Relevant bibliographies by topics / Ideophones

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ideophones'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 January 2023

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Journal articles on the topic "Ideophones"

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Dingemanse, Mark. "Ideophones and gesture in everyday speech." Gesture 13, no. 2 (December 31, 2013): 143–65. http://dx.doi.org/10.1075/gest.13.2.02din.

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This article examines the relation between ideophones and gestures in a corpus of everyday discourse in Siwu, a richly ideophonic language spoken in Ghana. The overall frequency of ideophone-gesture couplings in everyday speech is lower than previously suggested, but two findings shed new light on the relation between ideophones and gesture. First, discourse type makes a difference: ideophone-gesture couplings are more frequent in narrative contexts, a finding that explains earlier claims, which were based not on everyday language use but on elicited narratives. Second, there is a particularly strong coupling between ideophones and one type of gesture: iconic gestures. This coupling allows us to better understand iconicity in relation to the affordances of meaning and modality. Ultimately, the connection between ideophones and iconic gestures is explained by reference to the depictive nature of both. Ideophone and iconic gesture are two aspects of the process of depiction.
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Karani, Michael, and Alexander Andrason. "Ideophones in Arusa Maasai: Syntax, morphology, and phonetics." Open Linguistics 8, no. 1 (January 1, 2022): 440–58. http://dx.doi.org/10.1515/opli-2022-0220.

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Abstract The present article is dedicated to the syntax, morphology, and phonetics of ideophones in Arusa Maasai. After examining the compliance of 69 ideophonic lexemes with the typologically driven prototype of an ideophone, the authors conclude that Arusa ideophones may range from canonical to non-canonical even within a single language module. When syntax, morphology, and phonetics are considered jointly, holophrastic and asyntagmatic ideophones are more canonical than ideophones used as verbal modifiers and parts of complex predicates, which are, in turn, more canonical than predicative ideophones. The extent of canonicity is inversely correlated with the systematicity and integration of ideophones in sentence grammar and their diffusion into other lexical classes: predicative ideophones have been fully incorporated into the category of verbs; for ideophones employed as verbal modifiers, a comparable incorporation into the category of adverbs has not been completed; for all the other types, especially holophrastic and asyntagmatic, ideophones still maintain their categorical individuality. Overall, ideophones constitute an “old” category in Arusa, one that is well advanced on its grammaticalization cline.
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Henderson, Robert. "A demonstration-based account of (pluractional) ideophones." Semantics and Linguistic Theory 26 (October 15, 2016): 664. http://dx.doi.org/10.3765/salt.v26i0.3786.

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This paper develops a novel formal semantics of ideophones that can account for their meaning and compositional properties. The proposal extends recent work on iconicity in sign languages in Davidson (2015), whose demonstration- based framework provides a formal foundation for the semantics of ideophones that captures the difference between descriptive meaning and depictive meaning, the kind of meaning ideophones traffic in. After providing a demonstration-based account of the basic ideophone construction in the Mayan language Tseltal, the paper then shows how the demonstration-based account can be used to analyze pluractionality in the ideophone domain. In particular, through case studies on Tseltal and Upper Necaxa Totonanc (Totonacan), I show that there are two previously unrecognized types of ideophonic pluractionality, and that their properties support the demonstration-based account.
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Nuckolls, Janis B. "Ideophones’ challenges for typological linguistics." Pragmatics and Society 5, no. 3 (November 14, 2014): 355–83. http://dx.doi.org/10.1075/ps.5.3.03nuc.

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Typological studies of motion verbs have struggled to conceptualize a framework that would adequately account for languages which make use of ideophoness for expressing manner of motion. This paper examines ideophones in the Pastaza Quichua dialect of Amazonian Ecuador, with a special focus on the structural patterns observable in two categories of Quichua verbs of motion: verbs of motion by limited translocation and verbs of motion by nonlimited translocation. These two types of verbs and their ideophones manifest 5 major patterns of verb/ideophone interaction, which may be schematized with a gradient scale of possibilities. On the one hand, verbs and their ideophones may come together and coalesce into a unity of meaning, a meaning that is, in fact, lexicalized in one verb form by other languages. On the other hand, verbs and their ideophones may be more inclined toward a ‘separatist semantics’, in which each entity expresses a conceptually distinctive action, event, or process. These patterns problematize several assumptions made in typological studies.
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Nuckolls, Janis B. "“How do you even know what ideophones mean?”." Gesture 19, no. 2-3 (December 31, 2020): 161–95. http://dx.doi.org/10.1075/gest.20005.nuc.

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Abstract Using data from the Northern Pastaza (qvc) and Upper Napo Quichua (quw) dialects of Amazonian Ecuador, this paper argues that the semantics of ideophones, a highly marked form class of expressive words, is principled and describable with a combination of sensori-semantic features and a fine-grained typology of gestures, based on insights from Streeck (2008) and others. Specifically, ideophones’ sensori-semantics are broken down into a semantic map consisting of 3 super- and 7 subcategorical distinctions. The greater the number of categories encoded by an ideophone’s semantics, the greater are the range of gestures used. Finally, gesture types identified by Streeck (2008) and others, were found among a very different group of people who are not western, educated, industrialized, rich, or democratic. Further research into ideophones and their gestures may find broader significance for ideophone semantics, and more generally, for the interrelations between language and gesture.
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Benson, Peace. "Ideophones in Dzə (Jenjo), an Adamawa language of Northeastern Nigeria." Language in Africa 1, no. 3 (December 25, 2020): 336–52. http://dx.doi.org/10.37892/2686-8946-2020-1-3-336-352.

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Ideophone is a phenomenon dominant in African languages. Dzə is an under-investigated and under-documented Adamawa language found in Taraba, Adamawa and Gombe States, Northeastern Nigeria. It was noticed that the language has a lot of ideophones. It became necessary to study it to understand its importance in the language. This study is to draw the attention of scholars working on Adamawa languages and ideophones. It will also thus form part of the grammar of Dzə someday. The study of ideophone is not exhaustive, especially in the minority languages of Northeastern Nigeria. The study shows that Dzə ideophones express intensity, emphasis and description. Dzə ideophones have unique phonological features and some of the sounds found in the conventional phonology of Dzə are not found in the ideophones. The phoneme /ŋ/ is common in the coda position of the ideophones. Ideophones modify verbs, adjectives and nouns in Dzə. They also function as adverbs and are elements that constitute a noun phrase. They augment other word classes like nouns, verbs and adjectives.
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Akita, Kimi. "The linguistic integration of Japanese ideophones and its typological implications." Canadian Journal of Linguistics/Revue canadienne de linguistique 62, no. 2 (February 6, 2017): 314–34. http://dx.doi.org/10.1017/cnj.2017.6.

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AbstractThis article proposes that two linguistic systems (that is, two languages or registers) with different degrees of morphosyntactic integration of ideophones may apply the same restrictions on ideophones in different ways. In Study 1, the author shows quantitatively that the sentence-type restrictions reported for ideophones in several languages also constrain Japanese ideophones, but to a lesser extent. In Study 2, the author argues that two previously identified restrictions on Japanese ideophonic verbs appear to apply only partially to ideophonic verbs in baby talk and highly playful discourse. It is concluded that the strength of these restrictions is negatively correlated with the overall degree of morphosyntactic integration of ideophones in the language or register.
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Elders, Stefan. "Angela Bartens. Ideophones and sound symbolism in Atlantic creoles. (Suomalaisen Tiedekatemian Toimituksia/Annales Academiae Scientiarium Fennicae. Sarja-series Humaniora, 40.) Helsinki: Finnish Academy of Science and Letters and Finnish Society of Science and Letters, 2000. Pp. 198." Language in Society 31, no. 1 (January 2002): 134–37. http://dx.doi.org/10.1017/s0047404502261059.

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The central claim of Ideophones and sound symbolism in Atlantic creoles is that ideophones constitute a relevant category in Atlantic creoles, and that they show both functional and substantial correspondences with ideophones in African languages. The book consists of two main parts: a critical review of the literature on ideophones (Introduction; Chap. 1, “Previous treatment of ideophones and sound symbolism in the literature”; Chap. 2, “Characterization of ideophones: towards a cross-linguistic prototype”), and an etymological database of ideophones in the Atlantic creoles (Chap. 3, “The use of ideophone in the Atlantic creoles and their tentative etymologies”). Two appendices present data sources and the approximate number of ideophones in some languages. The study is based on the available literature, supplemented by data on Atlantic creoles, African languages, European languages, and two Asian languages that was obtained either from specialists on certain languages or from first-language speakers.
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Dingemanse, Mark. "Making new ideophones in Siwu." Pragmatics and Society 5, no. 3 (November 14, 2014): 384–405. http://dx.doi.org/10.1075/ps.5.3.04din.

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Ideophones are found in many of the world’s languages. Though they are a major word class on a par with nouns and verbs, their origins are ill-understood, and the question of ideophone creation has been a source of controversy. This paper studies ideophone creation in naturally occurring speech. New, unconventionalised ideophones are identified using native speaker judgements, and are studied in context to understand the rules and regularities underlying their production and interpretation. People produce and interpret new ideophones with the help of the semiotic infrastructure that underlies the use of existing ideophones: foregrounding frames certain stretches of speech as depictive enactments of sensory imagery, and various types of iconicity link forms and meanings. As with any creative use of linguistic resources, context and common ground also play an important role in supporting rapid ‘good enough’ interpretations of new material. The making of new ideophones is a special case of a more general phenomenon of creative depiction: the art of presenting verbal material in such a way that the interlocutor recognises and interprets it as a depiction.
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James Edionhon, Edosa. "On the Syntactic Status of Edo Ideophones." Macrolinguistics 8, no. 13 (December 30, 2020): 44–55. http://dx.doi.org/10.26478/ja2020.8.13.3.

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Ideophones are a particular lexical class of expressive words depicting perceptual events or states, and are said to be a universal or near-universal feature of language (Dingemanse, 2012:655; Kilian-Hatz, 2001:163). This paper presents an overview of Ẹdo ideophones to characterize them in terms of their occurrence in grammatical syntactic frames. It investigates what sets them apart within word classes in Ẹdo and how they differ from their non-ideophonic counterparts in sentential constructions. The Basic Linguistic Theory was adopted as the method for data analysis. This was done to show how ideophones manifest syntactically in the language. Ideophones appear in copular frames with some verbs in the language, especially the verb ‘to be’. This paper concludes that Ẹdo ideophones do not occur pre-nominally in the language.
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Dissertations / Theses on the topic "Ideophones"

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Reiter, Sabine [Verfasser]. "Ideophones in Awetí / Sabine Reiter." Kiel : Universitätsbibliothek Kiel, 2013. http://d-nb.info/1036872076/34.

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Mundalamo, Rabelani Phyllis. "The ideophones in Tshivenda : a syntactic and semantic analysis." Thesis, University of the North, 2002. http://hdl.handle.net/10386/2107.

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Wu, Mengqi, and 吳蒙琦. "The structure of ideophones in southern Sinitic." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/207650.

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This thesis talks about the structure of ideophones in Southern Sinitic. Ideophone is an interesting word class that has been studies in a world atlas, while the Sinitic is just like an enclave under the context. This thesis is a try on analyzing the “state adjectives” and the onomatopoeia Chinese linguistics used to call from the ideophonic perspective. Treating Ruihong (a sub-dialect of Gan) as an entry point, structural markedness of ideophones in Southern Sinitic is described in a formal-functional way. At last, some typological attributes of the Sinitic ideophones have been summarized. Chapter 5 to Chapter 9 is the part of descriptive introduction. Each chapter picks one or several relevant forms of ideophones, and then start analysis about their structural markedness. Each Chapter has its emphasis: Chapter 5 focuses on how to identifying an ideophone from its phonotactic distribution, lack of written form, flexible word class and sound symbolism; Chapter 6 is about the most important XA ideophones in Ruihong, descriptions on characteristics like high tone and checked tone’s wide usage, disappearance of nasal coda after syllable final stop, grammaticalization and deideophonization, etc. are elaborated. Chapter 7 is about two reduplicative forms XX and AXX, comparison on the usage of XA and AXX between Gan, Xiang and other southern Sinitic is this chapter’s focus. Chapter 8 is mainly about prosodic features of the onomatopoeia and the mimicking words. Chapter 9 tries to connect the form and the semantic function, using AABB and AliXY and infix “pat” as examples, a detailed description about how these forms connect with meanings has been given. At last, in the conclusion, summary about the common points and differences in Southern Sinitic are listed. Basically, in the phonetic and phonological part, there are more common points, while in the morpho-syntactic part, differentiation is more apparent.
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Sien, Nam-Cheol. "An autosegmental analysis of ideophones in Korean /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/8371.

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Hatton, Sarah Ann. "The Onomatopoeic Ideophone-Gesture Relationship in Pastaza Quichua." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6123.

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The relationship between ideophones and gestures has only recently been studied and is not yet completely understood. The topic has been specifically addressed by Kita (1993), Klassen (1998), Dingemanse (2013), Mihas (2013), and Reiter (2013). Yet there has been little focus on onomatopoeic ideophones. Onomatopoeic ideophones have been set aside as different by many previous researchers (Klassen, 1998, pp. 28-31; Kilian-Hatz, 2001, pp. 161-163; Dingemanse, 2011, pp. 131, 165-167; Mihas, 2012, pp. 327-329; Reiter, 2013, pp. 9-10, 308). Being stigmatized as simple, they have been labeled as "sound mimicking words" (McGregor, 2002, p. 341), "non-linguistic sounds" (Güldemann, 2008, p. 283), or "imitative sounds" (Hinton et al., 1994, §2.1). This thesis specifically addresses the relationship between onomatopoeic ideophones and gestures in Pastaza Quichua (PQ). My data acquired from primary and secondary sources, consists of 69 interactions, comprising eight hours of video recordings collected in Tena, Ecuador. These recordings include traditional narratives, personal experience tellings, elicited descriptions of nature, short didactic explanations, and folksongs. My methodology consists of close examination, classification, and tagging of 435 ideophones in the PQ data for sensory class and gestural accompaniment, using McNeill's (1992) typology. This thesis demonstrates that onomatopoeic ideophones do not have the same relationship with gestures that synesthetic ideophones do. Synesthetic ideophones are consistently accompanied by gestures (94.4% of the time) while onomatopoeic ideophones are much less likely to be accompanied by gestures (27.0% of the time). The lack of gestures occurring with onomatopoeic ideophones is striking given that PQ speakers seem to be constantly gesturing during speech. The PQ data supports previous observations that most gestures accompanying ideophones are iconic (Kunene, 1965; Dingemanse, 2013; Reiter, 2013; Mihas, 2013; Kita, 1993). The data also supports McNeill's (2007, p. 11) statement that gestures are used to make an image more real and that repetition can lead to fading gestures. However, it challenges his prediction that a minimal departure from context is the cause of a conspicuous lack of gesture. Sensory type, that is whether an ideophone is onomatopoeic or not, seems to be the most important factor in predicting gestural behavior. This paper also contributes to a better understanding of the relationship between ideophones and gestures and, ultimately, between language and gesture.
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Cano, Maria Graciela. "The Categorization of Ideophone-Gesture Composites in Quichua Narratives." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8661.

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Ideophones are “marked words that vividly depict sensory events” (Dingemanse, 2009, p. 1). They often occur with gesture, but the link between the two is not yet fully understood. McNeill (1992) and Streeck (2008) have proposed classification schemas for gesture, and Nuckolls (2019) is developing a framework for the categorization of ideophones. This thesis categorizes ideophone-gesture composites using a combination of all three of these frameworks. I used data from Quechua RealWords, an online video corpus of 221 ideophones of Pastaza Quichua elicited by students and faculty at the Andes and Amazon Field School in Ecuador. I analyzed video clips of composite utterances and classified them according to McNeill’s, Streeck’s, and Nuckolls’s classification systems. This thesis demonstrates how using these three classification systems together allows for a more holistic analysis of ideophone-gesture composites as well as for the identification of certain patterns in the data. In this case, these were the existence of deictic + beat gestures and the pairing of sound-only ideophones with head gestures rather than with hand gestures. This thesis also suggests that head gestures may be classified using Streeckian and McNeillian categories and it points out ways in which beats paired with Quichua ideophones deviate from the criteria put forth by McNeill.
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Hamann, Mareike. "The changing grammatical usage of mimetics in Japanese." Thesis, University of Manchester, 2018. https://www.research.manchester.ac.uk/portal/en/theses/the-changing-grammatical-usage-of-mimetics-in-japanese(43e98341-f1d9-40ce-8e6b-9ee98d5fbc80).html.

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Mimetics in Japanese comprise both onomatopoeic expressions (phonomimes) and other ideophones (phenomimes; psychomimes), which do not imitate acoustic phenomena. They can appear in various syntactic positions and adopt the syntactic functions of nouns in a referential phrase, predicates, attributes in a noun phrase and adverbs, with the latter being the most common usage. Since the stem of mimetic expressions such as SUTON ("thump"), KIRARI ("flash"), KYAAA ("Aaaah!") or GAN-GAN ("pounding") cannot be altered and common suffixes such as /N/, /RI/ and /Q/ (glottal stop) cannot be inflected, the syntactic function of mimetics in Japanese is determined by their position in the sentence and the particles (postpositions) used to indicate their function within a larger constituent. In colloquial speech, these particles may also be omitted, which sometimes results in the syntactic position being the only indicator of the syntactic function. However, when contrasting the grammatical usage of mimetics in data sources from various speech registers, it becomes apparent that not all mimetics are used with all particles and in all syntactic positions. Moreover, some mimetics may be combined with certain particles in idiomatic contexts, but would be used differently in spontaneous speech. For this reason, it is not surprising that opinions vary greatly when it comes to determining the distribution of individual mimetics, and mimetics as a class. This often results in L2 learners of Japanese being confused by contradictory statements in dictionaries and textbooks, which may not necessarily reflect the actual usage of mimetics in spoken Japanese and thus constitute an obstacle to effective language learning. The focus of this thesis is a description of the variable use of selected mimetics in attributive contexts, to shed light on the factors underlying the variation, and to establish whether a language change has been taking place in recent years. Empirical data collected from dictionaries, corpora, surveys and interviews shows that sociolinguistic factors such as gender, age and media exposure may influence the grammatical preferences of native speakers and their perception of mimetics. For this reason, both linguistic and extra-linguistic factors have to be taken into account in order to establish a grammatical framework for mimetics in Japanese.
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Cole, Deborah L. "Sound Symbolism as a Purposive Function of Culturally Situated Speech: A look at the use of ideophones in Tsonga." University of Arizona Linguistics Circle, 2000. http://hdl.handle.net/10150/311815.

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Milosavljević, Tanja. "Les prédicats idéophoniques serbes : syntaxe et sémantique." Thesis, Université Côte d'Azur (ComUE), 2018. http://www.theses.fr/2018AZUR2022/document.

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Les prédicats idéophoniques serbes représentent une classe de mots très courante, surtout dans la langue orale. Ces mots, qui s'apparentent par leur forme morphologique des idéophones d'une part, et qui sont dotés d’une fonction prédicative de l'autre, sont souvent classés parmi les interjections. Cependant, leur fonctionnement n'est pas celui des interjections. Le présent travail de thèse propose une première investigation sur ces formes, encore très peu étudiées dans la langue serbe. La thèse commence par une définition de la classe des prédicats idéophoniques, leur rapport avec les interjections, les onomatopées et les verbes. La partie centrale est consacrée à l'étude syntactico-sémantique de chacun de 32 prédicats idéophoniques répertoriés en serbe moderne : dans la littérature, la presse et sur Internet. Une partie synthétique présente les réflexions plus générales sur les particularités phonologiques de ces formes, les spécificités de la réalisation de leurs composants et des constructions qu'elles intègrent, de même que les problèmes de la prédication et de la prédication seconde que posent certaines formes. Sont étudiées aussi les formes synonymes et les particularités de dérivation des verbes issus d'idéophones. Une analyse sémantique plus affinée permet de différencier les idéophones à sémantique très proche, qui se situent surtout dans le domaine de « tomber » ou dans celui de « frapper ». Une conclusion générale clôt la thèse en reprenant les résultats obtenus et fait quelques comparaisons avec le fonctionnement de ces formes en russe, ce qui permet de situer la présente étude dans une perspective typologique
Serbian predicative ideophones represent a very frequent class of words in Serbian, especially in conversational language. These words that have a morphological form of the ideophone on the one hand and a predicative function on the other, are often classified as interjections. However, these words dont have a fonction of interjection.This thesis work proposes the first investigation of these words, that are still poorly studied in the Serbian language. The thesis begins with a definition of the class of predicative ideophones, their relation to interjections, onomatopeia and verbs. The central part is dedicated to the syntactico-semantic analyses of 32 predicative ideophones identified in modern Serbian language : in the literature, the press and on the Internet. A synthetic part presents the more general reflections about the phonological particularity of these forms, the specificity of the realization of their components and the constructions that these forms integrate, as well as the predicate and the second predication in some forms. Synonymous forms and derivation of verbs from ideophones are also studied. A more refined semantic analysis allows to differentiate ideophones of very close meaning, specially for the expression of « falling » or « hitting ». In the main conclusion are made some comparisons with the function of predicative ideophones in the Russian language. So the present study may be situated in a typological perspective
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Vanninen, Kosti. "Translating Japanese Onomatopoeia into Finnish in Literature: A Case Study." Thesis, Högskolan Dalarna, Japanska, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-35924.

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Japanese is a language rich in onomatopoeic and mimetic words, words that mimic sounds and other phenomena with their form. They are an integral part of the language and are used in nearly all situations, they also pose their own peculiar challenge to both learners and translators of Japanese. This study examines the Japanese onomatopoeic and mimetic words in the novel Sensei no kaban by Hiromi Kawakami, and their translations in its Finnish translation, to determine what techniques are most commonly used and why? As Finnish is also said to have a rich onomatopoeic and mimetic vocabulary, the frequency at which these terms are translated into equivalent onomatopoeic or mimetic words is also examined. The results show that the majority of the Japanese onomatopoeic and mimetic words, most of which function as adverbs, are translated as adverbs or verbs or they are completely omitted. Exactly a quarter of the examined cases have been translated using onomatopoeic or mimetic words, most of which are verbs.
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Books on the topic "Ideophones"

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Voeltz, F. K. Erhard, and Christa Kilian-Hatz, eds. Ideophones. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/tsl.44.

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Voeltz, Erhard Friedrich Karl, 1943-, Kilian-Hatz Christa, and International Symposium on Ideophones (1st : 1999 : Sankt Augustin, Germany), eds. Ideophones. Amsterdam: J. Benjamins, 2001.

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Japanese ideophones. Muenchen: LINCOM Europa, 2012.

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Akita, Kimi, and Prashant Pardeshi, eds. Ideophones, Mimetics and Expressives. Amsterdam: John Benjamins Publishing Company, 2019. http://dx.doi.org/10.1075/ill.16.

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Bartens, Angela. Ideophones and sound symbolism in Atlantic Creoles. Helsinki: Suomalainen Tiedeakatemia, 2000.

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Jendraschek, Gerd. Semantische Eigenschaften von Ideophonen im Türkischen. München: LINCOM Europa, 2002.

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Lessons from a Quechua Strongwoman: Ideophony, Dialogue, and Perspective. Tucson: University of Arizona Press, 2010.

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Voeltz, F. K. Erhard, and Christa Kilian-Hatz. Ideophones. Benjamins Publishing Company, John, 2001.

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Akita, Kimi, and Prashant Pardeshi. Ideophones, Mimetics and Expressives. Benjamins Publishing Company, John, 2019.

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Haiman, John. Ideophones and the Evolution of Language. University of Cambridge ESOL Examinations, 2020.

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Book chapters on the topic "Ideophones"

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Dols, Nicolau, and Richard Mansell. "Interjections and ideophones." In Catalan, 196–99. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, [2017] | Series: Routledge essential grammars: Routledge, 2017. http://dx.doi.org/10.4324/9781138921290-19.

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Meier, Hans Heinrich. "Imagination by Ideophones." In Form Miming Meaning, 135. Amsterdam: John Benjamins Publishing Company, 1999. http://dx.doi.org/10.1075/ill.1.13mei.

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Kabuta, N. S. "Ideophones in Ciluba." In Typological Studies in Language, 139–54. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/tsl.44.12kab.

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Pandharipande, Rajeshwari V. "Ideophones and Interjections." In Marathi, 577–82. London: Routledge, 2021. http://dx.doi.org/10.4324/9780203168547-4.

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Elders, Stefan. "Defining ideophones in Mundang." In Typological Studies in Language, 97–110. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/tsl.44.09eld.

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Nuckolls, Janis. "Ideophones in Pastaza Quechua." In Typological Studies in Language, 271–85. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/tsl.44.22nuc.

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Akita, Kimi, and Prashant Pardeshi. "Introduction: Ideophones, mimetics, and expressives." In Ideophones, Mimetics and Expressives, 1–9. Amsterdam: John Benjamins Publishing Company, 2019. http://dx.doi.org/10.1075/ill.16.01aki.

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Dingemanse, Mark. "Chapter 1. ‘Ideophone’ as a comparative concept." In Ideophones, Mimetics and Expressives, 13–33. Amsterdam: John Benjamins Publishing Company, 2019. http://dx.doi.org/10.1075/ill.16.02din.

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Kubozono, Haruo. "Chapter 2. The phonological structure of Japanese mimetics and motherese." In Ideophones, Mimetics and Expressives, 35–56. Amsterdam: John Benjamins Publishing Company, 2019. http://dx.doi.org/10.1075/ill.16.03kub.

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Hamano, Shoko. "Chapter 3. Monosyllabic and disyllabic roots in the diachronic development of Japanese mimetics." In Ideophones, Mimetics and Expressives, 57–75. Amsterdam: John Benjamins Publishing Company, 2019. http://dx.doi.org/10.1075/ill.16.04ham.

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Conference papers on the topic "Ideophones"

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Uno, Ryoko, Yuta Ogai, Sachiko Hirata-Mogi, and Yoshikatsu Hayashi. "Confidence in Expressing Novel Textures: An Analysis of Japanese Ideophones that Describe Visually-Induced Textures." In 2017 3rd IEEE International Conference on Cybernetics (CYBCONF). IEEE, 2017. http://dx.doi.org/10.1109/cybconf.2017.7985768.

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