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Relevant bibliographies by topics / Igala Art

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Journal articles

Academic literature on the topic 'Igala Art'

Author: Grafiati

Published: 27 July 2024

Last updated: 30 July 2024

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Journal articles on the topic "Igala Art"

1

Iyeh, Mariam A., and Godwin Onuche. "A syncretic analysis of the duality of dance as art and science." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 7, no. 1-2 (2020): 98–109. http://dx.doi.org/10.4314/ejotmas.v7i1-2.7.

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This paper examines the duality of dance as both art and science. It argues on the premise that only the manifestations of dance as an art form has been explored whilst its scientific manifestations have been arguably ignored. It avers that duality is seen in the processes involved in dance choreography. In doing this, it maintains that dance as an art often manifests in the intuition and creativity involved during the creation of dances while dance as science manifests itself during the execution of movements. It argues that the traditional practitioners of dance in Nigeria and Africa are gen

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2

Dike, P. Chike. "Regalia, Divinity, and State in Igala." African Arts 20, no. 3 (1987): 75. http://dx.doi.org/10.2307/3336480.

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Maravić, Manojko. "Relacije umetnosti i video igara / Relations of Art and Video Games." AM Journal of Art and Media Studies, no. 1 (January 15, 2012): 93–104. http://dx.doi.org/10.25038/am.v0i1.12.

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When discussing the art of video games, three different contexts need to be considered: the 'high' art (video games and the art); commercial video games (video games as the art) and the fan art. Video games are a legitimate artistic medium subject to modifications and recontextualisations in the process of creating a specific experience of the player/user/audience and political action by referring to particular social problems. They represent a high technological medium that increases, with practically each new commercial game, the aesthetic potential of audio-visualperformances and includes m

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4

Magomedov, Magomed Abdulkadirovich. "AMATEUR COMPOSERS AND PERFORMERS OF AVAR SONGS OF THE LATE XIX – MIDDLE OF THE XX CENTURY (Based on materials from Gumbetovsky district of the Republic of Dagestan)." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 23 (September 14, 2020): 81–85. http://dx.doi.org/10.31029/vestiyali23/12.

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The article describes the life and work of amateur composers, instrumentalists and folk singers Tluril Labazan from Inkho, Karimgadzhiyav, Arashev Omar, Abdulkhan, Gadzhiakhmed, Gaychulav from Igali, Shigabudin and Mukhumaali from Araderich, who left a noticeable trace in musical art not only of this region, but also of the entire territory of distribution of the Avar ethnos. Some of them were at one time known throughout Dagestan.

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5

Aisenberg, Igal. "Untapping Innovation: Igal Aisenberg reveals six keys to see business innovation go from a drip to a wave." IESE Insight, no. 27 (December 15, 2015): 67–71. http://dx.doi.org/10.15581/002.art-2795.

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6

Velkavrh, Žiga. "Ponašanje u skladu s propisima u Europi u ranoj fazi Covid-19 pandemije." Acta economica et turistica 8, no. 2 (2022): 147–67. http://dx.doi.org/10.46672/aet.8.2.1.

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Studije diljem Europe pokazale su da se ljudi u ranim fazama pandemije COVID-19 nisu u potpunosti pridržavali preventivnih mjera i preporuka koje su dale vlasti. Kao što je vidljivo, stope usklađenosti mogu ovisiti o mnogim različitim čimbenicima, uključujući osobine ličnosti, spol, dob, pa čak i iracionalno vjerovanje u teorije zavjere. Ovi nalazi naglašavaju heterogenost među ljudima i, u kombinaciji s uvidima iz teorije igara i eksperimentalne ekonomije, sugeriraju da bi bilo teško održati visoke stope usklađenosti i spriječiti širenje smrtonosnog virusa bez uvođenja strožih mjera koje su k

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7

Becerra, Maricela, Lucy Seena K. Lin, and Gus Wendel. "The 43." Boom 6, no. 3 (2016): 32–39. http://dx.doi.org/10.1525/boom.2016.6.3.32.

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On 26 September 2014, forty-three students from the Ayotzinapa Rural Teachers’ College disappeared from Iguala, a city in the state of Guerrero, Mexico. Two students’ bodies have been recovered, while forty-one students remain missing. In Los Angeles, mourning for the students has taken the form of what we call “anti-memorialization,” where traditional forms of memorialization are upended through informality, ephemerality, art, and the digital in order to politicize and bring attention to an injustice. While informal memorials have existed as long or longer than their formal counterparts, anti

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Peña-Ramos, Alfonso, Fernando González-Castañeda, Gregorio Núñez-Hernández, et al. "ESTABILIDAD DEL RENDIMIENTO Y CALIDAD FORRAJERA DE HÍBRIDOS DE MAÍZ." Revista Fitotecnia Mexicana 29, Especial_2 (2006): 109. http://dx.doi.org/10.35196/rfm.2006.especial_2.109.

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En México la demanda de maíces híbridos forrajeros (Zea mays L.) ha incrementado aceleradamente. El objetivo del estudio fue identificar híbridos más productivos, estables y de mayor calidad forrajera para diferentes regiones del país. En 2004 se evaluaron cuatro híbridos del Instituto Nacional de Investigaciones Forestales, Agrícolas y Pecuarias (INIFAP) y tres comerciales, en seis localidades del país con diferencias extremas en altitud y clima: Pabellón, Ags., Iguala, Gro., Chapingo, Méx., Valle del Yaqui, Son. y Torreón, Coah., primavera y verano. Se utilizó un diseño de bloques completos

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9

Alegre, Anne Nichole A. "“To Make Dark Heaven Light:” Transcending the Tragic in Sintang Dalisay." Multicultural Shakespeare: Translation, Appropriation and Performance 26, no. 41 (2022): 33–50. http://dx.doi.org/10.18778/2083-8530.26.03.

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Directed by Ricardo Abad and choreographed by Matthew Santamaria, Sintang Dalisay—a Filipino adaptation of Shakespeare’s Romeo & Juliet—is often lauded for its use of the igal ethnic dance of the Sama-Badjau, a Muslim tribe located in the southern region of the Philippines. It depicts Rashiddin and Jamillia’s star-crossed love amidst a violent and ancient feud between their families. This paper discusses the process and product of interweaving performance traditions and cultures in Sintang Dalisay and how the adaptation transforms Shakespeare’s Romeo and Juliet from tragic to utopic. It do

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10

Anna, Timothy E. "The Rule of Agustín de Iturbide: A Reappraisal." Journal of Latin American Studies 17, no. 1 (1985): 79–110. http://dx.doi.org/10.1017/s0022216x00009202.

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After a struggle of eleven years, and the loss, according to the conservative estimate of Carlos María de Bustamante, of 2000,0000 lives, Mexico awoke in September 1821 an independent nation. For months before the culmination of independence there was no doubt who would rule the nation – that is, who was the de facto chief of state, at least for the moment. Agustin de Iturbide, author of the Plan of Iguala, conceiver of the idea of the Three Guarantees that united all factions in favor of independence, chief of the Army of the Three Guarantees, signatory on Mexico's part of the Treaties of Cor

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