Relevant bibliographies by topics / Ikonoklasmus

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Ikonoklasmus'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Ikonoklasmus"

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Klenner, Jost Philipp. "Suhrkamps Ikonoklasmus." Zeitschrift für Ideengeschichte 6, no. 4 (2012): 82–91. http://dx.doi.org/10.17104/1863-8937-2012-4-82.

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Payton,, James R. "Der Ikonoklasmus des Westens. Helmut Feld." Journal of Religion 73, no. 2 (1993): 257–58. http://dx.doi.org/10.1086/489137.

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Elias, Jamal J. "Götzendämmerung. Moderner Ikonoklasmus in der muslimischen Welt." Zeitschrift für Ideengeschichte 9, no. 3 (2015): 33–48. http://dx.doi.org/10.17104/1863-8937-2015-3-33.

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Bioly, Tom, and Christoph Günther. "Regulative Autorität und Ikonoklasmus beim Islamischen Staat." Totalitarianism and Democracy 14, no. 2 (2017): 233–50. http://dx.doi.org/10.13109/tode.2017.14.2.233.

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Glasmeier, Michael. "Ansichten vom dösenden Ohr. Abschweifungen zu Hans Baldung und Terry Fox." Zeitschrift für Ideengeschichte 15, no. 4 (2021): 69–84. http://dx.doi.org/10.17104/1863-8937-2021-4-69.

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Die deutsche Renaissance hat eine Fülle bemerkenswert extremer Bildäußerungen hervorgebracht. Neben den gemäßigten Albrecht Dürer oder Hans Holbein sind es beispielsweise Albrecht Altdorfer, Matthias Grünewald, Hans Schäufelin, Martin Schongauer oder Konrad Witz, die insgesamt zwischen Humanismus und Reformation, neuem Bürgertum und abgewirtschafteten Adel, Bildverehrung und Ikonoklasmus laborierten und mit teilweise möglichst unsublimierten Darstellungen die sinnliche und brutale Erfahrung von Körperhaftigkeit ins Zentrum ihres Wirkens stellen. Diesem Kreis ist auch der äußerst spezielle Hans
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Pranger, M. B. "HELMUT FELD, Der Ikonoklasmus des Westens, Studies in the History of Christian Thought XLI, E. J. Brill, Leiden 1990, 344 blz." Nederlands Archief voor Kerkgeschiedenis / Dutch Review of Church History 71, no. 2 (1991): 246–48. http://dx.doi.org/10.1163/002820391x00230.

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Knoll, Paul W. "Der Ikonoklasmus des Westens. By Helmut Feld. Studies in the History of Christian Thought 41. Leiden, The Netherlands: E.J. Brill, 1990.x + 344 pp. $99.50." Church History 65, no. 2 (1996): 288–89. http://dx.doi.org/10.2307/3170320.

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Jespersen, Mikkel Birk. "Gerrard Winstanleys ikonoklasme som immanent utopi." K&K - Kultur og Klasse 40, no. 114 (2012): 45–59. http://dx.doi.org/10.7146/kok.v40i114.15702.

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GERRARD WINSTANLEY’S ICONOCLASM AS IMMANENT UTOPIA | In this article I analyse the utopian discourse of Gerrard Winstanley as an example of how utopia functions as a social fiction. Winstanley was part of the radical Digger movement in the English Revolution in the mid-17th century, and he has been regarded both as a religious mystic and as a precursor of later communist thinkers. His last published text, The Law of Freedom in a Platform (1652), presents an egalitarian utopian program based on democracy and collective ownership of land. It has been arguedthat this text represents a break from
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Räsänen, Elina. "Fragmentaarisuutta ja kuvakalsketta." Tahiti 13, no. 2 (2023): 93–100. http://dx.doi.org/10.23995/tht.136028.

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Fragmentaarisuus ja kuvakalskeen jäljet keskiajan ja uuden ajan alun esineissä -tutkimushankkeessa tarkastellaan esineiden fragmentaarisuutta ja tuotetaan tietoa siitä, miksi esineitä on hajotettu osiin ja miten ne ovat jatkaneet elämäänsä. Tutkimusmateriaali koostuu noin aikavälillä 1300–1600 Itämeren alueella valmistetuista tai käytössä olleista esineistä. Hankkeessa sovelletaan ja kehitetään edelleen ranskalaisen tieteenhistorioitsijan Bruno Latourin (1947–2022) ajatuksia ikonoklasmin eli kuvainraaston monitahoisuudesta ”kuvakalske”-käsitteen (iconoclash) avulla. Kolmevuotisessa (2020–2023)
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Fahrudin, Akhyar. "Analisis Ikonoklasme Nurcholish Madjid pada Kaligrafi Abdul Djalil Pirous." Jurnal Riset Agama 2, no. 2 (2022): 84–102. http://dx.doi.org/10.15575/jra.v2i2.16744.

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The purpose of this. study was to analyze iconoclasm in A.D. Pirous's calligraphy using Nurcholish Madjid's iconoclasm theory. The method used in this research is a literature review. The results and discussion of this research include the biography of A.D. Pirous, the theory of iconoclasm of Nurcholish Madjid, and the analysis of iconoclasm in A.D. Pirous's calligraphy paintings. This study concludes that A.D. Pirous is an Acehnese Muslim artist who developed calligraphy in Indonesia. By establishing his school, Pirous calligraphy created a new style in Islamic art in Indonesia. According to
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Dissertations / Theses on the topic "Ikonoklasmus"

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Kimvall, Jacob. "Skadegörelse klotter nedskräpning förbjuden : Graffitiborttagning som ikonoklasm." Thesis, Södertörn University College, The School of Culture and Communication, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-439.

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<p>This essay concerns graffiti, and in particular graffiti removal regarded as iconoclasm.</p><p>Graffiti is described as a visual symbol laden with both negative and positive values, and sometimes as a meaningful expression in the urban public space. One problem with graffiti as a field of study is the diversity of both the meaning of the term as well as the diversity of the phenomenon itself. Therefore I have defined the term graffiti as follows: words and images painted on public walls by a person usually in an unauthorised manner. Specific examples of graffiti and related phenomena are pr
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Åkerlund, Simon. "Inga Gudar Jämte Mig : Modern islamisk ikonoklasm och dess teoretiska grunder." Thesis, Uppsala universitet, Religionshistoria, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-295393.

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In march 2001 and fourteen years later in march 2015, destructive acts were carried out against some of our most revered and treasured religious sites. These cultural heritages were demolished in modern iconoclastic acts by extremist groups in Afghanistan and Iraq. This essay examines the demolition of the two statues depicting the Buddha as well as the events in Iraq during 2015. Specifically the destruction of the museum of Mosul, the ancient city of Nimrud as well as other sites of cultural heritages. The acts were carried out by two groups who in very different ways revere their actions as
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Johnsson, Tomas. "Reformationen och kyrkorummet : Luther, Calvin och det gestaltade rummet." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-175948.

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Samuelsson, Pontus. "Islamiska Staten och ikonoklasm : En studie om IS motiv och måltavlor vid förstörelsen av historiska, religiösa och kulturella arv." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-52091.

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The purpose of this essay has been to find an explanation for the destruction of different cultural and historical heritage sites and objects by the Islamic State. The study was made by applying theories of cosmic war and terrorism motivated with religious language on the Islamic State magazine Dabiq. The results from Dabiq showed that the Islamic State use a religious language to sanction their destruction. They claim that they are fighting for an Islamic identity, a divine struggle that can’t be lost. Their long term mission is to reinstate the historic caliphate of Islam. To do this they ne
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Blom, Lidén Martin. "När Ikaros syster mötte sin publik : En skulpturs liv i offentligheten." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-181480.

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Den här uppsatsen är en responshistorisk undersökning av Karin Wards skulptur Ikaros syster och dess möte med sin publik. Syftet är att förstå de starka reaktioner skulpturen väckte. De huvudsakliga frågeställningarna lyder: Hur kan de handgripliga förändringarna av verkets utseende tolkas? Vilka förväntningar på den offentliga konsten uttrycktes i debatten och bevakningen i massmedia? Undersökningen visar att responsen var häftig och omfattande: en intensiv debatt bröt ut i lokalpressen, och under åren 1978–80 hade verket en framskjuten plats i det lokala offentliga samtalet. Många irriterade
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Tammen, Hanke E. "Michiel Coxcie." Doctoral thesis, 2020. http://hdl.handle.net/21.11130/00-1735-0000-0005-1399-9.

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Books on the topic "Ikonoklasmus"

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Shin, Seung-Chol. Vom Simulacrum zum Bildwesen: Ikonoklasmus der virtuellen Kunst. Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-0848-2.

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Duridanov, Ludmil. Ein Paradox des Ikonoklasmus: Das ursprüngliche Bedeutungsfeld von γραφειν. Zenitza-Verlag, 2001.

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Schnitzler, Norbert. Ikonoklasmus--Bildersturm: Theologischer Bilderstreit und ikonoklastisches Handeln während des 15. und 16. Jahrhunderts. W. Fink, 1996.

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Robert, Reinders Eric, ed. Buddhism and iconoclasm in East Asia: A history. Continuum International Publishing Group, 2012.

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Paul, Speck. Ich bin's nicht, Kaiser Konstantin ist es gewesen: Die Legenden vom Einfluss des Teufels, des Juden und des Moslem auf den Ikonoklasmus. Habelt, 1990.

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Latour, Bruno. On the modern cult of the factish gods. Duke University Press, 2010.

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Der Ikonoklasmus des Westens. E.J. Brill, 1990.

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Ikonoklasmus und Ikonophilie - eine Betrachtung zur Bilderlehre. GRIN Verlag GmbH, 2008.

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Shin, Seung-Chol. Vom Simulacrum Zum Bildwesen: Ikonoklasmus der Virtuellen Kunst. Ambra Verlag, 2014.

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Shin, Seung-Chol. Vom Simulacrum Zum Bildwesen: Ikonoklasmus der Virtuellen Kunst. de Gruyter GmbH, Walter, 2011.

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Book chapters on the topic "Ikonoklasmus"

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Pfisterer, Ulrich. "Ikonoklasmus." In Metzler Lexikon Kunstwissenschaft. J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04949-0_57.

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Helas, Philine. "Ikonoklasmus." In Metzler Lexikon Kunstwissenschaft. J.B. Metzler, 2011. http://dx.doi.org/10.1007/978-3-476-00331-7_77.

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Engelbart, Rolf. "Bild/Ikonoklasmus." In Metzler Lexikon Religion. J.B. Metzler, 2005. http://dx.doi.org/10.1007/978-3-476-00091-0_60.

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Shin, Seung-Chol. "Einleitung." In Vom Simulacrum zum Bildwesen: Ikonoklasmus der virtuellen Kunst. Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-0848-2_1.

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Shin, Seung-Chol. "Bild und Blick — Immersive Kunst." In Vom Simulacrum zum Bildwesen: Ikonoklasmus der virtuellen Kunst. Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-0848-2_2.

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Shin, Seung-Chol. "Körper als Bild — Cyborg Art." In Vom Simulacrum zum Bildwesen: Ikonoklasmus der virtuellen Kunst. Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-0848-2_3.

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Shin, Seung-Chol. "Realität des Bildes — Telepresence Art." In Vom Simulacrum zum Bildwesen: Ikonoklasmus der virtuellen Kunst. Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-0848-2_4.

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Shin, Seung-Chol. "Latenz im Bild — Virtuelle Architektur." In Vom Simulacrum zum Bildwesen: Ikonoklasmus der virtuellen Kunst. Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-0848-2_5.

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Shin, Seung-Chol. "Transgression des Bildes — Bio Art und Artificial Life Art." In Vom Simulacrum zum Bildwesen: Ikonoklasmus der virtuellen Kunst. Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-0848-2_6.

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Müller, Thomas T. "Geköpfte Heilige – Ikonoklasmus im Kontext des Bauernkrieges. Eine quellenkritische Betrachtung der Mühlhäuser Ereignisse." In Reformation und Bauernkrieg. Böhlau Verlag, 2019. http://dx.doi.org/10.7788/9783412516628.91.

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