Academic literature on the topic 'Illegitimate children – Fiction'

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Journal articles on the topic "Illegitimate children – Fiction"

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ÖZTEKİN, Sercan. "Wilkie Collins’in The Woman in White ve No Name Adlı Eserlerinde Gayrimeşruluk ve Yasalar." Cankaya University Journal of Humanities and Social Sciences, Special Issue: Wilkie Collins (January 28, 2024): 67–76. http://dx.doi.org/10.47777/cankujhss.1418501.

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Victorian sensation novels, in addition to their scandalous topics such as fraud, murder, adultery, bigamy, and madness, refer to Victorian laws and their construction by social and cultural standards. As a significant sensation novelist, one of the most important subjects Wilkie Collins calls for attention is illegitimacy, a social, political, and literary topic he recurrently employs in his fiction. In his novels The Woman in White (1860) and No Name (1862), he dwells on this issue, motivating the characters’ crimes and scandalous acts. In both novels, illegitimate characters act illegally t
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Henderson, Desiree. "Embroidering the Scarlet A: Unwed Mothers and Illegitimate Children in American Fiction and Film by Janet Mason Ellerby." Studies in the Novel 47, no. 4 (2015): 573–75. http://dx.doi.org/10.1353/sdn.2015.0059.

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Ostalska, Katarzyna. "“A right kind of rogue”: Lisa McInerney’s "The Glorious Heresies" (2015) and "The Blood Miracles" (2017)." Text Matters, no. 9 (December 30, 2019): 237–58. http://dx.doi.org/10.18778/2083-2931.09.15.

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The following article analyzes two novels, published recently by a new, powerful voice in Irish fiction, Lisa McInerney: her critically acclaimed debut The Glorious Heresies (2015) and its continuation The Blood Miracles (2017). McInerney’s works can be distinguished by the crucial qualities of the Irish Noir genre. The Glorious Heresies and The Blood Miracles are presented from the perspective of a middle-aged “right-rogue” heroine, Maureen Phelan. Due to her violent and law-breaking revenge activities, such as burning down the institutions signifying Irishwomen’s oppression (i.e. the church
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Gunasekaran N and Bhuvaneshwari S. "History Turmoil And Politico-Cultural Conditions of the Sub-Continental Men In Salman Rushdie’s Midnight’s Children." INTERNATIONAL JOURNAL OF SCIENCE TECHNOLOGY AND HUMANITIES 2, no. 2 (2015): 26–28. http://dx.doi.org/10.26524/ijsth48.

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Salman Rushdie remains a major Indian writer in English. His birth coincides with the birth of a new modern nation on August 15, 1947. He has been justly labelled by the critics as a post-colonial writer who knows his trade well. His second novel Midnight’s Children was published in 1981 and it raised a storm in the hitherto middle class world of fiction writing both in English and in vernaculars. Rushdie for the first time burst into the world of fiction with subversive themes like impurity, illegitimacy, plurality and hybridity. He understands that a civilization called India may be profitab
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Blaikie, Andrew. "Motivation and Motherhood: Past and Present Attributions in the Reconstruction of Illegitimacy." Sociological Review 43, no. 4 (1995): 641–57. http://dx.doi.org/10.1111/j.1467-954x.1995.tb00712.x.

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‘Epidemics’ of teenage pregnancy and ‘amazing rises’ in illegitimacy are part of a recurrent moral panic about the social implications of sexual nonconformity. Simultaneously, major social surveys attempt to provide empirical assessments of actual sexual behaviour. There is often a yawning gulf between the images created by press and politicians and the experiences of their subjects. Similarly, in the 1850s when statistics first ruptured the cosy notion that rural Scotland was the home of all that was virtuous and that vice inhabited the cities, perplexed clerics and reformers set about creati
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Abou Adel, Mohammed Ahmed. "The Oedipus complex in fiction." Environment and Social Psychology 8, no. 1 (2023). http://dx.doi.org/10.18063/esp.v8.i1.1601.

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This study aims to know The Bookseller’s Notebooks intersects with The Hunchback of Notre Dame and Oedipus Rex. We analyze the novelist’s proficiency at expressing contemporary human issues innovatively and artistically, focusing on the emotional struggle between parents and children. In particular, the study sheds light on the emotional and social struggles suffered by a marginalized, despised, and rejected societal group, namely illegitimate children (foundlings). The study’s findings suggest that more comparative studies of intertextuality between non-local works of literature should be att
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7

Vella Bonavita, Helen, and Lelia Green. "Illegitimate." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.924.

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Illegitimacy is a multifaceted concept, powerful because it has the ability to define both itself and its antithesis; what it is not. The first three definitions of the word “illegitimate” in the Oxford English Dictionary – to use an illegitimate academic source – begin with that negative: “illegitimate” is “not legitimate’, ‘not in accordance with or authorised by law”, “not born in lawful wedlock”. In fact, the OED offers eight different usages of the term “illegitimate”, all of which rely on the negation or absence of the legitimate counterpart to provide a definition. In other words, somet
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"Embroidering the scarlet A: unwed mothers and illegitimate children in American fiction and film." Choice Reviews Online 53, no. 02 (2015): 53–0643. http://dx.doi.org/10.5860/choice.192609.

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Starrs, Bruno. "Hyperlinking History and Illegitimate Imagination: The Historiographic Metafictional E-novel." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.866.

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‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Linda Hutcheon in 1988, and which refers to the postmodern practice of a fiction author inserting imagined--or illegitimate--characters into narratives that are intended to be received as authentic and historically accurate, that is, ostensibly legitimate. Such adventurous and bold authorial strategies frequently result in “novels which are both intensely self-reflexive and yet paradoxically also lay claim to historical events and personages” (Hutcheon, A Poetics 5). They can be so entertaining and
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Bond, Sue. "Heavy Baggage: Illegitimacy and the Adoptee." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.876.

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Teichman notes in her study of illegitimacy that “the point of the legitimate/illegitimate distinction is not to cause suffering; rather, it has to do with certain widespread human aims connected with the regulation of sexual activities and of population” (4). She also writes that, until relatively recently, “the shame of being an unmarried mother was the worst possible shame a woman could suffer” (119). Hence the secrecy, silences, and lies that used to be so common around the issue of an illegitimate birth and adoption.I was adopted at birth in the mid-1960s in New Zealand because my mother
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Books on the topic "Illegitimate children – Fiction"

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MacNeil, Beatrice. Butterflies dance in the dark. Key Porter Books, 2002.

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Grey, Zane. To the last man. Phoenix Rider, 2008.

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Bretton, Barbara. Just desserts. Jove Books, 2008.

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Agbatah, B. E. Mother, am I a bastard ? Oktek Publishers, 2006.

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Bretton, Barbara. Just desserts. Wheeler Pub., 2008.

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Undset, Sigrid. Jenny. Aschehoug, 2005.

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Undset, Sigrid. Jenny. Aschehoug, 2006.

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Undset, Sigrid. Jenny: Roman. Ullstein, 1988.

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Undset, Sigrid. Jenny: A novel. Steerforth Press, 2002.

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10

Topor, Tom. The codicil. Headline Feature, 1995.

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Book chapters on the topic "Illegitimate children – Fiction"

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Livesay, Daniel. "Tales of Two Families, 1793–1800." In Children of Uncertain Fortune. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469634432.003.0006.

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This chapter charts the experiences of mixed-race migrants competing with legitimate relatives in Britain. In particular, it examines a number of inheritance lawsuits between Jamaicans of color in Britain and their white relatives over a shared colonial estate. It contends that constrictions in the definition and legal standing of kinship at the turn to the nineteenth century suddenly made mixed-race Jamaicans improper members of extended, Atlantic families. Increasing discomfort with mixed-race family members is also demonstrated in sentimental fiction at the time. The chapter assesses a large number of novels and fictional tracts in the last decade of the eighteenth century that included migrants of color as key characters in their stories. The inclusion of such characters was employed to excoriate the illegitimacy, marginal position, and racial divergence of mixed-race people in Britain. Finally, the chapter traces the experiences of the mothers of color left in Jamaica and the ways they attempted to advocate for their children across the Atlantic.
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