Relevant bibliographies by topics / Ikkyū

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ikkyū'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Ikkyū"

1

IIZUKA, Hironobu. "Ikkyu in Kanazoshi." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 42, no. 2 (1994): 740–44. http://dx.doi.org/10.4259/ibk.42.740.

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IIZUKA, Hironobu. "On the Ikkyu Osho Hogo." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 45, no. 1 (1996): 259–62. http://dx.doi.org/10.4259/ibk.45.259.

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Iizuka, Hironobu. "Ikkyu Sojun's View of inga in the Jikaishu." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 37, no. 2 (1989): 764–67. http://dx.doi.org/10.4259/ibk.37.764.

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IIZUKA, Hironobu. "Ikkyu Sojun's View on fhe Retribution for Sin." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 40, no. 1 (1991): 273–76. http://dx.doi.org/10.4259/ibk.40.273.

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Vincent, Patrick. "After Ikkyu and Other Poems by Jim Harrison." Western American Literature 32, no. 2 (1997): 183. http://dx.doi.org/10.1353/wal.1997.0074.

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Seitz, Frank C., Gregory D. Olson, and Thomas E. Stenzel. "A Martial Arts Exploration of Elbow Anatomy: Ikkyo (Aikido's First Teaching)." Perceptual and Motor Skills 73, no. 3_suppl (1991): 1227–34. http://dx.doi.org/10.2466/pms.1991.73.3f.1227.

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The Martial Art of Aikido, based on several effective anatomical principles, is used to subdue a training partner. One of these methods is Ikkyo (First Teaching). According to Saotome, the original intent of Ikkyo was to “break the elbow joint” of an enemy. Nowadays the intent is to secure or pin a training partner to the mat. This investigation focused on examining Ikkyo with the purpose of describing the nerves, bones, and muscles involved in receiving this technique. Particular focus was placed on the locations and sources of the reported pain.
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Heisig, James W., and Sonja Arntzen. "Ikkyu and the Crazy Cloud Anthology: A Zen Poet of Medieval Japan." Philosophy East and West 41, no. 2 (1991): 264. http://dx.doi.org/10.2307/1399777.

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Rodd, Laurel Rasplica, and Sonja Arntzen. "Ikkyu and the Crazy Cloud Anthology: A Zen Poet of Medieval Japan." Journal of the Association of Teachers of Japanese 21, no. 2 (1987): 200. http://dx.doi.org/10.2307/489319.

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Sanford, James H., and Sonja Arntzen. "Ikkyu and the Crazy Cloud Anthology: A Zen Poet of Medieval Japan." Monumenta Nipponica 42, no. 2 (1987): 231. http://dx.doi.org/10.2307/2384954.

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Rosenstock, Gabriel. "Ikkyû: Naomh i Measc na Meirdreach." Comhar 62, no. 12 (2002): 8. http://dx.doi.org/10.2307/25574494.

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Dissertations / Theses on the topic "Ikkyū"

1

Bowman, Luke. "Mystical Eroticism in Bataille, Miller, and Ikkyu." University of Dayton / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1366386886.

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Davin, Didier. "L' expression de soi dans la poésie bouddhique japonaise du XVe : Ikkyū Sōjun (1394-1481) et le Kyōun-shū." Paris, EPHE, 2014. http://www.theses.fr/2014EPHE5016.

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Le Kyōun-shū, recueil de stances et de poèmes du moine Ikkyū Sōjun (1394-1481) Sōjun (1394-1481), se distingue de la masse des nombreuses œuvres similaires que produisirent au Moyen Age les moines zen de l’école Rinzai par les provocations et les positions très critiques à l’égard des coreligionnaires de celui –ci que l’on y trouve. La grande célébrité d’Ikkyū, ou plus précisément de certaines images de lui, a longtemps conditionné la lecture de ces quatrains. En s’interrogeant sur le sens que prennent ceux-ci une fois relacés dans les divers contextes de leur production, cette thèse propose une présentation des motivations et des enjeux de la pensée d’Ikkyū. Le XVe siècle est une période de bouleversements dans la société japonaise, et en conséquence dans les relations qu’entretenaient les temples et les laïcs. Dans l’histoire de l’école zen, alors que s’amorce le déclin du système des Cinq Montagnes, le Daitoku-ji, auquel est affilié Ikkyū, connait une suite de crises mettant à mal la spécificité dont il s’enorgueillissait. C’est en grande partie contre les évolutions de son école induites par ce contexte que se dresse Ikkyū. Il le fait en adoptant une posture particulière revendiquant la transgression sous diverses formes, en premier lieu desquelles la composition poétique. Il peut ainsi à la fois avoir un discours polémique très violent et attaquer les moines qu’il considère comme décadents sans avoir à quitter une école dont il se pose en seul et unique héritier. Son enseignement, de plus, jusque dans les points doctrinaux les plus pointus, s’appuie sur une attitude très critique envers son milieu<br>The Kyōun-shū, collection of poems and stanzas of the monk Ikkyū Sōjun (1394-1481), differs from the numerous similar works produced during the middle age by others Rinzai zen monks by the provocations and the very critical position against his religious community that can be found in it. The celebrity of Ikkyū, or more precisely of different images of him, has, for a long time, determined the way the quatrains were read. By questioning their meaning once put in the context of their production, this thesis proposes a presentation of the motivations and the issues of the thought of Ikkyū. The XVth century is a time of upveal in the Japanese society, and consequently in the relations between the temples and the lay people. In the zen school history, when the Five Mountains system begins to decline, the Daitoku-ji temple experiences several crisis that undermine the specificity it priced itself. It is mainly against the evolutions of his school induced by the context that raise Ikkyū. He does it by adopting a special posture, claiming several forms of transgressions, at the first place the poetic composition. By doing so, he can, in the same time, have a polemical discourse and attack the monks he considers to be decadents, and not to have to leave a school he claims to be the only legitimate heir. His teaching, moreover, is founded on this attitude even in the very doctrinal points
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McGlory, Johnathan. "A Religious Pilgrimage for Retired Women: a Translation and Analysis of Jippensha Ikku's Togakushi Zenkō-ji Ōrai." 2018. https://scholarworks.umass.edu/masters_theses_2/655.

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This thesis will consider the question of the intended audience of Jippensha Ikku’s十返舎一九, ōraimono (educational book) Togakushi Zenkō-ji ōrai 戸隠善光寺往来(1822) as preface to an annotated translation completed using free online xylographic editions. Published in the midst of rising literacy rates and a boom in religious pilgrimages, this work would have been popular among women of the late Edo era. Analysis of the ōraimono genre will reveal that this work, was intended as a practical guidebook for Zenkō-ji pilgrimages rather than for use as a classroom textbook. An experienced traveler guides a dutiful son and mother from Edo (Tōkyō) along the Nakasendō and Hokkoku Kaidō roads to Zenkō-ji Temple and Togakushi Shrine in Shinano Province (Nagano). The mother character in Togakushi Zenkō-ji ōrai, though not the direct recipient of the expert traveler’s knowlege, will be revealed as a sort of hidden protagonist central to the entire narrative. Lastly, I will attempt to settle disputed publishing information, arguing that Nishimiya Shinroku 西宮新六was the first publisher and Moriya Jihei 森屋治兵衛printed subsequent editions. Serious in tone, this work demonstrates Ikku’s versatility as a departure from his famous slapstick travelogue, Tōkaidōchū Hizakurige (Shank’s Mare).
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Books on the topic "Ikkyū"

1

Harrison, Jim. After Ikkyū and other poems. Shambhala, 1996.

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Ikkyū. Wild ways: Zen poems of Ikkyū. Shambhala, 1995.

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Three zen masters: Ikkyū, Hakuin, and Ryōkan. Kodansha International, 1993.

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Zenmon no iryū: Bankei, Shōsan, Ryōkan, Ikkyū. Chikuma Shobō, 1992.

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5

Berg, Stephen. Crow with no mouth: Ikkyū, 15th century Zen master : versions. Copper Canyon Press, 1989.

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6

1945-, Arntzen Sonja, ed. Ikkyū and The Crazy Cloud anthology: A Zen poet of medieval Japan. University of Tokyo Press, 1986.

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Ikkyū. Chūōkōronsha, 1997.

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8

1948-, Ōno Toshiaki, ed. Ikkyū. Dōhōsha Shuppan, 1994.

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Miaoyou. Wind and rain: The life of Ikkyu. Buddha's Light Publishing, 2013.

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10

Ikkyū to zen. Shunjūsha, 1998.

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Book chapters on the topic "Ikkyū"

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Whitehead, Andrew K. "Ikkyū Sōjun." In The Dao Companion to Japanese Buddhist Philosophy. Springer Netherlands, 2019. http://dx.doi.org/10.1007/978-90-481-2924-9_20.

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Königsberg, Matthew. "Jippensha Ikku." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2187-1.

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Hammitzsch, Horst. "Jippensha Ikku: Tōkaidō chū hizakurige." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2188-1.

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Curley, Melissa Anne-Marie. "Zen-Boy Ikkyū." In Little Buddhas. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:oso/9780199860265.003.0014.

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Arntzen, Sonja. "Literature of medieval Zen temples: Gozan (Five Mountains) and Ikkyū Sōjun." In The Cambridge History of Japanese Literature. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cho9781139245869.034.

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"Transgression as Transcendence: Eros and Taboo in the Poetry of Ikkyu’s ‘Red Thread’ Zen." In The Erotic in Context. BRILL, 2010. http://dx.doi.org/10.1163/9781848880252_016.

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Conference papers on the topic "Ikkyū"

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Kaku, Yuta, Eita Sawaguchi, Takahito Ichikawa, and Masami Iwase. "Modeling and analysis of walking chair “Ikkyu-san”." In 2013 IEEE/SICE International Symposium on System Integration (SII). IEEE, 2013. http://dx.doi.org/10.1109/sii.2013.6776682.

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