Academic literature on the topic 'Identity theft – Fiction'

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Journal articles on the topic "Identity theft – Fiction"

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Menčik, David. "Identity Theft: A Thought Experiment on the Fragility of Identity." Conatus 5, no. 1 (2020): 71. http://dx.doi.org/10.12681/cjp.22283.

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This paper intends to discuss some aspects of what we conceive as personal identity: what it consists in, as well as its alleged fragility. First I will try to justify the methodology used in this paper, that is, the use of allegories in ontological debates, especialy in the form of thought experiments and science fiction movies. Then I will introduce an original thought experiment I call “Who am I actually?,” one that was coined with the intent to shed light on several aspects of the issue under examination, that is, the fragility of personal identity. Then I will move on to Christopher Nolan
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Gelfant, Blanche H. "Changelings in Studs Lonigan and One Flew Over the Cuckoo's Nest." Prospects 29 (October 2005): 473–540. http://dx.doi.org/10.1017/s0361233300001848.

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As the media report instances of vanished or violated selves — of bodies that disappear and identities that are stolen; of sex changes and sexually ambiguous bodies (the adulated bodies of rock stars); raped bodies and the promise or threat of replicated bodies — the happy endings of fairy tales, and the tales themselves, seem fanciful and remote, irrelevant to our times. They may enthrall a child who is not yet playing video games, but what attraction, if any, can they have for adults coping with the complexities of a technological world in which identity is linked to an unsecured alterable b
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Bodyk, O. "WILLIAM FAULKNER՚S AUTHOR MYTH: SNOPESISM VS. THE AMERICAN DREAM." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 16, no. 28 (2023): 7–23. http://dx.doi.org/10.34079/2226-3055-2023-16-28-7-23.

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The article presents an analysis of William Faulkner՚s authorial myth, with a particular focus on the concept of «Snopesism» in the context of the American dream. The aim is to clarify the nature of the mythological component of Faulkner՚s Yoknapatawpha trilogy as a system of perception of America՚s national identity in the context of globalization. The article seeks to determine the author՚s attitude towards the functioning of the myth of the American dream in the conditions of globalization, multiculturalism of American society, and the coexistence of national and global cultures, through th
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MANGHAM, Andrew. "Out of the Blue? Epilepsy, Sensation and Wilkie Collins’s Poor Miss Finch." Cankaya University Journal of Humanities and Social Sciences, Special Issue: Wilkie Collins (January 28, 2024): 1–20. http://dx.doi.org/10.47777/cankujhss.1413123.

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In Wilkie Collins’s 1872 novel Poor Miss Finch, epilepsy is represented as an event which brings modifying effects through the kind of writing developed in Collins’s earlier, more ‘canonical’ sensation fictions. Drawing on ideas explored in the medical literature of his day, especially the works of Edward Sieveking, Charles Radcliffe, and Russell Reynolds, Collins portrays epileptic disorder as a shock which establishes a new plot trajectory and allows for an examination of the apparent intersections between biology, identity, and different models of (biological) determinism. The argyria exper
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Yıldırım, Nisa. "AN ANALYSIS OF FICTIONAL NARRATIVES ON CYBERBULLYING IN THE ERA OF SOCIAL MEDIA." Turkish Online Journal of Design Art and Communication 15, no. 3 (2025): 745–59. https://doi.org/10.7456/tojdac.1671602.

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As the social media platforms and search engines entered our lives with the WEB 2.0 era, two-way communication has truly come to life. Unfortunately, this transformation in communication has caused some negative social effects. Traditional bullying, which means repetitive behaviors aiming to harm individuals or groups, has begun to occur in online environments, thus the concept of cyberbullying has emerged. Cyberbullying has also begun to be included as a theme in fictional narratives in recent years. This research aims to study 50 cyberbullying-themed movies and TV series released between 201
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Mahini, Ramtin Noor-Tehrani (Noor), Erin Barth, and Jed Morrow. "Tim O’Brien’s “Bad” Vietnam War: The Things They Carried & Its Historical Perspective." Theory and Practice in Language Studies 8, no. 10 (2018): 1283. http://dx.doi.org/10.17507/tpls.0810.05.

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Tim O’Brien was sent to Vietnam as a foot soldier in 1969, during the later part of the Vietnam War that can be called the “bad” or unwinnable war. Based on his experience, O'Brien's writing about the Vietnam War in his award-winning fiction novels is always "bad," meaning that the war was terrible for American grunts like himself, his fellow soldiers, and Vietnamese civilians, with practically no good or inspiring stories. Nevertheless, O’Brien touches upon almost all problems of American soldiers in the Vietnam War, but not many peer-reviewed authors or online literary analysis websites coul
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Sarcevičienė, Jolita. "Books in the Houses of the Burghers of Vilnius in the First Half of the Eighteenth Century." Senoji Lietuvos literatūra 47 (June 1, 2019): 249–78. https://doi.org/10.51554/sll.2019.28775.

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The circle of problems linked to the burghers’ culture of reading and their relation with books has hardly been addressed in the historiography of Lithuania. In this article, the author resorts to the data of probate inventories compiled in Vilnius from 1700 to 1750 and discusses the sizes of book sets owned by the residents of the city in the first half of the eighteenth century, the linguistic structure of these sets, and their themes. She also gives attention to the functions of books in the urban society of the period discussed.The data obtained from the sources is not sufficient: in hasti
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Devictor, Agnès, and Amélie Neuve-Eglise. "Soft Epiphanies: The Multilayered Narratives in Abbas Kiarostami's Film Close-Up (1990)." Iranian Studies, August 11, 2023, 1–16. http://dx.doi.org/10.1017/irn.2023.42.

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Abstract As part of the collective endeavor to explore the modalities and challenges of the narrative in the Persianate world, this article reconsiders Abbas Kiarostami's Close-Up (1990), a film characterized by a special cinematographic feature. While accounting for what appears to be a story of swindling and identity theft, Kiarostami keeps the viewer in a state of uncertainty about the nature of what he sees, blurring the boundaries between documentary and fiction, truth and lie, through particular narrative and cinematographic choices. Previous scholarship has focused mainly on the aesthet
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Busse, Kristina, and Shannon Farley. "Remixing the Remix: Fannish Appropriation and the Limits of Unauthorised Use." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.659.

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In August 2006 the LiveJournal (hereafter LJ) community sga_flashfic posted its bimonthly challenge: a “Mission Report” challenge. Challenge communities are fandom-specific sites where moderators pick a theme or prompt to which writers respond and then post their specific fan works. The terms of this challenge were to encourage participants to invent a new mission and create a piece of fan fiction in the form of a mission report from the point of view of the Stargate Atlantis team of explorers. As an alternative possibility, and this is where the trouble started, the challenge also allowed to
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Clopés, Sandra, and Marc Balcells. "The Science of Art Theft: Using Data to Identify Criminal Patterns, 1990–2022." International Journal of Cultural Property, April 16, 2025, 1–27. https://doi.org/10.1017/s0940739125000098.

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Abstract Art theft is still a crime surrounded by inaccuracies. From the perception of flashy fictional thieves to unintentionally misleading monetary claims, the general public and some art and security professionals have a distorted vision of the scope of the criminal enterprise. As there is an alarming lack of empirical studies into the matter, this study aims to remedy the issue through the elaboration of a database to find common characteristics and aspects of interest amongst multiple art heists from the last three decades to provide a better understanding of crucial theft traits such as
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Books on the topic "Identity theft – Fiction"

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Keene, Carolyn. Identity theft. Aladdin Paperbacks, 2009.

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Bugeja, Michael J. Identity theft. Aladdin Paperbacks, 2009.

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Bugeja, Michael J. Identity theft. Aladdin Paperbacks, 2009.

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Sawyer, Robert J. Identity theft and other stories. Red Deer Press, 2008.

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Emily, Thomas. Theft and Thanksgiving. Guideposts, 2013.

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McDonald, Abby. The liberation of Alice Love. Sourcebooks Landmark, 2011.

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M, Christian. Me2. Alyson, 2008.

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Lamanda, Al. Running homeless. Five Star/Gale Cengage Learning, 2011.

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Greene, Carolyn. Words of wisdom. Guideposts, 2013.

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Raven, Alder, Mullen Timothy M, and Long Johnny, eds. Stealing the network: How to own an identity. Syngress, 2005.

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Book chapters on the topic "Identity theft – Fiction"

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Bečanović-Nikolić, Zorica. "Shakespeare, Montaigne and Ricoeur: Identity as Narrative." In Shakespeare and Montaigne. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474458238.003.0006.

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Although the work of Paul Ricoeur has seldom been brought to shed light on the writings of Montaigne or Shakespeare, Ricoeur’s phenomenology of self and time from Time and Narrative helps significantly to illuminate these authors’ representations of real and fictional selves. For Ricoeur, the problem of the self’s perpetual mutability can only be solved through narration and emplotment. Just as Montaigne creates his own identity in essayistic narration, so various Shakespearean characters do the same: Hamlet, Prospero, Othello, Macbeth, Richard II, and even King Lear can be seen as conspicuous
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"Turn back to Figure 7.16, above, and consider the meaning of the symbols using the explanations given in Figure 7.27, above. 7.11 THE DEMONSTRATION OF THE WIGMORE CHART METHOD: THE FICTIONAL CASE OF R v MARY To give students the experience of walking through the method to develop their understanding of how a legal argument is put together, a reasonably simple criminal law scenario has been created. However, the facts of the case are not laid out. They are to be found located in three statements made by two witnesses connected to the situation, and the statement of the defendant. From these statements the first task is to assemble the relevant facts, note the evidence available, note the elements of relevant law, identify any conditions of doubt at the factual level and construct a chart and key list for use by the prosecution. Having constructed the Wigmore Chart, the factual analysis takes place which clears the ground for the legal analysis. This gives a demonstration at a simplified level of the relationship between factual and legal analysis and the need for both to construct arguments. At the academic level of legal education the problem is a given, it does not mean there is no value in an appreciation of fact analysis. On the contrary it can be used to assist us to see more clearly the issues to be teased out when engaged in the legal analysis. 7.11.1 The case of R v Mary Mary has been charged with theft under s 1 of the Theft Act 1968." In Legal Method and Reasoning. Routledge-Cavendish, 2012. http://dx.doi.org/10.4324/9781843145103-195.

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Reports on the topic "Identity theft – Fiction"

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Murray, Chris, Keith Williams, Norrie Millar, Monty Nero, Amy O'Brien, and Damon Herd. A New Palingenesis. University of Dundee, 2022. http://dx.doi.org/10.20933/100001273.

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Robert Duncan Milne (1844-99), from Cupar, Fife, was a pioneering author of science fiction stories, most of which appeared in San Francisco’s Argonaut magazine in the 1880s and ’90s. SF historian Sam Moskowitz credits Milne with being the first full-time SF writer, and his contribution to the genre is arguably greater than anyone else including Stevenson and Conan Doyle, yet it has all but disappeared into oblivion. Milne was fascinated by science. He drew on the work of Scottish physicists and inventors such as James Clark Maxwell and Alexander Graham Bell into the possibilities of electroma
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