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Dissertations / Theses on the topic 'ICORN'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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1

Söderbaum, Fredrik. "I det fria ordets lag : En studie i fristadsprogrammets verksamhet och funktion." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-254358.

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2

Gu, Yuan. "Cultural Icon and Brand." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1313767171.

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3

Adland, Sara R. "Maria Goretti an icon of virginity, an icon of silence, an opportunity for change /." Diss., Connect to the thesis, 2006. http://hdl.handle.net/10066/767.

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4

Kristoffer, Karlsson, and Horned Arvid. "Icon based Indoor Navigation : Is icon based navigation a good method for indoor wayfinding?" Thesis, Umeå universitet, Institutionen för psykologi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-137827.

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Humans today rely heavily on navigational aids on their smartphones to find their way. These aids have shown to be decreasing our ability to learn routes since the interaction with the environment is minimal. Technology assisting indoor navigation is getting more common, and the same approach, which has shown to impair spatial ability, is used, and will most likely result in the same problems. In the current study an application was developed that uses landmarks represented as icons to guide the users. The application was tested in a wayfinding task and compared to a control group using text i
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5

Czisnik, Marianne. "Admiral Nelson : image and icon." Thesis, University of Edinburgh, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521040.

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6

Schonhardt, Donald A. "Mediating Between Icon and Experience." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179324459.

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7

Rieppel, Lukas Benjamin. "Dinosaurs: Assembling an Icon of Science." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10557.

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This dissertation examines how the modern dinosaur—fully mounted, freestanding assemblages of vertebrate fossils such as we are accustomed to seeing at the natural history museum—came into being during the late 19th and early 20th century, focusing especially on the United States. But it is not just, or even primarily a history of vertebrate paleontology. Rather, I use dinosaurs as an opportunity to explore how science was embedded in broader changes that were happening at the time. In particular, I am interested in tracing how the culture of modern capitalism—the ideals, norms, and practices
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8

Gravells, Jane. "From icon to naturalised icon : a linguistic analysis of media representations of the BP Deepwater Horizon crisis." Thesis, Aston University, 2015. http://publications.aston.ac.uk/25368/.

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This research explores how news media reports construct representations of a business crisis through language. In an innovative approach to dealing with the vast pool of potentially relevant texts, media texts concerning the BP Deepwater Horizon oil spill are gathered from three different time points: immediately after the explosion in 2010, one year later in 2011 and again in 2012. The three sets of 'BP texts' are investigated using discourse analysis and semi-quantitative methods within a semiotic framework that gives an account of language at the semiotic levels of sign, code, mythical mean
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9

DiFiore, Danielle. "Hunter S. Thompson a popular culture icon /." Tallahassee, Fla. : Florida State University, 2010. http://purl.fcla.edu/fsu/lib/digcoll/undergraduate/honors-theses/2181964.

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10

Tóthné, Kriza Ágnes Rebeka. "Depicting orthodoxy : the Novgorod Sophia icon reconsidered." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/275821.

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The Novgorod icon of Divine Wisdom is a great innovation of fifteenth-century Russian art. It represents the winged female Sophia flanked by the Theotokos and John the Baptist. Although the icon has a contemporaneous commentary and it exercised a profound influence on Russian cultural history (inspiring, among others, the sophiological theory of the turn of the twentieth century), its meaning, together with the dating and localisation of the first appearance of the iconography, has remained a great art-historical conundrum. This thesis sheds new light on this icon and explores the message, roo
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11

Tyrer, Victoria. "Time-of-day effects in icon usability." Thesis, Swansea University, 2003. https://cronfa.swan.ac.uk/Record/cronfa42916.

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To date there appears to have been only one study that has examined time-of-day effects in icon interpretation. McFadden and Tepas (1997) found the time taken to respond to iconic stimuli to vary according to the time-of-day and found the exact time-of- day trend to vary according to the memory load involved in the task. This study was replicated, using slightly modified stimuli, and similar findings were obtained to McFadden and Tepas' earlier study. A series of experiments subsequently examined the effects that different icon characteristics and other changes in task demands had on the obser
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12

Loveridge, Emma Warren. "The Hermeneutic icon and the pilgrim theologian." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621290.

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13

Ali, Nada. "The Making and Breaking of an Icon." Thesis, Kungl. Konsthögskolan, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-569.

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This essay is an effort to write my thoughts and reflections on my art practice, focusing on the work to-be-realized for my solo show in March 2021 at Galleri Mejan in Stockholm. I’ve had the intention to complement and stabilize my imagined-artwork with my writing, only to realize such a task’s difficulty. Firstly, because language itself can be unstable. Secondly, fear of losing a quality in art that is unstable in its nature. The essay consists of three sections: In the first one, I tell how I think and feel through my art practice. I also propose making space for new knowledge: In my art p
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14

Zhihao, Cao. "Sensitive Text Icon Classification for Android Apps." Case Western Reserve University School of Graduate Studies / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=case1513561838121543.

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15

Ratliff, Zachary Alan. "The Catholic Priest as Icon of Christ." Ohio Dominican University Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1557244714019054.

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16

Das, Satyaki. "Tools for Comparing ICON EUV Data with Different Ground Based and Space-based Proxies." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/90371.

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The ionosphere is the part of Earth's upper atmosphere, from about 60 km to 1,000 km altitude and contains ionized particles and plasma. In this region at about 150 kilometers above the surface of the earth starts the F region and it extends up to 500 kilometers. The Ionosphere is filled with tenuous gases and is a mixture of neutral and charged particles. These winds do not follow any flow pattern and changes with season, the day's heating and cooling, and incoming bursts of radiation from the sun. In order to study the behavior of these ions and understand this complicated region, NASA has
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17

Keeler, Matthew. "BESSIE SMITH: AN AMERICAN ICON FROM THREE PERSPECTIVES." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1130967483.

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18

Bauser, Paul J. "High aspirations the skyscraper as a corporate icon /." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1116273955.

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19

Butler, Krissie. "Deconstructing an Icon: Fidel Castro and Revolutionary Masculinity." UKnowledge, 2012. http://uknowledge.uky.edu/hisp_etds/10.

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The goal of this project is to investigate the way in which various representations of Fidel Castro, between the years 1957-1965, have left an indelible mark on Cuba, transforming its landscape, I argue, through gendered means and conscious strategies. Thus it is less concerned with Fidel as an historical person than with examining with a gendered lens the ways in which he has been represented in foundational photographs, interviews, songs, and texts (both narrative and poetry as well as blogs). Drawing from theories of masculinity, which conceive masculinity as both a social construction and
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20

Walker, Kenneth William. "The implementation of an optimizing compiler for Icon." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185599.

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There are many optimizations that can be applied while translating Icon programs. These optimizations and the analyses needed to apply them are of interest for two reasons. First, Icon's unique combination of characteristics requires developing new techniques for implementing them. Second, these optimizations are used in variety of languages and Icon can be used as a medium for extending the state of the art. Many of these optimizations require detailed control of the generated code. Previous production implementations of the Icon programming language have been interpreters. The virtual machin
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21

Sanders, William D. "Development and comparison of TACAMO icon design formats." Thesis, Monterey, California. Naval Postgraduate School, 1992. http://hdl.handle.net/10945/23864.

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22

Milton, Deborah Anne. "The global image : the making of an icon?" Thesis, University of Southampton, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285666.

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23

BAUSER, PAUL J. "HIGH ASPIRATIONS: THE SKYSCRAPER AS A CORPORATE ICON." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116273955.

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24

Balcer, Bernadette T. "The Angel Rocks the House: An Unstable Icon." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/202341.

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English<br>Ph.D.<br>The Angel in the House: An Unstable Icon examines the ways in which the figure named in Coventry Patmore's series of mid-nineteenth century poems provoked an anxiety that manifests itself consistently in British literature throughout the nineteenth and into the twentieth century, where the family beacon, the one whose raison d'être was to guide her husband and children away from the immorality rife in the public sphere, instead actively interfered with the good instincts of her offspring, substituted her own wishes for theirs, and caused irreparable harm in the process. Thi
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25

Steven, Karl Sölve. "Constructing Socrates : the creation of a philosophical icon." Thesis, University of Cambridge, 2007. https://www.repository.cam.ac.uk/handle/1810/252065.

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26

Idrissi, Nizar. "Stephen Poliakoff: another icon of contemporary British drama." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210559.

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This thesis is an attempt to portray the birth of British modern drama and the most important figures breaking its new ground; more to the point, to shed light on the second generation of British dramatists breaking what G.B. Shaw used to call ‘middle-class morality’. The focal point here is fixed on Stephen Poliakoff, one of the distinctive dramatists in contemporary British theatre, his work and the dramatic tinge he adds to the new drama.<br>Doctorat en Langues et lettres<br>info:eu-repo/semantics/nonPublished
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27

Livingstone, Justin David. "Livingstone's 'Lives' : a metabiography of a Victorian icon." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/8026.

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Dr. David Livingstone, the Victorian “missionary-explorer”, has attracted more written commentary than nearly any other heroic figure of the nineteenth century. In the years following his death, he rapidly became the subject of a major “biographical industry” and indeed he continues to sustain an academic industry as well. Yet, out of the extensive discourse that has installed itself around him, no single unified image of Livingstone emerges. Rather, he has been represented in diverse ways and put to work in a variety of socio-political contexts. This thesis interrogates the heterogeneous natu
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28

Joumaa, Jamal, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "The influence of the icon in contemporary Egyptian art." THESIS_CAESS_CAR_JOUMAA_J.xml, 2002. http://handle.uws.edu.au:8081/1959.7/229.

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The icon represents a great part of the heritage of Christian arts in Egypt. In this thesis the early stages of iconic art are studied to find out the influential factors leading to the formation of the icon as it is now. The Coptic icon in particular is studied, both the icon itself and how it differs from the Byzantine icon. The religious factor is focussed on as an effective and modelling element in defining the icon, and the symbols are studied in order to go back to their historical roots. This study also aims at tracing the phenomenon of iconic art, by studying its characteristics and th
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29

Steiling, David. "Icon, representation and virtuality in reading the graphic narrative." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001818.

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30

Joumaa, Jamal. "The influence of the icon in contemporary Egyptian art." View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030506.114529/index.html.

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31

Weik, Thomas [Verfasser]. "The Popular Anti-Icon in American Sports / Thomas Weik." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2018. http://d-nb.info/1180213459/34.

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32

Lee, Chui-fan, and 李翠芬. "Revitalization of Sai Kung Town: a new tourism icon." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31984010.

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33

Lee, Chui-fan. "Revitalization of Sai Kung Town : a new tourism icon /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946900.

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34

Granger, Lesya (Lesya Alexandra) Carleton University Dissertation Art History. "The Icon painting tradition among Canadians of Ukrainian descent." Ottawa, 1996.

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35

Manzoor, Ahmad Mubashir. "Integration of JasperReports Server Engine in iCON Telematics Application." Thesis, Uppsala universitet, Institutionen för informationsteknologi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-307157.

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Leica Geosystems Technology AB is a Sweden-based company (part of Hexagon Group) that designs and manufactures software and hardware for building surveying and machine control applications. Modern machine control applications are important for today's construction market as they help in improving accuracy, reliability and performance thereby helping construction companies complete the work in time and cutting down on extra costs. One of Leica Geosystems Technology's software products is a web-based solution for fleet management and production control called iCON Telematics. Using iCON Telemati
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36

Karnes, Kevin C. "Soviet Musicology and Contemporary Practice: A Latvian Icon Revisited." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2008. https://ul.qucosa.de/id/qucosa%3A16002.

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When the Baltic states of Lithuania, Latvia, and Estonia were annexed by the Soviet Union at the end of World War II, their new leaders brought not only collectivization, deportations, and myriad other familiar terrors of the Soviet system.
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37

BOURGEOIS, WILLIAM. "W-icon, un langage de prototypage pour interfaces graphiques." Nice, 1996. http://www.theses.fr/1996NICE5008.

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La construction d'interfaces graphiques est plus que jamais une tache complexe, et elle occupe une part importante dans le developpement d'applications. Les difficultes sont nombreuses. La separation de l'interface du noyau fonctionnel est necessaire pour permettre l'ecriture et la modification d'une des composantes independamment de l'autre. Une autre difficulte vient d'une caracteristique des interfaces dites a manipulation directe. Cette notion introduite par shneiderman permet a l'utilisateur de manipuler interactivement les objets graphiques de l'interface. De nombreux outils pour la cons
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38

Tate, Teresa Neva. "The Emergence of an Icon: The Frida Kahlo Cult." PDXScholar, 1997. https://pdxscholar.library.pdx.edu/open_access_etds/2782.

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At her death in 1954, Frida Kahlo was known as little more than the wife of muralist Diego Rivera. Since then her art and personae have taken on a cult-like following and she has become an icon of popular culture. Thus far Frida's repute has stretched across three decades, from the 1970s, 1980s, and into the 1990s. Frida's popularity is viewed as primarily emerging from the Women's Movement of the 1970s. However, interest from many other groups have carried her image into the 1980s and 1990s. Aside from the Women’s Movement, Frida’s popularity reflects a growing interest in Mexico, specificall
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39

Murad, Roj. "Icon passningstests reliabilitet och validitet hos unga manliga fotbollsspelare." Thesis, Umeå universitet, Idrottsmedicin, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-187426.

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Introduktion: Passningsförmåga är en av dom viktigaste förmågorna att utveckla hos unga fotbollsspelare. Forskning har även visat att passningsförmågan tenderar att försämras av trötthet, vilket kan uppstå under match. ICON är en ny digital utrustning för att mäta fotbollsspelares passningsförmåga på fältet som inte tidigare studerats i forskningen. Syfte: var att undersöka ICON passningstest test-retest reliabilitet samt validitet till passningsprocent i en fotbollsmatch hos unga manliga fotbollsspelare. Vidare jämfördes aerob intensitet (HRpeak) under ett kort testproto
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40

Ene, D.-Vasilescu Elena. "Changes in the phenomenon of icon-painting in Romania from the second half of the nineteenth century to the present day." Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:82dca74a-0124-402e-aac6-6ab33efaddfa.

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The thesis aims to prove, on the one hand that the second half of the nineteenth century was the period of maximum deviation from the traditional Romanian style of icon-painting and, on the other hand, that the process following the Romanian Orthodox Church's Synod of 1889, in spite of the proclaimed return to a pure Byzantine style, actually has involved the coexistence of at least two main styles of painting: Eastern Mannerist of Byzantine lineage and Western Mannerist of Renaissance persuasion. In addition to this, a mixture of various elements, even in the painting of the same building, is
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41

Herbert, Lynley Anne. "Duccio di Buoninsegna icon of painters, or painter of 'icons'? /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 4.69 Mb., 57 p, 2006. http://wwwlib.umi.com/dissertations/fullcit/1435856.

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42

Deiter, Kristen. "The Tower of London icon of early modern English drama /." Diss., Online access via UMI:, 2005.

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43

Haskin, Ben. "Nation, identity and icon in the poetry of John Forbes /." Title page, contents and introduction only, 1999. http://web4.library.adelaide.edu.au/theses/09AR/09arh351.pdf.

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44

O'Bagy, Janalee. "The implementation of generators and goal-directed evaluation in Icon." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/184491.

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Generators and goal-directed evaluation provide a rich programming paradigm when combined with traditional control structures in an imperative language. Icon is a language whose goal-directed evaluation is integrated with traditional control structures. This integration provides powerful mechanisms for formulating many complex programming operations in concise and natural ways. However, generators, goal-directed evaluation, and related control structures introduce implementation problems that do not exist for languages with only conventional expression evaluation. This dissertation presents an
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45

Vella, David. "Narrow gates, strait ways : the postmodern sacred and the icon." Thesis, Cardiff University, 2012. http://orca.cf.ac.uk/39623/.

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This study compares two prevalent notions in postmodern philosophy and critical-cultural theory: the sacred and the icon. On the one hand, the sacred has often been described as the exposure to an abyssal reality that is completely foreign to human perception and control. This deeply subversive event is presented through two of its most influential thinkers, Georges Bataille and Maurice Blanchot. On the other hand, the icon marks the experience of a sensitivity to the singular selfhood of the other. It comprises a loving receptivity to its unique identity, in particular the identity of the hum
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46

Hermansson, Mats d. "From icon to identity : Scottish piping and drumming in Scandinavia /." Göteborg : Göteborg University, 2003. http://catalogue.bnf.fr/ark:/12148/cb391034160.

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47

Rumpza, Stephanie Louise. "ThePhenomenology of the Icon: Finite Mediation of an Infinite God." Thesis, Boston College, 2019. http://hdl.handle.net/2345/bc-ir:108574.

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Thesis advisor: Jeffrey Bloechl<br>Is it possible for a finite thing to mediate an infinite God? Would it not be as futile as a hand trying to grasp the entire earth, or a seashell to contain the ocean? A finite thing is by definition limited, and thus its attempt to reveal an infinite God seems to lead immediately to two possible outcomes: (a) idolatry, where the finite fails to adequately capture God, where mediator becomes imposter, and (b) iconoclasm, which recognizes the inevitable failure of mediation and seeks to avoid or destroy any further attempts to carry it out. While taking differ
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48

Dugue, Clement A. III. "Lei Feng: China's Evolving Cultural Icon, 1960s to the Present." ScholarWorks@UNO, 2009. http://scholarworks.uno.edu/td/996.

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In 1962, very few people within the Peoples Republic of China (PRC) had ever heard of Lei Feng, a young soldier who died in a tragic accident while driving a truck for the People's Liberation Army. The following year, his name was known throughout China as one of the finest young soldiers that the country had ever produced. In years to come, his diary was put in the hands of everyone from school children to soldiers to serve as a model for the ideal Chinese citizen. Furthermore, as Chinese culture evolved, so did the Lei Feng image, changing from citizen-soldier in 1963 to socialist entr
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49

Bidarkar, Atul. "In vitro prevention of secondary demineralization by icon (infiltration concept)." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/3262.

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Aim: The purpose of this in-vitro study was to look at the effectiveness of the ICON on prevention of caries on the smooth surface in comparison to resin based sealant. Methods: The study was an in-vitro study to compare the effectiveness of ICON and a sealant material in prevention of secondary demineralization. Sound teeth with no defects were cleaned and divided into 3 groups and lesions created. Both the groups were treated with respective materials (ICON and sealant), but the control group was left untreated. Once treated fresh demineralization solution was created and subject to deminral
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50

Montag, Daro. "Bioglyphs : generating images in collaboration with nature's events." Thesis, University of Hertfordshire, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365932.

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