Log in

Relevant bibliographies by topics / Il Decamerone / Journal articles

To see the other types of publications on this topic, follow the link: Il Decamerone.

Journal articles on the topic 'Il Decamerone'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Il Decamerone.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Reis, Adriana Aparecida De Jesus, and Mirian Salvestrin Bonetto. "As Molduras do Decamerone e do Pentamerone." Revista Italiano UERJ 12, no. 2 (2022): 19. http://dx.doi.org/10.12957/italianouerj.2021.67595.

Full text

Abstract:

RESUMO: Giovanni Boccaccio, ao escrever sua obra-prima Decamerone no Trecento italiano (século XIV), emprega a narrativa-moldura para unir, em um encadeamento sucessivo, suas cem novelle. Procedente da retórica medieval e das narrativas orientais, a narrativa-moldura recebe de Boccaccio uma nova função: passa a integrar efetivamente a obra, tornando-se indispensável para a compreensão do todo. Giambattista Basile, escritor napolitano do Seicento (século XVII), retoma essa estrutura narrativa em sua coletânea de cinquenta contos maravilhosos intitulada Lo cunto de li cunti ovvero lo trattenemie

APA, Harvard, Vancouver, ISO, and other styles

2

Erstic, Marijana. "Legittimazione e strategia della narrazione nei film Il Decameron e Salò di Pier Paolo Pasolini." EU-topías. Revista de interculturalidad, comunicación y estudios europeos 27 (July 24, 2024): 125–32. http://dx.doi.org/10.7203/eutopias.27.28625.

Full text

Abstract:

Le opere di Pier Paolo Pasolini sono pietre miliari intellettuali del XX secolo. La sua Trilogia della vita e l’incompiuta Trilogia della morte offrono spunti di riflessione su situazioni elementari dell’esistenza umana come l’amore, la sessualità, ma anche la morte, il pericolo e i tormenti dei lager del XX secolo. Ogni volta, inoltre, acuiscono il nostro sguardo sulla situazione attuale. Nello spirito di Pier Paolo Pasolini, questo saggio ha un motivo ben noto: all’inizio della pandemia di Covid, il Decamerone di Giovanni Boccaccio è stato spesso citato insieme al romanzo di Camus Lo stranie

APA, Harvard, Vancouver, ISO, and other styles

3

Bartosch, A. "This Quarterly – A Novel Decamerone." European State Aid Law Quarterly 19, no. 1 (2020): 1. http://dx.doi.org/10.21552/estal/2020/1/2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Blamberger, Günter. "Erzählen gegen den Tod: Pandemie und Literatur." Paragrana 30, no. 2 (2021): 132–44. http://dx.doi.org/10.1515/para-2021-0029.

Full text

Abstract:

Abstract Literatur, die von Pandemien handelt, ist kenntlich oft durch ihren parabolischen Charakter. Sie schildert Pandemien als eine Katastrophe, die die Fragilität gesellschaftlicher Institutionen entlarvt, soziale Normen außer Kraft zu setzen und Menschen auf das Animalische zu reduzieren vermag. Der gewohnte Rhythmus des Lebens, Denkens, Handelns ist während der Pandemie unterbrochen: Die Literatur spiegelt diesen Kontrollverlust und widersteht ihm zugleich in der poetologischen Ordnung ihrer Werke, durch deren freie und autonome Wahl. Sie vermag in Sinnbildern vom begrifflich kaum Fassba

APA, Harvard, Vancouver, ISO, and other styles

5

Leppin, Volker. "Den Tod neu denken." Zeitschrift für Historische Forschung: Volume 48, Issue 4 48, no. 4 (2021): 679–94. http://dx.doi.org/10.3790/zhf.48.4.679.

Full text

Abstract:

Rethinking Death Late Medieval Piety after the Plague The essay uses illustrative texts to contribute to research about the religious interpretation of the plague in the late Middle Ages. While the ars moriendi shows a tendency to individualize dying, the Dance of Death, on the contrary, presents deindividualization as a common fate. This kind of ambiguity is reflected in other literary testimonies too, for example in Boccaccio’s “Decamerone”, or on the eve of the Reformation, in Huldrych Zwingli’s “Plague Song”. While these examples show a reflexive engagement with the inevitability of death,

APA, Harvard, Vancouver, ISO, and other styles

6

Patsiou, Vicky. "Du manuscrit à fimprimé: les premières éditions d'œuvres littéraires en grec moderne au XVIIIe siècle." Σύγκριση 12 (January 31, 2017): 97. http://dx.doi.org/10.12681/comparison.10816.

Full text

Abstract:

Μέρος της κίνησης που θα καταλήξει στη δημιουργία της λογοτεχνικής πεζογραφίας κατά την περίοδο της πνευματικής αφύπνισης του ελληνισμού (στα χρόνια 1770-1820) αποτελούν οι διαδοχικές εκδόσεις του έργου του Ιταλού συγγραφέα του 17ου αιώνα Francesco Loredano Scherzi geniali (1632), ενώ η μετάφραση του ηθοπλαστικού μυθιστορήματος του Fénelon Les aventures de Télémaque (1699) συνδέεται με την ανάπτυξη ενός σύνθετου προβληματισμού σχετικά με τη μεταφραστική διαδικασία αλλά και τα συστατικά στοιχεία που συγκροτούν τη δομή του έργου. Στον φθίνοντα 18ο αιώνα ο Σπυρίδων Βλαντής μεταφράζει είκοσι δύο δ

APA, Harvard, Vancouver, ISO, and other styles

7

Agrell, Beata. "Didaktik utan tendens." Tidskrift för litteraturvetenskap 43, no. 2 (2013): 19–27. http://dx.doi.org/10.54797/tfl.v43i2.10861.

Full text

Abstract:

Didactics Without Tendency. Boccaccio’s Falcon and Per Hallström’s Short Story, ”The Falcon” This essay focuses on the issue of how and why a pre-modern didactics is incorporated into a modern aestheticist short story – namely, Per Hallström’s ”The Falcon”, in the collection Purpur [Purple] (1895). Such didactics are incorporated without any overt moralizing on the part of the author. Even so, subtle, edifying tendencies emerge. Hallström accomplishes this by displaying aestheticist devices in an implicit (hypertextual) dialogue with a pre-modern classic: the story of the falcon in Bocca

APA, Harvard, Vancouver, ISO, and other styles

8

Grossi, Joseph. "Anti-Petrarchism in the Decameron’s Proem and Introduction." Quaderni d'italianistica 33, no. 2 (2013): 5–26. http://dx.doi.org/10.33137/q.i..v33i2.19416.

Full text

Abstract:

Similarities of purpose between the Proem of the Decameron and the opening sonnet of the Rerum vulgarium fragmenta have been noticed by several scholars. Students of Boccaccio and Petrarch are also becoming increasingly aware that the former was willing to criticize his friend, as he did when Petrarch chose to accept Visconti patronage in Milan, the great enemy of Florence.The Proem of the Decameron, however, has not hitherto elicited comment as a text where such friendly criticism, at least of Petrarch’s poetic persona in the RVF, might be found. The present essay suggests that Boccaccio’s fa

APA, Harvard, Vancouver, ISO, and other styles

9

Wicher, Andrzej. "Geoffrey Chaucer’s "The Merchant’s Tale", Giovanni Boccaccio’s "The Tale of the Enchanted Pear-Tree", and "Sir Orfeo" Viewed as Eroticized Versions of the Folktales about Supernatural Wives." Text Matters, no. 3 (November 1, 2013): 42–57. http://dx.doi.org/10.2478/texmat-2013-0025.

Full text

Abstract:

Two of the tales mentioned in the title are in many ways typical of the great collections of stories (The Canterbury Tales and Il Decamerone) to which they belong. What makes them conspicuous is no doubt the intensity of the erotic desire presented as the ultimate law which justifies even the most outrageous actions. The cult of eroticism is combined there with a cult of youth, which means disaster for the protagonists, who try to combine eroticism with advanced age. And yet the stories in question have roots in a very different tradition in which overt eroticism is punished and can only reass

APA, Harvard, Vancouver, ISO, and other styles

10

Artico, Tancredi. "Per una grammatica del sogno nel «Decameron». Forme e strutture delle novelle a tema onirico." Italianistica Debreceniensis 24 (December 1, 2018): 96–109. http://dx.doi.org/10.34102/italdeb/2018/4664.

Full text

Abstract:

This paper takes into account the oneiric issue in Giovanni Boccaccio Decameron, with the aim of defining Boccaccio’s overall “grammar of dreaming”: besides an accurate investigation on Decameron’s sources, which range from classic to Medieval literature, it retraces the narrative constructions of the short-novels with oneiric subjects, hypothesizing the existence of two main schemes. In the short-tales on a vision (which are the most known), it is almost always replied the scheme of the “tale in the tale”, due to the creation of a imaginary world with its own rules. Meanwhile, in the short ta

APA, Harvard, Vancouver, ISO, and other styles

11

Andreev, Mikhail. "Два русских «Декамерона»". Shagi / Steps 5, № 3 (2019): 38–50. http://dx.doi.org/10.22394/2412-9410-2019-5-3-38-50.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Cassell, Anthony K., and Giovanni Boccaccio. "Decameron." MLN 100, no. 1 (1985): 178. http://dx.doi.org/10.2307/2905675.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Potter, Joy Hambuechen, Giovanni Boccaccio, John Payne, and Charles S. Singleton. "Decameron." Italica 63, no. 3 (1986): 297. http://dx.doi.org/10.2307/478630.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Graham, Trevor. "Pier Paolo Pasolini's Il Decameron/The Decameron." Framework: The Journal of Cinema and Media 64, no. 1 (2023): 84–91. http://dx.doi.org/10.1353/frm.2023.a914990.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Doering, Pia, and Martina Wagner-Egelhaaf. "Lektüre in Zeiten von Pest und Corona: das Beispiel des Decameron." Literatur für Leser 46, no. 1 (2023): 9–23. http://dx.doi.org/10.3726/lfl.2023.01.02.

Full text

Abstract:

Abstract Giovanni Boccaccios Decameron gehört zu den Klassikern der Seuchenliteratur und wurde in der zurückliegenden Corona-Pandemie wieder zur gefragten Lektüre. Die Pestepidemie, die den Ausgangspunkt und Erzählanlass des Decameron bildet, bietet Boccaccio die Möglichkeit, auf den unterschiedlichen Ebenen seiner Novellensammlung ein Plädoyer für die Literatur zu entfalten. Dabei akzentuiert er zum einen die Vorzüge der Literatur gegenüber den gelehrten Diskursen der Theologie und Philosophie. Zum anderen hebt er den Trost hervor, den Lektüre spenden kann, wenn dem Menschen andere Formen ges

APA, Harvard, Vancouver, ISO, and other styles

16

Usher, Jonathan, and David Wallace. "Boccaccio: 'Decameron'." Modern Language Review 88, no. 1 (1993): 224. http://dx.doi.org/10.2307/3730857.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Cuilleanain, Cormac O., Giovanni Boccaccio, and G. H. McWilliam. "The Decameron." Modern Language Review 96, no. 2 (2001): 531. http://dx.doi.org/10.2307/3737429.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Colombo Timelli, Maria. "Boccace, Decameron." Studi Francesi, no. 162 (LIV | III) (November 1, 2010): 540–41. http://dx.doi.org/10.4000/studifrancesi.6239.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Gittes, Tobias Foster. "The Decameron." Romanic Review 106, no. 1-4 (2015): 206–11. http://dx.doi.org/10.1215/26885220-106.1-4.206.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Morosini, Roberta. "What a Difference a Sea Makes in the Decameron: The Mediterranean, a Structural Space of the Novella." Quaderni d'italianistica 38, no. 2 (2019): 65–111. http://dx.doi.org/10.33137/q.i..v38i2.32232.

Full text

Abstract:

This essay presents a reading of the Mediterranean sea as a narrative space in the Decameron. Through a reading of text and images, the paper illustrates the categories of mobile/static and foreign/domestic at work in the Decameron. It also introduces a third epistemological category, hybridity, at the centre of this study, which aims to establish the role and function of the Mediterranean in the fabula—the plot development—as well as in the structure of the novella itself, and ultimately in Boccaccio’s poetics. Is the Mediterranean a “structural space” in (and of) the novella, hence in/

APA, Harvard, Vancouver, ISO, and other styles

21

Graham, Angelita. "Pasolini and the Queer Lens: Il Decameron/The Decameron." Framework: The Journal of Cinema and Media 64, no. 1 (2023): 92–97. http://dx.doi.org/10.1353/frm.2023.a914991.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Gros Lladós, Sònia. "Sobre la presència de Boccaccio en el Curial e Güelfa: la novella X.8." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 2, no. 2 (2013): 192. http://dx.doi.org/10.7203/scripta.2.3091.

Full text

Abstract:

Resum: Les darreres investigacions sobre la novel·la cavalleresca catalana Curial e Güelfa subratllen de forma unànime la qualitat literària de l’obra i la riquesa de la cultura literària del seu autor, en especial en relació als autors clàssics i italians. Entre els italians, nombrosos estudiosos han remarcat el paper cabdal de Boccaccio, i en particular del Decameron, com a model d’escriptura i com a intermediari de la tradició clàssica, per a l’autor anònim català. En aquest treball oferim una mostra de la presència de la novella X.8 en el text català, tot resseguint ambdues narracions, i o

APA, Harvard, Vancouver, ISO, and other styles

23

Kircher, Timothy. "The Modality of Moral Communication in the Decameron's First Day, in Contrast to the Mirror of the Exemplum*." Renaissance Quarterly 54, no. 4-Part1 (2001): 1035–73. http://dx.doi.org/10.2307/1261966.

Full text

Abstract:

The essay analyzes episodes from the first day of story-telling in the Decameron and the contemporary tradition of mendicant exempla comparing their differing means of influencing moral behavior. The Decameron discloses a crisis in the exemplum tradition between conventional sermonizing and a heightened sense of clerical frailty, and responds by showing a new way of narrating moral problems to a sceptical readership. While the exemplum provides a framework for the Decameron narrators, they treat this tradition with irony, emphasizing the contingent, subjective apprehension of moral truth. The

APA, Harvard, Vancouver, ISO, and other styles

24

N. Kobilj Ćuić, Sanja. "THE SUBMISSIVENESS MOTIF OF А WOMAN: THE GRISELDA TALE BY GIOVANNI BOCCACCIO". Филолог – часопис за језик књижевност и културу 12, № 24 (2021): 326–41. http://dx.doi.org/10.21618/fil2124326k.

Full text

Abstract:

This paper presents the analysis of Griselda, the main female character of the last novella of Decameron. Tis novella has had diﬀerent classical and feminist interpretations due to its central position and the violence caused to Griselda by her husband, marquis Saluzzo. The main methodological tool used in this article is the one applied by Marilyn Migiel in her works The Ethical dimension of the Decameron and A Rhetoric of the Decameron, the rhetorical reading. The same tool, through the close analysis of the speech acts of Griselda shows us her powerless social position and the lack of self-

APA, Harvard, Vancouver, ISO, and other styles

25

Tschofen, Monique, Siobhan O’flynn, Jolene Armstrong, et al. "A Research-co-Creation of Care: Feminist Speculation, Collaboration, and Curation in the Decameron 2.0 Virtual Gallery." University of Toronto Quarterly 93, no. 4 (2024): 612–52. https://doi.org/10.3138/utq.93.04.06.

Full text

Abstract:

This paper presents the evolving work of the Decameron Collective, a group of women Canadian scholars and artists who, during the early COVID-19 pandemic (2020–2022), built a body of creative works as an interactive, virtual gallery of visual, audio, and textual media inspired by Giovanni Boccaccio’s Decameron (1353). More than a gloss on Boccaccio’s text, Decameron 2.0 is a feminist project of collaborative and curational worldbuilding. We describe our practice of co-creating and curating, making a case for interdisciplinary praxis-led approaches of research-creation that embody both a mode o

APA, Harvard, Vancouver, ISO, and other styles

26

Patel, Raksha. "Revisiting the Decameron." Journal of Contemporary Painting 6, no. 1-2 (2020): 171–79. http://dx.doi.org/10.1386/jcp_00021_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

DuVal, John. "Giovanni Boccaccio,Decameron." Translation Review 80, no. 1 (2010): 76–82. http://dx.doi.org/10.1080/07374836.2010.10524156.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Kipf, Johannes Klaus. "Jenseits des Decameron." Jahrbuch der Oswald von Wolkenstein-Gesellschaft 22, no. 1 (2019): 436–55. http://dx.doi.org/10.29091/9783954906765/029.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Brown, Katherine A. "Confession and Social Space in the Decameron." Quaderni d'italianistica 38, no. 2 (2019): 41–63. http://dx.doi.org/10.33137/q.i..v38i2.32231.

Full text

Abstract:

This essay argues that confession in the Decameron is a liminal activity, which affords characters and readers a milieu removed from the space of society in which transformation and ultimately a temporary moment of transcendence of the secular world (almost a return to paradise) are achieved. In the tales of the Decameron in which confession is central to the narrative (novelle I.1, III.3, and VII.5), the liminal is a locus of trickery. Boccaccio subverts the notion of spiritual transcendence traditionally associated with the sacrament of confession and playfully substitutes the profane and th

APA, Harvard, Vancouver, ISO, and other styles

30

Doering, Pia Claudia. "»La egregia città di Fiorenza, oltre a ogn’altra italica bellissima«." Deutsches Dante-Jahrbuch 98, no. 1 (2023): 110–26. http://dx.doi.org/10.1515/dante-2023-0007.

Full text

Abstract:

Riassunto Firenze è di grande importanza per il Decameron di Boccaccio. Non solo vi si svolge la storia di cornice, ma anche numerose novelle sono ambientate nella città o nel contado fiorentino. Le ragioni sono due: l’ascesa economica della città e la sua fioritura culturale. Questo articolo esamina il modo in cui l’espansione economica e lo sviluppo culturale sono rappresentati e valutati nel Decameron, sia individualmente che nella loro interazione.

APA, Harvard, Vancouver, ISO, and other styles

31

Barsella, Susanna. "The Merchant and the Sacred: Artifice and Realism in Decameron I.1." Quaderni d'italianistica 38, no. 2 (2019): 11–40. http://dx.doi.org/10.33137/q.i..v38i2.32230.

Full text

Abstract:

By investigating the first novella of the Decameron from the perspective of the sacred this article questions the notion of realism as privileged key to the interpretation of Boccaccio’s style, poetics, and even philosophy in his major work. Although with different nuances of definition, realism remains by and large the trait scholarship emblematically associate with the Decameron as testifying to the emergence of mercantile culture and bourgeois mentality. Realism as verisimilar representation of historical reality tends to be associated with the character of modernity of Boccaccio’s masterpi

APA, Harvard, Vancouver, ISO, and other styles

32

Gittes, T. F. "“Forgers of Falsehood, Physicians of Nought”: Retailing Fictions in Boccaccio’s Decameron." Quaderni d'italianistica 38, no. 2 (2019): 139–56. http://dx.doi.org/10.33137/q.i..v38i2.32234.

Full text

Abstract:

Whereas Petrarch’s portrait of his doctor in Invectives Against a Physician is deliberately caricatural and seized at a glance, Boccaccio’s attitude towards doctors in the Decameron is far harder to grasp and easily overlooked. Yet, doctors and medical science are a central concern of the Decameron, whose first significant action (the brigata’s movement from the plague-afflicted city to the countryside) and activity (storytelling) are predicated on the Florentine doctors’ failure to find a remedy for the plague. Throughout the Decameron, the doctors’ glaring incapacity to help their patients i

APA, Harvard, Vancouver, ISO, and other styles

33

Classen, Albrecht. "German-Italian Literary Connections in the Late Middle Ages: Boccaccio’s The Decameron in Light of Some Late Medieval German Narrative Precedents." arcadia 55, no. 2 (2020): 260–78. http://dx.doi.org/10.1515/arcadia-2020-2001.

Full text

Abstract:

AbstractComparative research focused on medieval literature continues to be characterized by many desiderata, especially with regard to the fruitful relationships between late medieval verse narratives, mæren, and the famous Italian storyteller Boccaccio and his Decameron. This paper brings to light four significant Middle High German verse narratives from the 13th or early-14th century that demonstrate remarkable similarities with stories contained in Boccaccio’s Decameron. While the study of Boccaccio’s sources has traditionally been focused primarily on Old French (fabliaux) or Latin source

APA, Harvard, Vancouver, ISO, and other styles

34

Merola, Carmela. "Giovanni Boccaccio, The Decameron." Forum Italicum: A Journal of Italian Studies 50, no. 1 (2015): 275–77. http://dx.doi.org/10.1177/0014585815594599.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Poole, Gordon. "Boccaccio's Decameron IV, 5." Explicator 47, no. 3 (1989): 3–4. http://dx.doi.org/10.1080/00144940.1989.9933913.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Münchberg, Katharina. "Singularität in Boccaccios Decameron." Poetica 36, no. 3-4 (2004): 313–42. http://dx.doi.org/10.30965/25890530-036-03-04-90000004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Münchberg, Katharina. "Singularität in Boccaccios Decameron." Poetica 36, no. 3-4 (2004): 313–42. http://dx.doi.org/10.30965/25890530-0360304004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Kirkham, Victoria. "An Allegorically Tempered Decameron." Italica 62, no. 1 (1985): 1. http://dx.doi.org/10.2307/478676.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Strappini, Lucia. "Due novelle del Decameron." Revista de Italianística, no. 29 (June 12, 2015): 168. http://dx.doi.org/10.11606/issn.2238-8281.v0i29p168-178.

Full text

Abstract:

A leitura aqui proposta do Decameron concentra-se especificamente em duas novelas: a primeira e a décima da quarta jornada (IV, 1 e IV, 10), que apresentam muitos pontos de interesse pela trama, pela caracterização dos personagens e pelos temas centrais da narrativa, fundada na conjunção e complementaridade de trágico e cômico como traços máximos e significantes da aventura humana sob todos os aspectos

APA, Harvard, Vancouver, ISO, and other styles

40

Strappini, Lucia. "Duas novelas do Decameron." Revista de Italianística, no. 29 (June 12, 2015): 179. http://dx.doi.org/10.11606/issn.2238-8281.v0i29p179-189.

Full text

Abstract:

A leitura aqui proposta do Decameron concentra-se especificamente em duas novelas: a primeira e a décima da quarta jornada (IV, 1 e IV, 10), que apresentam muitos pontos de interesse pela trama, pela caracterização dos personagens e pelos temas centrais da narrativa, fundada na conjunção e complementaridade de trágico e cômico como traços máximos e significantes da aventura humana sob todos os aspectos

APA, Harvard, Vancouver, ISO, and other styles

41

Bragantin, Renzo. "Para um diverso Decameron." Revista de Italianística, no. 29 (June 12, 2015): 38. http://dx.doi.org/10.11606/issn.2238-8281.v0i29p38-70.

Full text

Abstract:

Que o Decameron tenha sido fortemente influenciado pela Comédia dantesca (e parcialmente também pelo Cancioneiro de Petrarca) é fato notório. Em geral, porém, essa influência é considerada apenas nos termos de uma veneração de Boccaccio por Dante, sem que se tenha alguma vez questionado se Boccaccio não interviria para questionar, também, em função da própria poética, algumas das teses básicas do poema dantesco. Propõe-se neste ensaio precisamente essa tarefa de tentar demonstrar como Boccaccio, ao intervir em tais teses, questiona seus princípios fundamentais, em primeiro lugar aquele do esta

APA, Harvard, Vancouver, ISO, and other styles

42

Bragantini, Renzo. "Per un diverso Decameron." Revista de Italianística, no. 29 (June 12, 2015): 5. http://dx.doi.org/10.11606/issn.2238-8281.v0i29p5-37.

Full text

Abstract:

Que o Decameron tenha sido fortemente influenciado pela Comédia dantesca (e parcialmente também pelo Cancioneiro de Petrarca) é fato notório. Em geral, porém, essa influência é considerada apenas nos termos de uma veneração de Boccaccio por Dante, sem que se tenha alguma vez questionado se Boccaccio não interviria para questionar, também, em função da própria poética, algumas das teses básicas do poema dantesco. Propõe-se precisamente essa tarefa, de tentar demonstrar como Boccaccio, ao intervir em tais teses, questiona seus princípios fundamentais, em primeiro lugar aquele do estatuto de verd

APA, Harvard, Vancouver, ISO, and other styles

43

Mazzotta, Giuseppe. "Decameron by Giovanni Boccaccio." Studies in the Age of Chaucer 7, no. 1 (1985): 248–50. http://dx.doi.org/10.1353/sac.1985.0034.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Lombardi, Andrea. "Il diavolo in corpo: una lettura del Decameron di Giovanni Boccaccio." Alea : Estudos Neolatinos 14, no. 2 (2012): 180–200. http://dx.doi.org/10.1590/s1517-106x2012000200003.

Full text

Abstract:

Considerare il Decameron esclusivamente un "classico" non rende giustiza alla sua struttura narrativa geometrica e complessa. Poiché ognuno dei suoi aspetti rivela il potenziale sovversivo della sua macchina narrativa. Le cento novelle con la loro cornice, che descrive l'epidemia della peste nera del 1348, ne fanno il primo libro organico della narrativa occidentale: un testo con una architettura peculiare. Una lettura attenta, però, può individuare una nuova novella, quella di numero 101 (nell'Introduzione alla quarta giornata): ciò che rivela la crisi finale della struttura chiusa, dell'arch

APA, Harvard, Vancouver, ISO, and other styles

45

Reis, Adriana Aparecida de Jesus, and Maria Celeste Tommasello Ramos. "Tradução comentada do conto “Petrosinella” de Giambattista Basile." Belas Infiéis 8, no. 3 (2019): 245–56. http://dx.doi.org/10.26512/belasinfieis.v8.n3.2019.23056.

Full text

Abstract:

Trata-se da tradução literária do conto de fadas “Petrosinella”, presente no livro Lo cunto de li cunti ovvero lo trattenemiento de peccerille (O conto dos contos ou o entretenimento dos garotinhos), também chamado de Pentamerone ossia la fiaba delle fiabe (Pentamerão, ou seja, a fábula das fábulas), obra-prima do escritor italiano Giambattista Basile, original de Nápoles, que viveu entre 1575-1632. Lo cunto de li cunti é uma antologia composta por quarenta e nove contos maravilhosos narrados durante cinco dias ou jornadas e enquadrados por uma narrativa que é também um conto maravilhoso, tota

APA, Harvard, Vancouver, ISO, and other styles

46

Kriesel, James C. "Boccaccio and the Early Modern Reception of Tragedy." Renaissance Quarterly 69, no. 2 (2016): 415–48. http://dx.doi.org/10.1086/687606.

Full text

Abstract:

AbstractFourteenth-century Italian humanists discussed the properties of tragedy while considering the value of Latin versus vernacular literature. Boccaccio was interested in these discussions because humanists were promoting classicizing tragic and epic literatures at the expense of vernacular writing. This article explores Boccaccio’s role in these debates by examining the tragic stories of the Decameron. It suggests that Boccaccio highlighted the virtues of his erotic tales by contrasting them to the tragic stories of day 4, a strategy inspired by Ovid’s elegiac poems. Boccaccio thus under

APA, Harvard, Vancouver, ISO, and other styles

47

Barsella, Susanna. "Natural Asymmetries: Medicine and Poetry in Decameron VI. 9 and Decameron VIII. 9." MLN 134, S (2019): S—56—S—77. http://dx.doi.org/10.1353/mln.2019.0057.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Steinberg, Justin. "Mimesis on Trial." Representations 139, no. 1 (2017): 118–45. http://dx.doi.org/10.1525/rep.2017.139.1.118.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

McKenna, Katherine. "Book review: Guido Ruggiero, Love and Sex in the Time of Plague: A Decameron Renaissance." Medieval History Journal 25, no. 2 (2022): 298–302. http://dx.doi.org/10.1177/09719458221091480.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

D’Eugenio, Daniela. "David Lummus, ed., The Decameron Sixth Day in Perspective. Volume Six of the Lectura Boccaccii. Toronto: Toronto University Press, 2021, 289 pp." Mediaevistik 35, no. 1 (2022): 503–6. http://dx.doi.org/10.3726/med.2022.01.122.

Full text

Abstract:

Abstract: The combination of innovation and originality that is required to edit a book on Boccaccio’s Decameron, which claims dozens of publications each year, may prove difficult. Yet, The Decameron Sixth Day in Perspective. Volume Six of the Lectura Boccaccii, edited by David Lummus, succeeds in offering new perspectives on one of the most fascinating days of Boccaccio’s collection. This volume, which presents ten essays by renowned Boccaccio scholars from a variety of backgrounds, is part of a long-term project by the University of Toronto Press that includes a 2004 edition of the first da

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!