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Books on the topic 'Illinois (Indiens)'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Gravier, Jacques. Relation de ce qui s'est passé dans la Mission de l'Immaculée Conception au pays des Ilinois [sic]: Depuis le mois de mars 1693, jusqu'en février 1694. [Manate, New York?: s.n.], 1985.

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2

The Indians of Illinois. Bowie, Md: Heritage Books, 1991.

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3

AAA (Organization : U.S.). Illinois, Indiana & Ohio. Heathrow, FL: AAA Pub., 2001.

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4

US GOVERNMENT. An Act for granting lands to the inhabitants and settlers at Vincennes and the Illinois country, in the territory north-west of the Ohio, and for confirming them in their possessions. [Philadelphia?: s.n., 1986.

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5

Matson, N. French and Indians of Illinois River. Carbondale: Southern Illinois University Press, 2001.

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6

Association, American Automobile. Illinois, Indiana & Ohio tourbook [2007]. 2nd ed. Heathrow, FL: AAA Pub., 2007.

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7

Fairs & festivals: Illinois, Indiana & Ohio. Oaks, Pa: Country Roads Press, 1996.

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8

Finnigan, Jerry. The Woodlock families of Illinois and Indiana. Gilbert, Ariz: Jerry Finnigan, 2004.

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9

Corporation, Exxon Mobil. Southern Great Lakes 2006: Illinois, Indiana, Ohio. Lincolnwood, Ill: ExxonMobil Travel Publications, 2006.

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10

Shepherd, Dave. Mountain biking the Midwest: Ohio, Indiana, Illinois. Birmingham, Ala: Menasha Ridge Press, 1995.

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11

Munbrun, Truman Weldon De. An outline condensation of the American West: The Illinois country, 1673-1818 by Clarence Walworth Alvord, as it relates to Boucher de Montbrun family history. Greenville, KY: B.C. Ross, 1986.

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12

Archives, Inc Automated. Marriage records series: Illinois, Indiana, Kentucky, Ohio, Tennessee. [Orem, Utah]: InfoLink Technology, 1993.

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13

Meeting, American Quaternary Association. Quaternary records of northeastern Illinois and northwestern Indiana. Urbana, Ill: Illinois State Geological Survey, 1986.

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14

Illinois in the War of 1812. Urbana: University of Illinois Press, 2012.

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15

L, Asch David, ed. Central Illinois expressway archeology. Kampsville, Ill: Published for the Illinois Dept. of Transportation by the Center for American Archeology, Kampsville Archeological Center, 1989.

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16

Priest, George E. The great winged monster of the Piasa Valley: The legend of the Piasa. Mt. Vernon, IN: Windmill Publications, Inc., 1998.

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17

Stout, Steve. Legend of Starved Rock. [Utica, IL]: Utica House Pub. Co., 2000.

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18

University of Illinois at Urbana-Champaign. Cooperative Extension Service. Illinois/Indiana vegetable production guide for commercial growers, 1992. [Urbana, Ill.]: University of Illinois at Urbana-Champaign, College of Agriculture, Cooperative Extension Service, 1991.

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19

Blair, John P. Current regional issues: Illinois, Indiana, Michigan, Minnesota, Ohio, Wisconsin. Fort Worth: Dryden Press, 1994.

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20

Penny, James S. The prehistoric peoples of Southern Illinois. [Carbondale]: Center for Archaeological Investigations, Southern Illinois University at Carbondale, 1986.

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21

Ekberg, Carl J. Stealing Indian women: Native slavery in the Illinois Country. Urbana, IL: University of Illinois Press, 2008.

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22

Ekberg, Carl J. Stealing Indian women: Native slavery in the Illinois Country. Urbana: University of Illinois Press, 2007.

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23

Costa, David J. The Miami-Illinois language. Lincoln: University of Nebraska Press, 2003.

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24

A, Pennypincher, and Tightwad A, eds. Outlet guide.: Illinois, Indiana, Iowa, Michigan, Minnesota, Missouri, Ohio, Wisconsin. 2nd ed. Old Saybrook, Conn: Globe Pequot Press, 1993.

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25

The mountain biker's guide to the Midwest: Ohio, Indiana, Illinois. Birmingham, Ala: Menasha Ridge Press, 1995.

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26

Glatfelter, D. R. Floods of March 1982 in Indiana, Ohio, Michigan, and Illinois. Washington: U.S. G.P.O., 1988.

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27

Bill, Lee. Oswald and Oswalt in parts of Illinois, Indiana and Iowa. La Feria, TX (P.O. Box 321, 78559): B. and L. Lee, 2008.

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28

Marsh, Carole. Illinois Indians. Gallopade International, 2004.

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29

Ekberg, Carl J., and Sharon K. Person. Slaves: African and Indian. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038976.003.0008.

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This chapter examines the role played by African and Indian slaves in early St. Louis. Indians had practiced slavery long before European explorers, traders, and colonizers arrived on North American shores. Profitable, market-oriented agriculture developed in the Illinois Country as early as the 1720s, and slaves (especially Africans) were used as field hands. In French Illinois, Indian as well as African slaves had been present since the early eighteenth century, and especially at the founding of St. Louis in 1764. Slaves appear only marginally in most studies of colonial St. Louis, which tend to dwell on the fur trade and commercial relations with Missouri Valley Indians. This chapter looks at the village's slave population during the first decade of the settlement's existence. In particular, it considers how slaves became integrated into the life of the growing village. It also describes public auctions of slaves in the Illinois Country and the lives of early St. Louis slaves. Finally, it discusses the Grotton–St. Ange family's firsthand experience with the Indian slave trade.

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30

Manschot, William. The Indians of Illinois. Gateway Productions, 1989.

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31

Books, Scholastic. Encyclopedia of Illinois Indians. Native American Books Distributor, 1999.

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32

Coward, John M. Illustrating Indian Lives. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0003.

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This chapter looks at the work of William de la Montagne Cary and other artists who drew pictures of Indians living their lives—pictures of peaceful Indians that often drew less attention than more action-oriented pictures of war and conflict. It studies illustrations of activities such as dancing and hunting, as well as burial rites, male–female relations, and Indians engaged in work and play—topics often overlooked in studies of Indian illustrations. Artists made these pictures to fulfill a specific journalistic function: to show white Americans what Indians looked like and how they lived their lives. Thus, the focus for many Indian pictures was on significant and visible differences between whites and Indians—ceremonies, customs, social practices, and other “Indian” activities—all of which made clear that Indians were different from civilized Americans.

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33

Coward, John M. Posing the Indian. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0002.

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This chapter examines Indian portraits, one of the earliest and most common ways that Indian faces and bodies came to the pages of the illustrated press. Stereotyping was a routine part of this representational process. Indian portraits emphasized Indian physiognomy, especially facial features that marked the subjects as Indians—dark skin, dark hair, prominent noses, and high cheekbones. These illustrations also highlighted cultural signs such as feathers, necklaces and beads, blankets, and buckskin clothing. In some cases, photographs were altered to remove non-Indians or to shift the subject from the studio to the plains. In all these ways the illustrated press portraits staged Indians for public scrutiny with little ambiguity about their racial identity. This sort of representation reinforced racial differences, placing Indians in an inferior racial category and making distinctions between civilized whites and “savage” Indians that no nineteenth-century reader was likely to miss.

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34

Coward, John M. Making Sense of Savagery. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0007.

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This chapter looks at Indian cartoons in the Daily Graphic, a New York paper that became the nation's first illustrated daily paper. It compares cartoon Indians before and after the Battle of the Little Bighorn, the fight that captured the public's imagination and quickly became the most famous battle between plains Indians and the U.S. Army. Like much of the press, the Graphic demonized the Sioux in the weeks following the battle, though it soon moderated its tone and published more tempered Indian images. Its editorials identified some good Indians, even among the hostile Sioux, and its anti-Indian cartoons disappeared. The paper's news illustrations reinforced this moderate tone, depicting Indians in more neutral terms.

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35

Coward, John M. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0010.

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This concluding chapter argues that Indians were portrayed in a number of ways across the last decades of the nineteenth century, most of them following familiar stereotypes and patterns of visual and linguistic representation. In general, the pictorial press represented Indians as racial outsiders and cultural curiosities, usually in an “us versus them” manner where Euro-American standards and values were the norm and Indian standards and values were abnormal and thus deviant. This was a journalistic form of racial simplification and cultural “othering” that almost always separated Indians from whites. This separation, in turn, was the inevitable result of nineteenth-century ideas about race and racial difference and it played out in the pictorial press in Indian images that made Indians nearly always appear “Indian” to one degree or another.

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36

Travel Smart: Illinois/Indiana. Avalon Travel Publishing, 1999.

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37

Association, American Automobile, ed. Illinois, Indiana & Ohio tourbook. 2nd ed. Heathrow, FL: AAA Pub., 2005.

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38

Company, General Drafting. Illinois, Indiana, Road Map. General Drafting Co., 2003.

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39

Ekberg, Carl J., and Sharon K. Person. End of an Era. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038976.003.0011.

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This chapter reflects on Louis St. Ange de Bellerive's diplomatic work with various Indian tribes during his lifetime. From the time that St. Ange was stationed with his father at Fort St. Joseph until he arrived at St. Louis as commandant in October 1765, he dealt with Indians of one tribe or another on a daily basis. His entire adult life was all about Indians, not only in the public arena, but also about the Indian women who bore his children. In discussing Indian affairs, St. Ange never once suggested employing force of any kind as an instrument of policy. Although a military man, his passion, his knowledge, and his skill lay in diplomacy, not warfare. This chapter discusses St. Ange's attitude toward Indians as well as his concubines, his Indian slaves, and the last seventeen months of his life, which he spent in the residence of Marie-Thérèse Bourgeois Chouteau. St. Ange was found dead in his bed on December 27, 1774.

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40

Ekberg, Carl J., and Sharon K. Person. The Rise of Louis St. Ange de Bellerive. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038976.003.0002.

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This chapter traces Louis St. Ange de Bellerive's slow ascent to power during the three decades preceding the French and Indian War, with particular emphasis on his rise as an Indian diplomatist and important Illinois Country administrator during his command of the outpost of Vincennes on the east bank of the Wabash (Ouabache) River. St. Ange's peculiar calling was Indian diplomacy. He spent his entire adult life conducting intricate, peaceful negotiations with Indians. The chapter begins with a discussion of St. Ange's appointment as commandant for the Wabash post vacated by François-Marie Bissot de Vincennes, along with the gradual disintegration of the anti-French coalition that left the Wabash Valley in relative peace during the French and Indian War. It then considers St. Ange's establishment of a traditional Illinois Country settlement at Vincennes and his eventual departure on May 18, 1764 to replace Neyon de Villiers as commandant at Fort de Chartres.

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41

Coward, John M. Remington’s Indian Illustrations. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0008.

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This chapter examines the Indian illustrations of Frederic Remington, widely acclaimed today as the most famous Western illustrator and painter. Remington, who was too young to cover the major Indian wars, nevertheless created a number of significant Indian war images, including important but highly fictionalized Last Stand illustrations that shaped ideas about Indian fighting for several generations of Americans. Remington's Indian illustrations were clearly shaped by his belief in a racial hierarchy that placed whites atop the ladder of civilization. For Remington, Indians were a barbarous and inferior people doomed to disappear if they did not adopt civilized habits and beliefs. However, Remington was not absolute in his negative views of Indians; he praised Indian men for their fierceness and admired their bravery and masculine power. In short, Remington thought of Indian men as colorful, living symbols of a savage race and he was fascinated by their mysterious ways.

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42

Matson, N. French And Indians Of Illinois River. Kessinger Publishing, LLC, 2007.

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43

Matson, N. French And Indians Of Illinois River. Kessinger Publishing, LLC, 2007.

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44

American Automobile Association. Illinois, Indiana, Ohio (AAA TourBooks). Automobile Association, 1989.

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45

Encyclopedia of Illinois Indians-2 volume set. Scholarly Press, 1998.

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46

Da Costa, Dia. When Victims Become Entrepreneurs. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040603.003.0002.

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This chapter historically locates the creative economy global discursive regime in the Indian context whilst challenging the presumed newness of creative economy policy. Tracing Indian policy debates over culture and development since the 1950s, it demystifies the seeming contradictions between disjuncture and continuity in policy by considering the sentiments deployed in India’s planning process. India’s political economic transition from development nationalism to neoliberal capitalism is accompanied by a shift from sentimental nationalism and its pity for artisanal victims of planned industrialization in the 1950s toward sentimental capitalism and its optimism about the poor’s artistic entrepreneurialism in the new millennium. Hindu culturalisms and neoliberal commodification combine to sell pride and optimism as means of reinventing Indian heritage—lending a global discourse traction.

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47

Santella, Andrew. Illinois Native Peoples (State Studies: Illinois). Heinemann, 2002.

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48

Davé, Shilpa S. Indian Gurus in the American Marketplace. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037405.003.0005.

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This chapter explores how, in the comedic parodies The Guru (2002) and The Love Guru (2008), new-age spirituality is used as an Indian accent to reflect on the strange, foreign practices of Indians and at the same time to show the American desire for difference. It discusses how the role of the Indian guru is predicated on stereotypical cultural performances for American consumption. The performance of brownface by Mike Myers as Guru Pitka in The Love Guru repeats stereotypes Peter Sellers created fifty years earlier. British Indian actor Jimi Mistry in The Guru, on the other hand, offers a response and a critique to racialized performances of brown voice and brownface when he plays an Indian actor attempting to do brownface performances to cater to the expectations of his American admirers.

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49

Corporation, Exxon Mobil, ed. Mobil travel guide.: Illinois, Indiana, Ohio. Lincolnwood, Ill: ExxonMobil Travel Publications, 2007.

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50

Survey, United States Geological. Jackson Park quadrangle, Illinois--Indiana, 1998. For sale by the Survey, 1999.

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