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Books on the topic 'Ideological transitions'
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1
(Editor), John Callaghan, and Ilaria Favretto (Editor), eds. Transitions in Social Democracy: Cultural and Ideological Problems of the Golden Age. Manchester University Press, 2007.
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Transitions in social democracy: Cultural and ideological problems of the golden age. Manchester: Manchester University Press, 2006.
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Pelkmans, Mathijs. Shattered Transition. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501705137.003.0002.
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This chapter examines shifts in Kyrgyzstan's ideological landscape. It considers public events that are suggestive of the rhythms of Kyrgyz political life, and the issues that fueled collective action, along with the more slow-paced ideological currents that informed them. To gain an overview of these slower trends, three statues that successively occupied the Ala-Too Square's central 15-meter-high pedestal are discussed: the statue of Vladimir Lenin, the Erkindik (Liberty) statue, and the statute of the national hero Manas. The chapter also discusses the trajectories of socialism, (neo) liberalism, and nationalism in the post-Soviet period and explores how these ideologies translated into political practice, along with the tensions between rhetoric and reality that has characterized Kyrgyzstan's so-called transition. By connecting the succession of statues to the political events unfolding on the Ala-Too Square and beyond, the chapter shows how Kyrgyzstan's unraveling transition became interspersed with recurrent eruptions of political turmoil.
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Political Transition in Iran: The Ideological Struggle for Power within the Islamic Republic. Storming Media, 2002.
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Schneider, Nadja-Christina, and Fritzi-Marie Titzmann, eds. Family Norms and Images in Transition. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783845294056.
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In an ever-changing world, the family continues to simultaneously symbolise persistence and transformation. This book looks at various shifts, ruptures and continuities in representations of contemporary Indian families. How the media conveys family norms and images as well as the nature of romantic relationships constitutes the book’s central approach, which connects the different discussions in it. Its chapters analyse documentary and feature films, promotional material, such as television commercials, and the usage of new media technologies in communication. The authors look at visualisations of familial change, ranging from split motherhood, new fatherhood and dysfunctional families to intergenerational relationships, including the pre-marriage stage of life. Aimed at an interdisciplinary readership interested in South Asian, gender and media studies, this book thus contributes to our understanding of the current—ideological and ‘lived’—reality of an Indian family. With contributions by Parul Bhandari, Nadja-Christina Schneider, Stefanie Strulik, Fritzi-Marie Titzmann
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Trencsényi, Balázs, Michal Kopeček, Luka Lisjak Gabrijelčič, Maria Falina, Mónika Baár, and Maciej Janowski. Velvet Revolutions and the Thorny Paths of Transition. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198829607.003.0004.
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The “velvet” and not so “velvet” revolutions of 1989 triggered fervent discussions on the nature of the postcommunist political system. The paradigm of transitology provided the dominant framework for these debates, while civil society remained a key concept, even though it became increasingly contested by the neoliberals and neoconservatives, as well as by the “new left.” The seemingly dominant, although never uncontested, “liberal consensus” of the early 1990s became challenged by a new wave of conservativism which showed continuities with pre-1945 traditions. In this context, the heritage of communism and Nazism was addressed by different political actors and institutions focusing on memory politics, contributing to the polarization of the ideological field. The churches too gained political importance in the search for sources of authority, but they were also criticized because of their subservience to the state socialist regime before 1989 and for reverting to a conservative nationalist vision after the changes.
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Stanley, Ben. Populism in Central and Eastern Europe. Edited by Cristóbal Rovira Kaltwasser, Paul Taggart, Paulina Ochoa Espejo, and Pierre Ostiguy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198803560.013.6.
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This chapter provides an overview of the ideological character and electoral strengths of populist parties in post-communist Central and Eastern Europe. It argues that the circumstances of democratic transition gave rise both to radical and to centrist populist parties, and that both subtypes have remained distinct and enduring features of the party systems of these countries. However, while populists have played important roles in defining ideological choices, their electoral strengths and role in government should not be overstated. No general rise in populism has occurred over the period of democratic consolidation; instead, we can observe significant country-level variation in the nature and strength of these parties.
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Barry, John. Green Political Economy. Edited by Teena Gabrielson, Cheryl Hall, John M. Meyer, and David Schlosberg. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199685271.013.30.
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This chapter outlines the main features of green political economy and how it differs from dominant orthodox neo-classical economics. Neo-classical economics is critiqued on the grounds of its false presentation of itself as “objective” and “value neutral.” Its ecologically irrational commitment to the imperative of orthodox economic growth as a permanent feature of the economy compromises its ability to offer realistic or normatively compelling guides to how we might make the transition to a sustainable economy. Green political economy is presented as an alternative form of economic thinking but one which explicitly expresses its normative/ideological value bases. It also challenges the commitment to undifferentiated economic growth as a permanent objective of the human economy. In its place, it promotes “economic security” and a post-growth economy. The latter includes the transition to a low-carbon energy economy, and is one which maximizes quality of life and actively seeks to lower socio-economic inequality.
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Johnson, Jake. Mormons, Musical Theater, and Belonging in America. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042515.001.0001.
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American musical theater is often dismissed as frivolous or kitschy entertainment. But what if musicals actually mattered a great deal? What if perhaps the most innocuous musical genre in America actually defined the practices of Mormonism--America’s fastest-growing religion? Mormons, Musical Theater, and Belonging in America is an interdisciplinary study of voice, popular music, and American religion that analyzes the unexpected yet dynamic relationship between two of America’s most iconic institutions, Mormonism and American musical theater. This book argues that Mormonism and early American musical theater were cut from the same ideological cloth--formed in the early nineteenth century out of Jacksonian principles of self-fashioning, white supremacy, and broader understandings of the democratic principles of vicariousness. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common ideological platform, using musicals not only to practice a theology of voice but also to transition from outlier polygamist sect to become by the mid-twentieth century emblems of white, middle-class respectability in America. In an effort to become gods themselves, Mormons use the musical stage to practice transforming into someone they are not, modeling closely the theatrical qualities of Jesus and other spiritual leaders in Mormon mythology. Thus, learning to vicariously voice another person on the musical stage actually draws the faithful closer to godliness. Looking outward from the shared ideological roots of Mormonism and musical theater, this book offers a compelling study of how the ways Americans sound determine the paths of their belonging.
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Khader, Serene J. Individualism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190664190.003.0003.
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This chapter argues that independence individualism, a form of individualism that is the object of decolonial feminist critique, is conceptually unnecessary for feminism, and in fact undermines transnational feminist praxis. Opposition to sexist oppression does not logically entail individualism. Adopting the specific form of individualism called “independence individualism,” which holds that individuals should be economically self-sufficient and that only chosen relationships are valuable is likely to worsen the gender division of labor and obscure the transition costs of feminist change. The perceived relationship between independence individualism and feminism is traceable to ideological assumptions that associate capitalism with liberation from tradition, and tradition with patriarchy. The concept of independence individualism is arrived at by examining the justificatory discourses behind ostensibly feminist policies that proclaim the value of the individual person while harming “other” women.
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Dawson, Melanie V., and Meredith L. Goldsmith, eds. American Literary History and the Turn toward Modernity. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056043.001.0001.
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Approaching the period of 1880 to 1930 in American literature as one in which the processes of rethinking the past were as prevalent as wholly “new” works of art, this collection treats the century’s long turn as a site that overtly staged the tension among conflicting sets of values—those of past, present, and the imagined future. Navigating established literary modes as well as anticipatory inscriptions of the “modern,” turn-of-the-century authors continually negotiated ideological boundaries, treating the century’s long turn as a period ripe for experimentation. Essays in the collection, which range across topics such as canonicity, advice literature, Native American education, companionate marriage, turn-of-the-century feminism, dime novels, and the Harlem Renaissance, stress the hybridity born of multiple historical investments. As the authors of this collection demonstrate, the literature from the century’s turn is irreducible to the characteristics either of the nineteenth or the twentieth centuries; rather, it is literature of dual practices and multiple values that embodies elastic qualities of historical plurality – a true literature in transition.
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Teschke, Benno. Carl Schmitt’s Concepts of War. Edited by Jens Meierhenrich and Oliver Simons. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199916931.013.021.
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Carl Schmitt’s conceptual history of war is routinely invoked to comprehend the contemporary mutations in the concept and practice of war. This literature has passively relied on Schmitt’s interpretation of the nomos of the Ius Publicum Europaeum, which traced the transition from early modern ‘non-discriminatory war’ to the US–American promotion of discriminatory warfare as a new category in liberal international law . This chapter provides a critical reconstruction of Schmitt’s antiliberal narrative of war and argues that his polemical mode of concept formation led to a defective and, ultimately, ideological counterhistory of absolutist warfare, designed to denigrate liberalism’s wars as total while remaining silent on Nazi Germany’s de facto total wars. The historical critique is supplemented by an interrogation of his theoretical presuppositions: decisionism, the concept of the political, and concrete order thinking. It shows that Schmitt’s history of warfare is not only empirically defective but also theoretically unsecured by a succession of arbitrarily deployed and hyperabstract theoretical registers. At the center of Schmitt’s work yawns a huge lacuna: the absence of social relations as a category of analysis.
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Miklitsch, Robert. The Red and the Black. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040689.003.0003.
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The working premise of this chapter is that, in the 1950s, film noir and anticommunism form a double helix and that even the most notorious of these “red menace” films—The Whip Hand (1951), I Was a Communist for the FBI (1951), Walk East on Beacon! (1952), and Big Jim McLain (1952)--is central to our appreciation of classic noir. A close reading of these films’ generic elements, whether “thriller,” melodrama, or semi-documentary, suggests that the Cold War noir represents a critical moment in the genre’s transition from the 1940s to the 1950s and from expressionism to neo-realism. Although the ideological motifs of these ‘50s “red scare” noirs range from communism and germ warfare (The Whip Hand), union subversion and African Americans (I Was a Communist for the FBI), espionage and the space race (Walk East on Beacon!) to HUAC and All-American masculinity (Big Jim McLain), the ‘50s anticommunist noir, despite its manifest glorification of the nuclear family, law enforcement (FBI), and audiovisual surveillance (television), is frequently troubled by the implications of these selfsame institutions and technologies.
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Cohen, Richard I., ed. Theodore H. Friedgut, Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891, together with Israel Mandelkern, Recollections of a Communist (ed. and annotated Theodore H. Friedgut). Boston: Academic Studies Press, 2014. 199 pp. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190912628.003.0044.
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This chapter reviews the book Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891 (2014), by Theodore H. Friedgut, together with Israel Mandelkern, Recollections of a Communist (edited and annotated by Theodore H. Friedgut). Stepmother Russia, Foster Mother America is a two-in-one volume that explores an obscure episode in the history of the Jews in the late nineteenth century while at the same time connecting much of its content to the author’s own life experience as a son of western Canada’s Jewish farming colonies and, later, as an ideologically driven halutz on an Israeli kibbutz. Stepmother Russia, Foster Mother America retells one branch of the mostly forgotten history of the Am Olam agricultural movement and brings a new layer into the discussion of global Jewish agrarianism, while Recollections of a Communist offers an edited and annotated version of a memoir written by Mandelkern.
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Wang, Y. Yvon. Reinventing Licentiousness. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501752971.001.0001.
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This book navigates an overlooked history of representation during the transition from the Qing Empire to the Chinese Republic — a time when older, hierarchical notions of licentiousness were overlaid by a new, pornographic regime. The book draws on previously untapped archives to argue that pornography in China represents a unique configuration of power and desire that both reflects and shapes historical processes. On the one hand, since the late imperial period, pornography has democratized pleasure in China and opened up new possibilities of imagining desire. On the other, ongoing controversies over its definition and control show how the regulatory ideas of premodern cultural politics and the popular products of early modern cultural markets have contoured the globalized world. The book emphasizes the material factors, particularly at the grassroots level of consumption and trade, that governed “proper” sexual desire and led to ideological shifts around the definition of pornography. By linking the past to the present and beyond, the book's social and intellectual history showcases circulated pornographic material as a motor for cultural change. The result is an astonishing foray into what historicizing pornography can mean for our understandings of desire, legitimacy, capitalism, and culture.
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Hanioglu, M. Sükrü, and M. Sükrü Hanioglu. Atatürk. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691175829.001.0001.
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When Mustafa Kemal Atatürk became the first president of Turkey in 1923, he set about transforming his country into a secular republic where nationalism sanctified by science would reign supreme as the new religion. This book provides an in-depth look at the intellectual life of the Turkish Republic's founder. It frames him within the historical context of the turbulent age in which he lived, and explores the uneasy transition from the late Ottoman imperial order to the modern Turkish state through his life and ideas. The book takes readers from Atatürk's youth as a Muslim boy in the volatile ethnic cauldron of Macedonia, to his education in nonreligious and military schools, to his embrace of Turkish nationalism and the modernizing Young Turks movement. Who was this figure who sought glory as an ambitious young officer in World War I, defied the victorious Allies intent on partitioning the Turkish heartland, and defeated the last sultan? This book charts Atatürk's intellectual and ideological development at every stage of his life, demonstrating how he was profoundly influenced by the new ideas that were circulating in the sprawling Ottoman realm. It shows how Atatürk drew on a unique mix of scientism, materialism, social Darwinism, positivism, and other theories to fashion a grand utopian framework on which to build his new nation.
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Patton, Raymond A. Punk Crisis. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190872359.001.0001.
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This book tells the story of punk rock as a global movement that spanned the boundaries of the Cold War world, focusing on examples in Poland and elsewhere in Eastern and Central Europe, the United States, the United Kingdom, and their connections with the Third World. Drawing on archival documents, ’zines, mainstream publications, and other sources, it closely examines the appeal of punk to its practitioners and the reactions of each society to the rise of punk. It argues that punk grew out of and contributed to the global transition from the late Cold War era to the era of neoliberal/neoconservative globalization. Punk arose among individuals and scenes communicating across the Iron Curtain at a moment characterized by transnational crisis, globalization, postmodernism, and an aesthetic/cultural turn in sociopolitics. Through the culture wars it helped provoke in the First World and Second World alike, punk contributed to a global realignment from the sociopolitically, ideologically oriented world of the Cold War to the subsequent era, oriented primarily around culture and identity. Through the example of punk, it challenges the resistance-centric framework of Cold War era cultural studies, presenting an alternative model for how culture is intertwined with politics that accounts for its significance as a major sociopolitical force.
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Pratt, Michael W., and M. Kyle Matsuba. The Life Story, Domains of Identity, and Personality Development in Emerging Adulthood. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199934263.001.0001.
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This book is about the life story and its integration into the wider personality in development, as depicted in Erikson’s theory of personality stages. The authors focus on how this personal identity narrative develops in emerging adulthood, the transition period from adolescence to young adulthood. They utilize a framework proposed by McAdams, which treats personality development as composed of three levels acquired across the life course: behavioral traits; personal values and motives; and finally, the life story, which provides some sense of a coherent personal identity. The life story and identity development are examined through the lens of different identity domains, including ideological domains such as religion, morality, and vocation, and various relational domains, including family, close peer and romantic relationships, and wider civic concerns. In a series of chapters the authors review personality development in each of these domains following McAdams’s three-part model, and describe the growth of the life story in each. All these chapters review the empirical personality research literature and then discuss findings from the authors’ ongoing longitudinal, mixed methods study following a sample of young Canadians across emerging adulthood, drawing on the individual narrative voices of the sample to illustrate this life story development. The authors also present case studies of the emerging adulthood of well-known public figures at the end of each chapter. The final chapter ties together these various lines of evidence around some general issues concerning the role of the life story in the study of the emerging adult personality.
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Delogu, Paolo. Ivthe Spiritual EconomyDevozione longobarda. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198777601.003.0033.
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The investigation takes its inspiration from the book recently dedicated by Peter Brown (Through the Eye of a Needle, 2012) to the genesis of the Christian ethics of wealth and its good use. Brown had highlighted the transition from pagan evergetism to Christian charity; from the use of wealth for public display in favor of the city and the fellow-citizens, to its dispensation to the poor, who are the representatives of Christ. Thanks to this providence the rich can gain the divine mercy and save his soul. The Church, as a mundane institution, receives the pious gifts of the rich and administers them for the relief of the poor, but the poor are considered to be the real owners of the wealth accumulated by the Church. This ideological expedient allows the Church to consider itself poor. When this cultural process is complete, the Middle Ages have arrived. My aim has been to investigate how the precepts of the ancient Fathers were received and put into practice by the Langobardic society in Italy. Given the shortage of doctrinal texts similar to those exploited by Brown, I had recourse to more humble documents such as the deeds edited by Luigi Schiaparelli in the first two volumes of the Codice Diplomatico Longobardo. It is a collection of 296 documents, for the larger part concerning foundations or endowments of churches, monasteries, senodochia and oratoria, ordered by lay devotees. Most of them come from Tuscany; a lesser number from centres of the Po plain. These texts do not have any doctrinal purpose, but they give an insight into the way in which the Christian doctrine of wealth and its good use was received and put in practice by the Langobards in the 8th century.
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Song, Weijie. Mapping Modern Beijing. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190200671.001.0001.
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Mapping Modern Beijing investigates five methods of representing Beijing- a warped hometown, a city of snapshots and manners, an aesthetic city, an imperial capital in comparative and cross-cultural perspective, and a displaced city on the Sinophone and diasporic postmemory—by authors traveling across mainland China, Taiwan, Hong Kong, and overseas Sinophone and non-Chinese communities. The metamorphosis of Beijing’s everyday spaces and the structural transformation of private and public emotions unfold Manchu writer Lao She’s Beijing complex about a warped native city. Zhang Henshui’s popular snapshots of fleeting shocks and everlasting sorrows illustrate his affective mapping of urban transition and human manners in Republican Beijing. Female poet and architect Lin Huiyin captures an aesthetic and picturesque city vis-à-vis the political and ideological urban planning. The imagined imperial capital constructed in bilingual, transcultural, and comparative works by Lin Yutang, Princess Der Ling, and Victor Segalen highlights the pleasures and pitfalls of collecting local knowledge and presenting Orientalist and Cosmopolitan visions. In the shadow of World Wars and Cold War, a multilayered displaced Beijing appears in the Sinophone postmemory by diasporic Beijing natives Liang Shiqiu, Taiwan sojourners Zhong Lihe and Lin Haiyin, and émigré martial-arts novelist Jin Yong in Hong Kong. Weijie Song situates Beijing in a larger context of modern Chinese-language urban imaginations, and charts the emotional topography of the city against the backdrop of the downfall of the Manchu Empire, the rise of modern nation-state, the 1949 great divide, and the formation of Cold War and globalizing world. Drawing from literary canons to exotic narratives, from modernist poetry to chivalric fantasy, from popular culture to urban planning, this book explores the complex nexus of urban spaces, archives of emotions, and literary topography of Beijing in its long journey from imperial capital to Republican city and to socialist metropolis.