Relevant bibliographies by topics / Iconography of a book of hours

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Academic literature on the topic 'Iconography of a book of hours'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Iconography of a book of hours"

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Ralph, Karen. "Performance, Object, and Private Devotion: The Illumination of Thomas Butler’s Books of Hours." Religions 11, no. 1 (December 31, 2019): 20. http://dx.doi.org/10.3390/rel11010020.

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This article considers the major cycles of illumination in two Books of Hours belonging to Thomas Butler, seventh Earl of Ormond (c.1424–1515). The article concludes that the iconography of the two manuscripts reflects the personal and familial piety of the patron and was designed to act as a tool in the practice of devotion.
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Vidas, Marina. "Resemblance and Devotion: Image and Text in a Parisian Early Fourteenth–Century Book of Hours Made for a French Noblewoman." Fund og Forskning i Det Kongelige Biblioteks Samlinger 53 (March 2, 2014): 33. http://dx.doi.org/10.7146/fof.v53i0.118820.

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Marina Vidas: Resemblance and Devotion: Image and Text in a Parisian Early Fourteenth-Century Book of Hours (Copenhagen, Royal Library, Ms Thott 534 4º) Made for a French Noblewoman The focus of this article is Ms Thott 534 4º, a small Parisian early fourteenth-century illuminated Book of Hours in the collection of the Royal Library, Copenhagen, about which up until now, very little has been published. Firstly, the textual and pictorial contents of the manuscript are listed. Secondly, the specific elements in the book which indicate that it was made for a woman are analysed. The article pays particular attention to the representation of the book’s owner and to other images of women in Ms Thott 534 4º. Additionally, possible readings of the juxtaposed images and texts relevant to the original owner of the manuscript are explored. Thirdly, the significance of the presence of Norman saints in the Calendar and memoriae, as well as of hagiographic material invoking saints that had a cult following in France and England are discussed. Fourthly, the components which reveal that the original book owner had connections to Paris are enumerated and analysed. It is shown that there are stylistic and iconographic similarities between Ms Thott 534 4º and two other Parisian personal devotional manuscripts, the Psalter and Hours of Blanche de Bourgogne (New York, New York Public Library, Ms Spencer 56) and a Psalter-Hymnal (Baltimore, Walters Art Gallery, W. 115) which, in all likelihood, was made for Blanche de Bretagne (c. 1270–1327). These similarities suggest that the three manuscripts are likely to date from around the same time. Drawing on the hagiographic and pictorial material in Ms Thott 534 4º, it is concluded that the Book of Hours was executed around 1310 for a lady with connections to Paris, Evreux, and possibly England. More specifically, Marguerite d’Artois, Countess of Evreux (1285–1311), is proposed as a possible candidate as the original owner of the manuscript.
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O'Kane, Martin. "The Iconography of the Book of Ruth." Interpretation: A Journal of Bible and Theology 64, no. 2 (April 2010): 130–45. http://dx.doi.org/10.1177/002096431006400241.

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Alone, Y. S. "Book review: Kazim Abdullaev, Buddhist Iconography of Northern Bactria." Studies in History 35, no. 1 (February 2019): 128–31. http://dx.doi.org/10.1177/0257643018816400.

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authors, Various. "Book reviews." Notes and Records of the Royal Society of London 58, no. 2 (May 22, 2004): 233–43. http://dx.doi.org/10.1098/rsnr.2004.0051.

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Six book reviews in the May 2004 issue of Notes and Records: Marco Beretta, Imaging a career in science: the iconography of Antoine Laurent Lavoisier . Ulf Lagerkvist, Pioneers of microbiology and the Nobel Prize . C. Djerassi and D. Pinner, Newton's darkness: two dramatic views . Ted Dadswell, The Selborne pioneer. Gilbert White as naturalist and scientist: a re–examination . William Tobin, The life and science of Léon Foucault: the man who proved the Earth rotates . Robert Siegfried, From elements to atoms: a history of chemical composition .
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Dobres, M. A. "Book Review: Ancestral Images: The Iconography of Human Origins." European Journal of Archaeology 4, no. 1 (April 1, 2001): 138–41. http://dx.doi.org/10.1177/146195710100400107.

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Loomis, Sabra. "Book of Hours." San Francisco Jung Institute Library Journal 9, no. 1 (January 1990): 39. http://dx.doi.org/10.1525/jung.1.1990.9.1.39.

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Dodson, Courtney. "Book of Hours." Iowa Review 30, no. 2 (October 2000): 114. http://dx.doi.org/10.17077/0021-065x.5273.

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Hinson, E. Glenn. "Book Review: The Iconography of the Sarcophagus of Junius Bassus." Review & Expositor 88, no. 4 (December 1991): 469. http://dx.doi.org/10.1177/003463739108800431.

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Hoffenberg, R. "Book Review: History and Iconography of Endemic Goitre and Cretinism." Journal of the Royal Society of Medicine 78, no. 3 (March 1985): 273–74. http://dx.doi.org/10.1177/014107688507800327.

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Dissertations / Theses on the topic "Iconography of a book of hours"

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Ungeheuer, Laurent. "Le Maître de la « Légende dorée » de Munich, un enlumineur parisien du milieu du XVe siècle : formation, production, influences et collaborations." Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE4002/document.

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Actif de ca. 1420 à ca. 1450-1460, le Maître de la « Légende dorée » de Munich est, comme le Maître de Dunois, une personnalité issue de l'atelier de Bedford. Miniaturiste ayant surtout exercé à Paris, son œuvre témoigne aussi d'ancrages provinciaux, normands et ligériens notamment. Ce travail s'appuie sur un catalogue de 48 manuscrits, dont 41 livres d'heures. L'étude vise à dégager des spécificités iconographiques et stylistiques du Maître. Parmi les premières se notent l'intérêt marqué pour l'ornementation et le souci du détail, ainsi des auréoles ouvragées, voûtes aux nervures festonnées, livres et meubles. Trait iconographique saillant de l'œuvre tant par sa fréquence que par sa nouveauté, les épis de blé aux crèches font l'objet d'une étude attentive, du fait du sens dont ils sont porteurs et du possible lien entre ce motif et la spiritualité contemporaine, notamment la Dévotion Moderne. Stylistiquement, le Maître de la « Légende dorée » de Munich se caractérise par des lèvres aux commissures tombantes, des arcades sourcilières marquées au trait, dont il use aussi abondamment pour souligner carnations et contours d'objets, et par une palette riche et contrastée. Calendriers et décors marginaux ont également servi à des rapprochements pour aboutir à des regroupements chronologiques au sein du corpus. Inspiré, directement ou via des modèles puisés au sein de l'atelier Bedford, par les Limbourg, le Maître d'Egerton et la peinture septentrionale, le Maître de la « Légende dorée » de Munich a collaboré, comme maître d’œuvre ou peintre de quelques miniatures, avec d'autres artistes, documentés ou non. Il a pu travailler pour des commanditaires aussi bien anglais que français
As the Dunois Master, the Munich « Golden Legend » Master, fl. from ca. 1420 to ca. 1450-1460, is one artistic figure originating from the Bedford workshop. This miniaturist was active mostly in Paris, but his work also shows connections with provinces like Normandy and the Loire valley. This paper is based on a 48-manuscript catalogue, among which are 41 books of hours. The study aims at bringing out the iconographic and stylistic Master's salient features. Among the first, one notes a deep interest in details and ornaments, which is to be found in finely wrought haloes, vaults with festooned ribs, books and furniture. Within the corpus, ears of wheat in cribs are noteworthy due to both their frequency and novelty. They are subject to deep insight due to the meaning they bear, and to the possible relationship between this motif and the contemporary spirituality, especially the Modern Devotion. Stylistically, typical of the Munich « Golden Legend » Master are falling lip-corners, eyebrow arches marked with line, which he also largely uses to underline flesh tones and object outlines. His range of colours is varied and full of contrasts. Calendars and marginal decoration have also been used to compare manuscripts, in order to build chronological groupings within the corpus. The Munich « Golden Legend » Master has been, either directly or via models available inside the Bedford workshop, influenced by the Limbourgs, the Egerton Master and northern painting. He cooperated, being the chief illuminator or simply helping by painting a few miniatures, with other artists, whether documented or not, and may have worked for both English and French patrons
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Williams, Kenneth R. "The De Villers Book of Hours." DigitalCommons@USU, 1996. https://digitalcommons.usu.edu/etd/182.

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Created in France during the late fifteenth century, the illuminations, text, and family genealogy (added by one of many owners) found in De Villers Book of Hours make it an excellent example among other French books of hours from this period. In addition to acting as a repository of the style and iconography of French fifteenth-century illumination, the book's rich decorative program and varied textual content provide a remarkable document of contemporary devotional piety. This thesis provides the first detailed description and analysis of the De Villers Book of Hours. Following a description of books of hours in general, the overall makeup of the De Villers Hours is addressed, including the decorative program with a suggested method and example for description, a sample of textual transcription, comments on the provenance, a brief discussion of the family genealogy, and a concluding section with a sample collection register and worksheet for cataloging.
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Meyer, Linda M. "Discovering the Nuances in the Book of Hours of the Virgin: A Book of Hours in the Toledo Museum of Art (1955.28)." University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1305040445.

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Palmer, Rodney. "The illustrated book in Naples, 1670-1734." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363370.

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Lindqvist, Sandgren Eva Johannete. "The book of hours of Johannete Ravenelle and the Parisian book illumination around 1400 /." Uppsala : Uppsala Univ. Library, 2002. http://www.loc.gov/catdir/toc/fy044/2003504373.html.

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Kennedy, Cornelia Breugem. "A Book of Hours at the University of Iowa : An Analysis." Thesis, University of Iowa, 1986. https://ir.uiowa.edu/etd/5370.

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Vitor, Ana Luísa Ferreira Miranda. "Mrs Dalloway and The hours in the book and film: an intertextual analysis." Master's thesis, Universidade de Aveiro, 2014. http://hdl.handle.net/10773/12551.

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Mestrado em Línguas, Literaturas e Culturas - Estudos Ingleses
This dissertation aims to analyse two narratives: Virginia Woolf’s Mrs Dalloway (1924) and Michael Cunningham’s The Hours (1998), along with the film adaptations that resulted from the novels. This study will outline the shift of women’s roles throughout the 20th century and also the development of a liberal sexual identity.
A presente dissertação propõe analisar duas narrativas: Mrs Dalloway de Virginia Woolf (1924) e The Hours (1998) de Michael Cunningham, juntamente com as adaptações cinematográficas de ambos os livros. Este estudo irá incidir na progressão do papel da mulher ao longo do século XX e na compreensão do desenvolvimento da liberdade sexual.
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Lyle, Suzanne. "The patronage and production of the Book of Hours of James IV and Margaret Tudor." Thesis, University of St Andrews, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549252.

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Sarson, Delia. "Angels and the Book: an analysis of 'angelic' devotional material from a sample of C15th manuscript Books of Hours." Thesis, University of Reading, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.625492.

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This thesis provides a new analysis of late medieval personal devotion to angels in England, built upon freshly compiled primary evidence. This evidence consists of devotional material collected from a large sample of fifteenth-century Latin manuscript Books of Hours either produced in England or produced elsewhere for the English market. The use of a properly constructed sample of manuscripts in this research has provided a large and varied body of material for analysis. It has also revealed trends and patterns stemming from a clear context, relevant to both the material and to the Books of Hours containing it, across a significant number of manuscripts. Whilst angels feature in all Books of Hours, often in support of devotion to other figures, the emphasis of this thesis has been analysis of the material in which the angels themselves are the main focus of devotion. These 'angelic' texts and illuminations are important because they represent the choices and preferences of individuals, both lay and religious, concerning the contents of their Books of Hours. The main body of the thesis is an analysis of this textual and visual evidence and of its manuscript settings, which leads into fresh devotional perspectives and findings. These relate to both those who composed or produced the materials and those who used them in their Books of Hours. Analysis also leads to the suggestion of new hypotheses concerning the surprising range of sources which was drawn upon in creating specialised and erudite texts.
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Ely, Steve. "Tales of the tribe : modern epic, guerrilla-pastoral and utopian yeoman-anarchism in Oswald's Book of Hours and Englaland." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/29192/.

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Oswald’s Book of Hours and Englaland (OBOH&E — Smokestack Books, 2013 & 2015 respectively) are distinctive works in the context of modern and contemporary English language poetry. Although there are affinities between OBOH&E and several modern and contemporary works, OBOH&E’s visionary engagement with concepts of England and English identity, their epic expression and novel post-pastoral dimension combine to make them unique. The works’ address to England and the English emerges from an ecologically committed, broadly socialist position informed by Antonio Gramsci’s theory of hegemony, Benedict Anderson’s concept of the nation as ‘imagined community’ and Patrick Kavanagh’s assertion of the primacy of the ‘parochial’, coalescing into a literary-political position defined by my coinage utopian yeoman-anarchism. The epic dimension of OBOH&E is demonstrated in an exposition based on the theoretical writings of Rudyard Kipling, Ezra Pound and M.M. Bakhtin. OBOH&E’s characteristic dialogical method — defined by the synchronic and synoptic temporal aspect of the works and their deployments of heteroglossia, polyphony and xenoglossia — leads to a characterisation of the books as novelistic ‘modern epics’. Finally, in an analysis informed by Terry Gifford’s influential taxonomy, OBOH&E is identified as a distinctive subgenre of the post-pastoral (another coinage) — the guerrillapastoral. The guerrilla-pastoral arises from the transgressive rural praxis of the author and is reflected and expressed via his personae, narrators and protagonists as they assert their rights in the land, in conflict with representatives of the power that seeks to restrict and deny them.
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Books on the topic "Iconography of a book of hours"

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Marmion, Simon. Book of hours. San Marino, Calif: Huntington Library, 1990.

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Davidson, Laura. Book of hours. [Boston: Published by the artist, 1996.

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Dennis, Phillips. Book of hours. Castelvetro P.no (PC), Italy: M. Lombardelli & NLF, 1996.

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John. Book of Hours. London: Sotheby's, 1999.

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John, Reeves. A book of hours. Grand Rapids, Mich: William B. Eerdmans Pub. Co., 2001.

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Bunn, T. Davis. The book of hours. Nashville, TN: Thomas Nelson Publishers, 2000.

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Baldwin, Laura. A book of hours. Hamilton, Ont: Copies Plus, 2004.

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A book of hours. Valyermo, Calif: Saint Andrew's Abbey, 2001.

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McLennan, Rob. Book of the hours. Ottawa: above/ground press, 1997.

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Boruch, Marianne. The book of hours. Port Townsend, Wash: Copper Canyon Press, 2011.

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Book chapters on the topic "Iconography of a book of hours"

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Datta, Dilip. "Book and Report." In LaTeX in 24 Hours, 191–201. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47831-9_20.

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Jackson, Margaret A. "The Symbolic Value of Food in Moche Iconography." In The Latin American Studies Book Series, 257–79. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51629-1_10.

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Thierry, François. "A Book Review of Chinese Charms: Art, Religion and Folk Belief." In The Language and Iconography of Chinese Charms, 245–49. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-1793-3_13.

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Veintimilla-Bustamante, César Iván, and Mariella García-Caputi. "Sustainable Resources in Pre-hispanic Coastal Ecuador: Their Associated Iconography and Symbolism." In The Latin American Studies Book Series, 205–36. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51629-1_8.

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Wijsman, Suzanne. "Silent Sounds: Musical Iconography in a Fifteenth-Century Jewish Prayer Book." In Resounding Images, 313–33. Turnhout: Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.svcma-eb.5.109340.

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Scher, Sarahh. "The Achumera: Gender, Status, and the San Pedro Cactus in Moche Ceramic Motifs and Iconography." In The Latin American Studies Book Series, 237–56. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51629-1_9.

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Newell, Kate. "Transferring Handmaids: Iconography, Adaptation, and Intermediality." In Beyond Media Borders, Volume 2, 33–57. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49683-8_2.

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Abstract This chapter examines the intermedial transfer of Handmaid iconography across platforms and contexts, and the mechanisms that facilitate such movement. The author begins with a consideration of the intermedial network established within Margaret Atwood’s novel The Handmaid’s Tale to show that, even prior to adaptation, the Handmaid is understood as a product of intermedial transfer. The author then surveys the movement of Handmaid iconography in a variety of print- and motion-based media, such as book cover design, illustration, graphic novel, ballet, film, and television, and also in more generalized spheres. The image of the Handmaid transfers through processes of adaptation that interpret visual markers in distinct modalities, each of which emphasizes particular traits or characteristics over others. The emphasis or disclosure that characterizes each iteration is accompanied by concealment; that is, as an adaptation foregrounds one particular modality, it simultaneously represses another. This tension between disclosing and concealing operates thematically and in terms of its foregrounded media.
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Brummett, Palmira. "“Turks” and “Christians”: The Iconography of Possession in the Depiction of the Ottoman-Venetian-Hapsburg Frontiers, 1550–1689." In The Religions of the Book, 110–39. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582576_6.

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Assmann, Aleida. "Michael Cunningham’s The Hours: Homage to the Book in a Time of Media Transformation." In The Printed Book in Contemporary American Culture, 139–54. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22545-2_7.

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Schmitt, Rüdiger. "Chapter 6. Royal Construction in the Book of Kings: Architecture and/as Iconography." In Iconographic Exegesis of the Hebrew Bible / Old Testament, 137–46. Göttingen: Vandenhoeck & Ruprecht, 2015. http://dx.doi.org/10.13109/9783666534607.137.

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Conference papers on the topic "Iconography of a book of hours"

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Marr, Aliyah. "The book of hours." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.312519.

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Spiridonov, Iskren, Simeon Yordanov, Rumyana Boeva, and Aleksandar Milkov. "Investigation of process colours variations of electrophotography colour production presses." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p48.

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In this investigation is approached method for assessing and evaluation of colour repeatability and variation for digital electrophotography printing presses. Two of most popular midlevel electrophotography colour production presses were chosen. These presses are widely used in printing houses for the printing of book covers, posters, etc. in small circulations. The similar perception of quality of digital production to the offset printing quality (ISO 12647-2:2013 ) is required from most of the clients of printing houses, publishers, etc. One of the problems of midlevel electrophotography colour production presses are variations of colours in the printing run and variations of colours during the time – weeks, months, years. The variation degree depends on many factors like – the precision of internal calibration method and types of sensors during the printing run, quality of used materials, calibration precision made by press operator, temperature and humidity variation, etc. (Kachin, Spiridonov, 2000) Specially designed for experiment test forms have been printed on two of most widely used materials for book covers, business cards, etc. – 300 g/m2 matt-coated board and 300 g/m2 offset uncoated board. The evaluation method is based on colorimetrical and densitometrical measurements (Kachin, Spiridonov, 2004) of 100 continuous printed sheets. The experiment was repeated in different time periods -between 6 hours and 4 months, to collect data for colour variation between reprinting the same test images in the time.
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Reports on the topic "Iconography of a book of hours"

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Moreton Bay Savings Bank - Brisbane (Head Office) - Specimen Forms - Pass Book - includes names of President, Trustees & Managing Trustee, hours of business, rules & regulations, and legislation - 1863. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_2006/20681.

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