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Relevant bibliographies by topics / Iconographic studies

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Academic literature on the topic 'Iconographic studies'

Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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Journal articles on the topic "Iconographic studies"

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Luka, Oksana Victoria. "On Western Ukrainian Iconographic Practice." Studies in World Christianity 17, no. 2 (2011): 119–36. http://dx.doi.org/10.3366/swc.2011.0016.

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Standard works on the theology of icons and histories of Byzantine art usually present us with well-known and prominent examples of Byzantine iconography. Often overlooked, however, are the many and various traditions of iconography that have flourished in small and distant regions. These little-known local iconographic traditions, however, have great value. The aim of this paper is to present reflections on the importance of local iconography in the life of faith of Eastern Christian communities by drawing attention to the unique iconographic tradition developed in Western Ukraine. Emphasis i

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Salvador-González, José María. "The Iconographic Type of the Coronation of the Virgin in the Renaissance Italian Painting in the Light of the Medieval Theology." Religions 13, no. 12 (2022): 1145. http://dx.doi.org/10.3390/rel13121145.

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This article highlights the artistic and conceptual relevance of the iconographic type of the Coronation of Mary in Italy during the Late Middle Ages and Early Modernity. We have analyzed 14 Italian Renaissance paintings, aiming to discover the possible doctrinal sources that inspire them. From a conceptual perspective, we have specified that the iconography of The Coronation of the Virgin in Italy is directly inspired by the comments of some Church Fathers and medieval theologians and hymnographers. From the formal perspective, we discover that three different iconographyc types complement ea

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Pinciroli Vago, Nicolò Oreste Pinciroli, Federico Milani, Piero Fraternali, and Ricardo da Silva Torres. "Comparing CAM Algorithms for the Identification of Salient Image Features in Iconography Artwork Analysis." Journal of Imaging 7, no. 7 (2021): 106. http://dx.doi.org/10.3390/jimaging7070106.

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Iconography studies the visual content of artworks by considering the themes portrayed in them and their representation. Computer Vision has been used to identify iconographic subjects in paintings and Convolutional Neural Networks enabled the effective classification of characters in Christian art paintings. However, it still has to be demonstrated if the classification results obtained by CNNs rely on the same iconographic properties that human experts exploit when studying iconography and if the architecture of a classifier trained on whole artwork images can be exploited to support the muc

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MUNTEAN, Marcel Gheorghe. "Last Judgment in iconography.Case studies." Arta 31, no. 1 (2022): 15–22. http://dx.doi.org/10.52603/arta.2022.31-1.02.

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The present study proposes a research on the iconography of the Last Judgment, starting from the 5th and 6th centuries up to the 14th century, when the compositional structure had already been established. These early scenes correspond to a symbolic vision whose character and perspective are both eschatological. The theological elements set forth demonstrate the fact that the iconographic scenes have a biblical foundation that is both necessary and included in their thematic typology. We have analyzed case studies both from Eastern Europe and from the West; they testify to the fact that certai

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John H. Oakley. "Greek Children: Three New Iconographic Studies." American Journal of Archaeology 118, no. 4 (2014): 677. http://dx.doi.org/10.3764/aja.118.4.0677.

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Eskandari, Nasir, Mojgan Shafiee, Ali Akbar Mesgar, Federico Zorzi, and Massimo Vidale. "A Copper Statuette from South-Eastern Iran (3rd Millennium B.C.)." Iran and the Caucasus 26, no. 1 (2022): 17–31. http://dx.doi.org/10.1163/1573384x-20220102.

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We present a copper alloy statuette confiscated by the Iranian security forces in the surroundings of Jiroft (Kerman, Iran) with other artifacts of the 3rd millennium B.C. Its iconography is discussed with synthetic reviews of selected snake-related iconographic themes in coeval ancient Mesopotamia, Iran, and southern Central Asia. Two micro-fragments, analyzed by ESEM, revealed the alloy and an unusual decorative treatment of its surface. The statuette hints at an important mythological or religious identity so far unknown.

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Monzón Pertejo, Elena. "The Transit of Mary Magdalene’s Soul in Catalan Artistic Production in the 15th Century." Religions 12, no. 11 (2021): 1009. http://dx.doi.org/10.3390/rel12111009.

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There are a great many studies on the figure of Mary Magdalene in different areas of knowledge. Nevertheless, there is a gap as regards the image of this character in Catalonia, and specifically regarding the visual representation of her soul at the moment when she died. This text aims to analyze this matter based on two Catalan altarpieces: the Altarpiece of Saint Mary Magdalene from Perella (Bernat Martorell, 1437–1453) and The Death of Mary Magdalene (Jaume Huguet, 1465–1480). The analysis has been carried out based on the postulates from the tradition of studies on iconography and iconolog

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de Hulster, Izaak J. "The Two Angels in John 20.12: An Egyptian Icon of Resurrection." New Testament Studies 59, no. 1 (2012): 20–49. http://dx.doi.org/10.1017/s0028688512000239.

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The scene with two angels that Mary Magdalene sees in John 20.12 could have been visualized as an icon of resurrection by the first readers of the Fourth Gospel, especially by those familiar with the iconography of the Isis cult which was spread over the Roman Empire. Using traditional exegetical, hermeneutical, historical, and iconographic methods, this article stresses the importance of the resurrection in John 20, as corroborated by the motif of Isis and Nephthys flanking Osiris while mourning his death and assisting him in his resurrection.

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Meredith, Peter, Clifford Davidson, and John H. Stroupe. "Iconographic and Comparative Studies in Medieval Drama." Yearbook of English Studies 25 (1995): 257. http://dx.doi.org/10.2307/3508851.

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Vinzent, Jutta. "In Search of Hybridity: Inculturation, Interculturation and Transculturation in Contemporary Religious Art in Britain." Exchange 39, no. 1 (2010): 29–48. http://dx.doi.org/10.1163/016627410x12559405201117.

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AbstractThis essay explores contemporary religious art in Britain through the lens of Homi K. Bhabha’s concept of hybridity. While he leaves it rather ‘ambivalent’, this essay suggests that in visual representations, various forms of hybridity can be distinguished: inculturation, interculturation and transculturation. These three types, hijacked from religious dialogue discourses, show a variety of power relations in representation and context; while incultural elements are based on a dominant versus subordinate role, intercultural ones form a dialogue; both expand iconographic vocabularies. T

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Dissertations / Theses on the topic "Iconographic studies"

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Gerber, Danièlle. "An iconographic investigation of the attributes and functions of Ancient Egyptian canine deities and their relation to death." Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78057.

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The Ancient Egyptians have always had a strong connection with their animals. This can be seen in the depictions of their gods as well as in their way of writing in hieroglyphics, in which multiple animal figures are used. The Ancient Egyptians are also associated strongly with the afterlife and their interest in the deceased and funerary texts. Much of the Ancient Egyptian material culture that has been preserved has some connection to one of these aspects. Their funerary culture has been well-preserved thanks to the dry and arid conditions of the desert, while the Nile has almost completely

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Klingbeil, Martin Gerhard. "Syro-Palestinian stamp seals from the Persian Period (538-332 B.C.): an analysis of their iconographic motifs and inscriptions." Thesis, Stellenbosch : University of Stellenbosch, 1992. http://hdl.handle.net/10019.1/1950.

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Thesis (MA (Ancient Studies)--University of Stellenbosch, 1992.<br>In the course of this M.A. thesis, 65 stamp seals (conoids, scaraboids, signet rings and scarabs) have been collected, described, and analyzed. They stem from legal archaeological excavations in Syro-Palestine, and have been found in strata and contexts which can clearly be ascribed to the Persian period. Methodological questions were addressed, including the following: historical outline of the Persian period, geographical limitations of the study, archaeological considerations, and the iconographic and epigraphic aspect

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Ako-Adounvo, Gifty. "Studies in the iconography of Blacks in Roman art." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ50980.pdf.

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Johnson, Lakesia Denise. "The Iconography of the Black Female Revolutionary and New Narratives of Justice." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1213127495.

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Veder, Robin. "Dying Virgins and Mourning Mothers: A Study in American Mourning Iconography." W&M ScholarWorks, 1995. https://scholarworks.wm.edu/etd/1539625944.

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Rask, Katherine. "Greek Devotional Images: Iconography and Interpretation in the Religious Arts." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338473387.

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Biggs, Jeremy. "The Ideological Transformation of the Icon Chairman Mao during the Four Modernisations period : As illustrated by "Melody of Youth, Beautiful Soul"." Thesis, Högskolan Dalarna, Kinesiska, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-23243.

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After Chairman Mao's death, in the late 1980's, Mao was removed from official government communications and his iconography transformed from having a specific meaning generation role linked to Maoist ideology, to becoming available for use as a commodity. In this research I use cultural theorist Jacques Derrida's theory of Hauntology and the deconstruction method to analyse a representative Chinese Propaganda poster, "Melody of Youth, Beautiful Soul", in order to ascertain the effect Mao's death had on the Iconography of Chairman Mao, and how Mao is ideologically transformed during this period

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Ashley, Angela. "The Roman de la rose : textual, codicological and iconographical aspects of MS. Grey 4c12." Master's thesis, University of Cape Town, 2000. http://hdl.handle.net/11427/7753.

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Includes bibliography.<br>This study involves an examination of one particular Old French illuminated secular manuscript, nanlely MS Grey 4 c 12, a fourteenth century copy of the poem Le Roman de la Rose. It attempts to understand the relationship between its illumination and the written text and to describe the unique features of its miniatures and marginalia, as well as including a codicological description of the manuscript.

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Moock, Derk W. von. "Die figürlichen Grabstelen Attikas in der Kaiserzeit : Studien zur Verbreitung, Chronologie, Typologie und Iconographie /." Mainz : von Zabern, 1998. http://catalogue.bnf.fr/ark:/12148/cb39217252n.

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Sini, Efthalia-Thalia. "Studies in the choice and iconography of everyday scenes on fourth-century Athenian vases." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670241.

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Books on the topic "Iconographic studies"

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Image, text, exegesis: Iconographic interpretation and the Hebrew Bible. Bloomsbury, 2014.

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Studies in Indian iconography. Publication Scheme, 1994.

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Studies in Byzantine manuscript illumination and iconography. Pindar Press, 1996.

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Anne, Ross. Pagan Celtic Britain: Studies in iconography and tradition. Academy Chicago Publishers, 1996.

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Ross, Anne. Pagan Celtic Britain: Studies in iconography and tradition. Academy Chicago, 1996.

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Ross, Anne. Pagan Celtic Britain: Studies in iconography and tradition. Constable, 1993.

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Pagan Celtic Britain: Studies in iconography and tradition. Constable, 1992.

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Trees, kings, and politics: Studies in Assyrian iconography. Academic Press, 2003.

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Looking for lost lore: Studies in folklore, ethnology, and iconography. University of Alabama Press, 2008.

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Images from the Byzantine periphery: Studies in iconography and style. Alexandros Press, 2007.

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Book chapters on the topic "Iconographic studies"

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de Castro León, Víctor, and Alberto Tiburcio. "‘Alī al-Sharafīʼs 1551 Atlas: A Construct Full of Riddles." In Übersetzungskulturen der Frühen Neuzeit. Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62562-0_13.

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AbstractThis paper examines the practices of translation in the 1551 Atlas of ‘Alī al-Sharafī of Sfax (d. after 1579). Drawing on conceptual frameworks from translation studies, linguistics, and other disciplines of textual and historical analysis, we argue that the iconographic and textual elements of the atlas –such as calendrical tables, qibla charts, knot patterns in frames, and depictions of flags and banners in sectional charts– reflect a quest for ways to culturally adapt map-making practices that were shared across the Mediterranean realm. As such, the product in question cannot be fully understood through the lens of traditional dichotomies such as Islamic vs. Christian or European vs. Middle Eastern or North African, as its cultural references and semiotic repertoire extend beyond subregional and confessional demarcations.

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Hebel, Udo J. "Iconography, interpictoriality, and Transnational American Studies." In The Routledge Companion to Transnational American Studies. Routledge, 2019. http://dx.doi.org/10.4324/9781315163932-20.

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Bastida, Rebeca Sanmartín. "Performing authority through iconography." In The Routledge Hispanic Studies Companion to Medieval Iberia. Routledge, 2021. http://dx.doi.org/10.4324/9781315210483-44.

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Horton, Ian, and Maggie Gray. "Iconography and Cultural History in Comics Studies." In Art History for Comics. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-07353-3_3.

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Parry, Ken. "7. The Iconography of the Christian Tombstones from Zayton." In Silk Road Studies. Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.srs-eb.4.00177.

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Bayless, Martha. "Clothing, Exposure, and the Depiction of Sin in Passion Iconography." In Medieval Church Studies. Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.mcs-eb.3.1879.

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Baschet, Jérôme. "Iconography beyond Iconography: Relational Meanings and Figures of Authority in the Reliefs of Souillac." In Current Directions in Eleventh- and Twelfth-Century Sculpture Studies. Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.svcma-eb.4.6002.

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Jackson, Margaret A. "The Symbolic Value of Food in Moche Iconography." In The Latin American Studies Book Series. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51629-1_10.

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Boenig, Robert. "Musical Instruments as Iconographical Artifacts in Medieval Poetry." In Arizona Studies in the Middle Ages and Renaissance. Brepols Publishers, 2001. http://dx.doi.org/10.1484/m.asmar-eb.3.1355.

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Leone, Massimo. "The Iconography of the Giving of the Law: A Semiotic Overview." In Law, Culture and Visual Studies. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-90-481-9322-6_18.

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Conference papers on the topic "Iconographic studies"

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Bandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.

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The paper focuses on the interlacement of literary and iconographic elements by displaying an innovatory philological and stylistic approach, from a comparative perspective, in thematizing multilingual translational and adaptive aspects, ranging across Bernard Berenson's diaristic and epistolary corpus, in conjunction with his works on Italian visual culture. This interweaving gives occasion to the elaboration of multilinguistic textual influences and their verbo-visual artistic representations deduced from his innovative interpretative readings in the domain of world literature in modern time

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Vitali, Marco, Giulia Bertola, Fabrizio Natta, and Francesca Ronco. "Modelli plastici di architettura militare: valore di un patrimonio culturale da preservare e valorizzare nell’era digitale." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11537.

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Plastic models of military architecture: value of a cultural heritage to be preserved and enhanced in the digital ageThe contribution intends to bring to the attention of the scientific community the important Heritage made of plastic models, more or less homogeneously spread throughout Europe, which constitutes a patrimony of knowledge that links theoretical contributions on fortification, realizations, historical studies, archive documentation, technical representations, surveys, iconographic material. The enhancement process records an orientation that in recent years has found in the relev

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Spadafora, Giovanna, Gabriele Bellingeri, Marco Canciani, et al. "Rilievo 3D e modellazione avanzata nello studio dei Forti di Roma: il Forte Monte Antenne." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11424.

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3D survey and advanced modeling in the study of the Forts of Rome: the Forte Monte AntenneIn the studies the authors are conducting on the entrenched camp of Rome, 3D surveys and digital models are used as means to understand constructions with the aim of developing restoration and re-utilization projects. For Forte Monte Antenne (1882-1891), the authors have carried out systematic studies of the formal and structural aspects. The data acquired from a direct survey and with laser scanner, drone and photogrammetry, integrated with data obtained from iconographic and bibliographic sources, were

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Guerini Scopel, Vanessa. "Espaços de transição: o elo conector entre o edifício e a cidade." In Seminario Internacional de Investigación en Urbanismo. Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6291.

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O artigo em questão é uma reflexão acerca dos espaços de transição presentes nas cidades. Estes espaços podem ser entendidos como locais intermediários que fazem a conexão entre a arquitetura e a cidade, podendo ser semipúblicos ou semiprivados, apresentando diversas tipologias e outras nomenclaturas. Tendo como base uma pesquisa bibliográfica e iconográfica, pretende-se evidenciar o conceito e as definições sobre os espaços de transição, bem como ressaltar sua importância para a melhora da relação entre o edifício e a rua, além de apresentar estudos de caso que exemplifiquem de forma clara as

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Pollone, Stefania. "A heritage to reveal and protect. Historical water-based paper mills and ironworks in Campania (Italy)." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15668.

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Within the rich heritage of vernacular architectures, hydraulic power works still exists in various parts of the Campania region in the South of Italy: paper mills and ironworks show aspects that require further investigation. Built according to the orographic features of the landscape and in relation to water use and supply, these structures need to be deepened in terms of understanding with respect to their building techniques, production technologies and principal vulnerabilities. Despite its relevance, in fact, the lack of knowledge about this water-related heritage in its material consist

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Galli, Claudio, and Alessandro Tosarelli. "Rapporto di ricerca storica sulle superfici architettoniche esterne della fortezza di San Leo." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11532.

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Historical research report on the external architectural surfaces of the fortress of San LeoThe hinterland of Rimini is characterized by the presence of many castles, but the fortress of San Leo is certainly the most representative because of its position and the different constructive contributions that over time have updated its appearance and military functions. Cited by Dante and Machiavelli for the impervious nature on which it stands, its origin dates back to the early Middle Ages. It was rehashed following the imprint of Francesco di Giorgio Martini in the fifteenth century, restored by

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Cimino, Antonio, Giuseppe De Marco, and Stefano Magaudda. "L’informatizzazione e la divulgazione del Catasto Gregoriano e della cartografia storica di Roma." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7993.

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Il progetto d’informatizzazione del Catasto Gregoriano Urbano di Roma è stato avviato circa dieci anni fa, grazie a un finanziamento della Fondazione Cariplo, ed è ora nella sua fase conclusiva. Il progetto è stato realizzato dal Dipartimento di Studi Urbani dell’università di Roma Tre, dall’Archivio di Stato di Roma, dalla Sovrintendenza Capitolina e dall’Archivio Capitolino e l’attività di ricerca ha permesso di ricostruire l'immagine urbana ed archeologica della Roma preunitaria e post-unitaria. Le mappe del Catasto Gregoriano e i relativi brogliardi cost

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Ijboldina, Irina. "The issue of studying and classifying the phenomenon of the literary-scientific heritage of Gh. Bezviconi in the works of researchers from the Republic of Moldova." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.10.

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The issue of George Bezvikonny’s scientific and literary heritage study and classification is considered in the article. The sphere of his interests included the history of Romania, Romanian-Russian relations, Bessarabian studies, genealogy, Pushkin studies, Armenology, Moldavian literary studies, iconography. The name of George Bezvikonny is associated with the underestimation of his legacy in modern Moldovan science. That is why it was important for us to compile a reviewed bibliography of his scientific works. The article surveys the most significant recent publications, written by our rese

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Barradas, Vera, Ana Loures, Luis Loures, José Silveira Dias, and Victoria Carrillo Durán. "Colour as a Distinctive Element of the Territories." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001381.

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This paper is part of research under development, which aims to define a set of criteria and/or parameters in the fields of design and communication, to enhance the sustainability of Low-Density Territories, through the recognition of their identity and their distinctive signs.Thus, this article aims to know if the colour is constituted as a distinctive sign and contributes to the identity of the territory.According to studies developed by several authors over the past few years, the distinctive signs, whether tangible or intangible, are identifying and differentiating elements that ensure eth

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Reports on the topic "Iconographic studies"

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Hagel, Stefan. Understanding early auloi: Instruments from Paestum, Pydna and elsewhere. Verlag der Österreichischen Akademie der Wissenschaften, 2021. http://dx.doi.org/10.1553/oeai_ambh_3.

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Starting from data on the ‘Paestum’ or ‘Poseidonia’ aulos established by Paul andBarbara Reichlin-Moser and Stelios Psaroudakēs, the ‘Pydna’ aulos, and comparable finds ofearly, mainly six-hole one-hole-shift, doublepipe fragments, possible musical interpretations ofthis important instrument type of the early Classical Period are considered. Probable pitchesand intervals are assessed by means of well-tested software and confirmed experimentally;the required double reeds of a much longer type than known from later periods are shownto be substantiated by iconographic and literary testimony. The

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