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Journal articles on the topic 'Ideological and aesthetic content'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

HƏSƏNOVA, L. Z. "ROMANTİZM ƏDƏBİ CƏRƏYANININ ƏSAS İDEYA İSTİQAMƏTLƏRİ VƏ ESTETİK XÜSUSİYYƏTLƏRİ." Actual Problems of study of humanities 2, no. 2025 (2025): 166–70. https://doi.org/10.62021/0026-0028.2025.2.166.

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The Main Ideological Directions and Aesthetic Characteristics of the Romanticism Literary Movement Summary The romanticism movement, one of the main trends in Azerbaijani literature of the 20th century, has taken its place in our literature as a literary trend that is distinguished in terms of its ideological directions and aesthetic characteristics and essentially requires a new form and content. The main feature that distinguished this trend from other trends was the universal ideas and important aesthetic characteristics it encompassed. The article, based on the work of Azerbaijani romantic

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2

LIU, Hui. "Research on the integration of ideological and political education and aesthetic education in universities from the perspective of new media." Region - Educational Research and Reviews 5, no. 3 (2023): 175. http://dx.doi.org/10.32629/rerr.v5i3.1341.

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Ideological and political education is an important content of higher education, shouldering the task of cultivating students' values and moral literacy, and having an important teaching position. The main role of aesthetic education is to help students develop the ability to learn, appreciate, and create beauty, in order to enhance their aesthetic ability. Aesthetic education is crucial for students' healthy growth. Therefore, in the new perspective, universities should start from the actual needs of students, strengthen the integration of ideological and political education and aesthetic edu

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3

Stepanova, Anna A., and Ilona V. Dorohan. "AESTHETIC VS ARTISTIC CONSCIOUSNESS: TYPOLOGY OF AESTHETICS AND LITERATURE INTERACTION." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 22–32. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-2.

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The objective of the work is to study the specifics of aesthetic and artistic consciousness in their interaction in terms of literary comprehension of philosophical concepts; to highlight the levels of interaction between aesthetics and literature as a factor in the formation of aesthetic dominants of the literary trend and artistic method. The focus of the work determines the use of cultural-historical, historicalliterary, philosophical and aesthetic research methods. Aesthetic consciousness is understood as a mode of intellectual-sensory perception (and assessment) of empirical reality, whic

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4

Zola, Marta. "IDEOLOGICAL AND AESTHETIC INTERPRETATION SHEVCHENKO'S WORD IN IVAN HNATYUK'S CREATIVITY." Shevchenko Studies, no. 1(26) (2023): 83–99. http://dx.doi.org/10.17721/2410-4094.2023.1(26).83-99.

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The article focuses attention on the peculiarity of the artistic interpretation of Shevchenko's word by the sixties poet Ivan Hnatyuk. Have been researched the specifics of the manifestations of individual figurative and symbolic elements and the main motifs of the artistic paradigm of Ivan Hnatyuk, inherited from Kobzar's creativity. It was concluded that the national-centric ideological and aesthetic principles laid down in Shevchenko's poetic word were continued and artistically interpreted in the writings of the dissident poet. An appeal to the literary and artistic tradition of Taras Shev

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Kohut, Sophiya. "Philosophical and Aesthetic Principles of Mykhailo Rudnytsky's Literary Criticism." Volyn Philological: Text and Context 31 (March 24, 2021): 36–51. https://doi.org/10.5281/zenodo.5248086.

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The article presents the aesthetic and ideological concept of liberal criticism, which was expressed by a leading Galician critic, literary scholar, journalist and cultural figure of the interwar period Mykhailo Rudnytsky. His main scientific works were interpreted as a kind of postulate of "worldlessness" and "liberal criticism" focused on Western European intellectual models. Much of Rudnytsky’s publications were written in the ideological vein of a resonant discussion, provoked by the critic and formulated by him under the slogan "Should a writer have a worldv

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Wang, Xiang, Junyan Sun, Linhan Tang, and Haitian Li. "Adhering to Principles and Pursuing Innovation to Promote the High-Quality Development of Ideological and Political Education Courses." Journal of Higher Education Research 5, no. 6 (2025): 600. https://doi.org/10.32629/jher.v5i6.3397.

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Since 2012, President Xi has repeatedly emphasized that the construction of ideological and political education courses must grasp the key area of upholding orthodoxy and embracing innovation. Currently, with the continuous development of digital media, the construction of ideological and political education courses is facing inescapable practical dilemmas, such as insufficient teacher team construction, outdated teaching content, and a lack of practical teaching conditions. In response, it is necessary to promote the high-quality development of ideological and political education courses from

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7

Maslinskaya, Svetlana Gennadievna. "IDEOLOGICAL CHILDREN'S LITERATURE: BETWEEN EDUCATION AND POLITICS." #Ученичество, no. 4 (December 28, 2024): 11–17. https://doi.org/10.22405/2949-1061-2024-4-11-17.

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The politicization of children's literature began to appear in the second half of the nineteenth century and by the beginning of the twentieth century already represented rather a distinct part of literature intended for children. At this point, the first critics of this phenomenon (H. Wolgast) stated the need for distance between children's literature and the political interests of adults. On the material of the Russian educators' attitude to the children's literature of the Narodniks, the author has revealed the peculiarities of critical discourse on the early stages of politicization of Rus

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8

Liu, Chang. "Reexamine Interpretation, Awaken Sense-perception—From Susan Sontag’s Against Interpretation." Studies in Linguistics and Literature 7, no. 3 (2023): p102. http://dx.doi.org/10.22158/sll.v7n3p102.

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“Content theory” occupies the meaning of artistic works like one hand covers the sky, occupying the stage of the emergence of sensibility, resulting in the absence of sensibility in the appreciation of artistic works. However, the work of art itself is an aesthetic structure with a sense of summoning power. Art is born by “touch” and exists by “feeling”. It arises from very different sense organ, and also calls upon the connoisseur to respond with sensory experiences. To feel the charm of art works in “elsewhere” apart from content, we can have options such as “appreciating the form” and “hear

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9

Wen, Rouqian. "Strategies for cultivating students’ performance skills in classical dance teaching from the perspective of aesthetic education." SHS Web of Conferences 174 (2023): 02003. http://dx.doi.org/10.1051/shsconf/202317402003.

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The management of aesthetic education in higher education is one of the major hot issues to be explored and discussed in the reform of China’s basic education curriculum system under the new situation. According to the Opinions on Comprehensively Strengthening and Improving the Management of Aesthetic Education in Higher Education under the New Situation issued by the General Office of the Central Committee of the Communist Party and the Office of the State Council of the People’s Republic of China, the aim is to improve students’ cultural and aesthetic talents as well as the quality of humani

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10

Писаревська, Оксана Вікторівна. "ЖОВТИЙ КОЛІР В ІДІОСТИЛІ АНАТОЛІЯ ПЕРЕРВИ". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 3, № 82 (2015): 119–28. https://doi.org/10.5281/zenodo.45549.

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In the given article an attempt has been made to analyze coloring in poetry of the Kharkiv poet Anatoly Pererva. The aim of the work was to study the ideological and aesthetic meanings, and their implementation thanks to the color. The analysis of the actual material allows to claim that most often among all range of colors in the author’s poetry five colors dominated: yellow, blue, black, white, green. Ideological and aesthetic content of gold and yellow color are analyzed in the work in detail, their role is demonstrated in formation of author’s creative manners. Yellow color her

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11

Vasylenko, Vadym. "LITERARY PUBLICATIONS OF THE UKRAINIAN ARTISTIC MOVEMENT: HISTORY, CONTENT, DIRECTION." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 33 (2023): 30–37. http://dx.doi.org/10.17721/1728-2659.2023.33.05.

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The article analyzes the important literary publications of the Ukrainian Artistic Movement (MUR), devoted to artistic, literary-critical, art history issues (in particular, the collections "MUR", MUR's аlmanac, "Arсh"). The issues of history, content, and direction of these publications are investigated, each of which is considered as a kind of integrity and is considered in the context of the literary activity of the MUR. The historical, cultural and socio-political prerequisites of MUR's publications, their ideological and aesthetic foundations, and functions are clarified. It is argued tha

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12

Wei, Xiaojiao. "High School Art Appreciation Class in the Ideological and Political Context of the Curriculumimplementation Strategy." International Journal of Education and Humanities 12, no. 3 (2024): 155–58. http://dx.doi.org/10.54097/cw5jy445.

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Carrying forward the spirit of Chinese aesthetic education in the context of the new era, synergizing art and ideological and political education , giving full play to the characteristics of ideological and political courses, and assisting the construction and development of ideological and political courses are new topics and new requirements in the new era. It is of great significance for students in the new era to cultivate patriotism and enhance cultural confidence. This article elaborates on the significance of integrating relevant elements of art works in art appreciation into ideologica

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13

Базелюк, Н. Л. "ФОРМА ЯК ЗАСІБ СТВОРЕННЯ ХУДОЖНЬОГО ОБРАЗУ В АРТ-ДИЗАЙНІ". Art and Design, № 3 (5 грудня 2019): 40–47. http://dx.doi.org/10.30857/2617-0272.2019.3.4.

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Purpose. Disclosure of decorative and functional features of forms of art object and analysis of their creative and aesthetic content. Methodology. In the course of the research, the purpose of field surveys and generally scientific methods of analysis, synthesis and analogies were used. Results. As a result of a theoretical study, the primary stages of art-form object formation are determined; its characteristic features and peculiarities of ideological and ideological ideas and creative language are revealed. The close relationship between form and content, which forms an imaginative, symbol

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14

Т.В., Петренко. "ПРОГРАММА «ЧИСТОГО ИСКУССТВА» В ИСТОРИИ РУССКОЙ ЛИТЕРАТУРНОЙ КРИТИКИ 40-Х ГОДОВ ХІХ СТ. – РУБЕЖА ХІХ–ХХ СТ. В ИНТЕРПРЕТАЦИЯХ И ОЦЕНКАХ". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, № 87 (2018): 121–38. https://doi.org/10.5281/zenodo.1322534.

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The article deals with the issue of the interpretation chronology by Russian literary criticism of the «pure art» theory as an aesthetic code. In the center of attention are the names of the prominent figures of the Russian criticism who were involved in the interpretation of the concept in the period from the 40s of the 19th century up to the turn of the 19th and 20th century, the time marked by the entry of the decadence in the literature, which took on arms much of what was at the heart of the program of the «pure art». An analysis of the reasons for their positive o

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15

Alzoubi, Mamoun F. I., and Mohammed Ahmed Al-Abdulrazaq. "Dialectics and Ideology in Dickens’ Dombey and Son: Reification of the Mental Content." World Journal of English Language 13, no. 6 (2023): 219. http://dx.doi.org/10.5430/wjel.v13n6p219.

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The paper, relying on Marxist and Lacanian psychoanalytic theories, fosters several ways to apprehend non-mimetic characterization in Dickens’ Dombey and Son by theorizing the ways in which aesthetic, political, historical ideologies articulate themselves in means of representation. Since the influence of the visual arts on the novel is central for my argument, this paper attempts to give substantial critical consideration to Dickens’ representation of images and their double meaning that help understand social ideological relations in the bourgeois society. Visual representation, as a metapho

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16

Rebel, G. M. "TURGENEV AND DOSTOEVSKY: THE MILESTONE CHANGE IN CRITICISM AND LITERARY STUDIES OF THE SILVER AGE." Bulletin of Udmurt University. Series History and Philology 30, no. 3 (2020): 503–10. http://dx.doi.org/10.35634/2412-9534-2020-30-3-503-510.

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The article analyzes the reasons and character of historical and literary milestone change, which was fulfilled within the framework of Russian religious philosophy and literary studies of the 1920s. Literary and philosophical criticism of the Silver age made the creative works of Fyodor Dostoevsky the main subject of its interest and it predetermined the content of the literary criticism concepts of B.Engelhardt and M.Bakhtin, who influenced the following literary criticism to great extent. It brought some misrepresentation to the literary process interpretation of the second part of the 19 c

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17

Hiliazova, N. "THE ROLE OF COMPOSITION IN CREATING DESIGN OBJECTS: THEORY AND PRACTICE." POLISH JOURNAL OF SCIENCE, no. 86 (May 23, 2025): 4–8. https://doi.org/10.5281/zenodo.15494120.

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The article defines the role of composition in the creation of design objects. The main types of compositions, their structural components and means of influence that are necessary for the formation of visually coherent and expressive graphic solutions are considered. The ways of practical application of compositional principles to convey ideological content, attract the viewer's attention and enhance the aesthetic value of design objects are analyzed.

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18

Ivanytska, Tetyana. "Philosophical and ideological content of Ivan Ilko’s portrait works." Bulletin of Lviv National Academy of Arts, no. 46 (December 15, 2021): 31–38. https://doi.org/10.37131/2524-0943-2021-46-3.

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Background. Recently, interest to Ivan Ilko’s works has been growing. Ivan Ilko is a talented representative of Transcarpathian school of painting, who confidently and devotedly follows its authentic traditions, folk - artistic origins and aesthetic ideals. His portrait works are characterized by philosophical and ideological content, which is manifested in the skillful author's creation of characteristic images and encourages the viewer to reflect on complex issues of human existence. Ilko's philosophical views and his artistic position are reflected mainly in periodicals. In the field of res

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19

Kozhukharov, Roman R. "Creativity of Vladimir Narbut in the context of poetic trends of the first half of the 20 century." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2022): 97–103. http://dx.doi.org/10.20339/phs.5-22.097.

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The article presents an understanding of the originality of the poetry of Vladimir Narbut in relation to the ideological and aesthetic searches of acmeists, futurists, expressionists, oberiuts. The close relationship between the style of Narbut and the poetics of futurism is recorded in a number of literary sources, in particular, in the publications of N. Aseev, M. Zenkevich, V. Shklovsky, L. Chertkov, R. Timenchik, S. Fedyakin. The correlation of Narbut’s artistic searches and the poetic vanguard visibly manifested itself after the release in 1912 of the collection of poems “Hallelujah” and

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20

Song, Rui. "Practice and Exploration of Ideological and Political Teaching Reform Path of Music Course under the Background of New Liberal Arts Construction." Region - Educational Research and Reviews 6, no. 2 (2024): 230. http://dx.doi.org/10.32629/rerr.v6i2.1732.

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With the continuous development of society, the construction of new liberal arts has gradually become an important direction of higher education. As an important part of humanistic education, music curriculum should also adapt to the needs of the construction of new liberal arts and strengthen the reform of ideological and political education. The purpose of ideological and political education in music courses is to cultivate students’ aesthetic ability, cultural accomplishment and moral sentiment, so that they can become music talents with social responsibility, innovative spirit and internat

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21

Alieva, Fatima Abdulovna, Fatyma Khamzaevna Mukhamedova, and Aigul' Muratovna Bekeeva. "Song genres of traditional folklore of the Dargin people: ideological-aesthetic and artistic uniqueness." Litera, no. 10 (October 2020): 94–103. http://dx.doi.org/10.25136/2409-8698.2020.10.34105.

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The subject of this research is the key genres of song folklore of the Dargin people &ndash; one of the ethnoses of Dagestan, which includes such Akushin, Kaitag, Kubachin, Mekegin, Tsudakhar, and others. An attempt is made to examine genre diversity of the Dargin people traditional poetic folklore, describe the forms of existence of specific genres, determine their ideological-aesthetic and artistic content, trace their evolution and transformation, as well as characterize the poetics. The goal of this work consists in demonstration of genre diversity of the song folklore of the Dargin pe

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22

Сергеєва, Н. В. "ЕСТЕТИЧНІ АСПЕКТИ ФОРМУВАННЯ ОСНОВ ФІЛОСОФІЇ ДИЗАЙНУ". Традиції та новації у вищий архітектурно-художній освіті, № 5 (4 січня 2019): 46–52. https://doi.org/10.5281/zenodo.2532017.

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In modern art studies, design is considered as a powerful versatile phenomenon that gradually covers an increasing number of human life spheres. Recognizing the important role of design in the formation of the subject-spatial environment, it is worth paying attention to the fact that it further continues to acquire activity as a means of creating not only the material but also the spiritual component of world culture. During the combination of design with traditional and new types of artistic creativity and various scientific branches, in a short period of time, it developed into a variety of

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23

Sankova, Svetlana M., and Nikolay I. Krizhanovsky. "Conservative Aesthetics in the Context of M.O. Menshikov's Worldview1." Almanac “Essays on Conservatism” 64 (June 30, 2021): 291–310. http://dx.doi.org/10.24030/24092517-2021-0-1-291-310.

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In the present work the concept of “conservative aesthetics” is analyzed for the first time in Russian historiography and the significance of this phenomenon for understanding the originality of European, American and Russian traditional culture, as well as its essential role in opposing destructive postmodern tendencies in the life of society is shown. This concept is interpreted from the historical, cultural and socio-philosophical aspects. On the basis of the domestic and foreign conservatives’ ideas, the authors of the article propose a number of theses characterizing «conservatism» as ide

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24

qizi, Suyunova Zarina Muzaffar. "The Use of Landscape Description in Abdulla Qodiriy’s Novel “By Gone Days”." International Journal Of Literature And Languages 5, no. 5 (2025): 69–70. https://doi.org/10.37547/ijll/volume05issue05-19.

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This article examines the artistic function and role of landscape descriptions in Abdulla Kodiriy’s novel Bygone Days, one of the first examples of Uzbek national prose. Through an analysis of natural imagery and environmental descriptions, the study reveals how the author uses landscape as a narrative device to reflect characters' emotions, national identity, and historical context. The research highlights the significance of landscape imagery in shaping the aesthetic structure and ideological content of the novel.

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25

Zhao, Shaolu, Margarita Ivanovna Gomboeva, and Xiao Lei Tian. "Modern Chinese Xieyi painting: philosophical and historical-cultural context." Manuscript 18, no. 1 (2025): 412–20. https://doi.org/10.30853/mns20250059.

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The objective of this research is to gain new knowledge about the changes in artistic language and terminology used to describe the philosophical concepts of Xieyi, as well as about the updating of texts and the system of representation of the basic philosophical and cultural principles, tenets, and contexts of traditional Xieyi. The ideological and philosophical basis of Xieyi painting is the philosophical and aesthetic principles of the Daoist concept of "art for art's sake". The article analyzes artistic receptions of ancient cultural traditions and types of artistic innovation. The philoso

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26

Zhai, Jun. "An Analysis of New Medias Appreciation of Ugliness Anti-Performance and Anti-Authority in Postmodern Contexts." Communications in Humanities Research 23, no. 1 (2023): 36–41. http://dx.doi.org/10.54254/2753-7064/23/20230472.

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In the era of information virtualization, entertainment expression has become the ideological tendency of public discourse. Under the dual drive of technical support and market interests, the appreciation of ugliness has been transformed into individual alienation and emotional behaviour, rebelling against the traditional concept of beauty in cognition and forming a popular and spreading trend of network with grotesqueness, ugliness, and specialisation as symbols. This paper will combine psychological and sociological theories, take the popularity of Nikocado Avocado on YouTube as an example,

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27

Pylypchuk, Oksana, and Andrii Polubok. "Research of Art Objects in the Context of Aesthetic and Cultural Integration into Modern Interior Space." Demiurge: Ideas, Technologies, Perspectives of Design 8, no. 1 (2025): 72–86. https://doi.org/10.31866/2617-7951.8.1.2025.330500.

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The aim of the article is to study the aesthetic and cultural aspects of art objects in the design of modern interior space from the point of view of ideological, ethical and substantive aspects of integration. Research methods included critical analysis of theoretical and practical material, comparative analysis, systematization, and generalization. The scientific novelty: consists in determining the key aspects of integrating art objects into interior space to create a coordinated system of their use in interior space design. Conclusions. As a result, the key aesthetic and cultural aspects o

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28

Yeremenko, E. D., and Z. V. Proshkova. "Foreign fi lms editing in USSR as cultural-historical phenomenon." Vestnik of Saint Petersburg State University of Culture, no. 3 (44) (September 2020): 28–34. http://dx.doi.org/10.30725/2619-0303-2020-3-28-34.

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The powers of Soviet fi lm editing extended not only to the sphere of creating domestic fi lms, but also to such areas as the selection and distribution of foreign fi lms. The topic of the article is ideological and aesthetic criteria by which a foreign picture received the right to be shown in the USSR. Editor’s work aff ected all the elements of the cinema process: from the «little things in life» to the fundamental issues of confronting social systems. The rental of a foreign – especially «capitalist» fi lms, sometimes of the most innocent content, nevertheless assumed the presence of a cer

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Zhao, Qing. "The Logic and Approaches of Enhancing University Students' Ideological and Political Quality through Red Culture." Journal of Social Science Humanities and Literature 7, no. 4 (2024): 76–82. http://dx.doi.org/10.53469/jsshl.2024.07(04).13.

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Red culture serves as a rich source of spiritual heritage. Its educational content, objectives, and values align closely with the goals of ideological and political education for university students, offering valuable insights for enhancing their ideological and political competence. This paper examines the importance of red culture in this context through both theoretical and practical lenses. By leveraging the influence of red culture in the classroom, uncovering its practical educational significance in real-world contexts, enhancing its cultural impact on campus, and utilizing digital plat

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30

Newell, Stephanie. "The Last Laugh: African Audience Responses to Colonial Health Propaganda Films." Cambridge Journal of Postcolonial Literary Inquiry 4, no. 3 (2017): 347–61. http://dx.doi.org/10.1017/pli.2017.27.

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AbstractFocusing on the complexity of local spectators’ responses to the simple ideological formulae of colonial health and hygiene films, this article asks about the ways in which the presence of local aesthetic tastes and values represented a vital third space of mediation alongside film content and filmmakers’ “authorial” objectives in the much-studied media archives on public health and hygiene in colonial Africa. The article argues that a host of cognitive failures is encapsulated in colonial officials’ reports on the laughter of African audiences between the late 1920s and early 1950s. I

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Stefanović, Tadija. "On the identity and character of Serbian interwar architecture (1918-1941)." Zbornik radova Filozofskog fakulteta u Pristini 52, no. 4 (2022): 353–74. http://dx.doi.org/10.5937/zrffp52-38807.

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This paper offers a presentation and interpretation of Serbian architecture between 1918 and 1941, whose creative span ranged between artistic-aesthetic and political-ideological utopias. Within this space numerous individual creators acted, authors of epochal achievements, as well as those creative forces that found their affirmation in social collectivism in the interwar architecture. The specific artistic character of this architecture was founded on striking stylistic contrasts, on its social function and on ideological factors, which formed the basis for an authentic cultural and artistic

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Matveeva, Alla, Roman Krasnov, Ekaterina Yalunina, and Andrey Romanov. "Comparative analysis of socialist and bourgeois art in the social philosophical aspect." SHS Web of Conferences 72 (2019): 03049. http://dx.doi.org/10.1051/shsconf/20197203049.

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At the beginning of the XX century, bourgeois theorists of artistic culture declared dehumanization as one of the main features of the modernism art, one of the main tasks of the contemporary artists’ artwork. Getting to the scientific understanding of the complex and complicated phenomena of modern art culture, it is necessary to reveal not only the socio-economic reasons for their appearance; the philosophical prerequisites for the development of modern bourgeois art, the ideological orientation of its movements should be identified. In the article, the authors argue that modern bourgeois ae

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SHTEINBUK, Feliks. "QUEER-PROBLEMS AS A FACT OF AESTHETICS IN THE WORKS OF OLES ULIANENKO." INNOVATIONS IN THE SCIENTIFIC, TECHNICAL AND SOCIAL ECOSYSTEMS 84, no. 3 (2022): 56–69. http://dx.doi.org/10.56378/sjfs3008.

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The purpose of the research is to establish why the author uses images of queer identities on the example of Oles Ulianenko’s works. The research methodology is based on the hypothesis that to achieve the specified goal should be possible providing the three methods are used, namely hermeneutic, the comparative-typological, and the corporal- mimetic method to analyse fiction. The scientific novelty of the research is that queer issues are represented as an aesthetic phenomenon in Ukrainian literary studies for the first time. The Conclusions. First, the queer content depicted in the works unde

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Brusevich, A. A. "The poetry of Maria Konopnicka in the context of belarusian-polish literary connections." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 69, no. 2 (2024): 141–48. http://dx.doi.org/10.29235/2524-2369-2024-69-2-141-148.

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The purpose of the article is to study the artistic features of the lyrics of Maria Konopnicka, analyze the ideological and aesthetic foundations of her creative method and poetic style, as well as scientific understanding of the place and role of this bright representative of Polish positivism literature within the Belarusian cultural and historical paradigm. The introduction substantiates the novelty and relevance of the study of the poetic heritage of M. Konopnicka in the context of Belarusian-Polish literary ties. In the main part, on the example of individual poems, the ways of artistic c

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Kholmuminova, Makhliyo. "DIFFERENCE BETWEEN MEANINGS IN UZBEK AND ENGLISH LANGUAGES." Ижтимоий-гуманитар фанларнинг долзарб муаммолари / Актуальные проблемы социально-гуманитарных наук / Actual Problems of Humanities and Social Sciences. 3, no. 3 (2023): 167–71. http://dx.doi.org/10.47390/1342v3i3y2023n22.

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Anthropocentric paradigm of modern linguistic science encourages researchers to solve new problems related to the description of mental units concepts. Moreover, the artistic concept, representing a key unit of the cognitive paradigm of researching an artistic text, had several distinctive features: associative nature, imagery and symbolism, emotiveness, orientation to aesthetic information, dialogically, the variability of semantic content, ability to enrich the meaning, etc. Study of the artistic concept further promoted comprehension of the ideological content of the artistic text, comprehe

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Vasylenko, V. "ARTISTIC UKRAINIAN MOVEMENT AS A PHENOMENON AND FACT OF THE POST-WAR LITERARY PROCESS." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 3(98) (December 23, 2022): 18–34. http://dx.doi.org/10.35433/philology.3(98).2022.18-34.

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The paper deals with the most important events and processes in the history of the Artistic Ukrainian Movement (MUR) as a literary and artistic organization of Ukrainian writers and a phenomenon of Ukrainian literary life in the post-war period. The article focuses upon the content of the artistic, aesthetic and ideological foundations on which the MUR was formed, as well as some organizational aspects of its literary activity. The study deals with the role of the MUR in the literary and artistic life of the post-war Ukrainian emigration is analyzed, in particular, the content of three writer’

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Jiang, Huanru. "Teaching Design of Who Says Women Enjoy Leisure from the Perspective of Ideological and Political Education." Journal of Education and Educational Research 12, no. 1 (2025): 104–9. https://doi.org/10.54097/xmjqvd56.

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Compulsory Education Art Curriculum Standards (2022 edition) emphasizes that art curriculum should be based on moral education as the fundamental task, and junior high school music education as an important gateway to moral education in middle school, exploring the ideological and political elements of music curriculum is a far-reaching and significant work. Through research, it is advantageous to promote ideological and political education in the opera art course. The opera art contains excellent traditional music culture, condenses the traditional virtues of the Chinese nation, and integrate

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Babunych, Ulia. "Historical background, philosophical and aesthetic platform and ideological principles of Ukrainian modernism." Bulletin of Lviv National Academy of Arts, no. 39 (2019): 38–52. http://dx.doi.org/10.37131/22524-0943-2019-39-03.

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Ukrainian culture from the second half of the nineteenth century. developed with such main features - the transformation of a purely cultural movement into a national liberation movement, the formation of similar features in the cultural-process processes with the European laws. At the end of the nineteenth century. associates of Ukrainian culture, the main task of their position is the solution of a number of political and socio-economic issues. The process of national-cultural revival has gained strength since the 1880's in both parts of Ukraine and at the beginning of the 20th century. alre

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SARBASHEVA, A. M. "THE IDEOLOGICAL AND ARTISTIC ORIGINALITY OF THE STORIES OF ALIM TEPPEYEV." Kavkazologiya, no. 2 (2021): 166–79. http://dx.doi.org/10.31143/2542-212x-2021-2-166-179.

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The article is devoted to the study of the ideological and artistic features of A. Teppeev's short prose in the aspect of identifying the main problem-thematic trends in its development. The paper notes the influence of the aesthetic experience of the classics of Russian literature on the formation of the creative worldview of national writers of the second half of the twentieth century. The main objects of artistic and philosophical understanding (the spiritual world and the search for heroes, moral values) in the stories of A. Teppeev of the period of the 1960s-1980s are determined. The role

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Vostrikova, Ekaterina. "Patriotism as a System-forming Principle in the Genre-thematic Paradigm of Fine Arts in North Korea." Scientific and analytical journal Burganov House. The space of culture 20, no. 6 (2024): 135–55. https://doi.org/10.36340/2071-6818-2024-20-6-135-155.

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The article considers the theme of patriotism in the fine arts of the DPRK. It is argued that North Korean artists, working within the strict framework of Juche realism, strive to convey the idea of patriotism no matter what they depict and no matter what genre they turn to. The comprehensive direction of “ideological painting”, chujehwa, which forms the aesthetic and content side of the creative process in the DPRK, often levels out the genre division. It is reduced to key plots and motifs, the main task of which is the propaganda of patriotism. The images of North Korean leaders, presented

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Nikolina, Natalya A., and Zoya Y. Petrova. "Key figurative fields in modern Russian prose." Verhnevolzhski Philological Bulletin 4, no. 27 (2021): 93–101. http://dx.doi.org/10.20323/2499-9679-2021-4-27-93-101.

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The article examines the key figurative fields in the texts of modern Russian prose. The authors analyse the works of A. Varlamov, E. Vodolazkin, A. Ivanov, A. Matveeva, Z. Prilepin. The purpose of the research is to identify and describe the key figurative fields of different types in modern fiction. The key figurative field is defined as a set of lexical units of one semantic field, acting as images of comparative constructions (metaphors and similes), which is directly related to the development of the theme and plot of the work, its ideological and aesthetic content, to the characteristics

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Polonskiy, Andrey V., and Valentina G. Glushkova. "“Zdorovie” magazine in the intercultural dialogue of modern Russia: The main content areas." Media Linguistics 12, no. 1 (2025): 112–37. https://doi.org/10.21638/spbu22.2025.107.

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Globalization is an unalienable process of the modern world. Globalization exacerbates issues of cultural contact, which today takes the form of either an intercultural dialogue aimed at a constructive exchange of signigications так нельзя по-английски, practices or artifacts, or an intercultural conflict arising on the basis of value-semantic confrontation, rejection of other experiences — social, conceptual, axiological, political-ideological, religious, moral, aesthetic. The content of cultural contact, its value-semantic development depends on a combination of different factors, the media

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Ganzha, Anhelina. "The architectonics of lingual content in the "Endless journey, or Aeneid project"." Culture of the Word, no. 91 (2019): 77–86. http://dx.doi.org/10.37919/0201-419x-2019.91.7.

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The architectonics of the lingual content of the multimedia collage “Endless Journey, or Aeneid”, aims to form a holistic view of the ideological content (content) of the cultural product. The spatial organization of the macrotext of the media product involves a kind of dialogue between two linguistic persons and, accordingly, two cultural and aesthetic practices of Ivan Kotlyarevskyi and Yurii Andrukhovych. Contemporary Ukrainian poet is seen in various communicative roles – scientist-philologist, writer-postmodernist, actor-reader, epitaph philosopher-destroyer of stereotypes, and also in lo

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Simashenkov, P. D. "REALISM IN ART AND REALISM OF ART." Topical Issues of Culture, Art, Education 40, no. 2 (2024): 75–82. http://dx.doi.org/10.32340/2949-2912-2024-2-75-82.

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The article analyzes the aesthetic content of the concept of realism in stylistic, genre and ideological aspects. Guided by the comparative method and a comprehensive approach to the study of the problem, the author declares the a priori avant-garde nature of art and, as a result, the groundlessness of confrontation between realists and avant-gardists. The catharsis achieved by the realism of expressive means should be real. Thus, the author's vision of realism presupposes not so much the harmony of art with the displayed epoch, but rather participation, confession of enduring values, which el

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Zhang, Yifu. "The Transformation of Animated Character Images: A Perspective on the Shift in Contemporary Chinese Public Aesthetics." Studies in Art and Architecture 3, no. 3 (2024): 42–45. http://dx.doi.org/10.56397/saa.2024.09.08.

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As a rising star among various film categories in China, animated films hold a pivotal position. Directly targeting a vast audience of children and teenagers, they enjoy a natural advantage in cultural dissemination and ideological guidance. Since the creation of China’s first animated film, The Big Stir in the Studio in 1926, a distinctive national style has been one of the most prominent hallmarks of domestic animation. With the integration of modern artistic concepts and advanced animation production technologies, Chinese animation has, after a rich developmental journey, ultimately formed

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Yelchyk, Oksana. "Aesthetic Grounds and Practice of Screen Adaptations of Theatrical Productions in the Light of Film and Television Language in the 1970s." Folk Art and Ethnology, no. 2 (June 30, 2024): 106–12. http://dx.doi.org/10.15407/nte2024.02.106.

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The aesthetic grounds and methods of screen adaptation of theatrical performances in the context of film and television art in the USSR in the 1970s are investigated in the article as well as the influence of film and television technologies on the theatrical genre, the peculiarities of the adaptation of stage performances to the cinematographic and television environment. Attention is also paid to the revealing the peculiarities of cinematographic art as a synthetic phenomenon and its interaction with the theatrical tradition. These issues are considered in the context of the cultural and pol

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Alieva, Fatima Abdulovna, Fatyma Khamzaevna Mukhamedova, and Aigul' Muratovna Bekeeva. "Artistic system of the children’s poetic folklore of Dagestan." Litera, no. 11 (November 2020): 42–56. http://dx.doi.org/10.25136/2409-8698.2020.11.34158.

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The subject of this research is the artistic system of children's folklore of Dagestan. Based on the analysis the example of cradlesongs, play poetry, and calendar songs, the author determines their thoughtful humanistic and democratic motif, high ideological focus, and aesthetic perfection. The article covers the ideological, thematic and artistic content, and highlights the archaic elements of cradlesong poetry, which enjoys most popularity among other genres of the poetic folklore. The author&rsquo;s special contribution consists in explication of specificity of artistic means and aesth

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Kruglova, Tatyana A. "Intellectual Map of Domestic Aesthetics: To the Results of the Work of the Second Russian Congress of Aesthetics." Koinon 2, no. 3 (2021): 194–212. http://dx.doi.org/10.15826/koinon.2021.02.3.036.

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The article is an overview of a prominent scientific event — The Second Russian Congress of Aesthetics (Yekaterinburg, July 2021). The paper assesses the state of aesthetics as a scientific and educational discipline throughout its history of the Soviet and post-Soviet periods. The article highlights four stages of the Soviet history of aesthetics. The first stage, the 1930s, received following K. Clark, the nomination “return of aesthetics”, which was associated with the general conservative turn of the Stalinist cultural policy, the creation of the socialist realist canon, the program of bui

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Dyachuk, T. V. "An Intellectual and a Peasant in Gleb Uspensky’s Cycle “Peasant and Peasant Labor”: Dynamics of Interaction in Context of Idea of “Merging with People”." Nauchnyi dialog, no. 4 (April 21, 2021): 225–39. http://dx.doi.org/10.24224/2227-1295-2021-4-225-239.

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The cycle of essays by G. I. Uspensky “The Peasant and the Peasant Labor” in the aspect of the actual for Russian literature of the second half of the XIX — early XX centuries problems of relations between the people and the intellectuals are analyzed in the article. The crisis in the study of the “peasant” cycles of Uspensky, caused by the predominance of ideological interpretation, is stated. It is argued that Uspensky finds the key to understanding the peasantry not in the socio-economic conditions of his life, but in the field of aesthetics. The point of convergence, in which the peasant a

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SERHEIEVA, Natalia. "AESTHETICS IN THE STRUCTURE OF THE ESSENCE OF DESIGN." HUDPROM: The Ukrainian Art and Design Journal 2023, no. 1 (2023): 10–15. http://dx.doi.org/10.33625/hudprom2023.01.010.

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The article considers the rationale for the need to update knowledge related to the definition, functions, and structure of connections of aesthetics in design; the formation of new ideas about the harmony of the design product, different from those offered by “technical aesthetics”, both in the system of relations “object – person” and in the system “object – person – environment”. The possibility of the specified renewal is based on the understanding of aesthetics and aesthetic as an outer manifestation of the inner content or expression of the inner essence of the object through the externa

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