Relevant bibliographies by topics / Idealism in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Idealism in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Idealism in art"

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Silva Jr, Almir Ferreira da. "Arte e Verdade: da imitação à apresentação da verdade em Platão e Hegel/Art and Truth: from mimesis to presentation of truth in Plato and Hegel." Pensando - Revista de Filosofia 3, no. 6 (2013): 16. http://dx.doi.org/10.26694/pensando.v3i6.986.

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A comunicação tem como propósito uma análise comparativa sobre o problema filosófico da arte como expressão de verdade, tendo em vista o idealismo platônico e o idealismo estético moderno de G.W.Hegel. Parte-se da hipótese que a presente análise sustenta uma relação paradoxal entre ambas propostas idealistas, na medida em que se em Platão é afirmada a tese da arte como distanciamento da verdade, considerando o seu caráter essencialmente mimético, em Hegel , a arte ao constituir-se como momento de realização efetiva (Wirklichkeit) do Espírito só pode ser assim compreendida a partir do paradigma
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Bonds, Mark Evan. "Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century." Journal of the American Musicological Society 50, no. 2-3 (1997): 387–420. http://dx.doi.org/10.2307/831839.

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The growing aesthetic prestige of instrumental music in the last decades of the eighteenth century was driven not so much by changes in the musical repertory as by the resurgence of idealism as an aesthetic principle applicable to all the arts. This new outlook, as articulated by such writers as Winckelmann, Moritz, Kant, Schiller, Herder, Fichte, and Schelling, posited the work of art as a reflection of an abstract ideal, rather than as a means by which a beholder could be moved. Through idealism, the work of art became a vehicle by which to sense the realm of the spiritual and the infinite,
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Cole, Brendan. "Jean Delville's La Mission de l'Art: Hegelian Echoes in fin-de-siècle Idealism." Religion and the Arts 11, no. 3-4 (2007): 330–72. http://dx.doi.org/10.1163/156852907x244557.

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AbstractJean Delville was not only a gifted painter, but also a prolific author, poet and polemicist. He is unique amongst his artistic contemporaries for having written extensively on the subject of Idealism in art. Idealist philosophy, as an intellectual influence, was fairly pervasive amongst contemporary non-realist authors, poets and painters; the core nineteenth-century influence in this regard was the writings of Arthur Schopenhauer. Delville, however, took a different path, particularly in his seminal book, La Mission de l'Art, and his various polemical essays on the subject, which ref
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Preston, John. "Art-Rap, German Idealism and Therapy." Philosophers' Magazine, no. 74 (2016): 66–69. http://dx.doi.org/10.5840/tpm201674101.

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Verzosa, Noel. "Realism, Idealism and the French Reception of Hanslick." Nineteenth-Century Music Review 14, no. 1 (2016): 51–64. http://dx.doi.org/10.1017/s1479409816000288.

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When Charles Bannelier’s French translation of Hanslick’s Vom Musikalisch-Schönen was published in 1877, it elicited discussions among French musicians and critics that can seem puzzling from our twenty-first century vantage point. The French were almost entirely ambivalent to the issue of descriptive versus non-programmatic music and were perfectly comfortable disregarding this seemingly central point of contention in Hanslick’s treatise. French critics focused instead on issues that seem tangential to the main thrust of Vom Musikalisch-Schönen: German music education, the merits of philosoph
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Burford, Mark. "Hanslick's Idealist Materialism." 19th-Century Music 30, no. 2 (2006): 166–81. http://dx.doi.org/10.1525/ncm.2006.30.2.166.

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In the mid-nineteenth century, materialist and empiricist modes of thought characteristic of natural science increasingly called into question the speculation of German idealist philosophy. Music historians have commonly associated Eduard Hanslick's Vom Musikalisch-Schšnen (On the Musically Beautiful, 1854) with this tendency toward positivism, interpreting the treatise as an argument for musical formalism. His treatise indeed sought to revise idealist musical aesthetics, but in a far less straightforward way. Hanslick devotes considerable attention to the "material" that makes up mus
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Dönmez, Damla. "Collingwood and ‘Art Proper’: From Idealism to Consistency." Estetika: The European Journal of Aesthetics 52, no. 2 (2015): 152. http://dx.doi.org/10.33134/eeja.137.

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Weir, Simon, and Jason Anthony Dibbs. "The Ontographic Turn: From Cubism to the Surrealist Object." Open Philosophy 2, no. 1 (2019): 384–98. http://dx.doi.org/10.1515/opphil-2019-0026.

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AbstractThe practice of Ontography deployed by OOO, clarified and expanded in this essay, produces a highly productive framework for analyzing Salvador Dalí’s ontological project between 1928 and 1935. Through the careful analysis of paintings and original texts from this period, we establish the antecedents for Dalí’s theorization of Surrealist objects in Cubism and Italian Metaphysical art, which we collectively refer to as ‘Ontographic art,’ drawing parallels with the tenets of Graham Harman’s and Ian Bogost’s object-oriented philosophical programmes. We respond to the question raised by Ro
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Assumpção, Gabriel Almeida. "Filosofia sincrítica e poesia em Friedrich Von Hardenberg [Novalis]; Syncritic philosophy and poetry in Friedrich Von Hardenberg [Novalis]." Sofia 11, no. 1 (2022): 37–49. http://dx.doi.org/10.47456/sofia.v11i1.31891.

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Investigamos, no pensamento de Friedrich von Hardenberg (Novalis), como a poesia e filosofia se nutrem uma da outra, sendo a filosofia fonte de conceitos que permitem investigar o dinamismo do mundo natural e integrar os diversos saberes na enciclopédia e a poesia, a capacidade de atingir saberes intuitivos, superando os limites da filosofia. A poesia como capacidade de superar a oposição sujeito-objeto se desdobra na possibilidade de uma concepção não-dualista, neoplatônica de Deus, e na integração entre idealismo e realismo, via filosofia sincrítica, isto é, uma filosofia que aprendeu com a
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Markov, Alexander V. "FROM IDEALISM TO NEW MARXISM. PART 3. BORIS ASAFIEV." Articult, no. 4 (2021): 110–17. http://dx.doi.org/10.28995/2227-6165-2021-4-110-117.

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Although the merits of the major Soviet musicologist Boris Asafiev to the sociology of art are obvious, usually his system of studying melody and intonation as social phenomena is seen as a problematization of musical art rather than as a stimulus for his own thought. Using the example of Asafiev’s opera criticism from 1914 to 1947, I prove that his sociology of art was a constructivist system that focused on the permanence of implicit aesthetic notions such as manner and style, while allowing for variability in the explicit reference concepts of criticism. The ideological pressure to construc
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Dissertations / Theses on the topic "Idealism in art"

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Cole, Brendan. "The mythic feminine in symbolist art idealism in fin-de-siècle painting." Thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/23189.

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Pilato, Caterina. "The Synthesis of Self: The Matrix of Idealism and The Art of Forgetting." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16421.

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As the human animal is heading towards a post human existence there will be a historical process where the new being will be absent of its authentic history and therefore its animality. This research paper looks at historically human behaviour in its arrogance which has no conscience about that which is destroyed in the pursuit of lifestyle, industry, production and ultimately the dehumanisation of the differing other. As this 'other' is obliterated as the quest for this quasi utopian state, albeit a state of a numbed and programmed existence as a contrived manufactured idealism for human perf
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Boorman, H. "Herwarth Walden and Der Strum 1910-1930 : German cutural idealism and the commercialization of art." Thesis, University of East Anglia, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380948.

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Santos, Cecília Mendonça de Souza Leão. "A Temporalidade do Belo: Caminhos para uma filosofia da arte pós-idealista a partir de Gadamer." Universidade Federal da Paraíba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/9651.

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Submitted by Maike Costa (maiksebas@gmail.com) on 2017-10-02T11:19:41Z No. of bitstreams: 1 arquivototal.pdf: 1263925 bytes, checksum: 588b1e2faa3446b3dc650cf2b460623e (MD5)<br>Made available in DSpace on 2017-10-02T11:19:41Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1263925 bytes, checksum: 588b1e2faa3446b3dc650cf2b460623e (MD5) Previous issue date: 2011-05-24<br>The present paper consists in exploring the philosophical inquiries on aesthetic objects as developed by the german idealist tradition in order to evaluate how Hans-Georg Gadamer ´s take on the subject provides an overcoming
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Morehouse, Dawn M. "Copley's compromise navigating the discourse of beauty and likeness in colonial Boston /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 58 p, 2008. http://proquest.umi.com/pqdweb?did=1597629701&sid=23&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Potter, Matthew Charles. "The critical turn in British art : the influences of German idealism on British art critics, theorists and practitioners in the late nineteenth century." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416017.

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Griffin, Daniel. "The Role of Poetry and Language in Hegel's Philosophy of Art." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/philosophy_theses/90.

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Hegel's view of poetry clarifies the overall role of language in his system and allows him to makes sense of a difficult linguistic issue: how to distinguish between poetry and prose. For Hegel, this distinction is crucial because it illuminates the different ways poetry and prose allow us to understand ourselves as members of an ethical community. In this paper, I argue, using Hegel, that the distinction between poetry and prose can only properly be understood in terms of their fundamentally different kinds of content instead of in terms of any formal differences between the two. Then, I a
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Warrick, Steven. ""Does Your Faith in God and Country Need a Boost?" Reflections of Idealism and Identity and the Art of Bill John Roth." TopSCHOLAR®, 1997. http://digitalcommons.wku.edu/theses/359.

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The life and art of Bill John Roth offer a paradox to the study of folklore and folk art. The personal and public nature of Bill's art is exemplified through his mural Geographic Hieroglyphics In God's Own Handwriting. On the surface the art and artist are seemingly detached from the community, but upon closer investigation this is not the case. I have explored the notion of "outsider" art, the problems associated with artistic interpretation and the difficulties of labelling artists according to academic and elitist standards. Thus the contextual background of the artist and community are im
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Vines, Jacob L. "Encounters with the American Prairie: Realism, Idealism, and the Search for the Authentic Plains in the Nineteenth Century." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2511.

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The Great Plains are prevalent among the literature of the nineteenth century, but receive hardly a single representation among the landscapes of the Hudson River School. This is certainly surprising; the public was teeming with interest in the Midwest and yet the principal landscape painters who aimed to represent and idealize a burgeoning America offered hardly a glance past the Mississippi River. This geographical silence is the result of a tension between idealistic and empirical representations of the land, one echoed in James Fenimore Cooper’s The Prairie, Washington Irving’s A Tour on t
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Silva, Lucas Eduardo da. "Estética e contemporaneidade: por uma outra filosofia da música nova." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-22092016-144019/.

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Com a finalidade de propor uma abordagem filosófica em torno de diversos problemas atuais da estética musical, em especial buscando identificar e situar uma crise existente na sua elaboração disciplinar, serão lançados nesta tese estudos sobre a problemática relação da estética com outros campos do conhecimento, tanto aqueles vinculados às ciências empírico-matemáticas quanto às ciências humanas. Questões centrais sobre a relação entre as artes e a filosofia, sobre o papel e a situação do esteta moderno, e sobre as tendências da composição musical contemporânea também serão abordadas, sempre n
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Books on the topic "Idealism in art"

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Burnichon, Marie-Cécile, and Nicholas Frank. Spatial city: An architecture of idealism. Institute of Visual Arts (Inova) at the University of Wisconsin-Milwaukee, 2010.

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1938-, Wandschneider Dieter, ed. Das Geistige und das Sinnliche in der Kunst: Ästhetische Reflexion in der Perspektive des Deutschen Idealismus. Königshausen & Neumann, 2005.

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1938-, Wandschneider Dieter, and Rheinisch-Westfalische Technische Hochschule Aachen. Philosophisches Institut., eds. Das Geistige und das Sinnliche in der Kunst: Asthetische Reflexion in der Perspektive des Deutschen Idealismus. Konigshausen & Neumann, 2005.

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Martin, Timo. From idealism to real time: 125 years art and business. Otava, 1987.

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Marta, Ottlová, and Ústav teorie a dějin umění ČSAV v Praze., eds. Proudy české umělecké tvorby 19. století: Sen a ideál. Ústav teorie a dějin umění Československé akademie věd, 1990.

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Michel, Draguet, and Musée de l'art wallon, eds. Splendeurs de l'Idéal: Rops, Khnopff, Delville et leur temps. Snoeck-Ducaju & Zoon, 1996.

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Greenwood, Geoffrey. The cultural evolution of man: Language, art, religion, socialism, capitalism, idealism, materialism. Avon, 1997.

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Riccardo, Marchi, ed. Idealismo e naturalismo nella scultura e nella pittura gotica. FrancoAngeli, 2003.

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McCracken, John. McCracken: Heroic stance, the sculpture of John McCracken, 1965-1986. Edited by Leffingwell Edward G, Ayres Anne 1936-, P. S. 1. Museum, and Newport Harbor Art Museum. Copublished by Newport Harbor Art Museum, P.S. 1, the Institute for Art and Urban Resources, Inc., Hoffman Borman Gallery, 1987.

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Bénédite, Léonce. Gustave Moreau et E. Burnes-Jones: L'idéalisme en France et en Angleterre. Rumeur des âges, 1998.

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Book chapters on the topic "Idealism in art"

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Ezekiel, Anna. "Art." In The Palgrave Handbook of German Idealism and Poststructuralism. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-27345-2_12.

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Speight, Allen. "Hegel on Art and Aesthetics." In The Palgrave Handbook of German Idealism. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1007/978-1-137-33475-6_34.

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Shaw, Devin Zane. "The “Keystone” of the System: Schelling’s Philosophy of Art." In The Palgrave Handbook of German Idealism. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1007/978-1-137-33475-6_26.

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Vincent, Andrew. "Idealism and Hedonism." In Politics at the Edge. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780333981689_8.

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Willson, Richard. "Career Plans Are Useless." In A Guide for the Idealist. Routledge, 2017. http://dx.doi.org/10.4324/9781315111193-6.

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Millett-Gallant, Ann. "Sculpting Body Ideals." In The Disabled Body in Contemporary Art. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109971_3.

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Millett-Gallant, Ann. "Sculpting Body Ideals." In The Disabled Body in Contemporary Art. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-48251-9_3.

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Väyrynen, Raimo. "Peace Research Between Idealism and Realism." In Pioneers in Arts, Humanities, Science, Engineering, Practice. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13627-6_10.

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Singer, Peter. "All Animals Are Equal." In Ideals and Ideologies. Routledge, 2019. http://dx.doi.org/10.4324/9780429286827-73.

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Mendelssohn, Moses, Daniel O. Dahlstrom, and Corey Dyck. "Continued dispute with the pantheists. – Approximation. – Point of unison with them. – Innocuousness of the purified patheism. – Compatibility with religion and ethics insofar as they are practical." In Studies in German Idealism. Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-94-007-0418-3_14.

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Conference papers on the topic "Idealism in art"

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Rabaça, Armando. "The Philosophical Framework of Le Corbusier's Education: Schuré and German Idealism." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.671.

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Abstract: This paper seeks to demonstrate that Le Corbusier's autodidactic agenda between 1908 and 1911 reflects a consistent philosophical reasoning based on the philosophical tradition of German idealism. The vehicle of analysis is the connection between Édouard Schuré's 'Sanctuaires d'Orient', a book Le Corbusier read in 1908, and three key episodes of the subsequent period of travel. Schuré's book provides us with the philosophical framework to which he was exposed. The three episodes, in turn, are taken as case studies in order to demonstrate the correlation between the philosophical back
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Li, Yongxue, and Chengxu Ye. "An Ass Struggling between Idealism and Naturalism. A New Interpretation of qThe Assq by D. H. Lawrence." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.76.

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Dimitrakopoulou, Georgia. "THE CONFLICT BETWEEN ENERGY AND URIZEN. BLAKE�S ALIENATED REASON AS THE SOURCE OF OPPRESSION IN THE HUMAN MIND AND IDENTITY." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs10.17.

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In my paper, the version of Urizen�s creation and existence particularly refers to/concerns the contrast/conflict between energy and reason. In Blake�s mythological system, Urizen is a false God which represents the distortion of truth and concerns the pragmatic, unspiritual apprehension, and appreciation of the mundane world as a creation of falsity which must be accepted by humans in order to survive, to secure life and multiply. Urizen creates and lives in an alienated and enslaving realm, a distorted mental state which is detached from God�s truth. Personified in Urizen, the human reason i
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Dimitrakopoulou, Georgia. "WILLIAM BLAKE�S AESTHETICS IN THE MYTH OF THE ANCIENT BRITONS." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.16.

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William Blake�s aesthetic vision of the secular world is based on divine inspiration. In the myth of The Ancient Britons, he discusses the three aesthetic categories of the sublime, the beautiful and the ugly. These establish his theory of art, which is based on Jesus the Imagination. The sublime, the beautiful and the ugly are forms indicative of gradations of divine influx in every individual. In this sense, the myth explicitly describes and distinguishes the three aesthetic categories that shape the secular and eternal human existence. It also concerns art and the role of the artist. Art is
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Frances Dias, Sarah, and Maria João Durão. "Architecture and Art: La Ronchamp’s symbiosis as a ‘total work of art’." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.612.

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Abstract: Le Corbusier developed his own unique poetics of architecture, perceived and understood as an art. In La Ronchamp, due to his complete creative freedom, he found a space to express his most poetic and artistic views. The research paper thus analysis the Chapel as a case study, in order to clarify Corbusier’s artistic and architectural vision, ideals and driving principles: drawing firstly from the architectural characteristics that define the space, secondly defining an integrated set of principles that conceptualize the architecture as an art, and lastly, an analysis of the particul
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Didmanidze, Ibraim, and Irma Bagrationi. "INFORMATION PARADIGMS OF ART FROM THE HISTORY OF SOCIAL AESTHETICS." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s07.06.

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The present scientific paper deals with the worldview understanding of features of information and communication functions of art according to the �Theory of Environment� and �Conception of Organotropism� from the history of Europeanworldview philosophical and aesthetic thought, particular: According to the main principle of Social Aesthetics of French philosopher and sociologist Jean-Marie Guyau [in the work �Problems of Contemporary Aesthetics�] the aesthetic ideal of art has a meaning by presentive only social sympathy aesthetics; A German philosopher and aesthetician Alexander Gottlieb Bau
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URSACHI, Rodica. "Art as an end and means of education." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p172-177.

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One of contemporary society’s acute problem is moral state of its members, which needs a perfecting through permanent education of ethic standards. Art, as other domain, tackles this problem, but from its own view point. It reflects different moral ethic ideals during its development stages, which influence conscience of respective epoch people. In this way, art presents it self in double hypostasis – to reproduce the moral state of human society in a certain historical moment, and to help the speading of ethic ideas that will contribute to its spiritual education and development. The work of
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Bunu, Ion, and Olga Chicu. "On Rings For Which Some Pretorsions Are Cohereditary." In 27th International Scientific Conference “Competitiveness and Innovation in the Knowledge Economy”. Academy of Economic Studies of Moldova, 2024. http://dx.doi.org/10.53486/cike2023.68.

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A ring R is characterized by the pretorsions of the category R-Mod of left R-modules: R is completely reducible if and only if z(R)=0 and every pretorsion r&gt;z is cohereditary, where z is a pretorsion of R-Mod, defined by essential left ideals of R.
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Ishomuddin, Mr. "From Idealism-Rationalism to Pragmatism-Materialism: Shift in Understanding Religion to Islamic Society in East Java, Indonesia." In 2018 3rd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/amca-18.2018.190.

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Abel, Mati, and Krzysztof Jarosz. "Topological algebras in which all maximal two-sided ideals are closed." In Topological Algebras, their Applications, and Related Topics. Institute of Mathematics Polish Academy of Sciences, 2005. http://dx.doi.org/10.4064/bc67-0-3.

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Reports on the topic "Idealism in art"

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Stratton, R. A., and A. J. Stirling. Examining the dynamical response to convective heating using an idealised version of the Met Office’s Unified Model. Met Office, 2024. http://dx.doi.org/10.62998/ouao1203.

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In global circulation models, poor coupling between convection parametrizations and the resolved dynamics poses significant obstacles to the representation of a range of convectively coupled atmospheric phenomena. Here we focus on one part of this coupling and ask whether the dynamical response to convection can adequately be captured when convection is parametrized only as heat and moisture sources to the resolved scale, (as is usually the case in convection parametrizations), and without including either mass, or vertical momentum transport terms. To this end, a ‘perfect’ convection parametr
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Ballard, Richard, Christian Hamann, and Ngaka Mosiane. Spatial trends in Gauteng. Gauteng City-Region Observatory, 2021. http://dx.doi.org/10.36634/lmwn5165.

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This Occasional Paper considers six spatial trends in Gauteng. Notwithstanding intentions by the state to direct spatial transformation for the better, these trends are the physical manifestation, for better or worse, of a remarkable variety of actors responding to a wide variety of opportunities, incentives and disincentives. While it might be possible to name post-apartheid urban ideals, these six trends underscore the disbursed nature of energies that are producing urban space, and the need to understand and work with these energies as we find them in directing spatial transformation.
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Goode, Kayla, and Heeu Millie Kim. Indonesia’s AI Promise in Perspective. Center for Security and Emerging Technology, 2021. http://dx.doi.org/10.51593/2021ca001.

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The United States and China are keeping an eye on Indonesia’s artificial intelligence potential given the country’s innovation-driven national strategy and flourishing AI industry. China views Indonesia as an anchor for its economic, digital, and political inroads in Southeast Asia and has invested aggressively in new partnerships. The United States, with robust political and economic relations rooted in shared democratic ideals, has an opportunity to leverage its comparative advantages and tap into Indonesia’s AI potential through high-level agreements.
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Yilmaz, Ihsan. The AKP’s Authoritarian, Islamist Populism: Carving out a New Turkey. European Center for Populism Studies (ECPS), 2021. http://dx.doi.org/10.55271/op0005.

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The global tide of populism will leave a profound mark on Turkey. The ruling Justice and Development Party’s (AKP) success during the past two decades, has hinged on Islamist authoritarian populism and been driven by its long-time leader, Recep Tayyip Erdogan. “New Turkey” is now a reality. The AKP has been successful at dismantling the Kemalist ideals – ironically, perhaps, by using similarly repressing techniques, such as cracking down on civil liberties and democratic rights.
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Lylo, Taras. THE MISSION OF A JOURNALIST IN THE ESSAYISTIC INTERPRETATIONS BY OLEGARIO GONZÁLEZ DE CARDEDAL. Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12156.

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The article analyzes Olegario González de Cardedal’s views on journalistic mission, that he interprets as a “ministry”. For him, a journalist is the minister of the word, the creator and the interpreter of events, the spokesperson of human being and the witness of human hope. For the Spanish Catholic theologian and author, the newspaper is both “structure and soul”. He believes that media is something more than an ordinary profitable enterprise and interprets journalism as a “spiritual ministry”. A prerequisite for the true ministry is the hierarchical system of values. In this context, for Go
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Ivanyshyn, Petro. BASIC CONCEPTS OF YEVHEN MALANIUK’S NATIONAL-PHILOSOPHICAL INTERPRETATION: ESEISTIC DISCOURSE. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11070.

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The purpose of the research is to outline the structure of the main methodological ideas within the frames of interpretive thinking in the essay of the famous Vistnyk’s writer, critic and essayist Yevhen Malaniuk. Considering the purpose and tasks of the studio, an interdisciplinary methodological base, related to the author’s “national approach”, has been worked out. The epistemological potential of national philosophy as a philosophy of national existence, national science as a theory of nation, hermeneutics as a theory and practice of interpretation and post-colonialism as interpretation of
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Hellström, Anders. How anti-immigration views were articulated in Sweden during and after 2015. Malmö University, Malmö Institute for Studies of Migration, Diversity and Welfare (MIM), 2021. http://dx.doi.org/10.24834/isbn.9789178771936.

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The development towards the mainstreaming of extremism in European countries in the areas of immigration and integration has taken place both in policy and in discourse. The harsh policy measures that were implemented after the 2015 refugee crisis have led to a discursive shift; what is normal to say and do in the areas of immigration and integration has changed. Anti-immigration claims are today not merely articulated in the fringes of the political spectrum but more widely accepted and also, at least partly, officially sanctioned. This study investigates the anti-immigration claims, seen as
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Berger, J. M. A Paler Shade of White: Identity & In-group Critique in James Mason’s Siege. RESOLVE Network, 2021. http://dx.doi.org/10.37805/remve2021.1.

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Discussions of extremist ideologies naturally focus on how in-groups criticize and attack out-groups. But many important extremist ideological texts are disproportionately focused criticizing their own in-group. This research report will use linkage-based analysis to examine Siege, a White nationalist tract that has played an important role shaping modern neo-Nazi movements, including such violent organizations as Atomwaffen Division and The Base. While Siege strongly attacks out-groups, including Jewish and Black people, the book is overwhelmingly a critique of how the White people of its in-
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Hunia, Maraea, John Huria, and Lorraine Spiller. Ready for partnership? A tool for creating written and visual texts in Aotearoa New Zealand. NZCER, 2024. http://dx.doi.org/10.18296/rep.0058.

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Ready for Partnership? will help you to create written or visual texts which welcome ākonga Māori. We hope that this tool will give you ways of reflecting on texts as you create them, before you then go on to do further work with kaupapa Māori colleagues. Ready for Partnership? has two sections. Section 1 provides seven lenses which focus on the ways in which we’re using various Māori cultural perspectives when creating texts, and Section 2 presents some annotated examples which show how the tool may be used. Ready for Partnership? is for use in the early stages of creating texts. By using thi
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Menon, Shantanu, Kushagra Merchant, Devika Menon, and Aruna Pandey. Youth for Unity and Voluntary Action (YUVA): Instituting an ideal. Indian School Of Development Management, 2023. http://dx.doi.org/10.58178/2303.1021.

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This case study traces the journey of Youth for Unity and Voluntary Action (YUVA), an NGO which was co-founded in Mumbai (erstwhile Bombay) in 1984 by a young graduate Minar Pimple along with a group of his lecturers and peers from the Nirmala Niketan College of Social Work, together looking to evolve an indigenous model of social work practice. To say that times have changed in India since YUVA’s inception 38 years ago would be an understatement. Despite this, the organization’s spirit continues to echo its founding purpose and values, and provide a space in which the most marginalised of you
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