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Dissertations / Theses on the topic 'Identity (Philosophical concept)vJuvenile fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Hennessey, Sean Francis. "Still Lives and Set Pieces." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3022.

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Still Lives and Set Pieces is a collection of stories that explore concepts of identity under pressure, using meta-fictional approaches and various formal strategies, such as borrowing structural traits from other styles of composition, to fracture POV and add dimensionality. One tale explodes the few moments immediately following an assisted suicide as the surviving partner starts the slow process of self-redefinition. Another wonders if a composer's search for the right five notes to complete his project has more to it than pitch and rhythm. A third sees two would-be criminals, stuck in time, playing darts in the back room of a nameless pub, while they await word of why they are there and what's to happen to them.

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2

Ken, Stephanie Wong. "Human Subjects." PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4023.

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Human Subjects is a collection of eight short stories that explore the role of identity, otherness, and personhood in contemporary life. Two sex workers try to buy new faces after a botched plastic surgery, a young girl struggles to find her place in a religious sweat cult, mixed race orphans commune with ghosts in a Korean orphanage, best friends embark on a road trip across America in search of a mother. Human Subjects works to tell stories about deeply felt wants and desires from perspectives at the margins, caught in a state of in between. This collection grapples with what it means to be a subject, and what it means to be subjected.

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3

Barlow, Gillian. "Jigsaw : looking at identity, post-colonialism and driving /." View thesis View thesis, 2001. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030428.102002/index.html.

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4

鄭美香 and Mei-heung Christie Cheng. "Memory and its relation to history and identity in novels today." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B26823093.

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5

Steenkamp, Elzette Lorna. "Identity, belonging and ecological crisis in South African speculative fiction." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002262.

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This study examines a range of South African speculative novels which situate their narratives in futuristic or ‘alternative’ milieus, exploring how these narratives not only address identity formation in a deeply divided and rapidly changing society, but also the ways in which human beings place themselves in relation to Nature and form notions of ‘ecological’ belonging. It offers close readings of these speculative narratives in order to investigate the ways in which they evince concerns which are rooted in the natural, social and political landscapes which inform them. Specific attention is paid to the texts’ treatment of the intertwined issues of identity, belonging and ecological crisis. This dissertation draws on the fields of Ecocriticism, Postcolonial Studies and Science Fiction Studies, and assumes a culturally specific approach to primary texts while investigating possible cross-cultural commonalities between Afrikaans and English speculative narratives, as well as the cross-fertilisation of global SF/speculative features. It is suggested that South African speculative fiction presents a socio-historically situated, rhizomatic approach to ecology – one that is attuned to the tension between humanistic- and ecological concerns.

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6

McWilliams, Amber. "Our lands, our selves : the postcolonial literary landscape of Maurice Gee and David Malouf /." e-Thesis University of Auckland, 2009. http://hdl.handle.net/2292/5617.

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Thesis (PhD--English)--University of Auckland, 2009.
"Submitted in fulfilment of the requirements of the Doctor of Philosophy in English, the University of Auckland, 2009." Includes bibliographical references.

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7

Churchill, Amanda Gann. "Peonies for Topaz." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12097/.

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A collection of three, interwoven short stories set in Japantown, San Francisco and the Topaz Internment Camp in central Utah during World War II. The pieces in this collection feature themes of cultural identity and the reconstruction of personal identity in times of change and crisis. Collection includes the stories "Moving Sale," "Evacuation," and "Resettlement."

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8

Pfaffinger, Doris. "Grenzganger des pop: Konsum und identitat bei Christian Kracht und Benjamin von Stuckrad-Barre /." Connect to title online (ProQuest), 2008. http://proquest.umi.com/pqdweb?did=1617381101&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2008.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 179-185). Also available online in ProQuest, free to University of Oregon users.

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9

Lawrence, Jennifer Thomson. "The Third Person in the Room: Servants and the Construction of Identity in the Eighteenth-Century Gothic Novel." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-04172008-130053/.

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Thesis (Ph. D.)--Georgia State University, 2008.
Title from file title page. Malinda Snow, committee chair; Murray Brown, Tanya Caldwell, committee members. Electronic text (223 p.) : digital, PDF file. Description based on contents viewed July 11, 2008. Includes bibliographical references (p. 215-223).

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10

Clum, Linda R. ""The Sea beneath the soil" : visions of the good in fiction and in modern moral identity /." 2000. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9959087.

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11

Cushman, Susan E. "The politics of storytelling : Cultural memory and national identity in U.S. postmodern fiction /." Diss., 2002. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3073954.

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12

Shayesteh, Farkhondeh. "In search of identity : Hushang Golshiri’s Ayenehha-ye dardar and other works of fiction." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3034.

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This dissertation examines representations of identity in the fiction works of Iranian author Hushang Golshiri. An extensive, theoretically grounded examination of Golshiri’s attention to five different aspects of identity in his novel Ayenehha-ye Dardar is the focal point of the research presented herein. This examination is supported by an exploration of these same aspects of identity in his other long works of fiction and in numerous short stories from several collections he produced. A brief biography of Golshiri’s life which is focused on his literary activities at different points in his life is included. An annotated bibliography of Golshiri’s major publications is also provided, as is a plot summary of Ayenehha-ye Dardar.
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13

Kalua, Fetson Anderson. "The collapse of certainty: contextualizing liminality in Botswana fiction and reportage." Thesis, 2007. http://hdl.handle.net/10500/1886.

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This thesis deploys Homi Bhabha's perspective of postcolonial literary theory as a critical procedure to examine particular instances of fiction, as well as reportage on Botswana. Its unifying interest is to pinpoint the shifting nature or reality of Botswana and, by extension, of African identities. To that end, I use Bhabha's concept of liminality to inform the work of writers such as Unity Dow, Alexander McCall Smith, and instances of reportage (by Rupert Isaacson and Caitlin Davies), from the 1990s to date. The aims of the thesis are, among other things, to establish the extent to which Homi Bhabha's appropriation of the term liminality (which derives from Victor Turner's notion of limen for inbetweenness), and its application in the postcolonial context inflects the reading of the above works whose main motifs include the following: a contestation of any views which privilege one culture above another, challenging a jingoistic rootedness in one culture, and promoting an awareness of the existence of several, interlocking or even clashing realities which finally produce multiple meanings, values and identities. In short, it is proposed that identity is not a given but rather a product of a lived reality and therefore a social construct, something always in process. The thesis begins by theorizing liminality in Chapter 1 within the context of Homi Bhabha's understanding and interrogation of the colonial discourse. This is followed by the contextualization of liminality through the reading of, firstly, the fiction of Unity Dow in Chapters 2 and 3, and then the "detective" fiction of Alexander McCall Smith in Chapters 4 and 5. In the discussion of these works, I also touch on instances of reportage which relate to the lives of the authors. In the case of Smith's "detective" fiction, for example, reportage refers to his incorporation of actual historical events and personages whose impact, I argue, suggests the liminality of culture. In Chapter 6, the idea of reportage varies slightly to denote works of fiction in which there is a great deal of historical fact. Thus Rupert Isaacson's The Healing Land: A Kalahari Journey and Caitlin Davies' Place of Reeds are treated as works of reportage in line with Truman Capote's application of that term. What comes out most evidently in this study is the shifting idea of (Botswana/African) identity. It should be noted that rather than present an all-embracing account of the fiction on Botswana, the study only looks at the selected examples of writing and reportage.
University of South Africa National Research Foundation
English Studies
D. Litt. et Phil. (English)

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14

Banerjee, Lopa. "New heroines of the diaspora : reading gender identity in South Asian diasporic fiction." Diss., 2011. http://hdl.handle.net/10500/4692.

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This thesis looks at literature by two South Asian, diasporic writers, Jhumpa Lahiri and Monica Ali, as a space where creative, cross-cultural and independent identities for diasporic women might be created. The central claim of the thesis is that diasporic migration affects South Asian women in particular ways. The most positive outcome is that these women adopt new trans-border identities but that these remain shaped by class, culture and gender. Hence a working class milieu such as the one depicted by Monica Ali, leads to an immigrant, ghetto-ised, community-based identity, located solely in the land of adoption, with return or travel to the homeland no longer possible. However, the milieu imagined in Jhumpa Lahiri’s text, a middle-class, suburban environment, creates a solitary, transnational identity, lived between countries, where travel between the land of birth and the land of adoption remains accessible.
English
M.A. (English)

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15

Langsford, Catherine. "Loneliness in Michael Ondaatje's : the English patient." Diss., 2009. http://hdl.handle.net/10500/2671.

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This dissertation attempts to show that the phenomenon of loneliness is written into Michael Ondaatje’s The English Patient. The Introduction offers a description of the origins of loneliness as a field of study, presents key instances of loneliness in literature, and investigates the nature of loneliness. In the first chapter, the Villa is introduced as a figural and conceptual framework for analysis. The second chapter focuses on the patient’s room and the library, leading to a discussion of personal and existential loneliness, identity and naming. The third chapter investigates social loneliness with reference to the kitchen, garden and hallway, addressing notions of race and othering, home and family. The fourth chapter discusses the body and embodiment, as well as emotion and metaphor. The dissertation argues that the stylistic, thematic and structural features of The English Patient suggest and reflect the complexities and characteristics of loneliness.
English
M. A. (English)

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16

Byrne, D. C. (Deirdre C. ). "Selves and others : the politics of difference in the writings of Ursula Kroeber le Guin." Thesis, 1995. http://hdl.handle.net/10500/16246.

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Selves and Others: The Politics of Difference in the Writings of Ursula Kroeber Le Guin has two founding premises. One is that Le Guin's writing addresses the political issues of the late twentieth century in a number of ways, even although speculative fiction is not generally considered a political genre. Questions of self and O/other, which shape political (that is, powerinflected) responses to difference, infuse Le Guin's writing. My thesis sets out to investigate the mechanisms of representation by which these concerns are realized. My chapters reflect aspects of the relationship between self and O/other as I perceive it in Le Guin's work. Thus my first chapter deals with the representations of imperialism and colonialism in five novels, three of which were written near the beginning of her literary career. My second chapter considers Le Guin's best-known novels, The Left Hand of Darkness (1969) and The Dispossessed (1974), in the context of the alienation from American society recorded by thinkers in the 1960s. In my third chapter, the emphasis shifts to intrapsychic questions and splits, as I explore themes of sexuality and identity in Le Guin's novels for and about adolescents. I move to more public matters in my fourth and fifth chapters, which deal, respectively, with the politicized interface between public and private histories and with disempowerment. In my final chapter, I explore the representation of difference and politics in Le Guin's intricate but critically neglected poetry. My second founding premise is that traditional modes of literary criticism, which aim to arrive at comprehensive and final interpretations, are not appropriate for Le Guin's mode of writing, which consistently refuses to locate meaning definitely. My thesis seeks and explores aporias in the meaning-making process; it is concerned with asking productive questions, rather than with final answers. I have, consequently, adopted a sceptical approach to the process of interpretation, preferring to foreground the provisional and partial status of all interpretations. I have found that postmodern and poststructuralist literary theory, which focuses on textual gaps and discontinuities, has served me better than more traditional ways of reading
English Studies
D. Litt. et Phil. (English)

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