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Journal articles on the topic 'Ikonoklasmus'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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1

Klenner, Jost Philipp. "Suhrkamps Ikonoklasmus." Zeitschrift für Ideengeschichte 6, no. 4 (2012): 82–91. http://dx.doi.org/10.17104/1863-8937-2012-4-82.

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2

Payton,, James R. "Der Ikonoklasmus des Westens. Helmut Feld." Journal of Religion 73, no. 2 (1993): 257–58. http://dx.doi.org/10.1086/489137.

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3

Elias, Jamal J. "Götzendämmerung. Moderner Ikonoklasmus in der muslimischen Welt." Zeitschrift für Ideengeschichte 9, no. 3 (2015): 33–48. http://dx.doi.org/10.17104/1863-8937-2015-3-33.

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4

Bioly, Tom, and Christoph Günther. "Regulative Autorität und Ikonoklasmus beim Islamischen Staat." Totalitarianism and Democracy 14, no. 2 (2017): 233–50. http://dx.doi.org/10.13109/tode.2017.14.2.233.

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5

Glasmeier, Michael. "Ansichten vom dösenden Ohr. Abschweifungen zu Hans Baldung und Terry Fox." Zeitschrift für Ideengeschichte 15, no. 4 (2021): 69–84. http://dx.doi.org/10.17104/1863-8937-2021-4-69.

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Die deutsche Renaissance hat eine Fülle bemerkenswert extremer Bildäußerungen hervorgebracht. Neben den gemäßigten Albrecht Dürer oder Hans Holbein sind es beispielsweise Albrecht Altdorfer, Matthias Grünewald, Hans Schäufelin, Martin Schongauer oder Konrad Witz, die insgesamt zwischen Humanismus und Reformation, neuem Bürgertum und abgewirtschafteten Adel, Bildverehrung und Ikonoklasmus laborierten und mit teilweise möglichst unsublimierten Darstellungen die sinnliche und brutale Erfahrung von Körperhaftigkeit ins Zentrum ihres Wirkens stellen. Diesem Kreis ist auch der äußerst spezielle Hans
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6

Pranger, M. B. "HELMUT FELD, Der Ikonoklasmus des Westens, Studies in the History of Christian Thought XLI, E. J. Brill, Leiden 1990, 344 blz." Nederlands Archief voor Kerkgeschiedenis / Dutch Review of Church History 71, no. 2 (1991): 246–48. http://dx.doi.org/10.1163/002820391x00230.

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7

Knoll, Paul W. "Der Ikonoklasmus des Westens. By Helmut Feld. Studies in the History of Christian Thought 41. Leiden, The Netherlands: E.J. Brill, 1990.x + 344 pp. $99.50." Church History 65, no. 2 (1996): 288–89. http://dx.doi.org/10.2307/3170320.

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8

Jespersen, Mikkel Birk. "Gerrard Winstanleys ikonoklasme som immanent utopi." K&K - Kultur og Klasse 40, no. 114 (2012): 45–59. http://dx.doi.org/10.7146/kok.v40i114.15702.

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GERRARD WINSTANLEY’S ICONOCLASM AS IMMANENT UTOPIA | In this article I analyse the utopian discourse of Gerrard Winstanley as an example of how utopia functions as a social fiction. Winstanley was part of the radical Digger movement in the English Revolution in the mid-17th century, and he has been regarded both as a religious mystic and as a precursor of later communist thinkers. His last published text, The Law of Freedom in a Platform (1652), presents an egalitarian utopian program based on democracy and collective ownership of land. It has been arguedthat this text represents a break from
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9

Räsänen, Elina. "Fragmentaarisuutta ja kuvakalsketta." Tahiti 13, no. 2 (2023): 93–100. http://dx.doi.org/10.23995/tht.136028.

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Fragmentaarisuus ja kuvakalskeen jäljet keskiajan ja uuden ajan alun esineissä -tutkimushankkeessa tarkastellaan esineiden fragmentaarisuutta ja tuotetaan tietoa siitä, miksi esineitä on hajotettu osiin ja miten ne ovat jatkaneet elämäänsä. Tutkimusmateriaali koostuu noin aikavälillä 1300–1600 Itämeren alueella valmistetuista tai käytössä olleista esineistä. Hankkeessa sovelletaan ja kehitetään edelleen ranskalaisen tieteenhistorioitsijan Bruno Latourin (1947–2022) ajatuksia ikonoklasmin eli kuvainraaston monitahoisuudesta ”kuvakalske”-käsitteen (iconoclash) avulla. Kolmevuotisessa (2020–2023)
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10

Fahrudin, Akhyar. "Analisis Ikonoklasme Nurcholish Madjid pada Kaligrafi Abdul Djalil Pirous." Jurnal Riset Agama 2, no. 2 (2022): 84–102. http://dx.doi.org/10.15575/jra.v2i2.16744.

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The purpose of this. study was to analyze iconoclasm in A.D. Pirous's calligraphy using Nurcholish Madjid's iconoclasm theory. The method used in this research is a literature review. The results and discussion of this research include the biography of A.D. Pirous, the theory of iconoclasm of Nurcholish Madjid, and the analysis of iconoclasm in A.D. Pirous's calligraphy paintings. This study concludes that A.D. Pirous is an Acehnese Muslim artist who developed calligraphy in Indonesia. By establishing his school, Pirous calligraphy created a new style in Islamic art in Indonesia. According to
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11

Angenendt, Arnold. "Der römische und gallisch-fränkische Anti-Ikonoklasmus." Frühmittelalterliche Studien 35, no. 1 (2001). http://dx.doi.org/10.1515/9783110242331.201.

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12

Breytenbach, A. P. B. "Monoteisme en geweld: 'n Perspektief op die standpunt van J Assmann." HTS Teologiese Studies / Theological Studies 57, no. 1/2 (2001). http://dx.doi.org/10.4102/hts.v57i1/2.1875.

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Monotheism and violence: A perspective on the position of J Assmann. The problem of monotheism and violence, as put forward by Assmann in a recent article "Monotheismus und Ikonoklasmus als politische Theologie", is addressed. Violence in a religious context more often than not emanates from a paradigm of exclusive monotheism. The origin of this kind of violence can be traced back to people in position of power who held the opinion that the truth was entrusted to them alone and that their enemies were also the enemies of their god. This also held true for interest groups in Judah. Old Testamen
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13

Mersmann, Birgit. "Ekphratische Schichtarbeit und die Ikonoklasmen der Übermalung in Heiner Müllers Bildbeschreibung." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 61, no. 1 (2016). http://dx.doi.org/10.28937/1000106274.

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Das als poetisches Prosanarrativ verfasste Autodrama Bildbeschreibung (1984) von Heiner Müller kann als Respons auf Entwicklungen eines postdramatischen Bilder- und Medientheaters gelesen werden. Im Œuvre des Theaterautors Müller nimmt es einen zentralen intermedialen Stellenwert als performativer Seh-Text ein. Unter bildästhetischen Gesichtspunkten analysiert der Artikel, wie Bildbeschreibung die klassische Tradition der Ekphrasis adaptiert, um sie »überschreibend« zu transformieren. Die literarische Form und konkrete schriftstellerische Aktivität der Bildbeschreibung wird als ein intermedial
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14

Højbjerg, Christian Kordt. "MODSTANDSDYGTIGHED OVER FOR STATSSTYRET IKONOKLASME BLANDT LOMA I GUINEA." Tidsskriftet Antropologi, no. 53 (May 30, 2006). http://dx.doi.org/10.7146/ta.v0i53.106731.

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Denne artikel er det danske resumé af afhandlingen Resisting State Iconoclasm among
 the Loma of Guinea. Den 6. februar 2006 blev afhandlingen antaget til forsvar for den
 antropologiske doktorgrad af det Samfundsvidenskabelige Fakultet, Københavns Universitet,
 og den er udgivet i Carolina Academic Press’ Ritual Studies Monograph Series.
 Resisting State Iconoclasm among the Loma of Guinea er et antropologisk studie af
 de årsagssammenhænge, der ligger til grund for en vestafrikansk lokalbefolknings vedvarende
 udøvelse af deres såkaldt traditionelle religion. Em
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15

Højberg, Christian Kordt. "AT STANDSE STRØMMEN: Om religionsantropologisk: ikonoklasme og fremtidens antropologi." Tidsskriftet Antropologi, no. 33 (June 1, 1996). http://dx.doi.org/10.7146/ta.v0i33.115377.

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CAROLINE HUMPHREY AND JAMES LAIDLAW: The Archetypal Actions of Ritual:
 A theory of ritual illustrated by the Jain rite of worship. Oxford: Clarendon Press
 
 312 sider. ISBN 0-19-827788-1. Pris: £ 30.00 (hbk.). ISBN 0-19-8279477. Pris:
 
 £ 14.95 (pbk.).
 IAN KEEN: Knowledge and Secrecy in an Aboriginal Religion: Yolngu of North-East
 Amhem Land. Oxford: Clarendon Press 1994.368 sider, illustreret. ISBN 0-19-827900-
 
 Pris: £ 35.00 (hbk.).
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