Relevant bibliographies by topics / Iconoclasts / Dissertations / Theses
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Dissertations / Theses on the topic 'Iconoclasts'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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1

Swan, Lisa. "Madeleine L'Engle and Philip Pullman Iconoclasts or ...? /." CONNECT TO ELECTRONIC THESIS, 2008. http://hdl.handle.net/1961/6989.

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2

Salmond, Noel A. "Hindu iconoclasts : Rammohun Roy, Dayananda Sarasvati, and nineteenth-century polemics against idolatry." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0016/NQ55378.pdf.

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3

Basdevant-Corbier, Patricia. "Edward Albee, dramaturge iconoclaste." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0399.

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Figure patricienne incontournable du panorama de la création théâtrale, digne successeur d’Eugene O’Neill, de Tennessee Williams et d’Arthur Miller, Edward Albee (1928-2016) a insufflé une nouvelle vitalité au théâtre américain. Son œuvre iconoclaste, reçue avec ricanements, consternation ou enthousiasme, rejette l’existence d’une coupure entre la réalité, ses apparences, et l’imaginaire. Meneur de jeu imaginatif et provocateur, Albee cherche à produire un théâtre “réaliste” en abordant le problème des rapports entre apparences et réalité dans le théâtre du monde (Theatrum Mundi), sur le plan
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4

Alexander, Lydia L. "Iconoclast in the mirror." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4822/.

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This work explores identity positions of speakers in modern and contemporary poetry with respect to themes of subjectivity, self-awareness, lyricism, heteroglossia, and social contextualization, from perspectives including Bakhtinian, queer, feminist and postructuralist theories, and Peircian semiotics. Tony Hoagland, W.H. Auden, Adrienne Rich, and the poetic prose of Hélène Cixous provide textual examples of an evolving aesthetic in which the poet's self and world comprise multiple dynamic, open relationships supplanting one in which simple correspondences between signifiers and signifieds de
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5

Licari, Saverio. "Fundamentos teológicos da Iconografia Cristã." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/18347.

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Made available in DSpace on 2016-04-29T14:27:25Z (GMT). No. of bitstreams: 1 Saverio Licari.pdf: 2801424 bytes, checksum: 7748a79f4fa18f9d525296eb14443c55 (MD5) Previous issue date: 2014-08-20<br>The following essay has as its main point to present an analysis about the influence and importance of the Christian icon on the history of Christianity. It is around the logos that Christianity will form its theological reflection. However, the image, even when subordinated to the word, has never ceased to influence valuably the mind of men. On this essay, will be enhanced the vigorous role that Ch
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6

Song-Kwon, Sou-Kyung. "Nathalie Sarraute : une écriture iconoclaste." Tours, 2000. http://www.theses.fr/2000TOUR2009.

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Ce travail s'intéresse à l'écriture de Nathalie Sarraute sous l'angle de l'iconoclasme, compris en tant que métaphore de la fonction littéraire. La première partie est consacre à la représentation et a la défiguration de l'image mentale des personnages sarrautiens. Nous étendons le champ de notre investigation à l'art plastique et avons la peinture moderne en particulier, dans laquelle on constate une esthétique de défiguration. L'ouverture et la profondeur de l'écriture de Sarraute permettent une extension à la phénoménologie, à l'ontologie et à l'éthique. La deuxième partie analyse le rappor
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7

Calefati, Christopher. "«Aborrito infamato e negletto dei Borboni il nome sarà» : gesti e voci di dissidenza antiborbonica nel regno delle due Sicilie continentale (1848-1859)." Electronic Thesis or Diss., Paris Est, 2023. http://www.theses.fr/2023PESC0019.

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Le travail de thèse s’insère dans le sillon interprétatif qui a vu un renouvellement de l’historiographie du XIXe siècle européen, selon les canons des interprétations provenant de l’histoire culturelle. Les nouvelles théories sur les pratiques de politisation visuelle et informelle servent de base à la lecture des actes d’iconoclasme et de violence verbale antiborbonique dans le Royaume des Deux-Siciles entre la grande mobilisation de 1848 et 1859. Les deux moments analysés sont caractérisés par deux attitudes différentes de la part de la monarchie : au cours de la révolution de Quarante-huit
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8

Hennuy, Jean-Frédéric. "Des iconoclastes heureux et sans complexe /." New York : P. Lang, 2007. http://catalogue.bnf.fr/ark:/12148/cb412419893.

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Texte remanié de: Thèse de doctorat--French studies--Providence, R.I.--Brown university, 2004. Titre de soutenance : Des iconoclastes heureux et sans complexe. Pour une dialectique des littératures francophones.<br>Bibliogr. p. 143-151.
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9

Tremblay, Vincent. "L'image du pouvoir impérial dans la Chronographie de Théophane le Confesseur pendant le premier iconoclasme Byzantin (717-815)." Mémoire, Université de Sherbrooke, 2013. http://savoirs.usherbrooke.ca/handle/11143/60.

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L’étude de l’iconoclasme byzantin, cette crise théologique ayant pour cause l’essor du culte associé aux images religieuses, a été un exercice ardu pour les historiens. En effet, les maigres sources disponibles pour cette période sont toutes favorables au culte des images. Bien qu’écrite par un iconodoule convaincu et hostile aux empereurs iconoclastes, la Chronographie de Théophane le Confesseur ne mérite pourtant pas ses étiquettes contemporaines de pro-iconophile et d’anti-iconoclaste. Le présent mémoire propose donc de revoir et de nuancer les écrits de Théophane en ce qui a trait au pouvo
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10

Oliveira, Érico Fernando de. "South Park: (des)construção iconoclasta das celebridades." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4436.

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Made available in DSpace on 2016-04-26T18:12:08Z (GMT). No. of bitstreams: 1 Erico Fernando de Oliveira.pdf: 5223723 bytes, checksum: 1749e79bae5a6d85c540c5a643463e3b (MD5) Previous issue date: 2012-10-08<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The reason of this research is studying the contemporary and social construction of the celebrities as well as the role that it exerts at the mediatic civilization. Therefore we focused on the American TV show South Park, an animation that is dedicated at caricature them. We worked with the hypothesis that the idol is a simul
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11

Setari, Nicola <1978&gt. "Dall'iconoclastia all'iconoclash ricerche sulle strategie iconoclaste contemporanee." Doctoral thesis, Università Ca' Foscari Venezia, 2008. http://hdl.handle.net/10579/544.

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12

Deary, Janice L. ""A picture held us captive" : investigations towards an iconoclastic praxeology." Thesis, St Andrews, 2007. http://hdl.handle.net/10023/370.

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13

Sougstad, Timothy J. "Iconoclastic tradition in American literature /." free to MU campus, to others for purchase, 2001. http://wwwlib.umi.com/cr/mo/fullcit?p3036857.

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14

Cheung, Pui-yi, and 張佩兒. "The iconoclasm of Han Yu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B41004693.

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15

Al-Kasim, Faisal Moayad. "Iconoclasm in modern British drama." Thesis, University of Hull, 1989. http://hydra.hull.ac.uk/resources/hull:8285.

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Iconoclasm has proved to be a major feature in modern British drama, where in a short period of time, the theatre has witnessed a host of iconoclastic dramatists, where demythologization has been widespread and fierce and where the icons of the present and the past have been subjected to a wholesale desecration in large numbers at the hands of the Ardens, Brenton, Bond, Churchill and others, who, as their dramatization of history and its idols has shown, have much in common. Although the above playwrights and others were most active towards the end of the sixties and throughout the seventies,
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16

Pérez, Antonio. "Judaísmo iconoclasta. Levinas y el tiempo de la palabra." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/112992.

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17

Tremblay, Vincent. "L'image du pouvoir imp??rial dans la Chronographie de Th??ophane le Confesseur pendant le premier iconoclasme Byzantin (717-815)." Mémoire, Universit?? de Sherbrooke, 2013. http://savoirs.usherbrooke.ca/handle/11143/60.

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L?????tude de l???iconoclasme byzantin, cette crise th??ologique ayant pour cause l???essor du culte associ?? aux images religieuses, a ??t?? un exercice ardu pour les historiens. En effet, les maigres sources disponibles pour cette p??riode sont toutes favorables au culte des images. Bien qu?????crite par un iconodoule convaincu et hostile aux empereurs iconoclastes, la Chronographie de Th??ophane le Confesseur ne m??rite pourtant pas ses ??tiquettes contemporaines de pro-iconophile et d???anti-iconoclaste. Le pr??sent m??moire propose donc de revoir et de nuancer les ??crits de Th??ophane en
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18

Humphreys, Michael Thomas George. "Law, power and imperial ideology in the Iconoclast era." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610325.

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19

Spraggon, Julie. "Puritan iconoclasm in England 1640-1660." Thesis, University College London (University of London), 2000. http://discovery.ucl.ac.uk/1349283/.

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A study of Puritan iconoclasm in England during the period of the civil wars and Interregnum, this thesis looks at the reasons for the resurgence of large-scale iconoclasm a hundred years after the break with Rome. Initially a reaction to the emphasis on ceremony and the 'beauty of holiness' under Archbishop Laud, the attack on recent 'innovations' introduced into the church (such as images, stained glass windows and communion rails) developed into a drive for further reformation led by the Long Parliament. Increasingly radical legislation targeted not just 'new popery', but pre-reformation su
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20

Amaral, Debora Gomes Pereira. "A iconoclastia nas pinturas da capela do antigo Convento do Cristo da Paciência de Madri (século XVII)." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-22082016-105602/.

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Em nossa dissertação de Mestrado analisamos o conjunto de quatro pinturas retabulares encomendadas na década de 40 do século XVII para ornar a capela do hoje extinto Convento dos Capuchinhos da Paciência de Cristo de Madri (1651-1836). Estas pinturas narram a lenda que ficou conhecida como a do Santo Cristo da Paciência ou do Cristo das Injurias, e figuram o ataque de um grupo de pessoas a um crucifixo que, enquanto sofre tal desacato, expressa o seu poder milagroso através da fala e do jorro de sangue. Nosso objetivo foi, por meio da análise dessas pinturas, entender o significado das imagens
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21

Clay, Richard Simon. "Signs of power : iconoclasm in Paris, 1789-1795." Thesis, University College London (University of London), 1999. http://discovery.ucl.ac.uk/1317978/.

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This thesis is about iconoclasm in Paris, 1789-1795. Previous full-length studies on the subject have condemned revolutionary iconoclasm as 'vandalism' because, they claim, it showed barbaric disrespect for art's sacred, aesthetic and historical values. This thesis argues that such condemnations are anachronistic because they fail to recognise the variety of ways in which late eighteenth-century Parisians used art, assessed its value and established appropriate ways of treating it. For many eighteenth-century Parisians, religious and political art had a vital role to play in mediating struggle
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22

Hojbjerg, Christian Kordt. "Resisting state iconoclasm among the Loma of Guinea /." Durham (N. C.) : Carolina academic press, 2007. http://catalogue.bnf.fr/ark:/12148/cb41108726b.

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23

Barberi, Bernard. "La normalisation de l'information comptable : approche critique et iconoclaste des normes comptables." Thesis, Bourgogne Franche-Comté, 2018. http://www.theses.fr/2018UBFCH025.

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L’information comptable vise à donner une image fidèle de la situation financière de l’entreprise. Cette information se caractérise par un cadre normatif très développé qui influence dans une large mesure le message émis par les concepteurs de cette information mais qui affecte également la façon dont les récepteurs le perçoivent. Après avoir défini la notion de normes en général sous différents prismes d’analyse, puis examiné le(s) cadre(s) normatif(s) comptable(s) applicable(s) en France, nous essaierons de comprendre quel est le rôle réel des normes comptables, et notamment, si ces normes v
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24

Gheerardyn, Claire. "La Statue dans la ville : littératures européennes, russes et américaines à la rencontre des monuments (XIXe - XXIe siècles)." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAC021.

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Traversant un ample corpus textuel rédigé en de nombreuses langues, ce travail interroge les rapports peu explorés entre littérature et sculpture, à partir d’un objet, le monument, « fait social total » mêlant enjeux politiques, idéologiques, religieux et esthétiques. Dispositif autoritaire, le monument exerce une efficace pour dominer et transformer celui qui le rencontre. La littérature accompagne, s’approprie, contre au moyen de stratégies d’iconoclasme textuel, dévoie, et renouvelle les actes accomplis par les monuments : glorifier les héros, signifier l’histoire, édifier la société, répon
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25

Almecija, Juan. "The family in colonial Venezuela, 1745 - 1798 : an iconoclastic view." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239793.

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26

Pereira, Júlio César. "Incentivo fiscal à cultura: do do-in antropológico à iconoclastia." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/2/2133/tde-17112011-134109/.

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A partir de pontos específicos da teoria bakhtiniana e de elementos da semiótica da cultura traçados pela Escola de Tártu-Moscou, o presente trabalho reúne fundamentos para desenvolver uma concepção de cultura em consonância com o preconizado pela Constituição Federal. A construção da noção de cultura estimulável, pela precípua análise dos enunciados constitucionais, objetiva à superação de uma concepção antropológica de cultura, passadista e incompatível com os postulados da igualdade e da liberdade. Neste intento, ingressa-se no estudo dos modos de intervenção estatal na sociedade e, mais es
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Santana, Marcia Elaine Fernandes Pedralino. "Iconoclastia digital : Deus, Jesus e Maria pelo "Porta dos Fundos"." Universidade Estadual de Londrina. Centro de Educação, Comunicação e Artes. Programa de Pós-Graduação em Comunicação, 2017. http://www.bibliotecadigital.uel.br/document/?code=vtls000217034.

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Este trabalho se dedica a compreender o processo de ressignificação de duas das principais imagens de culto cristão católico - Maria e Jesus - e da imagem tabu de Deus, utilizando como objeto de análise os esquetes com temática religiosa cristã do canal humorístico do YouTube Porta dos Fundos. Inicialmente a revisão historiográfica contextualiza o surgimento e consolidação dessas três figuras como objetos de devoção cristã. Posteriormente a pesquisa é direcionada para um levantamento das alusões do Porta dos Fundos a essas imagens e uma revisão teórica dos trabalhos que analisam a produção do
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28

Nejad, Ayla Maryam. "Iconoclasm Culture, Hegemony, & the Purifying Violence of Cognitive Reorganization." Thesis, The American University of Paris (France), 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13871653.

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29

Aldridge, James Francis. "The cross and its cult in an age of iconoclasm." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1239881828.

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30

Silva, Aline Fogaça dos Santos Reis e. "Giovanni Papini iconoclasta e religioso: diferentes fases da recepção do escritor florentino no Brasil." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-06062018-131836/.

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A trajetória literária de Giovanni Papini pode ser dividida em duas fases: a iconoclasta e a católica. A presente pesquisa tem como objetivo o exame da recepção do escritor florentino no Brasil, por meio de suas obras traduzidas para o português norma brasileira e pelo mapeamento de notas, resenhas, crônicas e artigos publicados em alguns dos principais periódicos nacionais. Em um primeiro momento, ele é lido e discutido, especialmente pelos intelectuais modernistas, no embate entre futurismo italiano e modernismo brasileiro; em um segundo, pelo viés da tradução, principalmente através das obr
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31

Hamdeh, Emad. "The emergence of an iconoclast : Muḥammad Nāṣir al-Dīn al-Albānī and his critics". Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/15435.

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The legacy of the 20th Century Albanian Islamic scholar Muḥammad Nāṣir al-Dīn al-Albānī is a unique brand of Salafism, a movement whose adherents promote as establishing an eternal model of proper Muslim creed, practice, exegesis, and conduct that stands in stark contrast to madhhab Traditionalism. The purpose of this study is to trace the origins and manifestation of Albānīʾs critique of madhhab Traditionalism. In tracing origins, the study explores the strict madhhab environment in which Albānī was raised, a religious and social climate that fomented his disdain for Traditionalism and led hi
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Dieb, Helena de Azevedo. "Anatomia do Corpo Cru: a iconoclastia na moda de Ronaldo Fraga." Universidade Federal da Paraí­ba, 2013. http://tede.biblioteca.ufpb.br:8080/handle/tede/3891.

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Made available in DSpace on 2015-04-16T15:18:44Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1722355 bytes, checksum: 0a0745e3a02cfd24b3e8abf67b72239a (MD5) Previous issue date: 2013-08-09<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Este trabajo habla de conexiones entre moda y artes visuales. No se trata de la moda como sector productivo de bienes de consumo y nuevas necesidades, y sí de la moda como un campo creativo de gran poder de comunicación, capacidad que el estilista Ronaldo Fraga, reconoce y se apropia con maestría para discutir, por medio de sus c
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Ip, Hung-yok, and 葉紅玉. "The relationship between iconoclasm and nationalism in the May Fourth period: the case of Ch'en Tu-hsiu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1985. http://hub.hku.hk/bib/B31948546.

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Scott, Helen E. "Confronting nightmares : responding to iconoclasm in Western museums and art galleries." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/788.

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Dixon, Ros. "From iconoclast to traditionalist : a study of Anatolii Efros's productions of Chekhov, Gogol and Turgenev." Thesis, University of Nottingham, 2003. http://eprints.nottingham.ac.uk/11232/.

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Between 1951 and 1987 the Russian director Anatolii Efros created seventy four stage productions, thirteen television films, four feature films and four radio plays. His work made a significant contribution to the development of Russian theatre in the twentieth century, but has received no comprehensive study in Russian or English. This thesis provides an overview of his career but concentrates on a central aspect: his response to the Russian classic canon. It analyses in depth seven productions created in Moscow over some fifteen years. These are discussed in the context of his reaction to th
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Duarte, Ricardo Diogo Mainsel. "Violência anticlerical na I República (1910-1917): perspectivas antropológicas e historiográficas." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2011. http://hdl.handle.net/10362/7317.

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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Antropologia – Cultura Material e Consumos,<br>O conflito que opôs o Estado à Igreja no decorrer I República é geralmente apontado como uma das principais causas da instabilidade política e social que se verificou nos primeiros anos e é-lhe atribuído um peso determinante para o desfecho político do regime. Perante esse cenário, actos de resistência popular religiosa e acções de violência dirigidas ao clero e à Igreja Católica ganham destaque, remetendo-se a sua expressão para os termos dos dois
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Muniz, Junior João [UNESP]. "Biografia e história: panteonização e iconoclastia em narrativas de Raimundo Magalhães Junior." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/136097.

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Made available in DSpace on 2016-03-07T19:21:15Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-08-27. Added 1 bitstream(s) on 2016-03-07T19:25:14Z : No. of bitstreams: 1 000856312_20170827.pdf: 363692 bytes, checksum: f9409d2ecf9badd0861e27c9762e6988 (MD5) Bitstreams deleted on 2017-09-01T13:14:06Z: 000856312_20170827.pdf,. Added 1 bitstream(s) on 2017-09-01T13:15:02Z : No. of bitstreams: 1 000856312.pdf: 2514946 bytes, checksum: 31fceb0ff4df9719e7609f4251c1729a (MD5)<br>Esta pesquisa tem o objetivo de analisar aspectos da obra biográfica de Raimundo Magalhães Junior. Para tanto, pr
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Muniz, Junior João. "Biografia e história : panteonização e iconoclastia em narrativas de Raimundo Magalhães Junior /." Assis, 2015. http://hdl.handle.net/11449/136097.

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Orientador: Wilton Carlos Lima da Silva<br>Banca: Alexandre de Sá Avelar<br>Banca: Karina Anhezini de Araujo<br>Resumo: Esta pesquisa tem o objetivo de analisar aspectos da obra biográfica de Raimundo Magalhães Junior. Para tanto, propusemos fazer esse estudo a partir das biografias Deodoro, a espada contra o Império (1957); Rui, o homem e o mito (1964); e, A vida turbulenta de José do Patrocínio (1969), a fim de analisar a escrita da história nas narrativas biográficas assinadas por Raimundo Magalhães Junior. O texto biográfico deste autor é rico pelas questões que suscita para uma reflexão s
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Noyes, James Rupert Arundell. "A comparative account of Calvinist and Wahhabi iconoclasm : extending some Weberian terms." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611679.

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Cheung, Pui-yi. "The iconoclasm of Han Yu Han Yu de te li du xing /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41004693.

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PAPOULIAS, CHARALAMPOS. "Iconoclastia endogena dell'immagine. Una teoria dell'immagine nel sistema del sapere di G.W.F. Hegel." Doctoral thesis, Università del Piemonte Orientale, 2017. http://hdl.handle.net/11579/86900.

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Lo scopo principale di questa ricerca è la ricostruzione sistematica del senso della nozione di "immagine" nel pensiero hegeliano, seguendo come linea guida l'Enciclopedia delle scienze filosofiche e approfondendo ulteriormente seguendo le lezioni berlinesi di Hegel sulle diverse discipline filosofiche. Così, le tre grandi sfere di Idea-Natura-Spirito, danno luogo a una declinazione tripartita di una teoria dell'immagine unitaria: l'Ontologia della Parvenza, la teoria della Visibilità e la teoria della Rappresentazione, tutte connesse tra loro in modo immediato dal concetto di manifestazione c
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Stelliferi, Paola <1985&gt. "Una liberazione «fratricida e iconoclasta» : l'impatto dei femminismi sugli uomini della nuova sinistra nell'Italia degli anni Settanta." Doctoral thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8838.

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Il lavoro è incentrato sulla storia del movimento femminista italiano degli anni Settanta (ripercorsa dalla formazione dei primi collettivi "d’avanguardia" all'assunzione di una dimensione di massa alla metà del decennio) e analizza le reazioni maschili al suo emergere e affermarsi come fenomeno politico. Il focus è sui giovani uomini della cosiddetta “sinistra rivoluzionaria” che per primi fronteggiarono la diffusione delle pratiche e delle teorie dei nuovi femminismi e, in numerosi casi, il fenomeno tipicamente italiano della “doppia militanza”. La campagna elettorale per il referendum sul
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Jung, Myung Won. "Iconoclasm and aesthetics from fear to celebration, focusing on contemporary cases in Korea /." Theological Research Exchange Network (TREN), 2005. http://www.tren.com/search.cfm?p051-0111.

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Jung, Myung Won. "Iconoclasm and aesthetics from fear to celebration, focusing on contemporary cases in Korea /." Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.

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Bridges, Timothy. "'Down with it, even to the ground' : William Dowsing's reception of the iconoclastic rationale." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/10440.

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Caricatured as the Arch Vandal, William Dowsing (bap. 1596-1668) was a farmer and a soldier who entered into history as a radical figure in the English Civil War between Charles I and the Long Parliament. The Earl of Manchester commissioned Dowsing to tear down ‘pictures and superstitious images’ in the name of God and a parliamentary ordinance of 1643. The commission grew out of a series of puritan reform measures which aimed to overthrow the ‘popish innovations’ implemented in part by Archbishop William Laud in the 1630s. Dowsing’s iconoclastic campaign resulted in controversial visitations
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Ip, Hung-yok. "The relationship between iconoclasm and nationalism in the May Fourth period : the case of Ch'en Tu-hsiu /." [Hong Kong : University of Hong Kong], 1985. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12347917.

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Latorre, Boza Derik. "Una Mirada Iconoclasta y Profanadora de la Catedral: Competencia Arbitral para Declarar la Nulidad de Actos Administrativos Fictos." Derecho & Sociedad, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/118594.

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Lecercle, François. "Le signe et la relique : les théologies de l'image à la Renaissance." Montpellier 3, 1987. http://www.theses.fr/1987MON30022.

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Uphus, Johannes. "Der Horos des Zweiten Konzils von Nizäa 787 : Interpretationen und Kommentar auf der Grundlage der Konzilsakten mit besonderer Berücksichtigung der Bilderfrage /." Paderborn : F. Schöningh, 2004. http://catalogue.bnf.fr/ark:/12148/cb41338334t.

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Texte remanié de: Dissertation--Katholisch-Theologische Fakultät--Bonn--Rheinische Friedrich-Wilhelms-Universität, 2002.<br>Contient le texte grec de la décision du Concile de Nicée II avec sa traduction allemande.
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Kazan, Georges. "Cults and relics at Constantinople : their origins and development before iconoclasm (A.D. 330-720)." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533817.

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