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Dissertations / Theses on the topic 'Igorot'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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1

McKay, Deirdre Christian. "Imagining Igorots, performing ethnic and gender identities on the Philippine Cordillera Central." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape8/PQDD_0022/NQ38943.pdf.

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2

Adonis, Digna Lipa-od. "The community development concepts of the Igorot indigenous peoples in Benguet, Philippines." Thesis, Australian Catholic University, 2011. https://acuresearchbank.acu.edu.au/download/bb2306bb714cc4048b09412ea5449b04f245f3ccf6f2cb3823b3be2504cf8321/2269963/ADONIS2011.pdf.

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This research explores the concept of community development among the Igorot Indigenous Peoples in Benguet, Philippines. It investigates the Igorots’ understanding of their community in relation to their culture and their interaction with the ‘modern’ world. It explores Igorot perspectives on the relevance of their culture in obtaining their ‘desired development’ within the present realities of their community. Exploring culturally and academically appropriate methods of conducting research with Indigenous populations such as the Igorot community was an important process of this study. This research reveals that Indigenous researchers undertaking research in their own communities have no ‘automatic credibility’ in navigating and utilising Indigenous Peoples’ knowledge ways (Pohlhuas 2002). Drawing from Indigenous methodologies, the research employed Indigenous research methods using Igorot traditional ways of learning. The findings of the study reveal that the Igorot understanding of community is a combination of colonial and traditional culture and values. The participants argue that although they cannot fully practice their traditional culture as their ancestors did, they still recognise its significance in their present lives. This research explores the Igorots’ coping and adapting mechanisms including the establishing of peoples organisations and informal education as ways of working in the community. Specific models of community development, that utilise the strengths of the culture are explored which confirm that cultural context and knowledge systems are an essential component in researching and working with Indigenous Peoples. By recognising and appropriately using the strengths of cultural identity, consciousness and traditional values that the Igorots have, community workers are able to provide opportunities for the people to revive their traditional communal and relational living. The Igorots demonstrate that ‘prescribed development systems’ can be of great advantage to their community when deconstructed and viewed from the ‘window of the peoples’ culture’. Most importantly, the participants in this study have shown that Indigenous Peoples’ despite being historical ‘victims’ of development have the capabilities to as ‘active contributors’ to their own and to mainstream community development.

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3

Kozák, Roman. "Filmová cesta Igora Chauna." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78764.

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Analysisses of Chaun´s movies with spiritual theme combinated with passages from his personal texts. Their chronological arrangement should create integral edea about what it means Irog Chaun´s "spiritual path" and how it is expressed through his movies.

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4

Marfynets, Nataliya. "Klavírní dílo Igora Stravinského." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79438.

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In my work I thought was right at first a brief outline development work of Igor Stravinsky. I also tried to "map out" the emergence of some major piano works by the author. finally, I added a few notes on the piano interpretive art of Igor Stravinsky.

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5

Náhlá, Silvie. "Osobnost Igora Vitaljeviče Katajeva." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96678.

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The main topic of this thesis is the biografy of Igor Vitalyevich Katayev, which is divided to three parts: composition, piano interpretation and pedagogy. Other chapters of this thesis arefocused on the artistic surrounding and the significant personalities that have influenced Katayev´s life and his work. The final part deals with his own memories about the great musical figures in his life.

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6

Koubek, Tomáš. "Bicí nástroje ve vybraných skladbách Igora Stravinského." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79189.

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In my dissertation I deal with the role of percussion instruments in several most important works of the big Russian composer of the 20th century, Igor Stravinsky. The basis of this work is analyses describing and assessing the role of percussion instruments in these compositions. Each chapter is devoted to one analysed work. The structure of the chapters is unchangeable, an introduction gives some information about the given composition, under which conditions it originated, what the composer's aim was, who commissioned or initiated it, when it was premiered etc. The main part of each chapter is the analysis of the piece focused on technical demands of individual parts of percussion instruments, their playing in unison an combination with other instruments. Igor Stravinsky's highly complicated musical vocabulary using rapid changes of irregular juxtaposed bars and largely involving percussion instruments made me choose his works. They are, in my opinion, the most important and often performed and, regarding a percussionist, they are considered to be the most challenging for mastering the orchestral playing. In the appendix to this master's dissertation I present examples of notation tangibly illustrating described difficulties and situations. I hope this dissertation to be an assed for several reasons: 1) It will become a useful source of information for professional percussionists as well as for conductors performing Stravinsky's works. 2) It may serve as a source of information for future musicologists or arrangers. 3) The additional advantage of this work is the fact that it is written by a practising percussionist since deep knowledge of percussion instruments technique enables to analyse Igor Stravinsky's compositions also with regard to interpretation demands on the player.

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7

Phan, Thanh-Hien. "Simulation and Experimental Characterization of the Scintillation Detector for IGOSat." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCC048.

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Cette thèse décrit les travaux effectués pour le développement du détecteur à scintillation du nanosatellite IGOSat. Sur la base des exigences du projet, un concept de détecteur a été validé, concept qui doit également être validé à la fois par la simulation et par l’expérience.IGOSat est un projet de satellite universitaire visant à développer un nanosatellite contenant une charge utile, basée sur un scintillateur, capable de mesurer le fond radiatif dans les zones aurorales et l’Anomalie de l’Atlantique Sud (ASA) en orbite terrestre basse. Le satellite dispose aussi d'une charge utile GPS bi-fréquence permettant de mesurer le contenu électronique total (TEC) de l'ionosphère. Ces deux charges utiles sont hébergées sur une plateforme 3U CubeSat qui sera lancée sur une orbite polaire à une altitude d’environ 650 km.La charge utile du scintillateur comprend un détecteur composé d'un cristal scintillant inorganique entouré de cinq scintillateurs organiques. Le scintillateur inorganique choisi est un cristal de CeBr3, sensible à la fois aux photons gamma et aux électrons. Les cinq scintillateurs plastiques EJ-200, qui sont principalement sensibles aux électrons, ont été choisis pour permettre de distinguer les deux types de particules. En d'autres termes, nous pouvons dire qu'une particule est un photon gamma lorsqu'elle n'interagit que dans le cristal de CeBr3, alors qu'il s'agit d'un électron si au moins une interaction est survenue dans un des scintillateurs plastique.Une simulation Monte-Carlo a été utilisée pour étudier la capacité de détection de ce détecteur. Une matrice de réponse a été élaborée pour la simulation des rayons gamma, qui peut être utilisée pour estimer le spectre en énergie des photons gamma en orbite terrestre basse.Un banc d'essai expérimental a été mis en place pour mesurer le spectre de rayonnement de sources radioactives. Ces mesures servent non seulement à valider le résultat de la simulation, mais également à en déduire la résolution en énergie du détecteur et une méthode d’étalonnage correspondante.Une comparaison entre les simulations de Monte-Carlo et les mesures expérimentales est également fournie dans cette thèse.Sur la base des travaux décrits ci-dessus, la thèse est constituée de 6 chapitres énumérés ci-dessous:- Le chapitre 1 est l'introduction au projet et une revue des études sur le fond radiatif en orbite terrestre basse, ainsi que les activités de développement CubeSat.- Le chapitre 2 décrit la configuration su satellite IGOSat, qui est développé pour remplir les exigences de fonctionnement des charges utiles.- Le chapitre 3 décrit le concept du détecteur à scintillation, son système électronique de lecture et le concept opérationnel de la charge utile.- Le chapitre 4 explique les processus physiques d’interaction d'une particule dans les matériaux à scintillation, la simulation de Monte-Carlo et la matrice de réponse du détecteur IGOSat.- Le chapitre 5 fournit les résultats des mesures expérimentales, issues des bancs de tests spécifiques mis en place. Les comparaisons entre simulation et expérience sont également décrites à la fin de ce chapitre.Le chapitre 6 est la conclusion de ce travail
This dissertation describes the work that has been done for the development of the scintillation detector of the IGOSat nanosatellite. Based on the requirements of the project, a concept of the detector has been proposed which required the validation by both simulations and experiments.IGOSat is a university satellite project aimed at developing a nanosatellite containing a scintillator payload that can measure the radiative background in the aurora zones and the South Atlantic Anomaly (SAA) on Low-Earth Orbit. Beside that, the satellite has a GPS Dual-Frequency Payload for measuring the Total Electronics Content (TEC) in the ionosphere. These two payloads are hosted on a 3U CubeSat platform that will be launched on a polar orbit at an altitude of about 650 km.The scintillator payload included a detector which is composed of an inorganic scintillation crystal and five surrounding organic scintillators. The chosen inorganic scintillator is Cerium Bromide (CeBr3), which is sensitive to both gamma-ray photons and electrons. The five surrounding EJ-200 plastic scintillators, which are mainly sensitive to the electrons, are chosen to discriminate the two types of particles. In other words we can say a particle is a gamma-ray photon when it interacts only in the CeBr3 crystal, while it is an electron if at least one interaction happened in a plastic scintillator.Monte-Carlo simulations have been used to investigate the detection ability of this detector. A response matrix has been made for the gamma-ray simulation, which can be used to estimate the original energy spectrum of the Low-Earth Orbit gamma-ray photons.An experimental test bench has been set up for measuring the detected spectrum of radioactive sources. These measurements are not only used to validate the simulation results, but also to determine the energy resolution of the detector, and a calibration method for it.A comparison between the Monte-Carlo simulations and the experimental measurements is also provided in this dissertation.Based on the topics described above, the dissertation has 6 chapters as listed below:- Chapter 1 is the introduction to the project and a review of the studies on Low-Earth Orbit radiative background, as well as description on the CubeSat development activities.- Chapter 2 describes the IGOSat satellite configuration on the platform, which is developed to support the payload based on their requirements.- Chapter 3 describes the concept of the scintillation detector, its electronics readout system and the operational concept of the payload.- Chapter 4 explains the physical processes of a particle in the scintillation materials, the Monte-Carlo simulations and the response matrix of the IGOSat detector.- Chapter 5 provides the experimental measurement results, based on each test bench that has been set up. The comparisons between simulation and experiment are also described at the end of this chapter.Chapter 6 is the conclusion of the work

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8

Fairaisl, Karel. "Kameraman Igor Luther." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78861.

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9

Vincis, Claudia. ""L'ordre comme règle" uno studio genetico, analitico e estetico sull'Octuor pour instruments à vents (1919-23) e sul Concerto pour piano suivi d'orchestre d'harmonie (1923-24) di Igor Strawinsky /." [S.l.] : [s.n.], 2005. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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10

Amico, Alice. "Filosovietismo in italia - esperimenti di socialismo tascabile. Un'analisi della poetica di cccp, offlaga disco pax e igort." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/7502/.

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L’elaborato si prefigge di indagare il rapporto tra Italia e Unione Sovietica, analizzandolo da un punto di vista artistico. In particolare, verranno esaminati il lavoro e la filosofia dei gruppi italiani CCCP – Fedeli alla linea e Offlaga Disco Pax e due opere del fumettista Igort, precisamente Quaderni ucraini e Quaderni russi. Partendo da un esame del storico-sociale degli anni ’80 prima e degli Anni Zero del nuovo millennio poi, si indagherà sul legame che i due gruppi e l’autore hanno con l’URSS (o meglio, con il suo mito) e come e perché ne abbiano subito l’influenza. Ripercorrendo i momenti chiave della storia dei CCCP, analizzando i testi degli Offlaga Disco Pax e esaminando due fumetti di Igort verrà messo in luce un immaginario che mescola Italia e soviet, con l'obiettivo di trovare un punto d'incontro tra due realtà le cui divergenze sono più evidenti delle affinità.

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11

Henseler, Ute. "Zwischen "musique pure" und religiösem Bekenntnis : Igor Stravinskijs Ästhetik von 1920 bis 1939 /." Hofheim am Taunus : Wolke, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016150963&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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12

Haukvicová, Gabriela. "Igor Stravinskij: Příběh vojáka." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78570.

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In m y thesis I deal with life and work of Igor Stravinskij, concentrating on one of his masterpieces, Story of the Soldier. In the first part I write about life and work of this important russian composer,then I continue with the description of my concept and direction of the work which had its first night in November 2005 in theatre Minor. This thesis contains detailed description of the scene and costumes for Story of the Soldier, together with certain problems connected with its presentation. In my diploma thesis I mention personality of Charles Ferdinand Ramuz and Sergej Pavlovič Ďagilev too , both tightly connected with Igor Stravinskij.

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13

Deimel, Sina [Verfasser], and Igors [Akademischer Betreuer] Iesalnieks. "Behandlung des Sinus pilonidalis / Sina Deimel ; Betreuer: Igors Iesalnieks." Regensburg : Universitätsbibliothek Regensburg, 2016. http://d-nb.info/1121302734/34.

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14

Freund, Alexandra. "Fake ist total real : das Theater des Igor Bauersima /." Marburg : Tectum-Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2966968&prov=M&dok_var=1&dok_ext=htm.

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15

Castro, Edward A. "Imitation of an innovator : a comparative analysis of Agon by Igor Stravinsky and Dance movements for brass quintet by David Snow /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11326.

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16

Katz, Robert Scott. "Perséphone and mythic elements in Stravinsky's theater works /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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17

Bolen, Bradley Cordell. "Stravinsky's Petroushka : a unified theory of harmonic progression /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983120.

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18

Lee, SunHwa, and SunHwa Lee. "Aesthetics of Objectivism in Igor Stravinsky's Neoclassical Works." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12469.

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This thesis examines Stravinsky’s aesthetics of objectivism, as described in his own book and displayed in three different genres from his neoclassical period: Symphonies of Wind Instruments (1920), Perséphone (1933), and Orpheus (1947). My research has significance, in that I combine aesthetics and musical analysis in examining Stravinsky’s objectivism. Drawing on Stravinsky’s book, Poetics of Music in the Form of Six Lessons, I define his objectivism as the structural organization of musical materials, the denial of expression of subjective emotion, the importance of the composer’s invention, and the concept of limitation. Stravinsky’s objectivism appears in various ways in the different genres. The instrumental piece Symphonies of Wind Instruments presents the lack of linear continuity and development. The melodrama Perséphone represents his objectivism through his rearrangement of French text, and the ballet Orpheus shows his restrained expression in reduced orchestration, quiet dynamics, and cool tone colors.

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Kossaczký, Igor [Verfasser]. "The Tree-Grid Method / Igor Kossaczký." Wuppertal : Universitätsbibliothek Wuppertal, 2018. http://d-nb.info/1173337350/34.

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20

Barabash, Igor [Verfasser]. "Das Bildzitat im Internet / Igor Barabash." Aachen : Shaker, 2010. http://d-nb.info/1161300767/34.

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21

Couturiaux, Clay. "The Nightingale's Flight from Opera to Symphonic Poem: A Comparative Study of The Nightingale and The Song of the Nightingale by Igor Stravinsky." Thesis, view full-text document, 2000. http://www.library.unt.edu/theses/open/20003/Couturiaux%5Fclay/index.htm.

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22

Hughes, Timothy Stephen. "An Argument for the Reassessment of Stravinsky's Early Serial Compositions." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278325/.

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Between 1952 and 1957, Igor Stravinsky surprised the world of music by gradually incorporating serialism into his style of composition. Although Stravinsky still used the neo-classical trait of making strong references to the music of earlier periods, musical analyses of this transitional period have focused on serial aspects to the exclusion of anachronistic elements. Evidence of Stravinsky's possible use of musical structures adapted from earlier times is found in his consistent use of musical figures that are closely related to the cadences of the late Medieval and Renaissance eras. By fully addressing these neo-classical traits in future analyses, music theorists will gain an additional perspective, which is helpful in understanding the music of Stravinsky's transitional period.

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Schneider, Lukas [Verfasser], Igor [Akademischer Betreuer] Kagan, Igor [Gutachter] Kagan, and Melanie [Gutachter] Wilke. "Perceptual and motor intentional processing in dorsal pulvinar / Lukas Schneider ; Gutachter: Igor Kagan, Melanie Wilke ; Betreuer: Igor Kagan." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2019. http://d-nb.info/1189419653/34.

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Mitaev, Alexei. "Igor Efimov : un itinéraire d'écrivain, publiciste et éditeur." Université Marc Bloch (Strasbourg) (1971-2008), 2006. https://publication-theses.unistra.fr/restreint/theses_doctorat/2006/MITAEV_Alexei_2006.pdf.

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L’objectif de ce travail est de faire découvrir l’œuvre d’Igor Efimov, écrivain, philosophe et éditeur russe, et de proposer une analyse de son itinéraire littéraire. Ses débuts littéraires ont été marqués par la période dite du dégel en Russie soviétique. Peu après il commença à publier ses ouvrages littéraires et philosophiques à l’Ouest (sous le pseudonyme de Moscovite). Devant la pression des autorités qui se manifestait sous forme de menaces d’arrestation ou d’interdiction de publication, Efimov choisit l’émigration comme de nombreux écrivains, poètes et artistes qui faisaient partie de la culture non officielle de cette époque. L’émigration aux Etats-Unis constitue une étape importante de son cheminement littéraire, car il y fonde sa propre maison d’édition Hermitage. C’est dans ce contexte que nous examinons les activités éditoriales d’Efimov. Nous portons également notre attention sur Efimov romancier. L’analyse des romans de l’écrivain prend en compte leur aspect littéraire et philosophique
The present thesis focuses on the work of the Russian writer, philosopher and editor Igor Efimov and aims to analyse his literary path. His literary beginnings were influenced by the period of ‘the thaw’ in Soviet Russia. Later he started to publish his books in the West (under the penname of Moscovite). Efimov realised that the growing pressure from the government could end up in his arrest or even prevent him from publishing, so he chose to emigrate as numerous other writers, poets and artists. They together accounted for the non-official culture of this period. The emigration to the USA is considered as an important step in his literary career as it is there that he founded his own publishing house Hermitage. In this context the editorial activities of Igor Efimov are looked into. Moreover Efimov is studied as a writer. The analysis of his novels takes into account their literary and philosophical aspects

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25

Laubenthal, Jennifer Joy. "Observations and trends found in Stravinsky's use of the clarinet during the years 1914-1919." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1243820377.

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Powles, Jonathan. "Continuity and discontinuity in the music of Stravinsky : analysis, theory and meta-thoery." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294178.

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27

Schröder, Gesine. "Cadenza und Concerto : Studien zu Igor Strawinskijs Instrumentalismus um 1920 /." Köln : Studio, 1996. http://catalogue.bnf.fr/ark:/12148/cb375148833.

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Clement, Leonie [Verfasser], and Igors [Akademischer Betreuer] Iesalnieks. "Chirurgische Strategien bei Hochrisikopatienten mit penetrierender Crohn Ileitis / Leonie Clement ; Betreuer: Igors Iesalnieks." Regensburg : Universitätsbibliothek Regensburg, 2018. http://d-nb.info/1152437496/34.

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Berenstein, Rimma [Verfasser], Igor-Wolfgang [Akademischer Betreuer] Blau, Jens [Gutachter] Kurreck, Roland [Gutachter] Lauster, and Igor-Wolfgang [Gutachter] Blau. "Tumorzell-Stroma-Interaktionen beim Multiplen Myelom / Rimma Berenstein ; Gutachter: Jens Kurreck, Roland Lauster, Igor-Wolfgang Blau ; Betreuer: Igor-Wolfgang Blau." Berlin : Technische Universität Berlin, 2016. http://d-nb.info/1156011256/34.

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30

Court, Jean-Michel. "L'orchestration dans les oeuvres symphoniques de stravinsky." Aix-Marseille 1, 2000. http://www.theses.fr/2000AIX10020.

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L'etude des oeuvres symphoniques de stravinsky permet d'etablir certains liens de filiation avec rimsky-korsakov. La comparaison, par le biais du traite d'orchestration de rimsky-korsakov, des techniques d'instrumentation des deux compositeurs en fait apparaitre les points communs et les divergences. Dans la premiere partie, on aborde les rapports de la melodie, de l'harmonie, du rythme et de l'architecture formelle avec l'orchestration. Dans la seconde, ce sont les particularites du style orchestral de stravinsky qui sont etudiees, a travers l'analyse des combinaisons instrumentales. Si le compositeur respecte la plupart des conventions de l'orchestration romantique, il parvient, par une poetique originale du timbre, a s'ecarter subtilement du modele que lui a legue son maitre. Les dispositions spatiales specifiques, les artifices d'ecriture, le contrepoint instrumental, les decalages entre la logique du discours musical et celle de l'instrumentation brouillent la perception des timbres et concourent a l'elaboration de sonorites caracteristiques de l'esthetique stravinskienne. L'ecriture instrumentale se definit chez stravinsky comme une adaptation des canons de l'orchestration tels qu'ils sont definis par rimsky-korsakov; mais stravinsky detourne l'objet musical, le deforme, en modifie les contours : le jeu avec le modele est une etape signifiante du processus de composition.

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Linder, Igor [Verfasser]. "Aufbau und Untersuchung multivalenter metallosupramolekularer Wirtsysteme / Igor Linder." Berlin : Freie Universität Berlin, 2015. http://d-nb.info/1077768265/34.

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32

Schließ, Gero. "Sprache und Sprachlaut in Igor Strawinskys frühen Liedern." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37156.

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33

Elgarrista, Gabriela. "André Schaeffner : un portrait intellectuel à travers ses écrits sur Debussy et Stravinsky." Thesis, Université Côte d'Azur (ComUE), 2016. http://www.theses.fr/2016AZUR2034.

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Plus connu comme ethnologue que comme musicologue, André Schaeffner (1895-1980) a adopté, dans ses travaux sur la musique savante, une position contraire à un type de critique prétendument « objective », qui se voudrait neutre face à l’œuvre d’art. Il y revendique le droit à une « critique d’admiration », ne cachant pas ses préférences personnelles. La démarche de Schaeffner se caractérise par l’absence d’une « vision téléologique de l’histoire de la musique » ou de tout esprit de système, et par l’importance accordée à la mise en perspective historique et esthétique, à la contextualisation de l’œuvre du compositeur. Cette vision de la critique a été fréquemment dénoncée comme péchant par l’absence de tout jugement. En reconstruisant l’ensemble des circonstances qui entourent les événements auxquels il s’intéresse, en collectant et en soumettant à un examen attentif les documents qui y ont trait, Schaeffner remet en question des idées reçues, des clichés autour desquels flotte une trompeuse aura de légitimité. Cette thèse montre, en s’appuyant sur de nombreux documents – textes publiés ou restés inédits, notes de travail, riche correspondance –, comment Schaeffner a mené ce type d’étude critique à propos de l’œuvre de deux musiciens auxquels il a voué un intérêt passionné, l’un disparu : Claude Debussy, l’autre vivant et qu’il a pu côtoyer : Igor Stravinsky, ainsi que la manière dont on a accueilli ses travaux de son vivant, et leur validité aujourd’hui
André Schaeffner (1895-1980), better known as ethnologist than for his musicological activity, in his works concerning classical music embraces a position against the kind of critique that claims to be “objective” or neutral towards the artwork. He makes a plea for a “critique of admiration” that takes sides and displays one’s preferences. His writings pay no heed to a teleological or systematic approach of the history of music. Instead, he puts the composer’s work in perspective, reconstructing its historical and aesthetic background. Many condemned this kind of approach as lacking any judgement criterion. Nevertheless, thanks to his study of the circumstances in which a composer’s works were created, Schaeffner was able to call into question common and supposedly true preconceptions and stereotypes. Based on a study of several documents – both published and unpublished texts, drafts, rich correspondence – this thesis shows how Schaeffner carried out this kind of critique, especially in his writings concerning two composers that he fervently admired: the deceased Claude Debussy and Igor Stravinsky, still alive at that time and with whom Schaeffner was acquainted; as well as how Schaeffner’s theories were received upon publication and what their validity is nowadays

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Stilwell, Robynn Jeananne. "Stravinsky and Balanchine : a musico-choreographic analysis of Agon /." Ann Arbor (Mich.) : UMI, 2005. http://catalogue.bnf.fr/ark:/12148/cb40043401g.

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Häglsperger, Annett [Verfasser], and Igors [Akademischer Betreuer] Iesalnieks. "Chirurgische Behandlung von Patienten mit Morbus Crohn mit Dickdarmbefall / Annett Häglsperger. Betreuer: Igors Iesalnieks." Regensburg : Universitätsbibliothek Regensburg, 2016. http://d-nb.info/110027670X/34.

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Moullier, Igor Gayot Gérard. "Le Ministère de l'intérieur sous le Consulat et le Premier Empire (1799-1814) gouverner la France après le 18 bumaire /." Lille : A.N.R.T, 2004. http://www.univ-lille3.fr/theses/moullier-igor/html/these.html.

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Gilitschenski, Igor [Verfasser]. "Deterministic Sampling for Nonlinear Dynamic State Estimation / Igor Gilitschenski." Karlsruhe : KIT Scientific Publishing, 2016. http://www.ksp.kit.edu.

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Outhier, Sara Diane. "Igor Stravinsky and Aldous Huxley : portrait of a friendship." Thesis, Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/2353.

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Šamšula, Petr. "Racionalizace vnitropodnikové manipulace u firmy Igor Láník - Techservis Boskovice." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2009. http://www.nusl.cz/ntk/nusl-228537.

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This diploma work analyses technology documentation, material manipulation, machines and manipulation devices in its first part. Aim of this analyse is detection present entire lacks of manipulation state. Diploma work suggests options of solution to determinate entire lacks of manipulation in its second part and elaboration of chosen option.

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Omoniyi, Babatunde Omotope. "The sociolinguistics of the Nigeria-Benin border : language use and identity in Idiroko and Igolo." Thesis, University of Reading, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384907.

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Kang, Jin Myung. "An analysis of Stravinsky's Symphony of psalms focusing on tonality and harmony." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1196113148.

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Cantoni, Angelo. "La référence à Bach dans les oeuvres néo-classiques de Stravinsky /." Hildesheim ; Zürich ; New York : G. Olms, 1998. http://catalogue.bnf.fr/ark:/12148/cb369686566.

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Cantoni, Angelo. "La référence à Bach dans les oeuvres néo-classiques de Stravinsky : sa fonction dans le renouvellement stylistique du compositeur /." Tours : [A. Cantoni], 1994. http://catalogue.bnf.fr/ark:/12148/cb401156670.

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Gibson, Lydia [Verfasser], Igor [Akademischer Betreuer] Kagan, Igor [Gutachter] Kagan, and Melanie [Gutachter] Wilke. "Pulvinar-cortical interactions for spatial perception and goal-directed actions in non-human primates / Lydia Gibson ; Gutachter: Igor Kagan, Melanie Wilke ; Betreuer: Igor Kagan." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1173420673/34.

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Margarido, Moreira Caio [Verfasser], Igor [Akademischer Betreuer] [Gutachter] Kagan, and Julia [Gutachter] Fischer. "Certain behaviors: Response selection and certainty-related processing in humans and rhesus monkeys / Caio Margarido Moreira. Betreuer: Igor Kagan. Gutachter: Igor Kagan ; Julia Fischer." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1112325247/34.

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Bogoslavskyi, Igor [Verfasser]. "Robot Mapping and Navigation in Real-World Environments / Igor Bogoslavskyi." Bonn : Universitäts- und Landesbibliothek Bonn, 2018. http://d-nb.info/1173898522/34.

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Legkiy, Igor [Verfasser], and Gerd [Akademischer Betreuer] Mühlheußer. "Essays in Optimal Mechanism Design / Igor Legkiy ; Betreuer: Gerd Mühlheußer." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2019. http://d-nb.info/1176702181/34.

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Reinecke, Christian [Verfasser], Igor [Gutachter] Burban, and Peter [Gutachter] Littelmann. "Hallalgebren zahmer Gattungen / Christian Reinecke ; Gutachter: Igor Burban, Peter Littelmann." Köln : Universitäts- und Stadtbibliothek Köln, 2017. http://d-nb.info/1162273615/34.

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Gomes, Hermes Coelho. "Sinfonia dos salmos de Igor Stravinsky : subsidios para uma interpretação." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284350.

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Orientador: Eduardo Augusto Ostergren
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-08T08:35:25Z (GMT). No. of bitstreams: 1 Gomes_HermesCoelho_M.pdf: 911382 bytes, checksum: 050139607e19dab18b8ad22ab3baecab (MD5) Previous issue date: 2006
Resumo: Em busca de uma maior compreensão da Sinfonia dos Salmos de Igor Stravinsky, tendo em vista sua interpretação dentro de um processo de preparação e execução, o presente trabalho apresenta recursos teóricos, históricos e técnicos bem como aponta elementos interpretativos como subsídios para o desenvolvimento de tal processo. O trabalho é composto de quatro capítulos que, tendo como foco central a obra em questão, aborda assuntos diversos buscando maior compreensão. O primeiro capítulo apresenta dados do compositor em uma perspectiva histórica. O segundo é uma reflexão sobre os textos bíblicos utilizados na obra e suas origens dentro da tradição hebraica. Já o terceiro capítulo é uma análise da partitura, onde são abordados parâmetros de forma, orquestração, instrumentação, escrita vocal, harmonia e contraponto. Concluindo o presente trabalho, o quarto capítulo apresenta elementos de interpretação da obra, com sugestões para sua preparação e execução. Este último capítulo, além de ser o objetivo primeiro do trabalho, justifica todo o esforço de sua realização
Abstract: As a means for a better understanding of The Symphony of Psalms by Igor Stravinsky, and having in mind its interpretation through the process of preparation and performance, this dissertation discusses theoretical, historical and technical elements that participate in the development of the interpretive process. It is comprised of four chapters each approaching distinct aspects of the composition. The first chapter, in historical perspective, presents data about the composer's life . The second reflects on the Biblical texts used in the work and their origins within the Hebrew tradition. The third presents an analysis of the score as it discusses technical aspects such as musical form, instrumentation, orchestration, vocal writing, harmony and counterpoint. As a conclusion, the fourth chapter discusses interpretive elements and practical suggestions for its performance and interpretation. This final chapter, is indeed the prime objective of this work, and justifies all effort for its realization
Mestrado
Mestre em Música

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Legkiy, Igor Verfasser], and Gerd [Akademischer Betreuer] [Mühlheußer. "Essays in Optimal Mechanism Design / Igor Legkiy ; Betreuer: Gerd Mühlheußer." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2019. http://nbn-resolving.de/urn:nbn:de:gbv:18-95397.

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