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Luarasi, Skender 1976. "Urban ideograms." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/30218.
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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2005.Includes bibliographical references (p. 69-70).
This thesis offers the concept of Urban Ideograms. It is developed and crystallized through a strategic gathering and selection of specific textual and contextual information from various sources, such as the drawings of Henri Michaux, his poetry and literary commentaries, various architectural examples of park design, psychoanalytical texts that aim towards an understanding of traumatic experience, and a physical site that is the Boston Artery Strip. A central notion of this thesis is that of Ideogram, as understood in the work of Henri Michaux. The Ideogram is seen as a graphic condition that signifies and embodies the Interstitial, those qualities that are absent in the diagram as it is commonly understood and used in architectural practice, such as movement, animation, the poetry of incompletion, the accidental, and what is more important, the mental anticipation of the new, the strange, the future and the unknown. Thus, some of the questions that are investigated in this thesis are: What can the notion of Ideogram, as understood in Michaux's work, offer to the architectural process of form, spatial and programmatic investigation and conception? How can the notion of Ideogram serve as a conceptual tool of material translation and transference across the stages of the design process? How can the Ideogram constitute a generative design process? What does it mean to think ideogrammatically in architecture? Another central notion in my thesis is that of Trauma as it is understood in the writings of Sigmund Freud, Sandor Ferenczi, Maurice Blanchot, Cathy Caruth, and the balletic practice of William Forsythe and their commentaries.
(cont.) The notion of trauma is seen from the perspective of Traumatic Experience, and how this experience as a pathological condition gives rise to the cultural problems of the representation of the past, present and future, reference and perception, and performative potential of the body in general. How is the problem of reference related to the body in architecture and the body of architecture? One part of this thesis treats the physical site as a pretext and explores the concept of the urban folly. The other part treats the site as a context from where we notate, gather and select graphic information that provides a generative platform of design. The intention is to design or generate urban things that act as ideograms, interstitial zones and/or lineages between the disparate urban functions of the site.
by Skender Luarasi.
M.Arch.
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Stahlhut, Heinz. "Ideograms in costume Studien zu Aquarellen Francesco Clementes." Nürnberg Verl. für Moderne Kunst, 2007. http://d-nb.info/988176378/04.
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Mineck, Edward. "Astronauts and Xingu : an exhibition of cultural ideograms /." Online version of thesis, 1991. http://hdl.handle.net/1850/11625.
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Макарук, Лариса Леонідівна, and Larysa L. Makaruk. "The usage of pictograms and ideograms in modern mass media texts." Thesis, Maria Curie-Sklodowska University, 2010. http://evnuir.vnu.edu.ua/handle/123456789/1062.
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Макарук Лариса Леонідівна - асистент кафедри прикладної лінгвістики Східноєвропейського національного університету імені Лесі УкраїнкиAdam Glaz, Hubert Kowalewski, Anna Weremczuk (Department of English, Maria Curie-Sklodowska University, Lublin, Poland
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Martin, Pierre. "C3i systeme de reconnaissance vocale du chinois moderne (chinese ideograms input interface)." Nice, 1994. http://www.theses.fr/1994NICE4809.
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Le chinois moderne ou mandarin est une langue ideographique comptant pres de 6000 caracteres. La necessite d'un codage phonetique des caracteres chinois a incite les linguistes de la chine populaire a concevoir le pinyin. Il s'agit d'un alphabet phonetique constitue des prononciations des ideogrammes. Cependant le symbole graphique n'interprete pas le symbole phonetique. Cet aspect a toujours pose des difficultes dans la conception des systemes de saisie des caracteres chinois. Afin de pallier a cet inconvenient, dans nos travaux, nous proposons un systeme de comprehension de la parole adapte a ce langage naturel. Les deux modules du systeme, a savoir le decodage acoustico-phonetique et l'analyseur linguistique ont ete elabores en fonction des specificites de cette langue. L'approche experte utilisee dans le module de dap, en l'occurence les triplets phonetiques (un son en contexte) correspond a la structure particuliere des syllabes de la forme consonne + voyelle + partie finale. Les sons en contexte correspondent aux voyelles centrales des pinyins. Pour pouvoir exploiter l'expertise phonetique, il est indispensable de disposer de bons detecteurs d'evenements acoustiques. Le suivi des formants est le plus important d'entre eux car la partie centrale d'un triplet est exclusivement une voyelle. Le ton present sur la syllabe est identifie a l'aide de l'allure de la frequence du fondamental. Un treillis de syllabes phonetiques est le resultat du module de dap. L'analyseur linguistique, qui de ce treillis, essaie de determiner, dans un premier temps, une representation lexicale (mots) puis une representation syntaxique, eventuellement incomplete voir multiple, de la phrase de depart. Cependant, le chinois moderne manque de changements morphologiques. Il recourt a l'ordre des mots, a la fonction des mots dans la phrase et a l'emploi de mots vide pour exprimer les notions et les categories grammaticales. Les analyseurs morpho-lexical et syntaxique ont ete elabores a partir de ces particularites. Une analyse semantique permet de valider la phrase en levant les ambiguites syntaxiques
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Correa, Andrea Macedo. "Citotaxonomia de representantes da subfamilia Rubioideae (Rubiaceae) nos cerrados do Estado de São Paulo." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/314945.
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Orientador: Eliana Regina Forni-MartinsTese (doutorado) - Universidade Estadual de Campinas, Instituto de Biologia
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Resumo: As Rubiaceae (A. L. de Jussieu), ordem Gentianales, subclado Euasteride I do clado Asteride, é composta por plantas de hábito variado, e compreende uma das maiores famílias de Angiospermas. A família está subdividida em quatro subfamílias, 637 gêneros e aproximadamente 10.700 espécies. São plantas cosmopolitas, com espécies de considerável expressão econômica como o café (C. arabica L. e C. canephora Pierre ex A. Froehner), além de espécies de interesse farmacológico (Cinchona L.) e florístico (Ixora L., Gardenia J. Ellis e Pentas Benth.). Apresenta ampla distribuição, com considerável representação no Cerrado brasileiro, região considerada para esse estudo. Foram realizadas análises cromossômicas em espécies da subfamília Rubioideae, encontradas no estado de São Paulo, nas áreas das Estações Experimentais de Itirapina e Assis, na Reserva Biológica de Mogi-Guaçu e em Corumbá e Três Lagoas, Mato Grosso do Sul. Algumas contagens cromossômicas apresentadas concordaram com as já relatadas na literatura, como 2n = 20 (Coccocypselum lanceolatum (Ruiz & Pav.) Pers.) e 2n = 22 (Coussarea hydrangeifolia (Benth.) Müll. Arg. e Psychotria hoffmannseggiana (Willd. Ex Roem. & Schult.) Müll. Arg.). Foram obtidas contagens inéditas para o gênero Rudgea Salisb. (2n = 44 R. viburnoides (Cham.) Benth.), e para uma espécie da tribo Hedyotideae, Manettia cordifolia Mart. (2n = 66). Para a tribo Psychotria, foram apresentados dados inéditos para espécies pertencentes a três gêneros: Decleuxia H.B.K., com Decleuxia fruticosa (R. & S.) Kuntze (2n = 20); Palicourea Aubl. com 2n = 22 em Palicourea croceoides Ham., P. marcgravii St. Hil. e P. rigida H.B.K., sendo que em P. marcgravii, a contagem divergiu da encontrada na literatura; e Psychotria L. com 2n = 22 para Psychotria lupulina Benth., P. marginata Sw., P. tenerior (Cham.) M. Arg. e P. trichophora Müll. Arg.; 2n = 40 para Psychotria mapourioides DC. e 2n = 44 para Psychotria carthagenensis Jacq., P. gracilenta M. Arg., P. sessilis (Vell) M. Arg., P. suterella M. Arg. e P. vellosiana Benth. São apresentados também dados de hibridação in situ com DNAr 45S para a tribo Psychotrieae com seis espécies de Psychotria, sendo uma do subgênero Psychotria (P. carthagenensis), cinco de Heteropsychotria (Psychotria deflexa, P. hoffmannseggiana, P. trichophora, P. tenerior e P. vellosiana), além de uma espécie do gênero Palicourea (Palicourea marcgravii) e uma Rudgea (Rudgea. viburnoides). O número de pares de sítios de DNAr 45S foi variável, assim como o número cromossômico das espécies. Não se observou relação entre o número de sítios e o nível de ploidia das espécies. A hibridação in situ DNAr 45S também foi aplicada em duas espécies da tribo Spermacoceae, gênero Borreria G. Mey. (Borreria latifolia (Aubl.) K. Schum. e B. verticillata (L.) G. Mey.), nesse caso, as duas espécies apresentaram mesmo número cromossômico e ideogramas muito semelhantes, no entanto, a diferenciação no número de sítios de DNAr 45S possibilitou a discriminação das duas espécies de Borreria
Abstract: The Rubiaceae (A. L. de Jussieu) family, order Gentianales, sub-clade Euasteride I, steride clade, is composed by plants of varied habit, comprising one of the largest Angiosperm amilies, with four subfamilies, 637 genera and approximately 10.700 species. The family is cosmopolitan, including species of considerable economic expression like coffee (C. arabica L. and C. canephora Pierre ex A. Froehner), as well as with pharmacological (Cinchona L.) and floristic interest (Gardenia J. Ellis, Ixora L. and Pentas Benth.). It is a great family showing a broad range of distribution, with considerable representation in the Brazilian Cerrado the ecosystem considered in this study. Chromosome analyses were carried out in some species of Rubiaceae belonged to subfamily Rubioideae that occur in areas of Cerrado on the states of São Paulo (Experimental station of Itirapina and Assis and Biological Reserve of Mogi-Guaçu) and Mato Grosso do Sul (Corumbá and Três Lagoas counties). Some chromosome counts were in agreement to literature, as 2n = 20 (Coccocypselum lanceolatum (Ruiz & Pav.) Pers.) and 2n = 22 (Coussarea hydrangeifolia (Benth.) Müll. Arg. and Psychotria hoffmannseggiana (Willd. Ex Roem. & Schult.) Müll. Arg.). On the other hand, new counts werw obtained for genus Rudgea Salisb. (2n = 44 Rudgea viburnoides (Cham.) Benth.), and for Manettia cordifolia Mart. (2n = 66), wich belongs to the Hedyotideae tribe. For Psychotria tribe, we present new data for species from three genera: Decleuxia fruticosa (R. & S.) Kuntze (2n = 20); Palicourea croceoides Ham., P. marcgravii St. Hil. and P. rigida H.B.K., 2n = 22 and Psychotria with 2n = 22 for Psychotria lupulina Benth., P .marginata Sw., P. tenerior (Cham ) M. Arg. and P. trichophora Müll. Arg.; 2n = 40 for Psychotria mapourioides DC. and 2n = 44 for Psychotria carthagenensis Jacq., P. gracilenta M. Arg., P. sessilis (Vell) M. Arg., P. suterella M. Arg. and P. vellosiana Benth. Inedit data of in situ hybridization with the 45S rDNA were obtained for eight species beloning to Psychotrieae tribe, being six for genus Psychotria (Psychotria carthagenensis subgenus Psychotria; Psychotria deflexa, P hoffmannseggiana, P.sciaphila, P. tenerior and P vellosiana, subgenus Heteropsychotria) one for genus Palicourea (Palicourea marcgravii) and one for genus Rudgea (Rudgea viburnoides). The number of rDNA 45S sites varied among species. No relation was observed between the number of rDNA sites and the ploidy level of the species. The in situ hybridization with 45S rDNA was also applied in two species of the Spermacoceae tribe, Borreria latifolia (Aubl.) K. Schum. and B. verticillata (L.) G. Mey. Both species present the same chromosome number and very similar ideograms, but different number of 45S rDNA sites made possible the Karyotype discrimination between the two species of Borreria
Doutorado
Biologia Vegetal
Doutor em Biologia Vegetal
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Santos, José Paulo Neves Correia Marques dos. "Neuroscience in marketing : an FMRI-Based Perspective on brands." Doctoral thesis, Instituto Superior de Economia e Gestão, 2011. http://hdl.handle.net/10400.5/3087.
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Doutoramento em GestãoAlthough somewhat outdated, the American Marketing Association definition of brand still is largely accepted. In this case, brands are signs for product differentiation. The present research, instead, finds brands and their logos as meaningful signs that belong to the human communicative lexicon. Logos are ideograms, i.e. graphic representations that convey meanings. These meanings are transferred from one mind to other minds through brands, establishing communication between humans, and which is also used to self-monitoring in a self-reflexive process, i.e., reading the reactions of others to the ideographic messages once sent to them. Brands are intimately connected to meta-representational processes, whether they are seen as the repository of human attributes, whether themselves are perceived as interlocutors, in a quasi-human level. It also finds that the human emotion system is used to perceive, interpret, and classify brands. Founding in the neuro-based model of emotions developed by Damásio, the present research reveals that brands systematically recruits the emotion system when stimulate brains, which leads to posit that brands are felt in order to be perceived. It is also largely relying in the brain structures that support emotion processing, but also based in other regions that support self-relatedness processing, that is trained an artificial neural network that yields predictions of subjects' choices at a level much higher than mere chance. This procedure allows a coarse but promising consumers' "mind reading".
Apesar de algo ultrapassada, a definição de marca da American Marketing Association ainda é largamente aceite. Assim, as marcas são sinais usados na diferenciação de produtos. A investigação presente, pelo contrário, sugere que as marcas e os seus logotipos são sinais com significado que pertencem ao léxico comunicativo humano. Os logotipos são ideogramas, i.e. representações gráficas que transmitem significados. Tais significados transferem-se de uma mente para outra através das marcas, estabelecendo uma comunicação entre humanos, e que também é usada na auto-monitorização num processo auto-reflexivo, i.e. lendo as reacções que os outros têm às mensagens ideográficas que lhes foram enviadas. As marcas estão intimamente ligadas aos processos meta-representacionais, seja por elas serem consideradas um repositório de atributos humanos, seja por elas próprias serem consideradas como interlocutores, a um nível quase-humano. Este estudo também constata que o sistema emocional humano é usado para perceber, interpretar, e classificar as marcas. Baseado no modelo neuronal das emoções de Damásio, verifica-se que as marcas recrutam sistematicamente o sistema das emoções sempre que elas estimulam um cérebro, o que leva a avançar que as marcas são sentidas de forma a serem percebidas. É com base em estruturas cerebrais que sustentam o processamento das emoções, mas também com base em outras regiões ligadas a processamentos da auto-reflexão, que é treinada uma rede neuronal artificial, da qual resultam previsões das escolhas dos sujeitos participantes, as quais estão a um nível muito superior ao mero acaso. Este procedimento permite uma "leitura da mente" algo grosseira, mas muito promissora.
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Jun, Hea Young. "Le « corps » dans l’espace littéraire chez quelques écrivains voyageurs en Extrême-Orient (Tibet, Chine et Japon)." Thesis, Rennes 2, 2012. http://www.theses.fr/2012REN20033/document.
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Le but de cette thèse est de mettre en lumière la relation complexe entre le « corps » du voyageur et celui de l‟écrivain, mais aussi le « corpus » de l‟oeuvre littéraire, dans la mesure où nous avons affaire à quelques écrivains voyageurs en Extrême-Orient des XIX-XXème siècles. Il s‟agit des oeuvres de Segalen, Claudel, Loti, Michaux et David-Néel. Leur réflexion se porte à la fois sur des idéogrammes orientaux et des religions « alternatives » de l‟Extrême-Orient (Tibet, Chine et Japon), notamment le taoïsme et le bouddhisme, et parallèlement sur des confrontations de l‟altérité du « corps ».Notre problématique de l‟espace littéraire propose trois axes principaux que la thèse divise en trois parties en analysant l‟espace textuel, l‟espace « transcendant », et ensuite l‟espace « intérieur ».L’intérêt de ce travail sur le « corps » dans le regard exotique se mesure à la faveur de la notion d‟espace littéraire qui s‟évalue dans un processus particulier propre à chacun de ces auteursThe aim of this thesis is to bring light to the complex relationship between the “body” of the traveller and that of the writer, but also the “corpus” of literary work, in so far as we deal with several travel writers in the Far East from the 19th and 20th centuries. It consists of the works of Segalen, Claudel, Loti, Michaux and David-Néel. Their reflections relate at once to oriental ideograms and the “alternative” religions of the Far East (Tibet, China, Japan), notably Taoism and Buddhism, and, in parallel, to confrontations with the otherness of the “body”.For our problematic of literary space we propose three principal axes, which divide the thesis into three parts, analysing the textual space, the “transcendent” space and then the “interior” space.The interest of this work on the “body” under the exotic gaze is measured against the notion of literary space, which is evaluated in an individual process specific to each of the authors
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Tsutsumi, Hernando Tamon. "Ideogames: uma proposta metodológica transcultural." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/18119.
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Previous issue date: 2013-04-22Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
This research proposes a digital educational game focused on the learning of Japanese kanji. Its fundamentals are culturally based in the Japanese immigration to Brazil and, combined with the concepts and theories of transculturalism and topophilia, lead to a reflection of cultural appreciation and its hybridization. Such approaches fall within the overall context of combinations and adaptations, covering digital productions structured in accordance to concepts and theories from several areas of knowledge. The methodology is to conceive a game based on the difficulties of learning the Japanese language identified in students of non‐Japanese origin and provided by studies from other authors. It is also based on educational, psychological, philosophical and entertainment methodological assumptions organizing themselves in a position to produce an educational game, entertaining above all, that suits the needs of this generation used to challenges and reward systems. Based on such studies, some of the games found on the Internet and in the market were analyzed. It is discussed the transposition among medias, with an approach of the new media, focusing on the indication of the gaming platforms, according to the content. The process of designing and producing the game is optimized by the association of ideas and creation of an structured and elaborate game design documentation. The project creation is guided by the work process flow of a game, in which are demonstrated the steps and interactions between the teams involved in that production. The procedural and technical problems of the participants are reported by the teaching experience in the classroom, better placing and clarifying the title of this research
A presente pesquisa propõe um jogo digital educacional voltada para o aprendizado dos ideogramas japoneses. Seus fundamentos fincam‐se culturalmente na imigração japonesa no Brasil, que conjugados aos conceitos teóricos de transculturalismo e topofilia conduzem a uma reflexão de valorização das culturas e hibridização das mesmas. Tais abordagens se inserem no contexto global de mesclas e adaptações, que abarcam produções digitais estruturados em conceitos e teorias provenientes de diversos campos do conhecimento. Metodologicamente concebe um jogo, a partir de dificuldades de aprendizagem da língua japonesa detectadas em alunos não descendentes japoneses, providas por estudos de outros autores. Alicerça‐se também em pressupostos metodológicos educacionais, psicológico, filosófico e lúdico, organizando‐se na condição de produzir um jogo educativo, acima de tudo divertido, que se adequa aos anseios dessa geração acostumada a desafios e sistema de recompensas. Tomando como base tais estudos, analisa alguns jogos encontrados na internet e no mercado. Discute a transposição entre os meios, com abordagem das novas mídias, incidindo no apontamento das plataformas de games, conforme conteúdo. O processo de concepção e produção do game, é otimizado pela associação de ideias, e elaboração estruturada da documentação de design de game. A construção do projeto é norteada pelo fluxo de processo de trabalho de um game, em que se demonstram as etapas e interações entre as equipes envolvidas nesta produção. Os problemas técnicos e procedimentais dos participantes são relatados na experiência didática ocorrida em sala de aula, situando e compreendendo melhor o título deste trabalho de pesquisa
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Barreiro, Pedro Alexandre Carreira de Sousa. "A lógica poética ideogramática aplicada à criação cênica." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-19092016-164250/.
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Na tentativa de oferecer um caminho para a abertura de outras hipóteses na criação cénica atual, a lógica poética ideogramática assume-se aqui como ampliadora e multiplicadora do espectro de relações compositivas possíveis na criação artística e cênica. Entendendo a lógica poética ideogramática como possibilidade para uma prática criativa de organização e consciência gramática para potenciar a natureza poética da linguagem, é feita uma pesquisa histórica, teórica, conceitual e referencial, culminando num exemplo prático e concretizado do que pode ser a aplicação dessa lógica poética à criação cênica.In an attempt to open a pathway to other hypothesis in current performative creation, the ideogrammatic poetic logic takes on the role of an agent capable of magnifying and multiplying the spectrum of possible compositional relations in the artistic and performative creation. In assuming that the ideogrammatic poetic logic is a possibility for the creative process of organization and grammatical consciousness to enhance the poetic nature of language, this research took on a historical, theoretical, conceptual and referential approach which culminated in a practical and concrete example of how this poetic logic may be applied to performative creation.
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Romano, Fernanda Maria. "Camilo Pessanha: travessias entre poesia e tradução." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-20052008-141459/.
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Considerando a tradução literária um ato de recriação, esta dissertação se propõe a analisar as oito elegias chinesas traduzidas por Camilo Pessanha, estabelecendo relações entre elas e a poesia desse autor manifestada, principalmente, numa mesma temática que se faria presente tanto na Clepsydra, quanto nas traduções desses poemas da dinastia Ming. Nessa análise, não só discutiremos linguagem e alteridade num processo de deslocamento, como também, o próprio deslocamento lingüístico e semântico na transcrição dos ideogramas para palavras, expressões e poesia na língua portuguesa.Considering the literary translation an act of recreation, this dissertation aims to analyze the eight Chinese elegies translated by Camilo Pessanha, establishing relationships between them and this author´s poetry, manifested, principally, in the same thematic that would be present in Clepsydra and in those Ming\'s dynasty poems translated. In this analysis, we will also discuss language and alterity in a dislocating process and the dislocation in the transcriptions of ideograms into Portuguese words, expressions and poetry.
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Borges, Priscila Monteiro. "Tipografia: Ideograma Ocidental." Pontifícia Universidade Católica de São Paulo, 2005. https://tede2.pucsp.br/handle/handle/4292.
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Previous issue date: 2005-10-05Fundação de Amparo a Pesquisa do Estado de São Paulo
Taking typography as the construction of fonts and the arrangement of letters on any support, this work pretends to show that digital typography has changed the iconic characteristic of written alphabetic languages. The principal iconic trace of ideograms and the way Chinese written signify are shown in order to explain the iconic aspects of written alphabetic languages. Different digital typography are examined through the semiotic theory of Peirce to show that digital age has expanded the visual language of written alphabetic languages making it get similar to ideogramatic system. This comparison may show how the iconicicity of written alphabetic language works in the digital age. Besides Peirce´s semiotic, the studies done by Haroldo de Campos about ideograms, which he used in his concrete poems, are fundamental for this work. The concept of hybridism made by Canclini is used to show how the visual and the verbal languages are intersected. A little bit of written history is shown with Roger Chartier, Foucault and Geoffrey Sampson. Pierre Lévy and Manual Castells are references to explain how digital age works. Questions about the motivation and the arbitrariness of the words are also discussed, because the written alphabet seems to have increased the distance between word and image, creating a conventional and mostly arbitrary verbal language. The pos-modern world tends subtract language, messages have to be understood in a short time and probably this has increased the iconicity of written language because the icon is the most simple sign. In this situation, typography has grown its iconic side. The text is not considered any more as a sequence of letters that have meaning, but also, as a picture that have important imagetic information. Understanding the process of iconicity in written language may show where present communication is going. We could conclude that the flexibility of digital language creates a new perspective for typography. Digital fonts emphasizes the iconicity of written language in many degrees. There are even fonts that don`t use the current alphabet in favor of pictures, creating a very specific text. The digital typography has provided new forms of language hybridism. Letter and image seems to have a new relation in the written language.
Considerando por tipografia a construção de fontes e a disposição das letras num suporte, pretende-se mostrar, com essa pesquisa, que línguas escritas alfabéticas têm seu caráter icônico reconfigurado por meio da tipografia digital. Para entender a iconicidade das línguas escritas alfabéticas, são levantados os principais traços de iconicidade do ideograma procurando esclarecer como se dá a criação de significado na língua escrita chinesa. À luz da teoria semiótica de Peirce, são analisadas diferentes fontes tipográficas digitais para mostrar que o ambiente digital proporcionou o crescimento da linguagem visual na língua escrita alfabética, aproximando-as do sistema ideogramático. Com essa comparação, busca-se mostrar como a iconicidade da língua escrita alfabética comporta-se no ambiente digital. Além da teoria semiótica peirceana, são fundamentais os estudos acerca do ideograma, feitos por Haroldo de Campos e utilizados na construção dos poemas concretos. Para explicar o cruzamento entre as linguagens visual e verbal, é utilizado o conceito de hibridismo de Canclini. Um pouco da história da escrita é vista com Roger Chartier, Foucault e Geoffrey Sampson. Pierre Lévy e Manuel Castells são referências para entender o funcionamento da era digital. Questões acerca da motivação ou arbitrariedade das palavras também são abordadas, pois o alfabeto parece ter distanciado ainda mais a palavra da imagem, criando uma linguagem verbal convencional e predominantemente arbitrária. O mundo pós-moderno tem mostrado uma tendência à economia de linguagem, desta forma as mensagens devem ser compreendidas no menor tempo possível, o que pode ter levado à busca da iconicidade na língua escrita, pois essa é a mais simples relação sígnica. Neste ambiente, a tipografia tem seu caráter icônico evidenciado. O texto é visto não só como uma seqüência de letras que geram um sentido, mas como uma imagem, que à sua maneira também transmite informação. Entender o processo de iconicidade da língua escrita alfabética mostra um dos caminhos para onde segue a comunicação atual. Podemos perceber que a maleabilidade da linguagem digital deu novas perspectivas à tipografia. As fontes digitais trabalham o caráter icônico da escrita em diferentes graus, chegando à criação de fontes que descartam o uso do alfabeto em favor do uso de imagens, que geram um texto escrito com uma linguagem própria. A digitalização da tipografia possibilitou novos hibridismos de linguagem. Letra e imagem parecem relacionar-se de novas maneiras na língua escrita.
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Riggi, Fabio Leonardo de. "Ideograma do caos: poesia e experiência de Mário Faustino entre 1956 e 1959." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-28042010-124733/.
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Esta dissertação tem por objetivo abordar dois recortes da obra de Mário Faustino. O primeiro deles abrange os anos 1956-1959, conhecidos como sua fase experimental. Esse período tem por vetor uma tensão centralizada no principal instrumento da poesia, o verso. O segundo recorte se volta para a análise da crítica literária realizada durante esses anos, concentrada nas páginas de Poesia-Experiência, publicadas no Suplemento Dominical do Jornal do Brasil. Os poemas anteriores a 1956, a partir dos quais se esboça uma crise entre o objeto e sua representação, são o assunto do primeiro capítulo. Em seguida, nos capítulos 2 e 3, veremos como o verso, posto em xeque, sustenta para utilizarmos termos do jornalismo o texto e a arte de Poesia-Experiência. Por fim, retornamos aos poemas de Mário, mais especificamente aos escritos entre 1956 e 1959, retomando a discussão sobre o poema e sua representação simbólica, a fim de buscar algumas características fundamentais da crítica e da poesia de Mário Faustino nessa fase de saturação do verso e aproximações com o concretismo.This dissertation aims at discussing two selections of Mário Faustinos work. The first of them comprehends the years from 1956-1959, regarded as his experimental phase. This period has as vector a tension centralized in the main instrument of poetry, the verse. The second is devoted to the analysis of the literary criticism produced during these years, concentrated in the pages of Poesia-Experiência, published in the Suplemento Dominical do Jornal do Brasil. The poems before 1956, from which a crisis between the object and its representation is outlined, are the subject of the first chapter. After that, in chapters 2 and 3, we will see as the verse, put in check, sustains to use a jargon of journalism the text and the art of Poesia- Experiência. In the end, we come back to Mários poems, more specifically to those written from 1956-1959, returning to the discussion about the poem and its symbolic representation, in order to seek some fundamental characteristics of Mário Faustinos poetry and criticism in this phase of verse saturation and approximations with concretism.
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Moura, Carla Brogliato Cardoso de. "O haicai de Paulo Leminski: a busca da forma para sua poesia." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/14712.
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Previous issue date: 2013-05-29The main goal of this study is to investigate how the poet Paulo Leminski reveals language awareness under the haiku form, and expresses his sensibility thought it. Particularly questions how far his poetry reveals the haiku s intellectual structure. To guide our research on Paulo Leminski s work, we studied different procedures present in the eastern haiku, like the connection with the Zen gesture, the rhythm and the visual presentation of the letters and words, trying to capture them throughout his poetries. All kinds of poems and different structure options were selected for the analysis, so we could point its plurality. By translating different imagistic procedures, Leminski builds up a form for his own Brazilian haiku, presenting us the craft of his poetry
O objetivo central desta pesquisa é investigar como Paulo Leminski, em sua produção poética, manifesta consciência de linguagem sobre a forma do haicai e expressa nela sua sensibilidade. Especialmente, interroga até que ponto a poesia leminskiana revela a linha de pensamento construtora do haicai. Para orientar nossa reflexão acerca da poesia leminskiana, averiguamos distintos procedimentos presentes no haicai oriental, como a articulação com o gesto Zen, a visualidade das letras e palavras, o ritmo, o movimento, buscando apreendê-los na produção do poeta. A fundamentação teórico-crítica baseouse nos estudos de Caetano Veloso e do próprio Leminski sobre o contexto da época, assim como, para a reflexão sobre o hacai, nos de Ernest Fenollosa, Haroldo de Campos, Octavio Paz e Paulo Leminski. Selecionamos, para análise, poemas com diferentes procedimentos de construção, para que pudéssemos evidenciar sua pluralidade poética. Ao traduzir diferentes procedimentos imagéticos, o poeta constrói uma forma para o seu haicai brasileiro, ensinando a ver a forma de sua poesia
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Quental, Joana Maria Ferreira Pacheco. "Ideogramas interactivos-para um estudo dos ícones em interfaces multimédia." Master's thesis, Instituições portuguesas -- UP-Universidade do Porto -- -Faculdade de Belas Artes, 2000. http://dited.bn.pt:80/29356.
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Quental, Joana Maria Ferreira Pacheco. "Ideogramas interactivos: Para um estudo dos ícones em interfaces multimédia." Master's thesis, Universidade do Porto. Reitoria, 2000. http://hdl.handle.net/10216/9994.
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Rhidenour, Kayla. "Ideographs, Fragments, and Strategic Absences: An Ideographic Analysis of ." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9742/.
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This study examined the ideograph of
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Oliveira, Daniele Gomes de. "Dissertação readymadenemtanto da aluna de poesia Rrosé Selavy Duchampignon (work in progress) - ideograma mental /." São Paulo : [s.n.], 2007. http://hdl.handle.net/11449/86988.
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Orientador: Omar KhouriResumo: Trabalho crítico-criativo sobre poesia visual. O elástico conceito de ideograma norteou este trabalho. Estrutura. Movimento. Seleção e crítica. Ordenação. Justaposição. de fragmentos. Redes de associações. Conexões. Processos e não produtos acabados. Crescimento sígnico. Universo diagramático. Método heurístico. Poesia e linguagem. O texto é um diagrama, icônico. Aprofundamento. Poesia Concreta. Criou-se a personagem Rrosé Selavy Duchampignon, que relaciona poesia e Duchamp. Síntese criativa. Recorte. Colagem. Montagem. Trabalho com apropriações. Nesta dissertação-livro-de-artista também são apresentados alguns trabalhos de poesia visual. E um termo de compromisso com a arte. Registrado em cartório.
Abstract: Critic-creative work about visual poetry. The elastic ideogram concept guided this work. Structure. Movement. Selection and criticism. O verplapping of fragments. Associantion networks. Connections. Processes and not finished products. Signic growth. Diagrammatic universe. Heuristic method. Poetry and language. The text is an iconic diagram. Deepening. Concrete poetry. The character Rrosé Selavy Duchampignon, relating poetry and Duchamp, was created. Creative synthesis. Cutting. Pasting. Assemblage. Work with appropriations. In this artist-book-dissertation some works of visual poetry are also presented. And an instrument of commitment whit the art. Notarized.
Mestre
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Yan, Luo. "Dos ideogramas (China) às palavras (Brasil) : elaboração do primeiro dicionário básico bilígüe português-chinês." reponame:Repositório Institucional da UnB, 2007. http://repositorio.unb.br/handle/10482/2724.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Linguística, Português e Línguas Classicas, Programa de Pós-Graduação em Linguística, 2007.Submitted by Rosane Cossich Furtado (rosanecossich@gmail.com) on 2009-12-08T11:00:55Z No. of bitstreams: 1 2007_LuoYan.PDF: 1361367 bytes, checksum: 6c7c30c80c1bf10e936788e1c5593d01 (MD5)
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Este trabalho tem por objetivo introduzir o desenvolvimento da lexicografia na China e propor um modelo de dicionário básico bilíngüe português-chinês. Esta perspectiva baseia-se nos estudos sobre a avaliação dos dicionários chineses e nas modernas teorias lexicográficas, bem como nas pesquisas sobre a macroestrutura e microestrutura dos dicionários. O objetivo desta pesquisa, além de estudar a lexicografia chinesa, é preencher uma lacuna na lexicografia sino-brasileira, e, assim, oferecer um dicionário básico bilíngüe português-chinês disponível para os alunos chineses, iniciantes na aprendizagem do português, e também para os estudantes brasileiros que têm interesse pelo estudo inicial da língua chinesa. ________________________________________________________________________________ Abstract
It is the aim of the present research to introduce lexicographic advances in China and to propose a basic bilingual dictionary model for Portuguese–Chinese. This view is largely based on evaluativie studies of Chinese dicionaries by means of modern lexicographic theories of macrostructure and microstructure in dicitionaries. Thus, this research aims at studying the given Chinese lexicography, as well as completing a gap in Sino-Brazilian lexicography. Henceforth, it is our intention to offer a basic bilingual dictionary of Portuguese–Chinese for Chinese students at beginner’s level and also for Brazilian studentso who are interested in an introductionary study of the Chinese language.
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Oliveira, Daniele Gomes de [UNESP]. "Dissertação readymadenemtanto da aluna de poesia Rrosé Selavy Duchampignon (work in progress) -: ideograma mental." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/86988.
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oliveira_dg_me_ia.pdf: 962417 bytes, checksum: 517fb2982a917fb012d217514abff806 (MD5)Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Trabalho crítico-criativo sobre poesia visual. O elástico conceito de ideograma norteou este trabalho. Estrutura. Movimento. Seleção e crítica. Ordenação. Justaposição. de fragmentos. Redes de associações. Conexões. Processos e não produtos acabados. Crescimento sígnico. Universo diagramático. Método heurístico. Poesia e linguagem. O texto é um diagrama, icônico. Aprofundamento. Poesia Concreta. Criou-se a personagem Rrosé Selavy Duchampignon, que relaciona poesia e Duchamp. Síntese criativa. Recorte. Colagem. Montagem. Trabalho com apropriações. Nesta dissertação-livro-de-artista também são apresentados alguns trabalhos de poesia visual. E um termo de compromisso com a arte. Registrado em cartório.
Critic-creative work about visual poetry. The elastic ideogram concept guided this work. Structure. Movement. Selection and criticism. O verplapping of fragments. Associantion networks. Connections. Processes and not finished products. Signic growth. Diagrammatic universe. Heuristic method. Poetry and language. The text is an iconic diagram. Deepening. Concrete poetry. The character Rrosé Selavy Duchampignon, relating poetry and Duchamp, was created. Creative synthesis. Cutting. Pasting. Assemblage. Work with appropriations. In this artist-book-dissertation some works of visual poetry are also presented. And an instrument of commitment whit the art. Notarized.
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Rhidenour, Kayla Treat Shaun Robert. "Ideographs, fragments, clusters, and strategic absences an ideographic analysis of collateral damage /." [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-9742.
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Valenzano, III Joseph Michael. "Freedom and Terror: President George W. Bush's Ideograph Use during his First Term." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/communication_diss/4.
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This is a rhetorical study of President George W. Bush’s use of the - ideographic dialectic in his appeals for support for war in Afghanistan and Iraq, as well as reelection in 2004. I argue that President Bush’s use of the - dialectic in each case provided him with specific rhetorical resources that enhanced his ability to seek support from the four discourse communities that constitute the foreign policy public: unilateralists, multilateralists, regionalists and coalition builders. The terministic flexibility of the ideographic dialectic worked well enough to encourage meanings in each foreign policy discourse community that were consonant with that group’s worldview. This allowed Bush to appeal to the disparate groups and appear as though he advocated their desired policies, when in fact, he did not promote any specific policy. This project contributes to the theoretical understanding of the ideograph by complicating the concept of the public. Further, it adds credence to claims that the War on Terror is a never-ending war.
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Valenzano, Joseph M. "Freedom and terror President George W. Bush's ideograph use during his first term /." restricted, 2006. http://etd.gsu.edu/theses/available/etd-04122006-172910/.
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Thesis (Ph. D.)--Georgia State University, 2006.Title from title screen. Mary E. Stuckey, committee chair; Michael Binford, James Dearsey, David Cheshier, Carol K. Winkler, committee members. Electronic text (287 p.). Description based on contents viewed Apr. 26, 2007. Includes bibliographical references (p. 262-287).
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Briggs, Dustin L. "NATURALLY STRIATED MUSCLE: EXAMINING THE IDEOGRAPHIC CRYSTALLIZATION OF." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/dissertations/1161.
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In U.S. America and much of the Western world, natural is a venerated symbolic placeholder for any number of assumed virtues and ideals. Present conflicts have brought forward questions about what natural (which I argue functions as an ideograph) should mean in contexts that seem to call for a formal, enforceable definition. In this study, I use the vocabulary of Deleuze and Guattari (1987) and the context of bodybuilding to work towards a theory of how ambiguous ideographs become "striated" or “crystallized.” Within this discussion I present instances where natural has been employed as a vehicle to cause harm, and I offer an advisement to rhetorical scholars on how we might approach striated ideographs in the future.
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Zaunbrecher, Nicolas J. "Doing Spontaneity." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/dissertations/1238.
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This dissertation considers the rhetorical use of the term “spontaneity” and action affiliated with it from the perspective of ethnomethodology, as a dynamic social practice emergent from concrete interactions among people. I first consider a variety of existing operationalizations of “spontaneity” in academic research from the perspective of what is ethnomethodologically accomplished by these operationalizations, i.e., what questions do they answer or attempt to answer? I then turn to a detailed rhetorical analysis of the term “spontaneity” as an ideograph in improvisational theatre, a social practice in which enactment of spontaneity is treated as criterial to identity and recognition of the practice. In this ideographic analysis, I consider both a set of popular improv method texts and a collection of interviews with improviers who relate narratives about their experiences or observations of spontaneity. I assess the rhetorical practices in these artifacts both through the operationalization framework I identify and from a critical perspective, asking how practices of spontaneity in improv relate to social structures and practices of privilege, oppression and power.
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Halsall, Alison. "Do the mysteries untangle/but to re-weave?, the Egyptian hieroglyph as quixotic ideogram in H.D.'s Helen in Egypt." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0003/MQ36825.pdf.
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Walts, Charles L. "Ideographs and the War on Terror : a criticism of George W. Bush's post-9/11 discourse /." Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1251852781&sid=1&Fmt=2&clientId=1509&RQT=309&VName=PQD.
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Enck-Wanzer, Darrel. "The intersectional rhetoric of the Young Lords social movement, ideographs, demand, and the radical democratic imaginary /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3264325.
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Thesis (Ph.D.)--Indiana University, Dept. of Communication and Culture, 2007.Source: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 1918. Adviser: John L. Lucaites. "Title from dissertation home page (viewed Jan. 14, 2008)."
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Bernard, Erin J. Vos Tim P. "Patria o muerte ideograph and metanarrative in Cuban state-produced media during the battle of ideas /." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6488.
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Title from PDF of title page (University of Missouri--Columbia, viewed on Feb 17, 2010). The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Thesis advisor: Dr. Tim. P. Vos. Includes bibliographical references.
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Aquino, Perez Gildardo. "Generation of an integrated karyotype of the honey bee (Apis mellifera L.) by banding pattern and fluorescent in situ hybridization." [College Station, Tex. : Texas A&M University, 2007. http://hdl.handle.net/1969.1/ETD-TAMU-2416.
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Snider, Sarah Jane. "Ideographic usage of "choice" in contemporary abortion rhetoric." Thesis, Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/549.
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Boiko, Leonardo Ferreira da Silva. "O sistema de escrita japonês: além da fala." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-08022017-105718/.
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Existem muitos sistemas de escrita em uso pelo mundo. Quase todos eles são representações dos sons das línguas, compostos por poucas dezenas de símbolos. A escrita japonesa, porém, inclui caracteres chineses (kanji), que representam não só os sons mas também os sentidos; e, para isso, precisa empregar milhares de símbolos. A complexidade do sistema de escrita japonês torna-o mais difícil de aprender e de processar mentalmente. Por que então ele continua sendo usado até hoje? Haveria alguma vantagem? Investigando estas questões, descobrimos que a escrita japonesa permite formas de expressão que não seriam possíveis através da transcrição sonora pura, nem em sistemas de escrita mais simples. Esta observação é importante, não apenas para os estudos japoneses, mas para os estudos da linguagem escrita em geral: o caso japonês demonstra que a escrita não pode ser compreendida como um simples registro visual da fala, mas deve ser estudada como um sistema de acesso à linguagem com características próprias. Neste trabalho, analisamos algumas dessas formas de expressão específicas da escrita, tal como se apresentam no japonês.There are many writing systems currently in use around the world. For almost all of them, the basic mechanism is using graphical symbols to represent the sounds of language. A few dozen symbols are enough for this purpose. Japanese writing, however, includes Chinese characters (kanji), which are related not only to sound but also to meaning; since there are many possible meanings, kanji number in the thousands. The complexity of Japanese writing makes it comparatively harder to learn, and harder to process mentally. Why, then, is it still in use? Are there any advantages to such a system? A closer look show that Japanese writing allows modes of expression which would be impossible in a phonetic transcription of speech, or in simpler writing systems. This is an important datum, not only for Japanese studies, but for the linguistic study of writing itself; the Japanese case clearly shows that writing cant be adequately described as merely a visual representation of speech, but must rather be analyzed as an independent system for accessing language. In this dissertation we discuss, from Japanese examples, some of these expressive techniques which can only be realized in a written medium.
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Couto, Inalda Alice Pimentel do. "Marcas ideológicas: ideogramas tatuados na subjetividade e a formação em nível superior de professores para as séries iniciais do ensino fundamental:permanências, atualizações e resistências." Universidade do Estado do Rio de Janeiro, 2005. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=18.
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Partindo da discussão do conceito de ideologia em Marx e do debate sobre a construção da subjetividade, oriundo da Psicologia Sócio-Histórica, esta pesquisa buscou demonstrar o quanto os futuros professores trazem marcas subjetivas forjadas pela estrutura político-ideológica vigente em nossa sociedade. Debate-se, também, quais marcas permanecem e quais foram modificadas / atualizadas, bem como as chamadas resistências aos ditames de cada época, levando-se em consideração o pensamento político que alicerçou as reformas curriculares da formação de professores nos anos quarenta e na atualidade. Finalizando, o estudo discute a importância do Curso de Formação de Professores em nível de Ensino Superior na manutenção / transformação das concepções sobre o papel do professor e a escolha desta profissão, demonstrando a necessidade de se politizar o processo, com vistas à construção de uma outra educação, onde se possa, cada vez mais, dignificar o sujeito em todas as suas dimensões e o professor enquanto participe desta transformação.Starting at de discussion of Marxs ideology and subjectivity construction, deriving of Social Historical Psychology, this research try to demonstrate how the future teachers have subjective marks, made by our society current political-ideological structure. Also is shown which marks stand and which ones have been modified, and called resistance to the rules of each age, considering the political thought that allowed the circular changes of the teachers formation at forties and now. Finally, this study presents the importance of teachers formation course at teaching level Superior on maintenance / transformation of concepts about teachers relevance and the choose of this profession, demonstrating the need of politicize the process of formation, aiming at construction of another education way, where may be possible to dignify the subject in all of yours dimensions and the professor as participant of this transformation.
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Connelly, Eric M. "[Redacted Text] and Surveillance: An Ideographic Analysis of the Struggle between National Security and Privacy." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/communication_theses/66.
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In the aftermath of the events of 9/11, the U.S. executive branch has repeatedly maintained that its need for action to secure the nation requires a revised interpretation of individual liberties. This study will explore the tensions between the positive ideographs and in response to the negative ideograph in a contemporary United States court ruling. Using Burke’s pentad, and cluster analysis, as well as Brummett’s notion of strategic silence, the study examines how the FISCR substantially changed the interrelationship between the two ideographs. The study concludes that the FISCR situated strengthening national security as the purpose of the case it ruled on, which privileged national security over privacy. Throughout the expansion of security,> the court used silence to justify its decision. This analysis both adds to our understanding of the synchronic relationship between ideographs, and examines how the courts utilize such interplays to reconstitute community.
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Benski, Kathryn A. "Exploring the Visual in the Public and Crowd: A Mixed Method Investigation." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1307666091.
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Jun, Hea Young. "Le " corps " dans l'espace littéraire chez quelques écrivains voyageurs en Extrême-Orient (Tibet, Chine et Japon)." Phd thesis, Université Rennes 2, 2012. http://tel.archives-ouvertes.fr/tel-00743242.
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Le but de cette thèse est de mettre en lumière la relation complexe entre le " corps " du voyageur et celui de l‟écrivain, mais aussi le " corpus " de l‟oeuvre littéraire, dans la mesure où nous avons affaire à quelques écrivains voyageurs en Extrême-Orient des XIX-XXème siècles. Il s‟agit des oeuvres de Segalen, Claudel, Loti, Michaux et David-Néel. Leur réflexion se porte à la fois sur des idéogrammes orientaux et des religions " alternatives " de l‟Extrême-Orient (Tibet, Chine et Japon), notamment le taoïsme et le bouddhisme, et parallèlement sur des confrontations de l‟altérité du " corps ".Notre problématique de l‟espace littéraire propose trois axes principaux que la thèse divise en trois parties en analysant l‟espace textuel, l‟espace " transcendant ", et ensuite l‟espace " intérieur ".L'intérêt de ce travail sur le " corps " dans le regard exotique se mesure à la faveur de la notion d‟espace littéraire qui s‟évalue dans un processus particulier propre à chacun de ces auteurs.
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Mambari, Makwan. "Inkluderad på lika villkor : En retorisk analys av Socialdemokraternas invandringspolitik 1990 och 2013." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-27675.
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The purpose of my study is to study Social Democrats immigration policy over the period 1990 and 2013. My material consists of party programs and motions that social democracy has raised in Parliament. As a research method I used McGee´s ideograph theory. I use a cluster analysis inspired by Kenneth Burke to analyze the meaning of those found ideographs. I also present and use Bitzers rhetorical situation in my analyze With help of Burke´s rhetorical situation I could see how the Social Democrats' rhetorical approach to immigration policy in the different periods in society. My investigation of the Social Democratic Party program and motions / propositions revealed the following ideographs: Democracy, solidarity, equality and freedom. keywords that went to associate to the ideographs relating to immigration policy was school, adults, racism, equal rights, democratic freedom. Rhetorical could be interpreted as a way to show that in year 2013 the party stands behind a more solidarity, equality of human beings in society. Groups such as migrants and refugees should not stick out like a social group, but the group should be included in the collective Sweden.
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Marogna, Andrea. "L'uso dei kanji nella presa di note: uno studio sull'interpretazione consecutiva dall'inglese al giapponese." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amslaurea.unibo.it/23274/.
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Il presente elaborato esamina il ruolo dei kanji all’interno delle note prese da interpreti di madrelingua giapponese durante l’interpretazione consecutiva. Si tratta di uno studio sperimentale dove a 11 partecipanti (7 professionisti e 4 studenti) è stato presentato un discorso in lingua inglese dal quale prendere le note. Queste sono state poi aggregate e analizzate con l’obiettivo di individuare quanto e come vengono annotate le informazioni mediante i kanji.
Il primo capitolo è un excursus storico che offre alcune informazioni utili per capire come mai il Giappone rappresenti una realtà particolare sotto diversi punti di vista, tra cui quello linguistico e culturale.
Il secondo capitolo presenta lo studio descrivendo il contesto dell’interpretazione in Giappone, gli obiettivi della ricerca, il metodo seguito nell’esperimento, i partecipanti e i limiti di questo elaborato.
Il terzo capitolo descrive i sistemi ortografici della lingua giapponese, ovvero hiragana, katakana e kanji. Sono poi discussi alcuni aspetti della lingua scritta rilevanti ai fini della ricerca, in quanto rappresentano potenziali criticità in fase di scrittura e rilettura delle note.
Il quarto capitolo offre una panoramica della letteratura sulla presa di note, in modo da evidenziare i principi base di questa tecnica e le principali scuole di pensiero. Sono poi presentati alcuni tra gli studi empirici più importanti tra quelli che hanno indagato questioni pertinenti al tema trattato in questo elaborato.
Infine, il quinto capitolo presenta nel dettaglio i dati raccolti, analizzando le note prodotte da ogni partecipante e poi confrontandole tra loro. Successivamente è discusso l’uso dei vari sistemi ortografici, con una particolare attenzione sui kanji annotati, che vengono commentati singolarmente. Sono tratte infine le conclusioni dello studio per quanto riguarda l’uso dei kanji nelle note.
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Null, Matthew Todd. "Capturing the Chimera: Ideology and Persuasion in the Rhetoric of Soulforce." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/34241.
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For more than half a century, gay rights organizations have sought cultural and political equality for lesbian, gay, bisexual, and transgender individuals in society. The organization Soulforce continues that legacy, but from a distinctive perspective. Soulforce, has positioned itself in a unique playing field by speaking directly to religious leaders and organizations in attempt to alter their ideological underpinnings and subsequently garner their support for LGBT individuals. This level of persuasion is particularly difficult due to the fact that religious ideology is so strongly held and protected in American society.
To evaluate the persuasive rhetoric of Soulforce, I conducted an ideological criticism of the documents published within the Soulforce website based on the foundation of McGee’s ideograph. The ideographs presented throughout the discourse coalesce to form the overarching ideology of Soulforce evidenced in the discourse. Lesbian, gay, bisexual, and transgender individuals experience unwarranted Master of Arts
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Papajcik, Jessica L. "The Rhetoric of American Beauty: A Value Analysis." Akron, OH : University of Akron, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=akron1164663536.
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Thesis (M.A.)--University of Akron, School of Communication, 2006."December, 2006." Title from electronic thesis title page (viewed 06/27/2007) Advisor, Mary E. Triece; Committee members, Patricia S. Hill, N. J. Brown; Interim Director of the School, Carolyn M. Anderson; Interim Dean of the College, James M. Lynn; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.
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Royse, Pamela. "Ideology, Space, and the Problem of Justice: The Lynching of Emmett Till." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1299813805.
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Jensen, Timothy Trier. "Moving the Common Sensorium: A Rhetoric of Social Movements and Path&emacr." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1374079125.
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Kanemoto, Emi. "Rhetorical Complexity of Advocating Intercultural Peace: Post-World War II Peace Discourse." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1573829203404354.
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Bentley, Katie. "Redefining Choice: A Rhetorical Analysis of "The Feminist Case Against Abortion"." University of Dayton / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1375049701.
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Berg, Suzanne Valerie Loen. "Knowledge, Cultural Production, and Construction of the Law: An Ideographic Rhetorical Criticism of Copyright." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1383594033.
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Tung, Jui-Chu. "Ecriture chinoise, écriture occidentale : variantes de l'appréhension du monde." Thesis, Besançon, 2012. http://www.theses.fr/2012BESA1029/document.
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Confronter la pensée occidentale à la pensée chinoise est une démarche enrichissante à un moment où les cultures se croisent et peuvent même se sentir menacées. J'ai tenté, en partant de l'étude des écritures et de leurs origines de mieux cerner l'avènement de la pensée et son développement dans les deux cas. Il s'agissait de fixer un champ d'étude, j'ai donc songé à présenter le 'réel', le' monde', selon les deux approches et applications, d'un côté le 'logos\ la Raison et de l'autre les conceptions taoïstes, parfois mêlées de bouddhisme. Le 'procès' du monde dont la Chine était très tôt consciente ne lui permettait pas d'interpréter le réel tel que la Grèce et par voie de conséquence l'Occident le concevait, la seule chose qui ne change pas dans le monde étant précisément pour la Chine l'état 'd'impermanence'. Partant notamment du "yi jing" ou "Livre des Mutations", de la construction idéographique, la Chine a voulu représenter le monde tout entier, elle avait une vision différente de celle de I'Occident...Mais une question demeure posée: quelle est au fond l'origine de cette vision ? Est-ce celle de certains penseurs ? Est-ce la nature elle-même ? Est-ce l'écriture comme manifestation humaine? Ma recherche propose quelques jalons pour chaque civilisation, mais la question reste très ouverteComparing Western thought and Chinese thought can be quite enriching, at a time when cultures in general can gain contact, as weil as fee!thrcatencd somctimes. l have tried, starting from modes of writings, at their origins, to figure out the advcnt and development ofthought on both sides. The point was also to choose a field ofexpcriment... 1 have thought that 1 could present 'reality', the 'world', from Western and Chinese approaches, with the efiècts of 'logos' and 'Reason' on one side and Taoist and sometimes Buddhist influences on the other. The 'process' of the world that China was conscious of cou id not allow her to apprchend reality such as Greece, very carly, and later Western thought could conceive it. Indeed, the only thing that would not change in this world is the state of 'impermanence' for China. From the yi jing, the Book of Changes, and ideographie patterns and methods, China wanted to show the world, the whole world. That was a vision definitely different from that of the West... Still, one question remains : where does this vision come from ? From thinkers. from Nature itself ? From modes of writings as human responses ? The exposition that I developed offers a few landmarks on both sidcs, but the question is still an open one
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Siebers, Steven A. "slowness." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/31607.
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lavare lente | a place for slow washing | alexandria, virginia
the proposal is for a slow laundering facility for alexandria, virginia. the building is intended to be slow and deliberate in its construction and inhabitation. without conventional machines, the architecture and the individual must take on increased roles in the process of washing. ideas about how slowness relates to memory, drawing and construction, and about how we might ground ourselves in a manageably paced lifestyle are at the root of the thesis.Master of Architecture
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Liu, Ming-Che, and 劉名哲. "Study Of Creativity In Seal Caving – Exploring The Relationship Between Letters And Ideograms." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/33509588569851650610.
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碩士國立臺灣藝術大學
書畫藝術學系
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Seal Carving is a special art in the East Asian cultural circle. So that it is condensed into a both useful and appreciate the unique art. Allowed to develop there are many possibilities because of the plurality of seal carving, Change in which a link may produce different results, but also created the visual and psychological changes. The author used the image point of view to see the seal carving, return to Chinese characters form the pictographic nature. Embody the sensuous forms of the structure of things and lives of the laws of motion, so that the screen has a strong vitality. In addition, explore the seal cutting plane constitute the basic form elements point, line, surface, and the most direct, purely showing the rhythmic changes in text form. This study aimed to explore the basic structure of Chinese characters and its derivative principle, to explore the aesthetic thinking of the national. And principles applied to the tricks of the layout of the seal carving, and verification from the ancient seal to be his assistant, to the practical application in the creation of them. The author used the negative space of the reverse way of thinking, to think, to explore the different elements of nature, as well as material, shape and spatial relationship between material, form, subject and environment. This research breakthrough text to convey the abstract and limitations, the combination of text and images in order to achieve self-explanatory and the ability to convey information. Founder of the image characteristics of the breakthrough text, image text for a variety of form rich stone carving style. To break the boring text arranged, shaped changes in the natural scattered arrangement. Overlap by the font, the size of the arrangement of a deep sense of space.
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Tateishi, Kahori Tachibana Reiko Kadir Djelal. "Ideograms in modern perspective the reconfiguration of textual space in Anglo-American and Japanese modernisms /." 2008. http://etda.libraries.psu.edu/theses/approved/WorldWideIndex/ETD-3025/index.html.
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Zhang, Zixuan. "Ideograma: Poesia, Linguagem." Dissertação, 2020. https://hdl.handle.net/10216/130308.
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