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Books on the topic 'Identity metamorphosis'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Bartra, Roger. The cage of melancholy: Identity and metamorphosis in the Mexican character. New Brunswick, N.J: Rutgers University Press, 1992.

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2

Metamorfosi: Enigmi filosofici del cambiamento. Milano: Mimesis, 2010.

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3

Ivory, James Maurice. Identity and narrative metamorphoses in twentieth-century British literature. Lewiston, N.Y: Edwin Mellen Press, 2000.

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4

David Kibbe's metamorphosis: Discover your image identity and dazzle as only YOU can. New York: Atheneum, 1987.

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5

Identidades trastocadas. Santiago de Cali, Colombia: Programa Editorial Universidad del Valle, 2011.

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6

Gilardi, Filippo. Métamorphose et identité: D'Ovide au transsexualisme. [Nantes]: Odin, 2008.

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7

Métamorphose et identité: D'Ovide au transsexualisme. [Nantes]: Odin, 2008.

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8

And those who continued living in Turkey after 1915: The metamorphosis of the post-genocide Armenian identity as reflected in artistic literature. Yerevan: Armenian Genocide Museum-Institute, 2008.

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9

Coville, Bruce. Half-human. New York: Scholastic Press, 2001.

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10

Les métamorphoses du moi: Identités plurielles dans le récit littéraire (XIXe-XXe siècles). Paris: L'Harmattan, 2007.

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11

Les Voleurs de visages: Sur quelques cas troublants de changement d'identité : Rocambole, Arsène Lupin, Fantômas et Cie. Paris: Editions A.-M. Métailié, 1992.

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12

Culeddu, Sara. Uomo e animale: Identità in divenire : incontri metamorfici in Fuglane di Tarjei Vesaas e in Gepardene di Finn Carling. Trento: Università degli studi di Trento, Dipartimento di lettere e filosofia, 2013.

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13

The metamorphoses of Don Juan's women: Early parity to late modern pathology. Lewiston, N.Y: E. Mellen Press, 2004.

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14

Textile Metamorphosen als Ausdruck gesellschaftlichen Wandels: Das Bekleidungsverhalten junger Männer und Frauen als Phänomen der Grenzverschiebung von Sex- und Gender-Identitäten. Wiesbaden: VS Verlag für Sozialwissenschaften / GWV Fachverlage, Wiesbaden, 2008.

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15

Gjergji, Iside. Sociologia della tortura. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-391-5.

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This work addresses torture with the ambition to strengthen a properly sociological approach to it by bringing to the fore the social history of the tortured, also through the fundamental contribution of the political economy. This category is not utilised in an abstract way, it is brought into the picture through the social history of the bodies of those tortured. These bodies are not considered mere biological bodies subjugated by ‘power’, but rather bodies with a voice, bodies capable of revealing their social standing. Placing the bodies’ class at the centre of the analysis allows us to fully grasp the sociological substance of torture, to understand the underlying reasons for its historical persistence and constant diffusion. The book explores torture in a threefold way: firstly by analysing the image of torture as an effective hermeneutic tool of late modernity; secondly by adopting a historical perspective to identify structural elements and metamorphoses; thirdly by examining the concrete practices of torture to enable the establishment of a mutual relationship between history and biography.

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16

Transforming psyche. Montreal: McGill-Queen's University Press, 1999.

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17

Bynum, Caroline Walker. Metamorphosis and Identity. Zone Books, 2005.

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18

Bynum, Caroline Walker. Metamorphosis and Identity. Zone Books, 2001.

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19

Jonathan, Ames, ed. Sexual metamorphosis: An anthology of transsexual memoirs. New York: Vintage, 2005.

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20

Etta, Kralovec, and Chitiyo Morgan, eds. Identity in metamorphosis: An anthology of writings from Zimbabwe students. Hauppauge, NY: Nova Science Publishers, 2009.

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21

Karen Redfern: Metamorphosis & The ARK Project. Nelson, B.C: Touchstones Nelson: Museum of Art and History, 2006.

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22

Schutz, Andrea K. Theriomorphic shape-shifting: An experimental reading of identity and metamorphosis in selected medieval British texts. 1995.

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23

Verwandlungen. Munchen: Wilhelm Fink Verlag, 2006.

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24

Simile And Identity In Ovids Metamorphoses. Cambridge University Press, 2012.

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25

Simile and Identity in Ovid's Metamorphoses. Cambridge University Press, 2016.

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26

Fridrun, Rinner, and Geiser Myriam, eds. Identité en métamorphose dans l'écriture contemporaine. Aix-en-Provence: Publications de l'Université de Provence, 2006.

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27

Fawkes, Ray. Intersect: Metamorph. 2015.

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28

Educational Metamorphoses: Philosophical Reflections on Identity and Culture. Rowman & Littlefield Publishers, Inc., 2007.

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29

Educational Metamorphoses: Philosophical Reflections on Identity and Culture. Rowman & Littlefield Publishers, Inc., 2006.

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30

Roth, Nadine Leeann. Metamorphoses: Urban space and modern identity, Berlin 1870-1933. 2003.

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31

Celestini, Federico. Gustav Mahler and the Aesthetics of De-Identification. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199316090.003.0013.

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Mahler’s music offers the opportunity for an enrichment of the unilateral identity paradigm in musicological research through the concept of cultural and aesthetic hybridity. This chapter addresses the plurality of idioms, styles, and voices in Gustav Mahler’s music in the context of the cultural and linguistic heterogeneity which characterises Vienna at the turn of the century. Analytical categories are proposed that are able to serve the plurality and hybridity in Mahler’s music; relevant passages in his work are discussed according to these categories: 1. tragic breakdown (of the musical subject); 2. grotesque destabilisation; 3. alienated sound; 4. plurality of voices; 5. metamorphosis and mimesis; 6. thematic instability; 7. hybridity of genres and forms; 8. eclipses of the author

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32

Blühdorn, Ingulfor. Sustainability— Post-sustainability— Unsustainability. Edited by Teena Gabrielson, Cheryl Hall, John M. Meyer, and David Schlosberg. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199685271.013.39.

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Sustainability and sustainable development have become hegemonic frames shaping the ways in which national governments and international bodies conceptualize eco-political issues and devise related policy agendas. Yet, a consensus is emerging that this mainstream approach is unable to deliver the kind of structural change that is required if serious social conflicts and ecological collapse are to be prevented. This contribution explores why the paradigm of sustainability is widely perceived to have failed and why it, nevertheless, retains its hegemonic status. Aiming to supplement well-known explanations in terms of power-relations and denial, the chapter investigates how a shift in prevalent norms of subjectivity and identity has facilitated the metamorphosis of the sustainability agenda into the prevailing politics of unsustainability—which, rather than being exhausted, very effectively addresses the particular needs of liberal consumer societies.

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33

Stanghellini, Giovanni. First steps towards the person-centred, dialectical model of mental disorders. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198792062.003.0020.

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This chapter argues that mental symptoms are the interruption of this dialogue through which we strive to build and maintain our personal identity and our position in the world. The person is engaged in trying to cope with, solve, and make sense of the basic disturbing experiences stemming from her clash with alterity. When a symptom emerges, the line of the pathogenic trajectory is the following: (1) a disproportion of alterity and the person’s resources for understanding, of emotions and rationality, of pathos and logos, of otherness and selfhood, bringing about a disturbing metamorphosis of self and world experience; (2) a miscarried auto-hermeneutics or self-interpretation of one’s abnormal experiences and of the transformations of the life-world that they bring about; (3) the fixation in a psychopathological structure in which the dialectics between the person and alterity gets lost.

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34

R, Brink J., Horowitz Maryanne Cline 1945-, and Coudert Allison 1941-, eds. Playing with gender: A Renaissance pursuit. Urbana: University of Illinois Press, 1991.

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35

Willems, Brian. Speculative Realism and Science Fiction. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474422697.001.0001.

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A human-centred approach to the environment is leading to ecological collapse. One of the ways that speculative realism challenges anthropomorphism is by taking non-human things to be as valid objects of investivation as humans, allowing a more responsible and truthful view of the world to take place. Brian Willems uses a range of science fiction literature that questions anthropomorphism both to develop and challenge this philosophical position. He looks at how nonsense and sense exist together in science fiction, the way in which language is not a guarantee of personhood, the role of vision in relation to identity formation, the difference between metamorphosis and modulation, representations of non-human deaths and the function of plasticity within the Anthropocene. Willems considers the works of Cormac McCarthy, Paolo Bacigalupi, Neil Gaiman, China Miéville, Doris Lessing and Kim Stanley Robinson are considered alongside some of the main figures of speculative materialism including Graham Harman, Quentin Meillassoux and Jane Bennett.

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36

Transformable Race: Surprising Metamorphoses in the Literature of Early America. Oxford University Press, 2014.

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37

Chiles, Katy L. Transformable Race: Surprising Metamorphoses in the Literature of Early America. Oxford University Press, Incorporated, 2013.

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38

Mortimer, Anthony. Shakespeare and Italian Poetry. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0019.

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Shakespeare’s poetry gains much by being read in the light of the Italian texts that founded both the genres he exploits: the Ovidian erotic narrative and the sonnet sequence. Italian poets such as Anguillara and Dolce had already adapted episodes from the Metamorphoses for stanzaic poems and their treatment of the Venus and Adonis story establishes the essential contours of Shakespeare’s version. Reading the Sonnets as part of a tradition that derives not only from Petrarch’s Canzoniere but also from Dante’s Vita Nuova illuminates such aspects of the genre as the relation between putative autobiography and exemplary narrative, stasis and progression, the sequence as open-ended form, and the corruption of vision. Finally, as an example of how Petrarchism enables some of the characteristic achievements of the late Renaissance, one may look briefly at the poetry of Michelangelo which foreshadows Shakespeare’s Sonnets by a thematic expansion which embraces problems of social and sexual identity and questions the validity of analogy as poetic argument.

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