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1

Seichō, Matsumoto. Ihen kaidō. Tōkyō: Kōdansha, 1989.

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2

Reinikainen, Pepi. Hullu, ihana lintu--metsäkyyhky. 3rd ed. Helsingissä: Arthouse, 1988.

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3

Suosalmi, Kerttu-Kaarina. Ihana on Altyn-köl. 2nd ed. Jyväskylä: Gummerus, 1988.

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4

Nnaji, L. Odo. Iheka, a groundwork history. Onitsha: Etukokwu Publishers (Nig.) Ltd., 1985.

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5

Billing, Avtar Singh. IHNA RAHAN UTTE. Amritsar: Ravi Sahit Parkashan, 2007.

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6

Kartio, Johanna. Ihana mies ja muita selkopakinoita. Helsinki: BTJ, 1997.

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7

Rwanda, Fountain Publishers. Uko ihene zabuze imirizo yazo myiza. Kigali: Fountain Publishers, 2009.

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8

Kurofune ihen: Perī no chōsen. Tōkyō: Iwanami Shoten, 1988.

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9

Katō, Yūzō. Kurofune ihen: Perī no chōsen. Tōkyō: Iwanami Shoten, 1988.

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10

Kodai no tenmon ihen to shisho. Tōkyō: Yoshikawa Kōbunkan, 2007.

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11

Kaku no fuyu: Kakusensō to kishō ihen. Tōkyō: Shinsō Shuppan, 1986.

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12

Shima no bunka to shakai: Iheya-son, Izena-son. Naha-shi: Hirugisha, 1993.

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13

Shibata, K. Taiyō dai ihen: Sūpāfurea ga chikyū o osou hi. Tōkyō-to Chūō-ku: Asahi Shinbun Shuppan, 2013.

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14

Plisnier, P. D. Biologie et exploitation des poissons du Lac Ihema (Bassin Akagera, Rwanda). [Namur]: Presses universitaires de Namur, 1988.

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15

Damian, Skinner, ed. Ihenga: Te haerenga hou : the evolution of Maori carving in the 20th century. Auckland [N.Z.]: Reed, 2007.

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16

Satō, Eisuke. H10-tokubetsu-023, H. pylori no kassei sanso taisha tokusei to idenshi ihen kikō no bunshironteki kaiseki: Heisei 10-nendo kenkyū hōkokusho : Kōseishō kōsei kagaku kenkyūhi hojokin kōsei kagaku tokubetsu kenkyū jigyō. [Japan: s.n.], 1999.

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17

Iheka, Cajetan. African Ecomedia. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022046.

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In African Ecomedia, Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture. Iheka shows how, through visual media such as film, photography, and sculpture, African artists deliver a unique perspective on the socioecological costs of media production, from mineral and oil extraction to the politics of animal conservation. Among other works, he examines Pieter Hugo's photography of electronic waste recycling in Ghana and Idrissou Mora-Kpai's documentary on the deleterious consequences of uranium mining in Niger. These works highlight not only the exploitation of African workers and the vast scope of environmental degradation but also the resourcefulness and creativity of African media makers. They point to the unsustainability of current practices while acknowledging our planet's finite natural resources. In foregrounding Africa's centrality to the production and disposal of media technology, Iheka shows the important place visual media has in raising awareness of and documenting ecological disaster even as it remains complicit in it.
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18

Ihnatko, Andy. Ihnatko: Ihna MAC OSX Lion Almanac. Pearson Education, Limited, 2012.

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19

Komori, Yoshihisa. Nichi-Bei "ihen": Amerika hokoku 90-94. Bungei Shunju, 1994.

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20

Yoshinobu, Masuda. Kaku no fuyu: Kakusenso to kisho ihen. Soyu Shuppan, 1985.

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21

Taiki ni ihen ga okite iru (NHK chikyu osen). Nihon Hoso Shuppan Kyokai, 1989.

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22

Hawwari, Hasan. Ihna al-talamidhah abadat al-Shaytan, fa-man al-jani? Dar Dunya lil-Ilam, 1997.

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23

Fields, George. "Wakon" ihen ari: Edo-gata shihon shugi no shuen to shinsedai no taito. Seisansei Shuppan, 1994.

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24

Fujisawa, Kenji. 10-nengo no Nihon Retto shin sangyo zushiki no yomikata: Chikyu kankyo ihen de bijinesu wa ko kawaru (Tatsu no hon). Keizaikai, 1990.

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