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1

Sexed universals in contemporary art. New York, NY: Allworth Press, 2004.

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2

Glaz, Kazimir. Our identity. Toronto: Toronto Center for Contemporary Art, 1987.

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3

Mourik, Broekman Pauline Van, Ratnam Niru, and Locus+ (Agency), eds. Locus solus: Site, identity, technology in contemporary art. London: Black Dog, 2000.

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4

Gallery, Fruit Market, ed. Dada's boys: Identity and play in contemporary art. Edinburgh: Fruitmarket Gallery, 2006.

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5

Carter, Curtis L. Dolls in contemporary art: A metaphor of personal identity. Milwaukee, WI: Patrick and Beatrice Haggerty Museum of Art, 1993.

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6

Metatextile: Identity and history of a contemporary art medium. Emsdetten: Edition Imorde, 2010.

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7

Connected by art: Zeitgenössische Kunst aus dem Ostseeraum = Connected by art : contemporary art from the Baltic Sea Region. Heidelberg: Kunstsammlungen Schlösser und Gärten, Staatliches Museum Schwerin, 2012.

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8

Madill, Shirley. Identity/identities: An exploration of the concept of female identity in contemporary society. Winnipeg: Winnipeg Art Gallery, 1988.

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9

Valerie, Fraser, ed. Drawing the line: Art and cultural identity in contemporary Latin America. London: Verso, 1989.

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10

Hall, Stuart. Different: A historical context : contemporary photographers and black identity. London: Phaidon, 2001.

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11

Images: Art and identity in an age of vertigo. New York: Pantheon, 2012.

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12

Concepts of identity: Historical and contemporary images and portraits of self and family. New York: Icon Editions, 1996.

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13

Hoffman, Katherine. Concepts of identity: Historical and contemporary images and portraits of self and family. Boulder, CO: Westview Press, 1996.

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14

Wendy, Ewald, Roediger David R, Williams Patricia J. 1951-, University of Maryland, Baltimore County. Center for Art and Visual Culture., and International Center of Photography, eds. White: Whiteness and race in contemporary art. Baltimore, Md: Center for Art and Visual Culture, University of Maryland Baltimore County, 2004.

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15

International, Hand Print Workshop. The view from here: Issues of cultural identity and perspective in contemporary Russian and American art. Edited by Joselow Beth and Gosudarstvennai︠a︡ Tretʹi︠a︡kovskai︠a︡ galerei︠a︡. Alexandria, VA: Hand Print Workshop International, 2000.

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16

Nachtigal, Jane. Self-portraits in make-up: Art and identity in contemporary cosmetics advertising. [London]: Middlesex Polytechnic, 1990.

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17

Stratico, José. The articulation of concepts of identity in discourses of contemporary performance art. Birmingham: University of Central England in Birmingham, 2000.

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18

McMaster, Gerald. Reservation X: The power of place in aboriginal contemporary art. Fredericton, N.B: Goose Lane, 1998.

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19

Seeing differently: Identification, contemporary art, and visual culture. Abingdon, Oxon [England]: Routledge, 2012.

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20

Making memory matter: Strategies of remembrance in contemporary art. Chicago: University of Chicago Press, 2006.

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21

Vadén, Tere. Rock the boat: Localized ethics, the situated self, and particularism in contemporary art. Köln: Salon, 2003.

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22

Art, High Museum of, ed. After 1968: Contemporary artists and the civil rights legacy. [Atlanta, GA]: High Museum of Art, 2008.

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23

Montes, Rafael Miguel. Generational traumas in contemporary Cuban-American literature: Making places = haciendo lugares. Lewiston: Edwin Mellen Press, 2006.

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24

Visualities: Perspectives on contemporary American Indian film and art. East Lansing: Michigan State University Press, 2011.

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25

Orlando, Britto Jinorio, Fitzgerald Shannon, Mosaka Tumelo, Contemporary Art Museum St. Louis, Regina Gouger Miller Gallery, and Blaffer Gallery, eds. A fiction of authenticity: Contemporary Africa abroad : Siemon Allen ... [et al.]. St. Louis, Mo: Contemporary Art Museum St. Louis, 2003.

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26

Donner, Christa. Christa Donner: Pretty on the insides : Cleveland Center for Contemporary Art, December 10, 1999 through February 6, 2000. Cleveland, Ohio: The Center for Contemporary Art, 1999.

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27

Fullerton, Ted. Fallacy of the male construct: The sculpture and painting of Ted Fullerton, 1985-2005 : September 14 to November 3, 2006. Barrie, Ont: MacLaren Art Centre, 2006.

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28

McLeod, Neal. Cree narrative memory: From treaties to contemporary times. Saskatoon, SK: Purich Pub., 2008.

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29

Cree narrative memory: From treaties to contemporary times. Saskatoon, Saskatchewan: Purich Publishing, 2007.

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30

Mapping the Americas: The transnational politics of contemporary native culture. Ithaca: Cornell University Press, 2009.

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31

Duprat, Andrés. Southern identity: Contemporary Argentine art = Identidad del sur : arte Argentino contemporáneo : Smithsonian Institution : the Smithsonian International Gallery, S. Dillon Ripley Center, Washington, DC : October 12/2010 to January 10/2011 = 12 Octubre 2010 al 10 Enero 2011. Washington, D.C: Smithsonian Latino Center, 2010.

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32

Rouge, Isabelle de Maison. Mythologies personnelles: L'art contemporain et l'intime. Paris: Scala, 2004.

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33

How to be both. Toronto: Hamish Hamilton, 2014.

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34

Self-Evidence: Identity In Contemporary Art. DeCordova Museum, 2004.

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35

Monumentalism History National Identity And Contemporary Art. NAI Publishers, 2011.

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36

Identity Theft The Cultural Colonization Of Contemporary Art. Liverpool University Press, 2009.

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37

Export, Valie, Zoe Leonard, Ruth Noack, Yvonne Volkart, Dietrich Karner, Dominique Gonzalez-Foerster, Ion Grigorescu, et al. Double Life: Identity and Transformation in Contemporary Art. Walther Konig, 2002.

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38

Modern and Contemporary Art in Korea: Tradition, Modernity, and Identity. Hollym International Corporation, 2005.

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39

Kutis, Barbara. Artist-Parents in Contemporary Art: Gender, Identity, and Domesticity. Taylor & Francis Group, 2020.

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40

Monica, Bohm-Duchen, and Grodzinski Vera, eds. Rubies & Rebels: Jewish Female Identity in Contemporary British Art. London: Lund Humphries, 1996.

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41

Kutis, Barbara. Artist-Parents in Contemporary Art: Gender, Identity, and Domesticity. Taylor & Francis Group, 2020.

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42

Kutis, Barbara. Artist-Parents in Contemporary Art: Gender, Identity, and Domesticity. Taylor & Francis Group, 2020.

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43

Kutis, Barbara. Artist-Parents in Contemporary Art: Gender, Identity, and Domesticity. Taylor & Francis Group, 2020.

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44

Hatley, Barbara. Performing Contemporary Indonesia: Celebrating Identity, Constructing Community. BRILL, 2015.

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45

Brenda, Atkinson, and Breitz Candice, eds. Grey areas: Representation, identity, and politics in contemporary South African art. Rivonia, Johannesburg, South Africa: Chalkham Hill Press, 1999.

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46

Kitaj, R. B. Rubies and Rebels: Jewish Female Identity in Contemporary British Art. Lund Humphries Publishers, 1996.

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47

Johanne, Lamoureux, Ross Christine 1958-, and Asselin Olivier, eds. Precarious visualities: New perspectives on identification in contemporary art and visual culture. Montrâeal: McGill-Queen's University Press, 2008.

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48

1939-, Adsett Sandy, Whiting Cliff 1936-, and Ihimaera Witi Tame 1944-, eds. Mataora: The living face : contemporary Maori art. Auckland, N.Z: D. Bateman, 1996.

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49

1944-, O'Brian John, and White Peter 1948-, eds. Beyond wilderness: The Group of Seven, Canadian identity and contemporary art. Montreal: McGill-Queen's University Press, 2007.

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50

Beyond Wilderness: The Group of Seven, Canadian Identity, and Contemporary Art. McGill-Queen's University Press, 2017.

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