Academic literature on the topic 'IKEA art'

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Journal articles on the topic "IKEA art"

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Kuletin-Ćulafić, Irena. "From the Big Mac and Ikea society to the environmental aesthetics, smart cities and storytelling architecture." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 441–62. http://dx.doi.org/10.5937/saj1903441k.

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Our global society is encountering different challenges of the twentyfirst century. Our cities are in the process of constant transformation influenced by urbanisation, globalisation, advanced technologies, environmental and ecological changes, social, political and economic crises. While corporative capitalism has flourished, world population is growing and our cities are sprawling, architecture is reaching almost utopian visions and the boundaries of aesthetics are becoming more and more loose and permeable. Today our contemporary society lives and acts aesthetically. From art, architecture, music, religion, politics, communication, technological gadgets, homes, gardens, clothes, cuisine to sport and life coaching, everything is a subject to aesthetical consideration. Aesthetical consideration of architecture and urbanism in a constantly changing world demands critical and interactive approaches, that will not only deal with theoretical aesthetic opinions, but also the practical ones. Accordingly, this paper seeks to discuss aesthetical problems of contemporary architecture and urban planning from global, environmental, technological and social points of view. Nature is no longer seen as a paradigmatic object of aesthetic experience, but as our unique collective environment upon which we humans depend. Therefore architecture emerges etic and aesthetic approaches in order to reconsider burden of our cities and possible ways of their future development.
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Klorman-Eraqi, Na’ama. "Hijacking IKEA." Third Text 34, no. 6 (November 1, 2020): 671–85. http://dx.doi.org/10.1080/09528822.2020.1841417.

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Lee, Joo Yun. "Review: Ryoji Ikeda: test pattern, Ryoji Ikeda: superposition and Ryoji Ikeda at Salon 94." Afterimage 42, no. 4 (January 1, 2015): 30–32. http://dx.doi.org/10.1525/aft.2015.42.4.30.

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Abley, Ian. "Designer Volumetric at IKEA Prices." Architectural Design 76, no. 1 (January 2006): 60–61. http://dx.doi.org/10.1002/ad.209.

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Denton, Jerod S., F. V. McCann, and J. C. Leiter. "CO2 chemosensitivity in Helix aspersa: three potassium currents mediate pH-sensitive neuronal spike timing." American Journal of Physiology-Cell Physiology 292, no. 1 (January 2007): C292—C304. http://dx.doi.org/10.1152/ajpcell.00172.2006.

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Elevated levels of carbon dioxide increase lung ventilation in Helix aspersa. The hypercapnic response originates from a discrete respiratory chemosensory region in the dorsal subesophageal ganglia that contains CO2-sensitive neurons. We tested the hypothesis that pH-dependent inhibition of potassium channels in neurons in this region mediated the chemosensory response to CO2. Cells isolated from the dorsal subesophageal ganglia retained CO2 chemosensitivity and exhibited membrane depolarization and/or an increase in input resistance during an acid challenge. Isolated somata expressed two voltage-dependent potassium channels, an A-type and a delayed-rectifier-type channel ( IKA and IKDR). Both conductances were inhibited during hypercapnia. The pattern of voltage dependence indicated that IKA was affected by extracellular or intracellular pH, but the activity of IKDR was modulated by extracellular pH only. Application of inhibitors of either channel mimicked many of the effects of acidification in isolated cells and neurons in situ. We also detected evidence of a pH-sensitive calcium-activated potassium channel ( IKCa) in neurons in situ. The results of these studies support the hypothesis that IKA initiates the chemosensory response, and IKDR and IKCa prolong the period of activation of CO2-sensitive neurons. Thus multiple potassium channels are inhibited by acidosis, and the combined effect of pH-dependent inhibition of these channels enhances neuronal excitability and mediates CO2 chemosensory responses in H. aspersa. We did not find a single “chemosensory channel,” and the chemosensitive channels that we did find were not unique in any way that we could detect. The protein “machinery” of CO2 chemosensitivity is probably widespread among neurons, and the selection process whereby a neuron acts or does not act as a respiratory CO2 chemosensor probably depends on the resting membrane potential and synaptic connectivity.
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Chernov, Mykyta M., J. Andrew Daubenspeck, Jerod S. Denton, Jason R. Pfeiffer, Robert W. Putnam, and J. C. Leiter. "A computational analysis of central CO2 chemosensitivity in Helix aspersa." American Journal of Physiology-Cell Physiology 292, no. 1 (January 2007): C278—C291. http://dx.doi.org/10.1152/ajpcell.00173.2006.

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We created a single-compartment computer model of a CO2 chemosensory neuron using differential equations adapted from the Hodgkin-Huxley model and measurements of currents in CO2 chemosensory neurons from Helix aspersa. We incorporated into the model two inward currents, a sodium current and a calcium current, three outward potassium currents, an A-type current ( IKA), a delayed rectifier current ( IKDR), a calcium-activated potassium current ( IKCa), and a proton conductance found in invertebrate cells. All of the potassium channels were inhibited by reduced pH. We also included the pH regulatory process to mimic the effect of the sodium-hydrogen exchanger (NHE) described in these cells during hypercapnic stimulation. The model displayed chemosensory behavior (increased spike frequency during acid stimulation), and all three potassium channels participated in the chemosensory response and shaped the temporal characteristics of the response to acid stimulation. pH-dependent inhibition of IKA initiated the response to CO2, but hypercapnic inhibition of IKDR and IKCa affected the duration of the excitatory response to hypercapnia. The presence or absence of NHE activity altered the chemosensory response over time and demonstrated the inadvisability of effective intracellular pH (pHi) regulation in cells designed to act as chemostats for acid-base regulation. The results of the model indicate that multiple channels contribute to CO2 chemosensitivity, but the primary sensor is probably IKA. pHi may be a sufficient chemosensory stimulus, but it may not be a necessary stimulus: either pHi or extracellular pH can be an effective stimuli if chemosensory neurons express appropriate pH-sensitive channels. The lack of pHi regulation is a key feature determining the neuronal activity of chemosensory cells over time, and the balanced lack of pHi regulation during hypercapnia probably depends on intracellular activation of pHi regulation but extracellular inhibition of pHi regulation. These general principles are applicable to all CO2 chemosensory cells in vertebrate and invertebrate neurons.
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Löfgren, Orvar. "Design by IKEA. A Cultural History." Design and Culture 7, no. 3 (July 3, 2015): 467–69. http://dx.doi.org/10.1080/17547075.2015.1105510.

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Mura, Maddalena Dalla. "Democratic Design—Ikea, Die Neue Sammlung." Design and Culture 3, no. 1 (March 2011): 103–5. http://dx.doi.org/10.2752/175470810x12863771378879.

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Young, Adriana Valdez. "The IKEA bag dress: Hacking domesticity to play dress up." Women & Performance: a journal of feminist theory 20, no. 2 (July 2010): 217–20. http://dx.doi.org/10.1080/0740770x.2010.492187.

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Collis, Adam. "Ryoki Ikeda and the Prioritising of Space over Time in Musical Discourse." Organised Sound 22, no. 3 (November 24, 2017): 378–84. http://dx.doi.org/10.1017/s1355771817000541.

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No art form so rigorously organises time as music. Whereas all art in some sense exists in time, music could be said to be of time. This article, however, questions implicit assumptions about the fundamental nature of time to music. In contrast, an alternative approach to the discourse of composition and analysis is proposed in which space rather than time is privileged. Russolo, Stockhausen, Cage and Agostino Di Scipio are cited as historical precedents where the status of time in music is questioned but a more detailed consideration is given to Ryoji Ikeda, a contemporary sound-art practitioner who, it is argued, represents a turn towards the privileging of space in contemporary music practice. This article argues that an approach to composition that implicitly accepts the primacy of time tends to privilege sounds that are more easily described symbolically, such as notated pitched sounds or materials with clear spectromorphological design. In contrast, an approach that places greater concern with the work in space facilitates the greater use of materials that could be considered ‘noise’, in the sense of both a broadband spectrum and signal disruption.
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Dissertations / Theses on the topic "IKEA art"

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Dahlgren, Hanna. "Ikeas bildsortiment : Kan det klassas som hötorgskonst?" Thesis, Karlstad University, Faculty of Arts and Education, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-5414.

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Fišerová, Cwiklinski Marta. "Wonderful world with IKEA." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2013. http://www.nusl.cz/ntk/nusl-232371.

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The most important moment of whole project is the change of the status. Creation of unique sarcophagus for an object of mass-production - one of many globally manufactured objects become a part of a unique, authentic object and authorship. Transformation of one of the mass-product to the skeleton of author's object. Mass-product gives dimensions to the original object - it is directing process of creation. By creating its own unique case the object of mass-production is finally closer to human scale: one piece of furniture vs. one carpenter.
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Stamfjord, Thall Sofie, and Hjelm Yvonne Holmgren. "Facebook as a platform for corporate branding : How IKEA brand values are co-created in communication by users on Facebook." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK. Medie- och kommunikationsforskning, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-17695.

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The aim of this thesis is to explore and illustrate empirically how brand values are co-created in communication by users on a corporate Facebook page. The text from two months of conversa-tion on IKEA Sweden’s Facebook page has been analyzed using qualitative and quantitative meth-ods. The concept of value co-creation has been excessively discussed in marketing literature during the last decades. In co-creation the customers, or stakeholders, create value together with the brands, but how this happens in communication on the social media remains to be further exam-ined. This thesis takes a close perspective of the phenomenon and the result shows how a few brand values of the IKEA brand are recurrently reinforced in the text communication as IKEA and other users of their Facebook page share practical advices, emotions, and thoughts. The communication is surprisingly friendly and supportive, the atmosphere reminds of a big family, an IKEA family, even though users don’t know each other. The social values appear to be of fun-damental importance as one of the world’s largest furnisher retailers uses the world’s largest social media, and these values are co-created between the users in the IKEA Facebook community. Fur-thermore, there is a brand value of IKEA explaining that IKEA understands their customers living situations and needs. This value is continuously co-created as employees of IKEA talks with cus-tomers and learn from what is said, commented and suggested on their corporate Facebook page.
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Ivanov, Gunnela. "Vackrare vardagsvara – design för alla? : Gregor Paulsson och Svenska Slöjdföreningen 1915–1925." Doctoral thesis, Umeå University, Historical Studies, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-275.

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This thesis is structured in six chapters. Chapter I contains an introduction and includes purpose, theory, method, and concepts. The main purpose, as depicted by the title, is to examine the roots of Swedish ideology concerning what today is generally named design, as embodied in the concept of more beautiful or better things for everyday life (in Swedish: ”vackrare vardagsvara”).

Chapter II contains a background and includes philosophical ideas and aesthetic movements in Europe which have influenced the Swedish Society of Arts and Crafts (in Swedish ”Svenska Slöjdföreningen”, abbreviated SSF) which was later renamed the Swedish Society of Crafts and Design (in Swedish: ”Föreningen Svensk Form”). It considers these activities: the Arts and Crafts movement in England, the Swedish national romantic movement, Deutscher Werkbund in Germany, and Swedish moulders of public opinion and new ideas, like Ellen Key, Carl Larsson and Gregor Paulsson.

Chapter III is an ideological biography of Gregor Paulsson. The chapter deals with biographical data and ideological development, and the social aesthetical texts which were important in his activity in the National Museum and as director of The Swedish Society of Arts and Crafts. Gregor Paulsson is considered mainly in his role as social aesthetical propagandist and museologist.

Chapter IV concerns the early history and activities of the Swedish Society of Arts and Crafts seen as an introduction to the Baltic Exhibition 1914, and the subsequent schism which eventually led to its reorganization and a new ideological orientation. Its activities were directed towards increased cooperation between artists and industry, and a special department was established as an employment office for companies and designers under the management of the textile artist Elsa Gullberg. This chapter also includes a brief portrait of key persons in the Society.

Chapter V is a study in several sections of the articles for everyday use seen in industrial practice, with Gustavsberg’s china factory and Orrefors’ glassworks as two separate historical studies. The 1917 Home Exhibition is surveyed as an example of the educational ambitions in the development of people’s taste. The focus of the chapter, however, is the international industrial art exhibition in Paris 1925, Exposition International des Arts Décoratifs et Industriels Modernes, and the debate about it in the Swedish and French press.

Chapter VI consists of a concluding discussion with a final epilogue. It contains suggested questions for future research including relations between design and ethics.

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Collis, Adam. "Establishing a critical framework for the appraisal of 'noise' in contemporary sound art with specific reference to the practices of Yasunao Tone, Carsten Nicolai and Ryoji Ikeda." Thesis, University of Surrey, 2016. http://epubs.surrey.ac.uk/813047/.

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Yasunao Tone, Carsten Nicolai and Ryoji Ikeda are three practitioners representative of electronic music and sound-art practices that emerged in the 1990s where sound materials not normally considered musical, such as digital clicks, glitches and bursts of white noise, are prevalent. It is notable that the origins of this body of work lay outside of the established music institutions of academia and the mainstream popular music industry. Practitioners such as these are often associated with particular record labels including Mille Plateaux or Raster-Noton and attempts to coalesce these practices into a single, unified genre have been made by Cascone (2000), Sangild (2004) and Kelly (2009). These assessments however, tend to critique work mainly in technological terms. In contrast, this thesis draws out deeper philosophical concerns relevant to these practices through a critical analysis of materials produced by and about these practitioners, including commercial releases, works, writings and interviews. What emerges from this is that Heidegger's notion of truth as `revealing' and Derrida's critique of phonocentrism can provide a clearer philosophical framework for a consideration of this work. This framework, by extension could be used to critique other sound art or music practices. Moreover, ideas found in Attali's (1985) telling of economic history through music are applied to these practices in order to argue that the use of "noise" materials reflects a wider cultural shift away from the notion of "value" as something quantified, abstract and intrinsic, predominant since the Age of Enlightenment, towards one concerned with the qualitative, contextual and extrinsic. This is related to Kim-Cohen's (2009) advocacy of a conceptual sound art to argue that noise practices represent forms of practice that challenge both notions of "absolute" music - music primarily understood 'as a numerical sign system' (Kim-Cohen 2009: 40) - and prevailing political-economic structures.
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Denlinger, Emily E. "Contribution of Hurricane Ike Storm Surge Sedimentation to Long-term Aggradation of Coastal Marshes in Southeastern Texas and Southwestern Louisiana." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc500114/.

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Coastal marshes and wetlands are vital natural resources that offer habitats for plants and animals, serve as ecological filtration for soil and water pollutants, and act as protection for coastlines. Fishing, both commercial and sport, has a large economic impact in the study area – the Gulf Coast between Galveston Bay, TX and Oak Grove, LA. The objective of this research was to determine the contribution of Hurricane Ike storm surge sedimentation to long-term marsh aggradation in Texas and Louisiana coastal marshes. The research hypothesized that Hurricane Ike’s storm surge deposit would be equal to decades and possibly even a century’s worth of the average annual non-storm sedimentation. A quantitative field study was performed. The storm surge deposit was examined in a series of 15 transects covering approximately 180 km east of Hurricane Ike’s landfall. Nine of the 15 transects were re-surveyed a year after the initial measurement to assess preservation of the deposit. The results demonstrate that Hurricane Ike contributed between 10 to 135 years’ worth of sediment to coastal marshes along the coasts of Texas and Louisiana, and the sediment deposits have been preserved for over two years.
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Choe, Joanne. ""A Balloon Flower": A Study and Interpretive Guide to the Gagok of Jihoon Park." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505167/.

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Jihoon Park (b.1973), a South Korean composer with over 500 compositions spanning multiple genres, is treasured in his motherland as the most noteworthy composer of his generation. This study provides an in-depth introduction of the gagok (Korean art songs) of Park to Western teachers and students of singing, discussing his compositional techniques and their application to the interpretation of his selected songs. Moreover, the introduction to International Korean Phonetic Alphabet (IKPA) to supplement the traditionally used International Phonetics Alphabet (IPA) serves as the foundation and model for further exploration into Korean art song literature by Western scholars.
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Hodge, Joshua B. "Hurricane Storm Surge Sedimentation on the McFaddin National Wildlife Refuge, Texas: Implications for Coastal Marsh Aggradation." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849751/.

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This study uses the storm surge sediment beds deposited by Hurricanes Audrey (1957), Carla (1961), Rita (2005) and Ike (2008) to investigate spatial and temporal changes in sedimentation rates on the McFaddin National Wildlife Refuge in Southeast Texas. Fourteen sediment cores were collected along a transect extending from 90 to 1230 meters inland from the Gulf Coast. Storm-surge-deposited sediment beds were identified by texture, organic content, carbonate content, the presence of marine microfossils, and Cesium-137 dating. The hurricane-derived sediment beds are marker horizons that facilitate assessment of marsh sedimentation rates from nearshore to inland locations as well as over decadal to annual timescales. Near the shore, on a Hurricane Ike washover fan, where hurricane-derived sedimentation has increased elevation by up to 0.68 m since 2005, there was no measurable marsh sedimentation in the period 2008-2014. Farther inland, at lower elevations, sedimentation for the period 2008-2014 averaged 0.36 cm per year. The reduction in sedimentation in the period 2008-2014 on the nearshore part of the marsh is likely due to reduced flooding in response to increased elevation from hurricane storm surge sediment deposition. These results provide valuable knowledge about the sedimentary response of coastal marshes subject to storm surge deposition and useful guidance to public policy aimed at combating the effects of sea level rise on coastal marshes along the Gulf of Mexico.
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Shin, Jieun. "Beyond My Abode." 2011. https://scholarworks.umass.edu/theses/644.

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My watercolor paintings on paper is a surrogate portrait of a migrant, both estranged by and familiar with the hybrid cultural predicament symbolized by IKEA and my own distant “ethnic” culture. My intention is to explore my individual identity as a female Korean artist in relation to the complex (visual) histories of different worlds.
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Books on the topic "IKEA art"

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Bijutsukan, Ikeda Masuo, ed. Ikeda Masuo Bijutsukan: Ikeda Masuo Art Museum. Nagano-ken Matsumoto-shi: Kyōdo Shuppansha, 1998.

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Kazunao, Abe, Sáez de Ibarra, María Belén, 1970-, and Weil Benjamin, eds. Ryoji Ikeda: Datamatics. Milano: Charta, 2012.

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Ikeda, Ryoji. Ryoji Ikeda: Formula. Edited by Metcalfe David. Newcastle upon Tyne: Forma Arts and Media, 2004.

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Bijutsukan, Ikeda 20-seiki. Ikeda 20-seiki Bijutsukan: Ikeda Museum of 20th Century Art. Itō-shi: Ikeda 20-seiki Bijutsukan, 1987.

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Bijutsukan, Tōkyō-to, Nagano-ken Shinano Bijutsukan, and Nihon Keizai Shinbunsha, eds. Hangaka Ikeda Masuo no sekaiten: Kuroda korekushon kara = Masuo Ikeda. 2nd ed. [Tokyo]: Nihon Keizai Shinbunsha, 2002.

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Kinenkan, Hokkaidō Kaitaku. Ikeda Michio-shi shiryō mokuroku. Sapporo-shi: Hokkaidō Kaitaku Kinenkan, 1992.

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Oraedoen tijain: Tijainŏ, sam ŭi tijain ŭl ikta. Sŏul-si: K'ŏlch'ŏgŭrap'ŏ, 2013.

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Ceccobelli, Bruno. Bruno Ceccobelli: Paintings : Akira Ikeda Gallery, May 6-31 1986. Nagoya: The Gallery, 1986.

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Kyoko, Kinoshita, Ike Taiga 1723-1776, Ike Gyokuran 1728-1784, and Philadelphia Museum of Art, eds. Ike Taiga and Tokuyama Gyokuran: Japanese masters of the brush. Philadelphia: Philadelphia Museum of Art, 2007.

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Ike Taiga and Tokuyama Gyokuran: Japanese masters of the brush. New Haven, CT: Yale University Press, 2007.

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Book chapters on the topic "IKEA art"

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Zukin, Sharon. "A Tale of Two Globals: Pupusas and IKEA in Red Hook." In Naked City. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780195382853.003.0012.

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It’s a Saturday afternoon in mid-July and the city is swooning in 96-degree heat and fearsome humidity. You think it will be cooler out on the water than in the subway, so you line up at the Wall Street pier in Lower Manhattan to take the free water taxi across the East River to Red Hook, on the Brooklyn waterfront. The ride is sponsored by IKEA, the Swedish big-box chain that opened its first New York City outpost in Red Hook a few weeks earlier. Because the neighborhood is notoriously difficult to reach on public transportation and IKEA is hoping to lure shoppers whose apartments are starved for Scandinavian modern couches but who don’t own cars, the store has decided to sponsor water taxis from Manhattan. They have a system to discourage free riders from Brooklyn. You get your hand stamped before you walk onto the ferry so the taxi company’s employees, on IKEA’s instructions, can refuse to carry any passenger on the return trip who didn’t come to Brooklyn to make a purchase. Sitting on the top deck of the ferry, you’re caught up in an air of joyful anticipation. The small boat is full, with more than thirty passengers, some of them young children and their parents, all smiling and laughing from the unusual pleasure of being out on the water on a sunny afternoon, and from the pleasure of a shopping trip as well. The kids snap photos with cell phone cameras, everyone admires the Statue of Liberty on the other side of the harbor, and a few passengers point out the artificial waterfalls designed by the Scandinavian artist Olafur Eliasson that have been installed on the river for the summer as a public art project. Though the ride takes less than ten minutes, it’s the kind of entertainment New Yorkers love: a chance to act like tourists on the town.
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Pickover, Cliflord A. "The Ikeda Attractor." In The Pattern Book: Fractals, Art, and Nature, 64–65. WORLD SCIENTIFIC, 1995. http://dx.doi.org/10.1142/9789812832061_0026.

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Forceville, Charles. "Case Studies–Comics." In Visual and Multimodal Communication, 185–216. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190845230.003.0010.

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The antecedents of the genre of comics and graphic novels could be dated as far back as Christ’s Stations of the Cross in numerous churches, but the genre of “sequential art’ ” (Will Eisner 2006 [1985]) really took off in the late 19th century and was baptized the “ninth art” in the course of the 20th. It typically consists of visuals combined with written language. Comics sport a number of visual elements that are to be decoded rather than inferred by the reader-viewer, such as pictograms, balloons, and motion and emotion lines. Moreover, the audience of comics is expected to be familiar with meaning-generating mechanisms such as onomatopoeia and the “gutter,” and to understand how to navigate from panel to panel. Comics artists help their audience achieve relevance by tapping into these readers/viewers’ knowledge of narrative codes and conventions. These include the three classic mechanisms of surprise, suspense, and curiosity, and the distinction between omniscient (or external) narrators and character-narrators. The case studies include panels or sequences from work by Hergé, Shaun Tan, Peter de Wit, Lewis Trondheim, Guy Delisle, Johanna Sinisalo and Hannu Mänttäri, and Alan Moore and Dave Gibbons, as well as IKEA instructions on a do-it-yourself (DIY) package. The chapter shows how achieving relevance requires appropriate reference assignment, enrichment, broadening or narrowing assumptions, processing loose visuals, correctly adducing implicated premises, and generating explicatures and implicatures.
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Ginzberg, Eli. "President Ike Arrives." In Eisenhower at Columbia, 81–106. Routledge, 2018. http://dx.doi.org/10.4324/9781351326483-3.

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"Chapter 6. Katsuragawa Hiroshi, Ikeda Tatsuo, and Nakamura Hiroshi." In Art and Engagement in Early Postwar Japan, 99–126. Cornell University Press, 2018. http://dx.doi.org/10.7591/9781501715068-008.

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Irish, Kerry E. "Cross-Cultural Leadership." In The Art of Command. University Press of Kentucky, 2017. http://dx.doi.org/10.5810/kentucky/9780813174723.003.0005.

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This chapter examines the idea of cross-cultural leadership through the military career of Dwight D. Eisenhower. Eisenhower’s successful leadership as the supreme Allied commander stemmed from nearly two decades of preparation. Serving overseas during the interwar period under generals such as Fox Conner and Douglas MacArthur, Eisenhower came to appreciate both the need for truly unified allied commands and the leadership behaviors essential for their effectiveness. He recognized the importance of flexibility, accountability, humility, consultation, patience, and trust in his relationships with fellow officers and foreign leaders. During the war, Ike proved especially deft at working with political leaders like Franklin Roosevelt and Winston Churchill, with Allied military commanders like Bernard Montgomery and Charles de Gaulle, and with his senior military subordinates like George Patton.
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"Two New Schools of Floral Art-Ten-chijin and Bunjin-ike." In Floral Art Of Japan, 68–75. Routledge, 2013. http://dx.doi.org/10.4324/9780203040591-13.

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Ginzberg, Eli. "Waiting for Ike to Arrive." In Eisenhower at Columbia, 39–80. Routledge, 2018. http://dx.doi.org/10.4324/9781351326483-2.

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Juselius, Katarina. "Imperfect Knowledge, Asset Price Swings, and Structural Slumps." In Rethinking Expectations. Princeton University Press, 2013. http://dx.doi.org/10.23943/princeton/9780691155234.003.0011.

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This chapter examines the relationship between speculation in the currency markets and aggregate activity in the real economy by drawing on the Structural Slumps theory and the theory of Imperfect Knowledge Economics (IKE). It first considers exchange rate determination in two models, one based on the Rational Expectations Hypothesis (REH) and the other on the theory of IKE, before discussing some general principles for how to structure the observed persistence in the data, and how these principles can be used in the cointegrated vector autoregressive model. The chapter also explains how foreign currency speculation under IKE interacts with a customer market economy where profit shares are adjusting to fluctuations in real exchange rates and where the natural rate of unemployment is a function of nonstationary real long-term interest rates.
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Baier, Daniel, Alexandra Rese, and Stefanie Schreiber. "Analyzing Online Reviews to Measure Augmented Reality Acceptance at the Point of Sale." In Mobile Computing and Wireless Networks, 1714–36. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-4666-8751-6.ch077.

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Increasingly, brick and mortar retailers compete with their counterparts by enriching the point of sale through technological innovations that make use of customer-owned mobile devices. So, for example, IKEA, the world's largest furniture retailer, has introduced an interactive mobile app that provides the customer with additional insights in a personalized and convenient way: by scanning quick response codes in the printed catalogue, 3D objects, pictures, text, or videos are provided on the customer's smartphone or tablet. They inform about a furniture's interior or its potential usage, give planning aids, or visualize the furniture in alternative surroundings. In this chapter, the perceived usefulness, ease of use, and attitude towards such new technology-based innovations are discussed. Customers' perceptions are measured by applying a modified technology acceptance model. Traditional customer surveys as well as online customer reviews are analyzed. The results are encouraging: the mobile app is seen as an enrichment of the shopping experience but can be improved. Both data collection formats lead to similar results.
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Conference papers on the topic "IKEA art"

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Hou, Bojun. "Exploring the Role and Operation Mode of Industrial Design in Public Diplomacy: Taking the Design of “IKEA” Representing Sweden’s National Image (Nordic Image) as an Example." In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.100.

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Arifianti, Ika, Fatur Rokhman, Mr Subyantoro, and Ida Zulaeha. "Implementation and Educational Innovation of Structural Presumption Theory of Ika Valensia on Police Investigator’s Speech Act." In Proceedings of the International Conference on Science and Education and Technology 2018 (ISET 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iset-18.2018.53.

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Nagarjuna, Phani K., and Athamaram H. Soni. "Solution to the Forward and Inverse Kinematic Equations Using Multilayer Back-Propagation Neural Network." In ASME 1994 Design Technical Conferences collocated with the ASME 1994 International Computers in Engineering Conference and Exhibition and the ASME 1994 8th Annual Database Symposium. American Society of Mechanical Engineers, 1994. http://dx.doi.org/10.1115/detc1994-0367.

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Abstract The problem of inverse kinematics in Robotics, is a nonlinear mapping from a given cartesian coordinates to the desirable joint coordinates of the robot arm. It is found that an appropriately designed neural network can be trained to learn the non-linearity of the Inverse Kinematic Equation (IKE). We present an approach for solving the Forward Kinematic Equation (FKE) and the IKE by means of a Multi Layer Back-Propagation Neural Network (Rumelhart et al., 1986). The neural network approach is applied to a Two Degrees-of-Freedom (DOF) robot manipulator and the results are compared with those obtained using the analytical solution. The results obtained from the simulation of the neural network indicate a fairly accurate learning of the FKE and IKE by the Multi Layer Back-Propagation Neural Network.
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Rijken, Oriol, and Adam Bangs. "Wave Measurements at Eastern Green Canyon During Hurricane Ike." In ASME 2009 28th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/omae2009-79802.

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Wave measurements were obtained at an Eastern Green Canyon location during hurricane Ike in September 2009. The eye of the hurricane passed approximately 68 nautical miles to the South West of the measurement location. The significant wave height was above 30 ft for about 20 hours and above 40 ft for about 5.5 hours. The wave time series provide an insight into the wave field as the storm approaches and leaves the location. One of the interesting features observed was that there were repetitive sequences, where each sequence consisted of a period of increased wave energy followed by periods of reduced wave energy. Each sequence lasted approximately one hour. Measured wave crest, wave trough and wave height distributions are discussed. One unique wave event was observed. This event was characterized by a predictably-sized crest followed by a very deep trough.
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Aarsæther, K. G., D. Kristiansen, B. Su, and C. Lugni. "Modelling of Roll Damping Effects for a Fishing Vessel With Forward Speed." In ASME 2015 34th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/omae2015-41856.

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Vessels in the ocean-going fishing fleet are in general operating in almost all weather conditions. This includes operation in high sea-states which may lead to large amplitude ship motions, depending on the seakeeping characteristics of the vessel. Wave-induced ship motions are important factors for the safety and well-being of fishermen at work. Generally, potential flow theory overpredicts wave-induced roll motion amplitudes for conventional ship hulls. This is due to the presence of viscous damping effects in reality. Large amplitude roll motion of ships can be a real problem if no anti-rolling devices (e.g. bilge keels, anti-rolling tanks or roll-damping fins) are installed, as the roll damping coefficient of a ship is the limiting factor for the resonant roll motion amplitudes. The different components of roll damping for a ship at forward speed were investigated by Ikeda et al. [1], [2] and [3] and updated guidelines for numerical estimation of roll damping have been presented by the International Towing Tank Conference [4], where a component discrete type method for estimation of the damping is suggested. The different roll-damping components of Ikeda et al. has been complemented by skeg damping for smooth hulls [5]. This paper presents comparison between model experiments and the numerical results obtained from the guidelines [4] where the effects of bilge-keels and skeg are isolated.
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Iio, Yoshiyuki, and Yoshiyuki Iio. ""CLIMATE CHANGE" TO CHANGE THE WORLD, "HUMAN REVOLUTION" TO CHANGE THE FUTURE: THE IMPORTANCE OF GLOBAL CITIZENS BASED ON "HUMAN REVOLUTION"." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.21610/conferencearticle_58b4316b0d52b.

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On March 11, 2011 the largest earthquake to hit Japan occurred. This magnitude 9.0 earthquake triggered a huge tsunami and killed 2,563 people. It led to the nuclear disaster at nuclear power plant in Fukushima. It was classified as a level 7 event - the same as Chernobyl. In our area we also have nuclear power plants and we are expected to have an earthquake which is estimated to be much larger than the one encountered on March of 2011. Through funding of 30 billion Yen we are building a 13m high seawall stretching 17.5km from the Tenryu estuary to Lake Hamana which is an enclosed coastal sea. In cooperation with our citizens we are planting trees on its slopes to help protect the natural landscape and to keep to a minimum any damage from the next tsunami. Risk management at a global scale due to Climate Change is very important concern involving our children's future and happiness. Global-warming prevention education is crucial for the survival of mankind. This is because there is a possibility of falling into a huge crisis that we cannot get out of. I would like to introduce my practical environmental education for the past 25 years at a technical high school and also introduce the ideas of two great Japanese educators, Tsunesaburo Makiguchi and Daisaku Ikeda. Furthermore, I would like to refer to the importance of global citizens through education for global warming prevention which is based on the way of thinking of Dr. Ikeda which is called "Human Revolution".
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Iio, Yoshiyuki, and Yoshiyuki Iio. ""CLIMATE CHANGE" TO CHANGE THE WORLD, "HUMAN REVOLUTION" TO CHANGE THE FUTURE: THE IMPORTANCE OF GLOBAL CITIZENS BASED ON "HUMAN REVOLUTION"." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b93961088f2.79768197.

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On March 11, 2011 the largest earthquake to hit Japan occurred. This magnitude 9.0 earthquake triggered a huge tsunami and killed 2,563 people. It led to the nuclear disaster at nuclear power plant in Fukushima. It was classified as a level 7 event - the same as Chernobyl. In our area we also have nuclear power plants and we are expected to have an earthquake which is estimated to be much larger than the one encountered on March of 2011. Through funding of 30 billion Yen we are building a 13m high seawall stretching 17.5km from the Tenryu estuary to Lake Hamana which is an enclosed coastal sea. In cooperation with our citizens we are planting trees on its slopes to help protect the natural landscape and to keep to a minimum any damage from the next tsunami. Risk management at a global scale due to Climate Change is very important concern involving our children's future and happiness. Global-warming prevention education is crucial for the survival of mankind. This is because there is a possibility of falling into a huge crisis that we cannot get out of. I would like to introduce my practical environmental education for the past 25 years at a technical high school and also introduce the ideas of two great Japanese educators, Tsunesaburo Makiguchi and Daisaku Ikeda. Furthermore, I would like to refer to the importance of global citizens through education for global warming prevention which is based on the way of thinking of Dr. Ikeda which is called "Human Revolution".
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Windasari, Ike Pertiwi, Jojor Kakanda Purba, Dania Eridani, Risma Septiana, and Manik Mahachandra. "Application Development of Inspection of Fire Protection Equipment, First Aid Kit and Incident Reporting Case Study." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.02.25.

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Background: Occupational Safety and Health (OSH) is an important part of the work environment. Both workers and employers are responsible for maintaining a safe environment in the workplace. However, by comparing and mapping the general situation of occupational safety and health legislation in some countries, we found that the current occupational safety and health standards in the retail industry are seriously insufficient or even absent. This study aimed to examine design an application development of inspection of fire protection equipment, first aid kit and incident reporting case study in the Faculty of Engineering, Diponegoro University. Subjects and Method: Use the Scrum method to develop Android-based occupational safety and health inspection applications. The user of this application is the P2K3 team from each department at the Faculty of Engineering, Diponegoro University. The study phases used in this research are as follows: meeting with customers, creating user stories and product backlogs, application development. Results: The result of this research is a mobile application to record the condition of the fire extinguisher and first aid kit. Conclusion: The application made has been able to handle the records of K3 inspection tools, namely fire extinguishers and first aid kits and can be used to report incidents. Keywords: Information Systems, APAR, First Aid Correspondence: Ike Pertiwi Windasari. Universitas Diponegoro, Semarang, Central Java. Email: ike@ce.undip.ac.id. Mobile: 0856400826 52 DOI: https://doi.org/10.26911/the7thicph.02.25
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Graß, Claudia, Anne Krüssenberg, Rudi Kulenovic, Fabian Weyermann, Jörg Starflinger, and Andreas Schaffrath. "Detailed Experimental and Analytical Study on Long Two-Phase Closed Thermosiphons Related to Passive Spent-Fuel Pool Cooling." In 2018 26th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/icone26-81726.

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New concepts are currently being discussed for passive residual-heat removal with heat pipes from spent-fuel pools and wet-storage facilities. Because of their high heat-transport capability and their simple design, two-phase closed thermosiphons have a great potential to satisfy the demands of a reliable and independent passive heat removal. The geometry of spent-fuel pools and the potential incorporation into existing plants requires thermosiphons of at least 10 m in length including bends. Such thermosiphons are neither available nor have they been investigated yet. Therefore, experimental and numerical investigations are being carried out. At IKE the basic operational behavior of 10-m-long thermosiphons with water — as working fluid — are being experimentally investigated. Measurements for different pipe diameters (32 mm and 45 mm) are performed at various heat sink temperatures (10 °C, 20 °C and 30 °C), heat inputs (1000 W to 4000 W), and filling ratios (50%, 70% and 100%). GRS is developing codes, such as AC2, in order to simulate all relevant phenomena within a nuclear power plant during normal operation, incidents, accidents, and severe accidents. Regarding passive residual-heat removal with thermosiphons, the models of AC2 are being improved to properly simulate the thermos-hydraulics of this heat transfer process. Starting with the module ATHLET (Analysis of Thermal-hydraulic of Leaks and Transients), the applicability of its existing models is checked for modeling long thermosiphons and calculating their operational behavior. The main model improvements are being validated against the new experiments of IKE.
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10

van ‘t Veer, Riaan, Xavier Schut, and Jean-Luc Pelerin. "Bilge Keel Loads and Hull Induced Pressures: Experimental Results and CFD Validation." In ASME 2015 34th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/omae2015-41906.

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This paper present results obtained in an experiment with a rotating cylinder to which a single bilge keel was fitted. Forced oscillations were performed leading to a KC range between 1 and 16. The loads acting on the bilge keel were measured as well as the vortex induced hull pressures in the vicinity of the bilge keel. Computational Fluid Dynamic simulations were conducted with a 2D representation of the experiment. Good correlation in the bilge keel loads and vortex induced pressures is obtained. Using Fourier analysis the first and first two higher harmonic (3ω and 5ω) drag and inertia coefficients of the bilge keel load were calculated. It is shown that the higher harmonic drag and inertia terms are essential to obtain a good load representation. The vortex induced pressure in front of the moving bilge keel is found to be KC independent. The pressure jump over the bilge keel can be correlated to the instantaneous normal force on the bilge keel. In the wake of the moving bilge keel the pressure depend on KC. These findings are in agreement with the observations reported by Ikeda et al. [1].
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