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1

Spinoula, Areti. "The Francescanism of Ignazio Silone/ Il Francescanesimo di Ignazio Silone." European Journal of Interdisciplinary Studies 2, no. 4 (December 1, 2016): 77. http://dx.doi.org/10.26417/ejis.v2i4.p77-84.

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Ignazio Silone, one of the last “maestri” of the Italian literature, the intellectual who never betrayed his conscience, will be analysed in our scientific research concerning his francescanism and how the “Poverello di Assisi” along with Francis’s evangelic faith have influenced the tormented Italian writer. An old friend of the protagonist named Pierto Spina writes at Silone’s novel Vino e pane: “creare un regime all’ immagine dell’ uomo”, isn’t this, what Francis had proclaimed in his entire life, combating the human limits in order to reach his “Precious Goal”? Everyone has a goal in life and Silone achieved his through pure religious and political faith maintaining a high level of dignity throughout.
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2

Spinoula, Areti. "The Francescanism of Ignazio Silone/ Il Francescanesimo di Ignazio Silone." European Journal of Interdisciplinary Studies 6, no. 1 (December 1, 2016): 77. http://dx.doi.org/10.26417/ejis.v6i1.p77-84.

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Ignazio Silone, one of the last “maestri” of the Italian literature, the intellectual who never betrayed his conscience, will be analysed in our scientific research concerning his francescanism and how the “Poverello di Assisi” along with Francis’s evangelic faith have influenced the tormented Italian writer. An old friend of the protagonist named Pierto Spina writes at Silone’s novel Vino e pane: “creare un regime all’ immagine dell’ uomo”, isn’t this, what Francis had proclaimed in his entire life, combating the human limits in order to reach his “Precious Goal”? Everyone has a goal in life and Silone achieved his through pure religious and political faith maintaining a high level of dignity throughout.
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3

Leake (book author), Elizabeth, and John Foot (review author). "The Reinvention of Ignazio Silone." Quaderni d'italianistica 24, no. 2 (June 1, 2003): 128–29. http://dx.doi.org/10.33137/q.i..v24i2.9233.

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4

Tudini, Vincenza A. C. "Scritti sparsi di Ignazio Silone." Quaderni d'italianistica 12, no. 1 (April 1, 1991): 113–22. http://dx.doi.org/10.33137/q.i..v12i1.10513.

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5

Scapolo, Andrea. "The Reinvention of Ignazio Silone (review)." Italian Culture 24, no. 1 (2007): 214–17. http://dx.doi.org/10.1353/itc.2007.0032.

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6

Paynter, Maria Nicolai. "Book Review: The Reinvention of Ignazio Silone." Forum Italicum: A Journal of Italian Studies 38, no. 1 (March 2004): 276–80. http://dx.doi.org/10.1177/001458580403800122.

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7

Canali, Mauro. "Ignazio Silone and the Fascist political police." Journal of Modern Italian Studies 5, no. 1 (January 2000): 36–55. http://dx.doi.org/10.1080/135457100362616.

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8

Paynter, Maria Nicolai, and Ferdinando Alfonsi. "Ignazio Silone o della ricerca del permanente." Italica 70, no. 2 (1993): 217. http://dx.doi.org/10.2307/479884.

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9

Williams, Robert E. "Book Review: The Reinvention of Ignazio Silone." Christianity & Literature 54, no. 4 (September 2005): 632–35. http://dx.doi.org/10.1177/014833310505400415.

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10

Paynter, Maria Nicolai. "Review: Ignazio Silone o della ricera del permanente." Forum Italicum: A Journal of Italian Studies 28, no. 1 (March 1994): 200–202. http://dx.doi.org/10.1177/001458589402800143.

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11

Peterle, Patricia. "Da política à literatura: o percurso de Ignazio Silone." Alea : Estudos Neolatinos 11, no. 1 (June 2009): 99–110. http://dx.doi.org/10.1590/s1517-106x2009000100009.

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A primeira metade do século XX pode ser perfilada por inúmeros acontecimentos histórico-políticos e culturais que influenciaram toda uma geração de escritores, artistas e intelectuais. É nesta complexa trama que se (inter)relacionam os binômios história e literatura e literatura e política, e nela podem ser inseridos a produção intelectual e o percurso de Ignazio Silone. Os escritos literários e não desse autor italiano refletem a sua inserção no mundo e a experiência do vivido, que são também caracterizadas pelos regimes totalitários, pelo fascismo, pelo antifascismo e pelo exílio. Marcas de uma existência que permeiam e nutrem o discurso literário siloniano.
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12

Vaccara, Stefano. "Book Review: Bitter Spring. A Life of Ignazio Silone." Forum Italicum: A Journal of Italian Studies 44, no. 1 (March 2010): 243–45. http://dx.doi.org/10.1177/001458581004400117.

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13

Moloney, Brian. "IGNAZIO SILONE ANDIL RISVEGLIO: THE I945 VERSION OF SILONE'SFONTAMARA." Italian Studies 51, no. 1 (January 1996): 134–66. http://dx.doi.org/10.1179/its.1996.51.1.134.

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14

Crowley, James P. "Folly and the Holy Face: The Medievalism of Ignazio Silone." Neophilologus 96, no. 1 (December 5, 2010): 65–79. http://dx.doi.org/10.1007/s11061-010-9233-1.

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15

Cavallari, Doris Nátia. "Intelectuais contra o poder: A atualidade do engajamento político-cultural de Ignazio Silone e Nicola Chiaromonte na direção de Tempo Presente." Revista de Italianística, no. 23 (May 12, 2014): 149. http://dx.doi.org/10.11606/issn.2238-8281.v0i23p149-172.

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Apresento algumas informações sobre a revista TempoPresente: informazione e discussione, dirigida por Ignazio Silone e Nicola Chiaromonte, no período de 1956 a 1968. O estudo da revista foi objeto de minha pesquisa de pós-doutorado e se deteve no levantamento e análise dos textos, em particular aqueles produzidos por Silone e Chiaromonte,para verificar em que modo os artigos garantiram o sucesso da revista entre seus leitores, um grupo especial de intelectuais, pelo período de doze anos.Ao final, acrescento a tradução de um dos textos de Nicola Chiaromonte, crítico desconhecido no Brasil, no qual se pode sentir a sensibilidade e profundidade com que ele analisava as questões da literatura e do seu tempo presente.
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16

Holmes, Deborah. "Conference report: ‘L'età dei totalitarismi. Silone e la cultura letteraria e politica degli anni venti-trenta’ 29 April–1 May 2001, L'Aquila/Pescina." Modern Italy 7, no. 1 (May 2002): 85–89. http://dx.doi.org/10.1080/13532940220121852.

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Organized by the ‘Comitato nazionale per il centenario della nascita di Ignazio Silone’, this conference was the culmination of a year of events. Held in collaboration with the three universities of the Abruzzo, its aim was to avoid an overly celebratory tone and to provide a working forum for ongoing research. The theme was not just Silone as writer and political activist but also the broader context of his early career. The organizers wanted to make a serious academic contribution to the debates which have raged over the last three years as to whether Silone collaborated with the Fascist political police. The press has created the impression that there are two fronts or camps: those who believe Silone was an informer (‘led’ by the historians Maurizio Canali and Dario Biocca, co-authors of the L'informatore: Silone, i comunisti e la polizia1) and those who believe the evidence has been exaggerated or even invented (Mimmo Franzinelli, author of I tentacoli dell'Ovra2 and Giuseppe Tamburrano, director of the Fondazione Pietro Nenni). For the. rst time, this centenary conference set out to bring the two sides together away from media clamour and, unsurprisingly, they appeared neither united in themselves nor united against each other.
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17

Parisi, Luciano, and Deborah Holmes. "Ignazio Silone in Exile: Writing and Antifascism in Switzerland, 1929-44." Modern Language Review 102, no. 3 (July 1, 2007): 861. http://dx.doi.org/10.2307/20467486.

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18

Mancini, Bruno. "Severina di Ignazio Silone (1981). Vocazione e ribellione di suor Severina." Cahiers d’études italiennes, no. 9 (July 15, 2009): 289–96. http://dx.doi.org/10.4000/cei.222.

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19

Peterle, Patricia. "Questioni per la Letteratura Comparata: uno Sguardo alle Opere di Ignazio Silone e Graciliano Ramos." Revista de Italianística, no. 19-20 (December 30, 2010): 80. http://dx.doi.org/10.11606/issn.2238-8281.v0i19-20p80-90.

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Questo testo ha lo scopo di ripercorrere la traiettoria intellettuale e letteraria di due scrittori, Ignazio Silone e Graciliano Ramos, che hanno vissuto e sperimentato momenti culturali e sociali significativi deiloro paesi di origine: il Brasile dell’Estado Novo e l’Italia del Fascismo. Questo saggio propone, così, uno sguardo che integra e non allontana i profili dell’intellettuale e dello scrittore e che presenta una rilettura del percorso e della produzione letteraria dei due autori.
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20

Paynter (book author), Maria N., and Francesca Facchi (review author). "On Friendship and Freedom: The Correspondence of Ignazio Silone and Marcel Fleischmann." Quaderni d'italianistica 37, no. 2 (January 27, 2018): 261–62. http://dx.doi.org/10.33137/q.i..v37i2.29251.

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21

Marrone, Gaetana. "Il segno culinario come campo di tensione nella narrativa di Ignazio Silone." Italica 79, no. 3 (2002): 353. http://dx.doi.org/10.2307/3656097.

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22

Soave, Sergio. "Angelo Tasca e Ignazio Silone. Da una parte all’altra della stessa frontiera." Laboratoire italien, no. 12 (November 26, 2012): 139–52. http://dx.doi.org/10.4000/laboratoireitalien.652.

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23

Parisi, Luciano. "Ignazio Silone in Exile: Writing and Antifascism in Switzerland, 1929-44 by Deborah Holmes." Modern Language Review 102, no. 3 (2007): 861–62. http://dx.doi.org/10.1353/mlr.2007.0056.

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24

Paynter, Maria Nicolai. "Review: Varianti sconosciute di “Il seme sotto la neve” di Ignazio Silone. Analisi strutturale." Forum Italicum: A Journal of Italian Studies 28, no. 1 (March 1994): 203–4. http://dx.doi.org/10.1177/001458589402800144.

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25

Cavallari, Doris Nátia. "Sem discurso não há poder: reflexões sobre La Scuola dei Dittatori de Ignazio Silone." Revista de Italianística, no. 9 (December 30, 2004): 155. http://dx.doi.org/10.11606/issn.2238-8281.v0i9p155-171.

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26

Moura, Rafael Reginato. "As margens da subvivência em Fontamara." Em Tese 19, no. 1 (March 28, 2022): 41–66. http://dx.doi.org/10.5007/1806-5023.2022.e82723.

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O presente trabalho tem o objetivo de tecer relações, por intermédio de três vertentes de análise, acerca do romance neorrealista Fontamara, do escritor italiano Ignazio Silone, enfocando mais especificamente o modus “subvivente” atribuído aqui aos personagens cafoni - classe de camponeses da região do Abruzzo – que atuam como protagonistas da história narrada. As três vertentes, ou três margens propostas, permitem atravessamentos em seu curso, diálogos que partem de conceitos relacionados a biopoder e necropolítica, passando por fulgurações grotescas no romance até desembocar numa ponte por vir entre a vida cafoni – oprimida em seu tempo por um regime autoritário e brutal, assim como pela histórica condição material miserável - e a perspectiva ameríndia defendida por Deborah Danowski e Eduardo Viveiros de Castro.
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27

Tudini (book author), Vincenza A. C., and Antonio Franceschetti (review author). "Varianti sconosciute di Il seme sotto la neve di Ignazio Silone: analisi strutturale." Quaderni d'italianistica 14, no. 1 (April 1, 1993): 184. http://dx.doi.org/10.33137/q.i..v14i1.10198.

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28

Ajres, Alessandro. "Gustaw Herling-Grudziński e la letteratura italiana del XX secolo." Poznańskie Studia Polonistyczne. Seria Literacka, no. 39 (December 15, 2020): 183–93. http://dx.doi.org/10.14746/pspsl.2020.39.10.

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Magdalena Śniedziewska’s book discusses a theme in Gustaw Herling-Grudziński’s works which has not been thoroughly researched, i.e. their relationship with Italian literature. This is how we discover Herling-Grudziński as a writer who is simultaneously a great literary criticwho looks eagerly and with both interest (sometimes) and passion at the work of such authors as Nicola Chiaromonte, Ignazio Silone, Alberto Moravia, Luigi Pirandello, Tomasi di Lampedusa and Leonardo Sciascia. The opening chapter of the book discusses Herling-Grudziński’s condition as an emigrant and the changes in his attitude to Naples which became his second home after World War II; the final chapter is about the Polish writer’s difficult relationship with Italian book market, reconstructing the story of the reception of Inny świat (A World Apart) in Italy.
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29

Betella, Gabriela Kvacek. ""O eterno fascismo italiano" e a resistência dos romances de Ignazio Silone, Carlo Levi e Vasco Pratolini." Topoi (Rio de Janeiro) 17, no. 32 (June 2016): 22–49. http://dx.doi.org/10.1590/2237-101x0173203.

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RESUMO Silone, Levi e Pratolini são escritores especialmente citados pela postura antifascista na atividade política e na atitude literária. Três de suas principais narrativas representam experiências de contato com as desigualdades agravadas durante o regime, além de retratarem aspectos nefastos no comportamento autoritário dos representantes do Estado fascista. Publicados antes e depois da Segunda Guerra, com enredos cobrindo períodos que vão dos anos de 1920 aos de 1930, Fontamara (1933), Cristo si è fermato a Eboli (1945) e Cronache di poveri amanti (1947) compõem quadros camponeses e urbanos comprometidos com a população esquecida do sul do país e com as pessoas amedrontadas em plena irrupção do terror. Há uma tarefa intelectual de revirar o passado para explicar o presente, estabelecer uma posição, defender a verdade e oferecer uma solução estética para a expressão dela. Os filmes baseados nos romances, aos quais dedicamos uma breve digressão, deram continuidade à proposta e conseguiram problematizar as visões sobre os anos que se seguiram ao fascismo.
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30

Tudini, V. A. C. "LE REDAZIONI SCONOSCIUTE DIlL SEME SOTTO LA NEVEDI IGNAZIO SILONE, E LE LETTERE DELLA CENSURA MILIT ARE ELVETICA." Italian Studies 45, no. 1 (January 1990): 64–80. http://dx.doi.org/10.1179/its.1990.45.1.64.

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31

Tudini, V. A. C. "LE REDAZIONI SCONOSCIUTE DI lL SEME SOTTO LA NEVE DI IGNAZIO SILONE, E LE LETTERE DELLA CENSURA MILIT ARE ELVETICA." Italian Studies 45, no. 1 (January 1, 1990): 64–80. http://dx.doi.org/10.1179/007516390790509072.

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32

Mańczyk-Krygiel, Monika. "Wierzchołek świata. Aline Valangin i dolina Onsernone." Góry, Literatura, Kultura 15 (December 29, 2021): 90–100. http://dx.doi.org/10.19195/2084-4107.15.6.

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These considerations are devoted to literary pictures of the Onsernone Valley located on the Italian-Swiss border. It was here in the 1930s and 1940s that the Swiss writer Aline Valangin (1889– 1986) created an extraordinary oasis of freedom and peace in her estate in Comologno. She hosted famous figures such as Kurt Tucholsky, Elias Canetti, Ignazio Silone, or Wladimir Vogel, and provided shelter to many politically persecuted artists. The subject of detailed reflection is the question of the perception, experience and acquisition of the Ticino mountains both in works by Valangin and in biographical works about her; with a particular focus on narrative perspective — from the outside and the inside. Eveline Hasler in biographical novel Aline und die Erfindung der Liebe (2000) attempts to (re)construct an image of the Onsernone Valley as a specific “valley of poets”, presenting a subtle analysis of the interaction between the conservative inhabitants of the valley, attached to tradition, and the extravagant artists who found asylum and inspiration in the Ticino Alps. This novel is an example of a modern biography, which is characterized by narrative polyphony; the description of space becomes an important carrier of meanings and collective memory in the author’s concept. Aline Valangin sketches in her novels (Die Bargada, 1943 / Dorf an der Grenze, 1982) and short stories (Tessiner Erzählungen, 2018) an image of Onserone indigenous people’s everyday life in the thirties and forties, full of worries. Her stories include outsiders, misfits, social outcasts, guerrillas, smugglers, and exiles — and they all find haven in the Valley. Valangin’s works are also an important voice in the discussion of the essence of Swiss patriotism not only through strong criticism of Swiss immigration policy during World War II, but also by reflecting on the concept of the border as a place that unexpectedly proves to be a challenge and a particular kind of self-experience in the face of events that are tearing up the current existence.
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Mańczyk-Krygiel, Monika. "Der Scheitel der Welt. Aline Valangin und das Onsernonetal." Góry, Literatura, Kultura 15 (December 29, 2021): 77–89. http://dx.doi.org/10.19195/2084-4107.15.5.

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These considerations are devoted to literary pictures of the Onsernone Valley located on the Italian-Swiss border. It was here in the 1930s and 1940s that the Swiss writer Aline Valangin (1889– 1986) created an extraordinary oasis of freedom and peace in her estate in Comologno. She hosted famous figures such as Kurt Tucholsky, Elias Canetti, Ignazio Silone, or Wladimir Vogel, and provided shelter to many politically persecuted artists. The subject of detailed reflection is the question of the perception, experience and acquisition of the Ticino mountains both in works by Valangin and in biographical works about her; with a particular focus on narrative perspective — from the outside and the inside. Eveline Hasler in biographical novel Aline und die Erfindung der Liebe (2000) attempts to (re)construct an image of the Onsernone Valley as a specific “valley of poets”, presenting a subtle analysis of the interaction between the conservative inhabitants of the valley, attached to tradition, and the extravagant artists who found asylum and inspiration in the Ticino Alps. This novel is an example of a modern biography, which is characterized by narrative polyphony; the description of space becomes an important carrier of meanings and collective memory in the author’s concept. Aline Valangin sketches in her novels (Die Bargada, 1943 / Dorf an der Grenze, 1982) and short stories (Tessiner Erzählungen, 2018) an image of Onserone indigenous people’s everyday life in the thirties and forties, full of worries. Her stories include outsiders, misfits, social outcasts, guerrillas, smugglers, and exiles — and they all find haven in the Valley. Valangin’s works are also an important voice in the discussion of the essence of Swiss patriotism not only through strong criticism of Swiss immigration policy during World War II, but also by reflecting on the concept of the border as a place that unexpectedly proves to be a challenge and a particular kind of self-experience in the face of events that are tearing up the current existence.
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34

Joll, James. "Enemies of Mussolini - Iris Origo: A Need to Testify: Portraits of Lauro de Bosis, Ruth Draper, Gaetano Salvemini, Ignazio Silone and an essay on Biography, London, John Murray, 1984, xiii + 274 pp., £12.50." Government and Opposition 20, no. 3 (July 1, 1985): 430–33. http://dx.doi.org/10.1017/s0017257x00017188.

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35

Leake, Elizabeth. "On Friendship and Freedom: The Correspondence of Ignazio Silone and Marcel Fleischmann, by Maria Nicolai Paynter, Toronto, Buffalo, and London, Toronto University Press, 2016, xxvi+260 pp., $75.00 (hardback), ISBN 978-1-4426-4996-5." Modern Italy 22, no. 3 (April 11, 2017): 336–37. http://dx.doi.org/10.1017/mit.2017.9.

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36

Festini, Mario. "Consistency in the works of Ignazio Silone." Radovi. Razdio filoloških znanosti 26, no. 16 (April 22, 2018). http://dx.doi.org/10.15291/radovifilo.1759.

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Problem dosljednosti u književnim djelima I. Silonea prisutan je godinama u talijanskoj i internacionalnoj književnoj kritici. U nekim svojim kritičkim i teorijskim spisima o tome je pisao i sam Silone. Prividna dosljednost očituje se u skoro svim Siloneovim djelima: tu je Abruzzo, tu su njegovi seljaci, njegovi junaci obuzeti dubokim egzistencijalnim problemima, tu je svugdje snažan socijalni angažman za nadilaženje svakog oblika političke, društvene i rasne diskriminacije. Ipak nema sumnje da je velika moralna kriza jednog dijela talijanskih intelektualaca, izazvana između dva svjetska rata padom mitova društva koje je već bilo prevladano najvećom političkom i moralnom katastrofom moderne epohe, pogodila i Silonea, čovjeka i književnika. Njegov optimizam, zasnovan na povjerenju u ljudske vrline, a naročito u naprednu funkciju obespravljenih u stvaranju povjesti, postepeno je ustupao mjesto sve radikalnijem skepticizmu na kojem se rađao njegov mistični pud, najprije poklanjanjem povjerenja svecu-revolucionaru a na kraju očajničkom paleokršćanskom mesijanizmu. Pažljivom analizom Siloneovih književnih i teorijskih djela, autor napisa dospijeva do konstatacije da takav ideološki i književni Siloneov zaokret zapravo proizlazi iz dosljednosti njegove umjetničke vizije svijeta, zasnovane na mističkoj potki, prisutnoj, kako u njegovom upornom povjerenju — skoro Religioznom — u urođene ljudske vrline, lako i u nepovjerenju u mogućnost obnove društva bez nadljudskog zahvata. Takva mistička potka koja obilježava čitavo Siloneovo književno djelo, nevidljiv je, ali svuda prisutan fluid, koji, kao pupčana vrpca, nerazdvojno vezuje Silonea uz njegove seljake tj. uz one koji su uz Karla Marxa nosili sliku Svete Rozalije, uz one na čijoj je crvenoj zastavi pisalo: »Republika i carstvo božje« i koji su, kao npr. tesar Franz, povezali Karla Marxa i Isusa Krista da bi se na zemlji uspostavilo društvo u kojem bi se ujedinilo siromnštvo i pravednost, kao i pomirili marksizam i kršćanstvo.
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37

"Ignazio Silone: beyond the tragic vision." Choice Reviews Online 38, no. 01 (September 1, 2000): 38–0184. http://dx.doi.org/10.5860/choice.38-0184.

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38

Festini, Mario. "Talijanski risorgimento - istina i mit." Radovi. Razdio historije, arheologije i historije umjetnosti 4, no. 2 (April 18, 2018). http://dx.doi.org/10.15291/radovihahu.1888.

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Ignazio Silone pisao je u svome Fašizmu slijedeće: »Risorgi- mento je bio — ako se odstrane sve one historijske laži kojima ga oficijelna škola obično ukrašava da bi mlade generacije odgojila u duhu poštivanja prošlosti — uspjeli pokušaj savojske dinastije da svoje gospodarstvo s Piemonta proširi na ostalu Italiju . ..«’ Ta inače presmjela interpretacija talijanskog Risorgimenta sadrži u biti istinu koju je nedavna talijanska povijest potvrdila, a na koju je i veliki talijanski marksistički mislilac A. Gramsci ukazao kad je (u težnji da demistificira Risorgimento i da istakne njegove prave pozitivne i negativne strane, nasuprot ,naučnim analizama raznih političara i pseudohistoričara) pisao: »Najveći nedostatak takvih ideoloških interpretacija jest u tome što su one samo ideološke . . . Radovi literata i diletanata; akrobatske konstrukcije ljudi koji su htjeli iskazati svoj talent i snalažljivost; ili pak zapisi koji opravdavaju reakcionarne snage u njihovim namjerama, time što im pripisuju namjere koje one nemaju, kao i izmišljene ciljeve; dakle, malene usluge intelektualističkih lakeja i protunaučnih plaćenika«.
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"HOLMES, DEBORAH. Ignazio Silone in Exile: Writing and Antifascism in Switzerland, 1929-1944. Aldershot: Ashgate (Warwick Studies in the Humanities), 2005. xii + 214 pp. 45.00. ISBN 0-7546-3522-8." Forum for Modern Language Studies 45, no. 2 (July 16, 2008): 225. http://dx.doi.org/10.1093/fmls/cqn035.

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