОВНІ РОЗПИСИ ВИПУСКНИКІВ ЛЬВІВСЬКОЇ НАЦІОНАЛЬНОЇ АКАДЕМІЇ МИСТЕЦТВ". ВІСНИК Львівської національної академії мистецтв, № 27 (18 листопада 2015): 191–201. https://doi.org/10.5281/zenodo.33957.

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The article examines the influence of sacred art department on the development of modern iconography Ukraine. For twenty years the department has produced many talented painters such as D. Horditsa, D. Movchan, S. Bishop, A. Cherednichenko engaged easel and monumental sacred painting, creating their own farm, are modern Ukrainian iconography at various exhibitions. Stylistic comparisons paintings and leading workshops search common featuresmodern Lviv school of icon painting found that painters organically combine the tradition of Byzantine iconography of folk crafts and Ukrainian modernism, r
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2

Navei, Nyamawero. "Youth participation in traditional cultural practices in contemporary Tumu: An exposé on the Ceremonial Costume Art of Fuowie Nasolo, a youth cultural iconic figure in Tumu." Journal of African History, Culture and Arts 3, no. 1 (2023): 13–28. http://dx.doi.org/10.57040/jahca.v3i1.307.

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Youth participation in traditional cultural practices in contemporary Africa (Ghana) has been on the decline due to the alarming rate at which African youth assimilate foreign cultures. Many African (Ghanaian) youth nowadays mock African (Ghanaian) ethnic cultures in favour of Western cultures. However, previous research suggests youth cultural activism in Tumu, Ghana. This positive development has the tendency to preserve and promote the cultural identity of Tumu. This study, therefore, sought to establish the motivation behind youth participation in traditional cultural practices in contempo
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3

Frey, Nathalie, and Carina Lüke. "Iconic gestures support novel word learning in multilingual students with SLCN in classrooms." Child Language Teaching and Therapy, April 2, 2023, 026565902311669. http://dx.doi.org/10.1177/02656590231166919.

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Learning academic vocabulary is a crucial task for all students, but especially challenging for students with speech, language, and communication needs (SLCN) and those who are multilingual. Following a participatory research strategy, we analyze whether iconic gestures can be integrated in teaching routines in an inclusive elementary school and whether the presentation of iconic gestures supports novel word learning over the period of four math lessons. One hundred and sixteen students (44% boys), the majority (91%) with SLCN, participated in the study. We conducted a control group design in
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BOLAT, Eren. "SOCIAL STIGMATIZATION AND PENALIZATION OF WOMEN IN SAADAWI’S THE FALL OF THE IMAM." Folklor Akademi Dergisi, March 27, 2023. http://dx.doi.org/10.55666/folklor.1145428.

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This study aims to examine the social stigmatization and punishment of women in The Fall of the Imam by Nawal El Saadawi, iconic Egyptian feminist writer who could not remain apathetic to the violence, exclusion and punishment methods developed by the society against women in an environment where people are afraid to speak. In conservative and authoritarian societies, it is quite common for individuals to be restricted and required to live according to strictly defined social norms. If a person acts or behaves in ways outside the boundaries and limits demanded by society, it is highly probable
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Vrbančič, Franc, and Slavko Kocijančič. "Strategy for learning microcontroller programming—a graphical or a textual start?" Education and Information Technologies, July 14, 2023. http://dx.doi.org/10.1007/s10639-023-12024-9.

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AbstractMicrocontroller programming competencies contribute to the sustainable employability of engineering graduates of both higher and secondary education. To develop the required programming skills, one of the challenges for educators is to determine which programming environments should be implemented in introductory programming courses. Conceptually, graphical (e.g. iconic or diagrammatic) environments appear to be very different from textual environments. Our study focused on a programming course in a mechatronics vocational training programme at the secondary school level in Slovenia. T
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NYAMAWERO, NAVEI. "Youth participation in traditional cultural practices in contemporary Tumu: An exposé on the Ceremonial Costume Art of Fuowie Nasolo, a youth cultural iconic figure in Tumu." January 18, 2023. https://doi.org/10.57040/jahca.v3i1.307.

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ABSTRACT:  Youth participation in traditional cultural practices in contemporary Africa (Ghana) has been on the decline due to the alarming rate at which African youth assimilate foreign cultures. Many African (Ghanaian) youth nowadays mock African (Ghanaian) ethnic cultures in favour of Western cultures. However, previous research suggests youth cultural activism in Tumu, Ghana. This positive development has the tendency to preserve and promote the cultural identity of Tumu. This study, therefore, sought to establish the motivation behind youth participation in traditional cultural pract
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7

BERGENSTAL, RICHARD M., SARA K. WATT, ANA LAURA S. A. MATOS, et al. "85-LB: CGM Outcomes and Hypoglycemia Duration with Once-Weekly Insulin Icodec vs. Once-Daily Insulin Glargine U100 in Insulin-Naïve T2D—ONWARDS 1 Exploratory Analysis." Diabetes 72, Supplement_1 (2023). http://dx.doi.org/10.2337/db23-85-lb.

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In ONWARDS 1, a phase 3a, treat-to-target trial (NCT04460885) in insulin-naïve T2D randomized 1:1 to once-weekly icodec or once-daily glargine U100, time in, above and below range (TIR, TAR, TBR) and hypoglycemia duration were assessed with double-blinded CGM at pre-specified periods throughout the trial. TIR (70-180 mg/dL), TAR (>180 mg/dL), TBR (<70 and <54 mg/dL), median duration of hypoglycemia <70 mg/dL and the proportion of an episode spent <54 mg/dL were assessed at weeks (wks) 0-4, 22-26, 48-52, and 74-78. At wks 22-26, 48-52, and 74-78, mean TIR with
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8

Lingvay, Ildiko, Malik Benamar, Liming Chen, et al. "Once-weekly IcoSema versus once-weekly semaglutide in adults with type 2 diabetes: the COMBINE 2 randomised clinical trial." Diabetologia, January 17, 2025. https://doi.org/10.1007/s00125-024-06348-5.

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Abstract Aims/hypothesis COMBINE 2 assessed the efficacy and safety of once-weekly IcoSema (a combination therapy of basal insulin icodec and semaglutide) vs once-weekly semaglutide (a glucagon-like peptide-1 analogue) 1.0 mg in individuals with type 2 diabetes inadequately managed with GLP-1 receptor agonist (GLP-1 RA) therapy, with or without additional oral glucose-lowering medications. Methods This 52 week, randomised, multicentre, open-label, parallel group, Phase IIIa trial was conducted across 121 sites in 13 countries/regions. Adults with type 2 diabetes (HbA1c 53.0–85.8 mmol/mol [7.0–
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9

Gibson, Chris. "On the Overland Trail: Sheet Music, Masculinity and Travelling ‘Country’." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.82.

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Introduction One of the ways in which ‘country’ is made to work discursively is in ‘country music’ – defining a genre and sensibility in music production, marketing and consumption. This article seeks to excavate one small niche in the historical geography of country music to explore exactly how discursive antecedents emerged, and crucially, how images associated with ‘country’ surfaced and travelled internationally via one of the new ‘global’ media of the first half of the twentieth century – sheet music. My central arguments are twofold: first, that alongside aural qualities and lyrical cont
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Nairn, Angelique, and Lorna Piatti-Farnell. "The Power of Chaos." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3012.

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In 2019, Netflix released the first season of its highly anticipated show The Witcher. Based on the books of Polish author Andrzej Sapkowski, the fantasy show tells the intersecting stories of the Witcher Geralt of Rivia (Henry Cavill), the princess of Cintra Ciri (Freya Allan), and sorceress Yennefer of Vengerberg (Anya Chalotra), who is commonly referred to as a ‘mage’. Although not as popular among critics as its original book incarnations and adapted game counterparts, the show went on to achieve an 89% audience score on Rotten Tomatoes and was subsequently renewed for more seasons. Althou
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Nairn, Angelique. "Chasing Dreams, Finding Nightmares: Exploring the Creative Limits of the Music Career." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1624.

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In the 2019 documentary Chasing Happiness, recording artist/musician Joe Jonas tells audiences that the band was “living the dream”. Similarly, in the 2012 documentary Artifact, lead singer Jared Leto remarks that at the height of Thirty Seconds to Mars’s success, they “were living the dream”. However, for both the Jonas Brothers and Thirty Seconds to Mars, their experiences of the music industry (much like other commercially successful recording artists) soon transformed into nightmares. Similar to other commercially successful recording artists, the Jonas Brothers and Thirty Seconds to Mars,
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12

Page, John. "Counterculture, Property, Place, and Time: Nimbin, 1973." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.900.

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Property as both an idea and a practice has been interpreted through the prism of a liberal, law and economics paradigm since at least the 18th century. This dominant (and domineering) perspective stresses the primacy of individualism, the power of exclusion, and the values of private commodity. By contrast, concepts of property that evolved out of the counterculture of the 1960s and early 1970s challenged this hegemony. Countercultural, or Aquarian, ideas of property stressed pre-liberal, long forgotten property norms such as sociability, community, inclusion and personhood, and contested a p
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Cushing, Nancy. "To Eat or Not to Eat Kangaroo: Bargaining over Food Choice in the Anthropocene." M/C Journal 22, no. 2 (2019). http://dx.doi.org/10.5204/mcj.1508.

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Kangatarianism is the rather inelegant word coined in the first decade of the twenty-first century to describe an omnivorous diet in which the only meat consumed is that of the kangaroo. First published in the media in 2010 (Barone; Zukerman), the term circulated in Australian environmental and academic circles including the Global Animal conference at the University of Wollongong in July 2011 where I first heard it from members of the Think Tank for Kangaroos (THINKK) group. By June 2017, it had gained enough attention to be named the Oxford English Dictionary’s Australian word of the month (
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14

Dowse, Jill Francesca. ""So what will you do on the plinth?”: A Personal Experience of Disclosure during Antony Gormley’s "One & Other" Project." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.193.

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Who can be represented in art? How can we make it? How can we experience it? [...] It has provided an open space of possibility for many to test their sense of self and how they might communicate this to a wider world. (Gormley)On Friday 17 July 2009, from 12.00 am to 1.00 am, I was on the Fourth Plinth in Trafalgar Square, London, as part of British sculptor Antony Gormley’s One & Other project. Over a period of 100 days, 2,400 people were randomly selected (from 34,000 applicants) to occupy this site for sixty minutes each. Gormley’s sculptures have mostly focused on explorations of the
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15

Rodriguez, Aleesha, and Amanda Levido. "“My Little Influencer”." M/C Journal 26, no. 2 (2023). http://dx.doi.org/10.5204/mcj.2948.

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Introduction Wooden toys have been a staple in many family homes. Even LEGO's iconic plastic building blocks had humble beginnings as wooden toys (Lauwaert). Arguably, the materiality of wooden toys evokes normative feelings of nostalgia for a simpler past, where the uncomplicated nature of the wooden product provided the space for all sorts of imaginative play. It is through this lens that we find the adaptation of wooden toys into playsets that emulate particular vocations, like a doctor's kit and a carpenter's toolbox, an interesting entry point to consider the boundary of what is an accept
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