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Journal articles on the topic 'ICORN'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Otto, Thomas D., Mandy Sanders, Matthew Berriman, and Chris Newbold. "Iterative Correction of Reference Nucleotides (iCORN) using second generation sequencing technology." Bioinformatics 26, no. 14 (2010): 1704–7. http://dx.doi.org/10.1093/bioinformatics/btq269.

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2

Grzymała-Moszczyńska, Halina, and Małgorzata Różańska-Mglej. "Komiks jako sposób radzenia sobie z traumą uchodźczą." Intercultural Relations 3, no. 1(5) (2019): 169–85. http://dx.doi.org/10.12797/rm.01.2019.05.07.

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CARTOONS AS A WAY OF COPING WITH REFUGEE TRAUMAThis article aims at presenting the impact of artistic creativity on the mental health of refugees. Several levels of influence have been analysed: neurobiological, narrative, contextual, symbolic, activating, socio-political and ritual. The research question is whether and how the creation of artistic works can be a form of coping with refugee trauma. The data was obtained through the analysis of cartoons and transcribed interviews which have been conducted in 2018 in Norway with an Iranian refugee artist, hosted there within the structure of the

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3

Castello Branco, Lúcia. "Por não ter nascido toda ao mesmo tempo." Revista da Universidade Federal de Minas Gerais 22, no. 1.2 (2016): 24–31. http://dx.doi.org/10.35699/2316-770x.2015.2729.

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Safaa Fathy, nascida no Egito, é poeta, cineasta, ensaísta, filósofa e tradutora. Vive em Paris há trinta e cinco anos, onde é, atualmente, diretora do Colégio Internacional de Filosofia. Doutora pela Universidade de Paris IV, Sorbonne (1993), traduziu O ‘conceito’ de 11 de setembro, de Jacques Derrida, para o árabe.Seus filmes mais recentes são Mohammad sauvé des eaux, D’Ailleurs Derrida, os filmes-poemas Nom à la mer e Hidden Valley, e um filme in progress: Tahrir, Lève, Lève, la voix.Escreveu duas peças de teatro, Terreur e Ordalie, prefaciadas por Jacques Derrida, com quem escreveu um livr

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4

Li, Zhongqi, Nilanjan Goswami, and Tao Li. "iConn." ACM Journal on Emerging Technologies in Computing Systems 11, no. 4 (2015): 1–23. http://dx.doi.org/10.1145/2700238.

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5

Vroom, Marike. "Icoon." Kinderopvang 27, no. 12 (2017): 3. http://dx.doi.org/10.1007/s41189-017-0196-5.

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6

Jimenez, Phil. "Wonder Woman, feminist Icon? Queer icon? No, love icon." Journal of Graphic Novels and Comics 9, no. 6 (2018): 526–39. http://dx.doi.org/10.1080/21504857.2018.1540134.

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7

Setiyanto, Adi. "ICOR Sektor Pertanian sebagai Basis Arah Investasi dalam Pembangunan Pertanian berbasis Kabupaten/Kota di Indonesia." Analisis Kebijakan Pertanian 13, no. 1 (2016): 75. http://dx.doi.org/10.21082/akp.v13n1.2015.75-108.

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<p><strong>English</strong></p><p>Incremental Capital Output Ratio (ICOR) is useful to estimate required investment according to targeted economic growth rate. This study aims to estimate ICOR of agriculture sector by regency/municipality in Indonesia. Secondary data used in this study come from institutions at the central, pr ovincial, and regency/municipality levels from 2008 to 2012. The ICORs range from 2.65 to 4. 97 with average food crop, horticulture, estate crop, and livestock subsectors are each of 3.22, 3.40, 3.20 and 3.23. Total regencies/municipalities

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8

BAKER, TONY. "Icon." Critical Quarterly 32, no. 2 (1990): 77. http://dx.doi.org/10.1111/j.1467-8705.1990.tb00591.x.

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9

Valent, Peter, Amy D. Klion, Lanny J. Rosenwasser, et al. "ICON." World Allergy Organization Journal 5, no. 12 (2012): 174–81. http://dx.doi.org/10.1097/wox.0b013e31827f4192.

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10

Brunt, R. "Icon." Screen 39, no. 1 (1998): 68–70. http://dx.doi.org/10.1093/screen/39.1.68.

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11

HENNESSY, JOHN. "ICON." Yale Review 95, no. 1 (2007): 69–70. http://dx.doi.org/10.1111/j.1467-9736.2007.00270.x.

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12

Gibson, Margaret. "Icon." Iowa Review 30, no. 2 (2000): 91–93. http://dx.doi.org/10.17077/0021-065x.5257.

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13

Bielory, Leonard, Luis Delgado, Constance H. Katelaris, Andrea Leonardi, Nelson Rosario, and Pakit Vichyanoud. "ICON." Annals of Allergy, Asthma & Immunology 124, no. 2 (2020): 118–34. http://dx.doi.org/10.1016/j.anai.2019.11.014.

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14

ROTKOVITCH, RACHEL, and COY SMITH. "ICON I ??? ICON II The Future Model ICON I ??? The Transition Model." Nursing Management (Springhouse) 18, no. 11 (1987): 96A. http://dx.doi.org/10.1097/00006247-198711000-00022.

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15

R.Vanitha, R. Vanitha, and Dr S. Mayilvaganan Dr. S.Mayilvaganan. "Organisation of Metal Icon Production in Swamimalai." Indian Journal of Applied Research 3, no. 4 (2011): 79–80. http://dx.doi.org/10.15373/2249555x/apr2013/26.

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16

Ma, Xiaoyue, Nada Matta, Jean-Pierre Cahier, Chunxiu Qin, and Yanjie Cheng. "From action icon to knowledge icon: Objective-oriented icon taxonomy in computer science." Displays 39 (October 2015): 68–79. http://dx.doi.org/10.1016/j.displa.2015.08.006.

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17

Anderson, Neil. "ICOIN information infrastructure." CISM journal 43, no. 3 (1989): 297–305. http://dx.doi.org/10.1139/geomat-1989-0032.

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18

Elwich, Beata, and Ella Chmielewska. "The Icon." Dialogue and Universalism 16, no. 5 (2006): 31–33. http://dx.doi.org/10.5840/du2006165/642.

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19

Faller, Heather Roote. "Icon Rodentia." Theology Today 59, no. 3 (2002): 452. http://dx.doi.org/10.1177/004057360205900310.

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20

Maniura, Robert. "Icon/image." Material Religion 7, no. 1 (2011): 50–56. http://dx.doi.org/10.2752/175183411x12968355481971.

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21

Gora, Susannah. "American Icon." Neurology Now 7, no. 3 (2011): 20–23. http://dx.doi.org/10.1097/01.nnn.0000399234.38597.40.

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22

Guerrin, Michel. "Algerian icon." Index on Censorship 26, no. 6 (1997): 20–23. http://dx.doi.org/10.1080/03064229708536255.

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23

Williams, Nigel. "Icon boost." Current Biology 16, no. 12 (2006): R436—R437. http://dx.doi.org/10.1016/j.cub.2006.06.002.

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24

Reed, M. Ann. "Dream-Icon." Psychological Perspectives 64, no. 1 (2021): 146–47. http://dx.doi.org/10.1080/00332925.2021.1909391.

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25

Vârlan, Florin. "THE HOLY SCRIPTURE AS FOUNDATION OF THE ICON." International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 1, no. 1 (2017): 67–73. http://dx.doi.org/10.26520/mcdsare.2017.1.67-73.

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26

JURGENSON, C. A., F. G. SANTORO, T. M. MCCRACKEN, et al. "ICONN — THE INFRARED COHERENCING NEAREST NEIGHBOR TRACKER." Journal of Astronomical Instrumentation 02, no. 02 (2013): 1340006. http://dx.doi.org/10.1142/s2251171713400060.

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ICONN is a dedicated fringe tracker for the Magdalena Ridge Observatory Interferometer (MROI) that employs a baseline bootstrapping combination scheme utilizing the interferometer's "Y"-shaped telescope array. The ICONN optomechanics are designed in a modular fashion to combine light from two to ten telescopes while tracking on the nearest neighbor baselines. The software tasked with operating ICONN is designed to interface with the larger MROI software supervisory system. Commands are distributed to high level processes within ICONN, which in turn pass them down internally to lower level thre

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27

Verghese, Abraham. "Culture Shock — Patient as Icon, Icon as Patient." New England Journal of Medicine 359, no. 26 (2008): 2748–51. http://dx.doi.org/10.1056/nejmp0807461.

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28

Bobreshova, Marina. "Issues and development trends of modern Icon painting." SHS Web of Conferences 72 (2019): 02003. http://dx.doi.org/10.1051/shsconf/20197202003.

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The article is concerned with topical issues and problem points of modern icon painting: understanding meanings and the mission of the icon in society, position of the Church, issue of the canon in icon painting, commercialization of the icon painter’s work, etc. The main tasks of modern icon painting have been determined. For example, ability to find a harmony of artistic creation and icon painting canon; mastering the icon painting language and icon painting thinking; development of new iconography. Today, development trends of icon painting are seen in the return and preservation of the ico

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29

CHANG, SHI-KUO. "ICON SEMANTICS — A FORMAL APPROACH TO ICON SYSTEM DESIGN." International Journal of Pattern Recognition and Artificial Intelligence 01, no. 01 (1987): 103–20. http://dx.doi.org/10.1142/s0218001487000084.

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A generalized icon is an object with the dual representation of a logical part (the meaning) and a physical part (the image). We describe a formal approach to specify icon systems. Iconic operators are presented, which constitute an icon algebra to construct complex icons and define icon semantics. The Chinese character formation rules can then be explained in a unified way. Applications of this methodology are discussed.

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30

CHANG, SHI-KUO, MICHAEL J. TAUBER, BING YU, and JING-SHENG YU. "THE SIL-ICON COMPILER—AN ICON-ORIENTED SYSTEM GENERATOR." International Journal of Pattern Recognition and Artificial Intelligence 02, no. 02 (1988): 241–73. http://dx.doi.org/10.1142/s0218001488000169.

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The SIL-ICON Compiler is a software system for the specification, interpretation, prototyping and generation of icon-oriented systems. In this paper, the design of the SIL-ICON Compiler is described. An application example to design a text editor using the Heidelberg Icon Set is presented in detail.

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31

Beck, Ann R., James R. Thompson, and Sandra L. Clay. "The Effect of Icon Prediction on College Students' Recall of Icon Codes." Journal of Special Education Technology 15, no. 3 (2000): 17–23. http://dx.doi.org/10.1177/016264340001500302.

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The influence of icon prediction and length of icon sequence on college students' recall of 24 ironically encoded messages was investigated. Findings indicated that using an icon prediction feature resulted in increased recall. The length of the icon sequence also had a significant effect on recall. Three-icon sequences were more easily recalled than two-icon sequences.

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32

Pham, Trang Van, Christian Steger, Burkhardt Rockel, et al. "ICON in Climate Limited-area Mode (ICON release version 2.6.1): a new regional climate model." Geoscientific Model Development 14, no. 2 (2021): 985–1005. http://dx.doi.org/10.5194/gmd-14-985-2021.

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Abstract. For the first time, the Limited-Area Mode of the new ICON (Icosahedral Nonhydrostatic) weather and climate model has been used for a continuous long-term regional climate simulation over Europe. Built upon the Limited-Area Mode of ICON (ICON-LAM), ICON-CLM (ICON in Climate Limited-area Mode, hereafter ICON-CLM, available in ICON release version 2.6.1) is an adaptation for climate applications. A first version of ICON-CLM is now available and has already been integrated into a starter package (ICON-CLM_SP_beta1). The starter package provides users with a technical infrastructure that

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33

Bašták Ďurán, Ivan, Martin Köhler, Astrid Eichhorn-Müller, et al. "The ICON Single-Column Mode." Atmosphere 12, no. 7 (2021): 906. http://dx.doi.org/10.3390/atmos12070906.

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The single-column mode (SCM) of the ICON (ICOsahedral Nonhydrostatic) modeling framework is presented. The primary purpose of the ICON SCM is to use it as a tool for research, model evaluation and development. Thanks to the simplified geometry of the ICON SCM, various aspects of the ICON model, in particular the model physics, can be studied in a well-controlled environment. Additionally, the ICON SCM has a reduced computational cost and a low data storage demand. The ICON SCM can be utilized for idealized cases—several well-established cases are already included—or for semi-realistic cases ba

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34

Boterman, Willem, and Jenny Pannenbecker. "Het popfestival als icoon." AGORA Magazine 17, no. 3 (2018): 10–11. http://dx.doi.org/10.21825/agora.v17i3.9012.

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35

Mulvaney, Paul. "ICONN 2006 Research Highlights." Australian Journal of Chemistry 60, no. 7 (2007): 445. http://dx.doi.org/10.1071/ch07094.

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36

Drabinski, John E. "Sense and Icon." Philosophy Today 42, no. 9999 (1998): 47–58. http://dx.doi.org/10.5840/philtoday199842supplement62.

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37

Mitrović, Todor. "Icon, Production, Perfection." Philotheos 14 (2014): 337–51. http://dx.doi.org/10.5840/philotheos20141430.

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38

Pistolesi, Edie. "The Elvis Icon." Art Education 55, no. 3 (2002): 40. http://dx.doi.org/10.2307/3193999.

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39

Visel, Robin. "Virginia Woolf Icon." Women's Studies International Forum 24, no. 2 (2001): 256–57. http://dx.doi.org/10.1016/s0277-5395(01)00156-x.

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40

Fagerberg, David W. "Liturgy as Icon." Chesterton Review 26, no. 4 (2000): 513–25. http://dx.doi.org/10.5840/chesterton200026498.

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41

Cully, Barbara. "Opening an Icon." Women's Review of Books 13, no. 4 (1996): 18. http://dx.doi.org/10.2307/4022266.

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42

Firkin, Barry G. "A medical icon." Medical Journal of Australia 166, no. 2 (1997): 104. http://dx.doi.org/10.5694/j.1326-5377.1997.tb138735.x.

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43

Irwin, Daniel B., and Kevin W. Johns. "Replacing an Icon." Civil Engineering Magazine Archive 89, no. 2 (2019): 42–51. http://dx.doi.org/10.1061/ciegag.0001357.

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44

Hu, Ruizhen, Chenyang Zhu, Oliver van Kaick, Ligang Liu, Ariel Shamir, and Hao Zhang. "Interaction context (ICON)." ACM Transactions on Graphics 34, no. 4 (2015): 1–12. http://dx.doi.org/10.1145/2766914.

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45

Higgins, James. "Vallejo as Icon." Romance Quarterly 49, no. 2 (2002): 119–25. http://dx.doi.org/10.1080/08831150209600891.

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46

Sharrad, Paul. "ESTRANGING AN ICON." Interventions 9, no. 1 (2007): 31–48. http://dx.doi.org/10.1080/13698010601173809.

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47

Alexander, Jeffrey C. "The Celebrity-Icon." Cultural Sociology 4, no. 3 (2010): 323–36. http://dx.doi.org/10.1177/1749975510380316.

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48

Bachert, Claus, Ruby Pawankar, Luo Zhang, et al. "ICON: chronic rhinosinusitis." World Allergy Organization Journal 7 (2014): 25. http://dx.doi.org/10.1186/1939-4551-7-25.

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49

Moten, Fred. "Bogard and Icon." Callaloo 23, no. 4 (2000): 1177–78. http://dx.doi.org/10.1353/cal.2000.0212.

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50

Strickland, Bonnie R. "A Faded Icon." Callaloo 24, no. 1 (2001): 181–85. http://dx.doi.org/10.1353/cal.2001.0068.

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