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Books on the topic 'Ideograms'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 May 2022

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1

Institut für Moderne Kunst Nürnberg., ed. Ideograms in costume: Studien zu Aquarellen Francesco Clementes. Nürnberg: Verlag für moderne Kunst Nürnberg, 2008.

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2

Pleterski, Andrej. Kulturni genom: Prostor in njegovi ideogrami mitične zgodbe = The cultural genome : space and its ideograms of the mythical story. Ljubljana: Založba ZRC, 2014.

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3

Thought signs: The semiotics of symbols-- western non-pictorial ideograms. Amsterdam: IOS Press, 1995.

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4

Carrizales, Wilfredo. Ideogramas. Maracay: Secretaría de Cultura del Estado Aragua, 1992.

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5

Ideogramas. Madrid: Páginas de Espuma, 2012.

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6

Islas ideograma. Puerto Rico: Editorial John Louis von Neumann, 2005.

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7

Robescu, Marius. Ideogramă: Arta insommniei. București: Editura Eminescu, 1986.

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8

Liungman, Carl G. Tanketecken: Symbolers semiotik : västerländska ideogram. 3rd ed. Malmö: Polaris, 1993.

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9

María de Lourdes Martínez de Brückner. Diccionario de ideogramas de la escritura inca. Buenos Aires: Editorial Dunken, 2009.

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10

María de Lourdes Martínez de Brückner. Diccionario de ideogramas de la escritura inca. Buenos Aires: Editorial Dunken, 2009.

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11

Diccionario de ideogramas de la escritura inca. Buenos Aires: Editorial Dunken, 2009.

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12

Ideogramm und Auslegung: Die Besonderheit der chinesischen Hermeneutik. Stuttgart: Ibidem-Verlag, 1999.

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13

Millán, Fernando. Ideogramas, emblemas y mitogramas: Antología poética (1965-2000). [Jaén, Spain]: Instituto de Estudios Giennenses, 2002.

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14

Yuan, Huaqing. La scrittura cinese: Storia degli ideogrammi. [Milano]: Vallardi(IS), 1993.

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15

Unger, J. Marshall. Ideogram: Chinese characters and the myth of disembodied meaning. Honolulu: University of Hawai'i Press, 2004.

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16

Ideogram: Chinese characters and the myth of disembodied meaning. Honolulu: University of Hawai'i Press, 2004.

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17

Unger, J. Marshall. Ideogram: Chinese characters and the myth of disembodied meaning. Honolulu: University of Hawai'i Press, 2004.

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18

Rogers, Franklin R. Occidental ideographs: Image, sequence, and literary history. Lewisburg: Bucknell University Press, 1991.

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19

Ideogrammi per un viaggio nell'anima in Barocco. Torino: Nino Aragno, 2010.

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20

Zaloscer, Hilde. Visuelle Beschwörung, autonomes Kunstwerk, Ideograph: Eine Begriffsklärung. Wien: Böhlau, 1997.

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21

Blanka, Bartulović, Pišl Zlatko, Baković Ivan, and Hrvatsko stenografsko društvo. Komisija za reformu stenografije., eds. Rječnik stenografskih kratica: Sigala, prefiksa i sufiksa, kratica, frazeograma i ideograma. Zagreb: Informator, 1990.

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22

The poetics of the ideogram: Ezra Pound's poetry and hermeneutic interpretation. Frankfurt am Main: P. Lang, 2002.

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23

Phonetic ambiguity in the Chinese script: A palaeographical & phonological analysis. München: Lincom Europa, 2010.

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24

Fazzioli, Edoardo. Chinese calligraphy: From pictograph to ideogram : the history of 214 essential Chinese/Japanese characters. New York: Abbeville Press, 1987.

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25

Kubik, Gerhard. Tusona--Luchazi ideographs: A graphic tradition practised by a people of West-Central Africa. Wien: Föhrenau, 1987.

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26

Đủ, Đào Trọng. Nouvelle methode chiffree de codification des ideogrammes chinois: Méthode des traits tangents, & repertoire lexique mineralogique de 16.000 ideogrammes avec prononciation pékinoise, sino-vietnamienne et japonaise = [Han tsu yü yin tsu tien. La Madeleine, [France]: Dao Trong Nguyen, 1996.

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27

Meier, Gert. Und das Wort ward Schrift: Von der Spracharchäologie zur Archäologie der Ideogramme : ein Beitrag zur Entstehung des Alphabets. Bern: P. Haupt, 1991.

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28

Boriosi, Nino. Il "rongo-rongo": Rivelazione di un mito "Rapa-Nui" : traduzione degli ideogrammi-simbolici, figurativi-geroglifici dell'Isola di Pasqua : glottologia comparata polinesiana-indo-gangetica-melasiana-bengalica-egizia-dinastica-proto-sanscrita. [Italy]: ET, 1997.

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29

(Translator), Gustaf Sobin, ed. Ideograms in China. New Directions Publishing Corporation, 2002.

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30

Carl, G. Liungman. Symbols -- Encyclopedia of Western Signs and Ideograms. HME Publishing, 2005.

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31

Liungman, Carl G. Symbols -- Encyclopedia of Western Signs and Ideograms. HME Publishing, 2004.

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32

Haas, Jack. The Dream of Being: Aphorisms, Ideograms, and Aislings. Iconoclast Press, 2003.

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33

Hillard, Katharine. Symbolism And Ideographs - Pamphlet. Kessinger Publishing, LLC, 2006.

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34

Blavatsky, H. P. Symbolism And Ideographs - Pamphlet. Kessinger Publishing, LLC, 2006.

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35

Labat, Rene. Manuel D'epigraphie Akkadienne: Signes Syllabaire Ideogrammes. Librairie Orientaliste Paul Geuthner, 1988.

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36

Francisco Toledo: El Ideograma del Insecto (Circulo de Arte). Conaculta, 2000.

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37

Unger, J. Marshall. Ideogram: Chinese Characters and the Myth of Disembodied Meaning. University of Hawaii Press, 2003.

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38

Unger, J. Marshall. Ideogram: Chinese Characters and the Myth of Disembodied Meaning. University of Hawaii Press, 2003.

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39

Unger, J. Marshall. Ideogram: Chinese Characters and the Myth of Disembodied Meaning. University of Hawaii Press, 2003.

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40

Paragraphs from Pictures - The Pictographic Writing Series - Ideograf Edition. The Perfection Form Company, 1987.

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41

Gomringer, Eugen. silencios. Ediciones Uniandes, 2021. http://dx.doi.org/10.51566/humalite2125.

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El poeta boliviano-suizo Eugen Gomringer es uno de los fundadores y el principal exponente en alemán de la poesía concreta. Su obra lleva las palabras hacia las artes visuales en búsqueda de una estética reducida y universal. Exponiendo el material lingüístico en su estructura plástica provoca un permanente movimiento que desafía nuestra percepción. Esta propuesta radical quiebra así con toda poética previa. silencios es su primera antología en castellano y una de las más completas en cualquier idioma. Este tomo contiene los ideogramas, las constelaciones, el libro de horas y siete poemarios. Viene acompañado de un manifiesto y varios textos programáticos.
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42

Fazzioli, Edoardo. Chinese Calligraphy: From Pictograph to Ideogram: The History of 214 Essential Chinese/Japanese Characters. Abbeville Press, 2005.

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43

Fazzioli, Edoardo. Chinese Calligraphy: From Pictograph to Ideogram: The History of 214 Essential Chinese/japanese Characters. Abbeville Press, 2005.

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44

Dao, Trong Du. Nouvelle methode chiffree de codification des ideogrammes chinois: Methode des traits tangents, & repertoire lexique mineralogique de 16.000 ideogrammes ... et japonaise = [Han tsu yu yin tsu tien. Dao Trong Nguyen, 1996.

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45

Byers, Mark. Thrown Down Glyphs. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813255.003.0005.

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The ‘modest’ aesthetic imagined by Olson and his contemporaries, critical of abstract or scientific reason, is seen in the fourth chapter to have found expression in a second major formal development. The chapter begins by asking why pictographic or ideographic writing emerged so strongly in American visual art between 1943 and 1951. Turning to the ‘sign which refuses to signify’ (Ad Reinhardt), American artists—including Olson, Pollock, Gottlieb, Lee Krasner, and the photographer Aaron Siskind—are shown to have found a language which reflected their critique of both scientific reason and those political languages (especially Marxism) which had failed to account for historical contingency. The avant-garde is seen to have valued the glyph, pictogram, or ideograph for its ‘uncertainty’; a major theme in Olson’s work of the period.
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46

Tuttle, Patrick A. An East Asian language environment for Chinese ideograph-based languages: Nihongo, Chung-kuo hua, Chung-kuo hua, Hanʾgungmal. 1995.

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