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Relevant bibliographies by topics / Il Decamerone

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Academic literature on the topic 'Il Decamerone'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Il Decamerone"

1

Reis, Adriana Aparecida De Jesus, and Mirian Salvestrin Bonetto. "As Molduras do Decamerone e do Pentamerone." Revista Italiano UERJ 12, no. 2 (2022): 19. http://dx.doi.org/10.12957/italianouerj.2021.67595.

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RESUMO: Giovanni Boccaccio, ao escrever sua obra-prima Decamerone no Trecento italiano (século XIV), emprega a narrativa-moldura para unir, em um encadeamento sucessivo, suas cem novelle. Procedente da retórica medieval e das narrativas orientais, a narrativa-moldura recebe de Boccaccio uma nova função: passa a integrar efetivamente a obra, tornando-se indispensável para a compreensão do todo. Giambattista Basile, escritor napolitano do Seicento (século XVII), retoma essa estrutura narrativa em sua coletânea de cinquenta contos maravilhosos intitulada Lo cunto de li cunti ovvero lo trattenemie

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Erstic, Marijana. "Legittimazione e strategia della narrazione nei film Il Decameron e Salò di Pier Paolo Pasolini." EU-topías. Revista de interculturalidad, comunicación y estudios europeos 27 (July 24, 2024): 125–32. http://dx.doi.org/10.7203/eutopias.27.28625.

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Le opere di Pier Paolo Pasolini sono pietre miliari intellettuali del XX secolo. La sua Trilogia della vita e l’incompiuta Trilogia della morte offrono spunti di riflessione su situazioni elementari dell’esistenza umana come l’amore, la sessualità, ma anche la morte, il pericolo e i tormenti dei lager del XX secolo. Ogni volta, inoltre, acuiscono il nostro sguardo sulla situazione attuale. Nello spirito di Pier Paolo Pasolini, questo saggio ha un motivo ben noto: all’inizio della pandemia di Covid, il Decamerone di Giovanni Boccaccio è stato spesso citato insieme al romanzo di Camus Lo stranie

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Bartosch, A. "This Quarterly – A Novel Decamerone." European State Aid Law Quarterly 19, no. 1 (2020): 1. http://dx.doi.org/10.21552/estal/2020/1/2.

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Blamberger, Günter. "Erzählen gegen den Tod: Pandemie und Literatur." Paragrana 30, no. 2 (2021): 132–44. http://dx.doi.org/10.1515/para-2021-0029.

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Abstract Literatur, die von Pandemien handelt, ist kenntlich oft durch ihren parabolischen Charakter. Sie schildert Pandemien als eine Katastrophe, die die Fragilität gesellschaftlicher Institutionen entlarvt, soziale Normen außer Kraft zu setzen und Menschen auf das Animalische zu reduzieren vermag. Der gewohnte Rhythmus des Lebens, Denkens, Handelns ist während der Pandemie unterbrochen: Die Literatur spiegelt diesen Kontrollverlust und widersteht ihm zugleich in der poetologischen Ordnung ihrer Werke, durch deren freie und autonome Wahl. Sie vermag in Sinnbildern vom begrifflich kaum Fassba

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Leppin, Volker. "Den Tod neu denken." Zeitschrift für Historische Forschung: Volume 48, Issue 4 48, no. 4 (2021): 679–94. http://dx.doi.org/10.3790/zhf.48.4.679.

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Rethinking Death Late Medieval Piety after the Plague The essay uses illustrative texts to contribute to research about the religious interpretation of the plague in the late Middle Ages. While the ars moriendi shows a tendency to individualize dying, the Dance of Death, on the contrary, presents deindividualization as a common fate. This kind of ambiguity is reflected in other literary testimonies too, for example in Boccaccio’s “Decamerone”, or on the eve of the Reformation, in Huldrych Zwingli’s “Plague Song”. While these examples show a reflexive engagement with the inevitability of death,

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Patsiou, Vicky. "Du manuscrit à fimprimé: les premières éditions d'œuvres littéraires en grec moderne au XVIIIe siècle." Σύγκριση 12 (January 31, 2017): 97. http://dx.doi.org/10.12681/comparison.10816.

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Μέρος της κίνησης που θα καταλήξει στη δημιουργία της λογοτεχνικής πεζογραφίας κατά την περίοδο της πνευματικής αφύπνισης του ελληνισμού (στα χρόνια 1770-1820) αποτελούν οι διαδοχικές εκδόσεις του έργου του Ιταλού συγγραφέα του 17ου αιώνα Francesco Loredano Scherzi geniali (1632), ενώ η μετάφραση του ηθοπλαστικού μυθιστορήματος του Fénelon Les aventures de Télémaque (1699) συνδέεται με την ανάπτυξη ενός σύνθετου προβληματισμού σχετικά με τη μεταφραστική διαδικασία αλλά και τα συστατικά στοιχεία που συγκροτούν τη δομή του έργου. Στον φθίνοντα 18ο αιώνα ο Σπυρίδων Βλαντής μεταφράζει είκοσι δύο δ

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Agrell, Beata. "Didaktik utan tendens." Tidskrift för litteraturvetenskap 43, no. 2 (2013): 19–27. http://dx.doi.org/10.54797/tfl.v43i2.10861.

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Didactics Without Tendency. Boccaccio’s Falcon and Per Hallström’s Short Story, ”The Falcon” This essay focuses on the issue of how and why a pre-modern didactics is incorporated into a modern aestheticist short story – namely, Per Hallström’s ”The Falcon”, in the collection Purpur [Purple] (1895). Such didactics are incorporated without any overt moralizing on the part of the author. Even so, subtle, edifying tendencies emerge. Hallström accomplishes this by displaying aestheticist devices in an implicit (hypertextual) dialogue with a pre-modern classic: the story of the falcon in Bocca

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Grossi, Joseph. "Anti-Petrarchism in the Decameron’s Proem and Introduction." Quaderni d'italianistica 33, no. 2 (2013): 5–26. http://dx.doi.org/10.33137/q.i..v33i2.19416.

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Similarities of purpose between the Proem of the Decameron and the opening sonnet of the Rerum vulgarium fragmenta have been noticed by several scholars. Students of Boccaccio and Petrarch are also becoming increasingly aware that the former was willing to criticize his friend, as he did when Petrarch chose to accept Visconti patronage in Milan, the great enemy of Florence.The Proem of the Decameron, however, has not hitherto elicited comment as a text where such friendly criticism, at least of Petrarch’s poetic persona in the RVF, might be found. The present essay suggests that Boccaccio’s fa

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Wicher, Andrzej. "Geoffrey Chaucer’s "The Merchant’s Tale", Giovanni Boccaccio’s "The Tale of the Enchanted Pear-Tree", and "Sir Orfeo" Viewed as Eroticized Versions of the Folktales about Supernatural Wives." Text Matters, no. 3 (November 1, 2013): 42–57. http://dx.doi.org/10.2478/texmat-2013-0025.

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Two of the tales mentioned in the title are in many ways typical of the great collections of stories (The Canterbury Tales and Il Decamerone) to which they belong. What makes them conspicuous is no doubt the intensity of the erotic desire presented as the ultimate law which justifies even the most outrageous actions. The cult of eroticism is combined there with a cult of youth, which means disaster for the protagonists, who try to combine eroticism with advanced age. And yet the stories in question have roots in a very different tradition in which overt eroticism is punished and can only reass

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Artico, Tancredi. "Per una grammatica del sogno nel «Decameron». Forme e strutture delle novelle a tema onirico." Italianistica Debreceniensis 24 (December 1, 2018): 96–109. http://dx.doi.org/10.34102/italdeb/2018/4664.

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This paper takes into account the oneiric issue in Giovanni Boccaccio Decameron, with the aim of defining Boccaccio’s overall “grammar of dreaming”: besides an accurate investigation on Decameron’s sources, which range from classic to Medieval literature, it retraces the narrative constructions of the short-novels with oneiric subjects, hypothesizing the existence of two main schemes. In the short-tales on a vision (which are the most known), it is almost always replied the scheme of the “tale in the tale”, due to the creation of a imaginary world with its own rules. Meanwhile, in the short ta

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Dissertations / Theses on the topic "Il Decamerone"

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Schwall-Hoummady, Christine. "Bilderzählung im 15. Jahrundert : Boccaccios Decamerone im Frankreich /." Frankfurt am Main ; Berlin ; Bern ; New York ; Paris ; Wien : P. Lang, 1999. http://catalogue.bnf.fr/ark:/12148/cb38849934n.

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Ståhle, Sjönell Barbro. "Johan Albrecht Schmidts Landt-Nöjet – vår första svenska Decamerone." Uppsala : Svenska Litteratursällskapet, 1997. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-201011.

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Muto, Lisa M. "The parabola of pleasure : a study of the cornice of the Decameron." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74631.

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In this dissertation I examine the narrative parts of the so-called cornice of the Decameron. The core of my interpretation is to be found in Chapter I where I show that the frame story--the novella portante, as it has been called--with its "parabolic" rather than "rectilinear" progression is intended to illustrate the brigade's pursuit of pleasure, without any ulterior motive such as, for instance, the restructuring of the decaying Florentine society. A careful study of the members of the brigade (Chapter II) and of their songs (Chapter III) obviously forms an integral part of any analysis of

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Silva, Felipe Augusto Vieira da. "El Decameron Negro de Leo Brouwer." reponame:Repositório Institucional da UFPR, 2011. http://hdl.handle.net/1884/25972.

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Genswein, Eberle Claudia. "La funzione narrativa del cibo nel "Decameron" /." Zürich : [s.n.], 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?sys=000278465.

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Harrison, H. "Gender, language and authorship in Boccaccio's Decameron." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603776.

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Women and their position in society are placed at the forefront of Giovanni Boccaccio’s <i>Decameron,</i> from the dedication of the work to women in love. While some scholars have focused on the narrators of the <i>brigata</i>, and others have studied individual <i>novelle</i>, the aim of this thesis is to present a global view of the issues and concerns debated by the author regarding female use of language. The thesis consists of five chapters; ‘Gender, Language and Authorship’ positions my work in relation to the wider field of Boccaccio studies. It addresses the difficult issue of the nar

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Rampin, Francesca <1997&gt. "Un volgarizzamento francese del Decameron: Laurent de Premierfait." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21560.

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La tesi si prefigge di analizzare le tecniche di traduzione della traduzione francese del Decameron di Laurent de Premierfait (1411-1414) con particolare attenzione alla Giornata X e alle problematiche legate alla ricezione della novella di Griselda.

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Rees, Marcus. "Neo-romantic elements in Leo Brouwer's Le Decameron noir /." [St. Lucia, Qld.], 1999. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe20228.pdf.

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Hoseini, Kassad Mohammed Hossein <1980&gt. "Il Decameron e la letteratura d'Oriente: confronti e scambi." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/6955/1/Kassad_Hoseini.pdf.

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Il lavoro si divide in quattro capitoli in cui il candidato cerca di stabilire i rapporti intertestuali tra il Sindbad, un libro di matrice orientale, e la Disciplina Clericalis da una parte e il Decameron dall’altra. 1- Nel primo capitolo il candidato ha trattato l’origine e la diffusione del Il libro di Sindbad e della Disciplina Clericalis. Il libro di Sindbad è di indubbia origine orientale. Si diffonde in oriente e poi in Occidente. Giunge in Italia nel Dodicesimo secolo. L’altra opera è la Disciplina Clericalis, di Pietro Alfonsi, un-opera di origine orientale. 2- Nel secondo capit

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Hoseini, Kassad Mohammed Hossein <1980&gt. "Il Decameron e la letteratura d'Oriente: confronti e scambi." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/6955/.

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Il lavoro si divide in quattro capitoli in cui il candidato cerca di stabilire i rapporti intertestuali tra il Sindbad, un libro di matrice orientale, e la Disciplina Clericalis da una parte e il Decameron dall’altra. 1- Nel primo capitolo il candidato ha trattato l’origine e la diffusione del Il libro di Sindbad e della Disciplina Clericalis. Il libro di Sindbad è di indubbia origine orientale. Si diffonde in oriente e poi in Occidente. Giunge in Italia nel Dodicesimo secolo. L’altra opera è la Disciplina Clericalis, di Pietro Alfonsi, un-opera di origine orientale. 2- Nel secondo capit

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Books on the topic "Il Decamerone"

1

Giovanni, Boccaccio. Decamerone. Nuages, 2000.

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Babylon, Dirk van. De Brabantse Decamerone. Manteau, 1989.

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Giovanni, Boccaccio. Decamerone da un italiano all'altro. Rizzoli, 1990.

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Giovanni, Boccaccio. Decamerone o ver cento novelle. Cornetto, 1999.

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Schwall-Hoummady, Christine. Bilderzählung im 15. Jahrhundert: Boccaccios Decamerone in Frankreich. P. Lang, 1999.

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6

Passagnoli, Claudio. Sembro, dunque sono!: Decamerone delle beffe nel mondo dell'arte contemporanea. Carlo Mancosu editore, 1992.

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7

Boccaccio tra letteratura e musica (Conference) (2012 : Certaldo, Italy), ed. Boccaccio 2013: Studi di letteratura e musica sul Decamerone e dintorni. Edicampus edizioni, 2013.

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8

Christina, Roaf, ed. Le lettere sopra le dieci giornate del Decamerone di m. Giovanni Boccaccio. Commissione per i testi di lingua, 2003.

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Sansovino, Andrea. Le lettere sopra le dieci giornate del Decamerone di m. Giovanni Boccaccio. Commissione per i testi di lingua, 2003.

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Sansovino, Francesco. Le lettere sopra le dieci giornate del Decamerone di m. Giovanni Boccaccio. Commissione per i testi di lingua, 2003.

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Book chapters on the topic "Il Decamerone"

1

Rotzoll, Maike, and Marion Hulverscheidt. "Decamerone gelesen und fortgeschrieben." In Epidemien und Pandemien in historischer Perspektive. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-13875-2_20.

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Canneti, Caterina. "Boccaccio, il Decameron e la Crusca: le fonti spogliate dagli Accademici." In Intorno a Boccaccio / Boccaccio e dintorni 2019. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-236-2.13.

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This survey concerns the lexicographic presence of Giovanni Boccaccio’s Decameron in the Vocabolario of the Accademici della Crusca (from the first to the fourth edition). Boccaccio is the author that counts 15.600 occurrences (considering also his others literary works) already in the first edition. This is a significant situation about Decameron, because we know that a lot of its passages went through modifications and censorship: all of these interventions on Boccaccio’s text would have had some influence on the quotations into the Vocabolario. Starting from the declarations of the Accademi

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Waltz, Matthias. "Eine Konstante in der Geschichte der Geschlechterdifferenz: Decamerone, Rouge et Noir, Being John Malkovich (2005)." In Identifikation, Begehren, Gewalt. Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-10414-6_18.

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Marttiin, P., F. Harmsen, and M. Rossi. "A Functional Framework for Evaluating Method Engineering Environments: the case of Maestro II/ Decamerone and MetaEdit+." In Method Engineering. Springer US, 1996. http://dx.doi.org/10.1007/978-0-387-35080-6_5.

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Frenz, Dietmar. "Boccaccio, Giovanni: Decameron." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2797-1.

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Jameson, Fredric. "Dekalog as Decameron." In Fredric Jameson. Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230523524_12.

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Biffi, Marco. "Trasfigurarsi ai tempi di Boccaccio." In «La sua chiarezza séguita l’ardore». Società Editrice Fiorentina, 2023. http://dx.doi.org/10.35948/dilef/978-88-6032-711-6.10.

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Il contributo analizza le specificità semantiche del verbo trasfigurarsi in un passo della novella IV 2 del Decameron. Si sofferma poi sulla ricezione del passo come esempio per illustrare la trattazione del verbo nella lessicografia italiana a partire dal Vocabolario degli Accademici della Crusca, evidenziando come le “rassettature” cinquecentesche del Decameron abbiano condizionato l’individuazione del corretto significato.

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Monaco, Giulia. "Il Laurenziano Pluteo 42, 3 e la tradizione caratterizzante del Decameron." In Intorno a Boccaccio / Boccaccio e dintorni 2020. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-510-3.06.

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The aim of this article is to illustrate the most relevant results of the philological and textual analysis that I accomplished on a witness of Boccaccio’s Decameron, MS. Firenze, Bibl. Medicea Laurenziana, Plut. 42, 3. The work consisted in an integral collation, based on two Giornate and some loci critici, between Plut. 42, 3 and the most authoritative tradition of Decameron (MSS. Berlin, Staatsbibl., Ham. 90, Paris, Bibl. nationale de France, It. 482 and Firenze, Bibl. Med. Laur., Plut. 42, 1). On one hand, the purpose of this work is to demonstrate that the text transmitted by Plut. 42, 3

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Papi, Fiammetta. "Il presente storico nella prosa di Boccaccio: Filocolo, Elegia di madonna Fiammetta, Decameron." In «La sua chiarezza séguita l’ardore». Società Editrice Fiorentina, 2023. http://dx.doi.org/10.35948/dilef/978-88-6032-711-6.34.

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Muovendo dalle acquisizioni più recenti di sintassi e testualità dell’italiano antico, l’articolo esamina l’uso e le funzioni del presente storico nel Filocolo, nell’Elegia di madonna Fiammetta e nel Decameron di Boccaccio. Si analizzano le ragioni che motivano la presenza di questo tempo verbale nel Filocolo e nell’Elegia, e viceversa la sua assenza nel capolavoro. Quest’ultima è una caratteristica che, insieme alla ben nota architettura latineggiante del periodo, rende la sintassi del Decameron un modello eccezionale nel panorama della narrativa volgare del Due e Trecento.

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Esposito, Nicola. "Elementi stilistici decameroniani nel Pecorone di ser Giovanni." In Studi e saggi. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-668-1.07.

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In the history of scholarship on vernacular style, rhetoric, and prose rhythm, very little space has been given to 14th-century Tuscan short stories writers, such as Ser Giovanni, Franco Sacchetti, and Giovanni Sercambi. This article analyzes Ser Giovanni’s Pecorone with the aim of individuating stylistic, rhetorical, and rhythmic elements and of understanding their relationship with its model, Giovanni Boccaccio’s Decameron. Although Ser Giovanni did not have a direct knowledge of the artes dictaminis, the article shows how his deep reading of Boccaccio’s Decameron permitted him to recognize

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Conference papers on the topic "Il Decamerone"

1

Cooper, A., Maria Antoniak, Christopher De Sa, Marilyn Migiel, and David Mimno. "‘Tecnologica cosa’: Modeling Storyteller Personalities in Boccaccio’s ‘Decameron’." In Proceedings of the 5th Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature. Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.latechclfl-1.17.

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Oliveira, Flávio Rodrigues de. "Uma Leitura do século XIV por meio da Literatura: uma análise da primeira novela da primeira jornada da obra O Decameron de Boccaccio." In V Congresso Internacional de História. Programa de Pós-Graduação em História e Departamento de História - Universidade Estadual de Maringá - UEM, 2011. http://dx.doi.org/10.4025/5cih.pphuem.2221.

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Solyom, Barbara, and Patricia Szabo. "PATHWAYS TOWARDS THE RENAISSANCE OF THE BUILT ENVIRONMENT: LINKS BETWEEN THE APPRECIATION OF GREEN SPACES IN THE DECAMERON AND DURING THE COVID-19 PANDEMIC." In 8th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscss.f2021/s13.82.

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