Academic literature on the topic 'Illuminated manuscripts of the Middle Ages'

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Journal articles on the topic "Illuminated manuscripts of the Middle Ages"

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Černý, Jiří, and Soňa Černá. "Die Organisation des Losbuchs mit 32 Fragen in den Handschriften aus Olmütz, Heidelberg und Edinburgh." Studie o rukopisech 54, no. 1-2 (2024): 7–35. https://doi.org/10.54681/str.2024.1_2.01.

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The collections of the Regional Museum in Olomouc include under the title Olmützer Losbuch a German-language illuminated manuscript. It is an example of a type of lot or oracle book widespread in the Middle Ages, namely the text Losbuch mit 32 Fragen. The study examines the organisation of the Olomouc copy as well as the interconnection of its textual and pictorial elements, and it compares the manuscript with related codices from Heidelberg and Edinburgh. In particular, it analyses and compares the individual patterns, i.e. the elements that help the reader understand the structure and conten
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Farmer, Thomas. "Richard K. Emmerson, Apocalypse Illuminated: The Visual Exegesis of Revelation in Medieval Illustrated Manuscripts. University Park, PA: Pennsylvania State University Press, 2018, 269 pp., 100 illus." Mediaevistik 31, no. 1 (2018): 311. http://dx.doi.org/10.3726/med012018_311.

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The Book of Revelation continues to fascinate and frighten Christians in equal measure. In 2017, a self-proclaimed “Christian numerologist” using the pen name “David Meade” claimed that a rogue planet would collide with Earth on September 23, 2017, thereby inaugurating the End Times; he based his claims, in part, on his reading of Revelation 12 (when the cataclysm failed to occur, he revised his prediction to October 15 and then October 21). The Middle Ages also saw a sustained interest in Revelation, one measure of this being the large number (over 130) of surviving illuminated manuscripts of
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Lenković, Mirela. "The Danse Macabre of the Beram Frescoes in the Chapel of sv. Marija na Škrilinah." Obnovljeni život 73., no. 3 (2018): 409–10. http://dx.doi.org/10.31337/oz.73.3.7.

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The Danse Macabre as an iconographic theme appears in the Middle Ages across all of Europe carrying within it a message of the equality among people regardless of their station in life. Medieval artists used the various templates available to them: Biblia pauperum, Meditationes Vitae Christi, Legenda aurea, artistic templates, woodcuts, illuminated manuscripts, and the like. Scenes of the dying and death of ordinary people were not a theme of iconographic content prior to the Late Middle Ages, but rather begin to appear in the 14th century. There emerge at that time several categories of icono
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Wettlaufer, Jörg. "Visual Representations of Weddings in the Middle Ages: Reflections of Legal, Religious, and Cultural Aspects." Religions 15, no. 8 (2024): 1011. http://dx.doi.org/10.3390/rel15081011.

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Wedding rituals and ceremonies have been depicted in various forms of literature, art, and illuminated manuscripts in medieval times. These representations offer valuable insights into the cultural, religious, and social aspects of weddings during that period. This article considers the state of research on visual representations of the wedding ceremony in the Middle Ages and how these pictures reflect legal, religious, and cultural/social aspects of medieval life in Europe. Using examples from various religious, literary, and legal texts, several questions will be addressed: In which contexts
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Karas, Hilla. "Illustrated translations longing for the Middle Ages, exemplified by modern french versions of Aucassin et Nicolette." Punctum. International Journal of Semiotics 06, no. 01 (2020): 161–83. http://dx.doi.org/10.18680/hss.2020.0008.

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The relations between the verbal component, the visual component, and the translational aspect of a given text have been discussed and described by translation scholars and semioticians in a diversity of manners. A significant graphic element may be introduced during the translation production, usually in dialogue with the verbal one, thus creating a new intersemiotic text. Medieval manuscripts are known for offering their readers illustrations, miniatures, rubrics, decorated initials, colored and gilded details, and other visual ingredients. As a result, the codex functions as an essential in
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English, Edward D. "Review: Toward a Global Middle Ages: Encountering the World Through Illuminated Manuscripts, by Bryan C. Keene." Journal of Medieval Worlds 2, no. 3-4 (2020): 134–37. http://dx.doi.org/10.1525/jmw.2020.2.3-4.134.

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Hamburger, Jeffrey F. "Toward a Global Middle Ages: Encountering the World through Illuminated Manuscripts ed. by Bryan C. Keene." Common Knowledge 27, no. 1 (2021): 114–15. http://dx.doi.org/10.1215/0961754x-8723177.

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Hansen, Valerie. "Toward a Global Middle Ages: Encountering the World Through Illuminated Manuscripts ed. by Bryan C. Keene." Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies 5, no. 2 (2020): 335–38. http://dx.doi.org/10.1353/mns.2020.0019.

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Melo, Maria João, Paula Nabais, Maria Guimarães, et al. "Organic dyes in illuminated manuscripts: a unique cultural and historic record." Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences 374, no. 2082 (2016): 20160050. http://dx.doi.org/10.1098/rsta.2016.0050.

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In this study, we successfully addressed the challenges posed by the identification of dyes in medieval illuminations. Brazilwood pigment lakes and orcein purple colours were unequivocally identified in illuminated manuscripts dated by art historians to be from the thirteenth to the fifteenth centuries and in the Fernão Vaz Dourado Atlas (sixteenth century). All three works were on a parchment support. This was possible by combining Raman microscopy and surface-enhanced Raman spectroscopy with microspectrofluorimetry. To the best of our knowledge, this is the first time that brazilein, the mai
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McWebb, Christine. "Christine de Pizan's Lady Reason and the Book in Beinecke MS 427." Florilegium 18, no. 1 (2001): 83–96. http://dx.doi.org/10.3138/flor.18.007.

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Johan Huizinga describes the waning Middle Ages as an epoch saturated with symbols and images. The numerous cathedrals and monuments from this period confirm the point, with their multitude of allegorical scenes depicted in murals and on pillars inside and out. The same can be said of those illuminated manuscripts so lavishly and carefully done that they transmit the message of the text on a pictorial level. During the Middle Ages, the image seemed to occupy a central role with regard to the perception of a given manuscript. In fact, the prestige of a manuscript was often tied to the quality a
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Dissertations / Theses on the topic "Illuminated manuscripts of the Middle Ages"

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Meyer, Linda M. "Discovering the Nuances in the Book of Hours of the Virgin: A Book of Hours in the Toledo Museum of Art (1955.28)." University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1305040445.

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O'Neill, Mary Julianne Louise. "Questions of transmission and style in trouvere song." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.259520.

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McGoldrick, Lynne. "The literary manuscripts and literary patronage of the Beauchamp and Neville families in the Late Middle Ages, 1390-1500." Thesis, Northumbria University, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.354372.

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Depnering, Johannes M. "Sermon manuscript in the late Middle Ages : the Latin and German codices of Berthold von Regensburg." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:f76c3e99-6d2a-417e-9088-58766c17cfb4.

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This thesis on medieval sermon manuscripts aims to increase our understanding of the Franciscan Berthold von Regensburg, who is considered to be the most significant German preacher of the late Middle Ages. For this reason, I have selected twenty-one Latin and six German codices, dating from the thirteenth to the fifteenth century. These codices have been analyzed to identify the writing material, internal structure and paratextual features. The underlying idea is that the codicological and paratextual organisation delivers insight not only into the date and provenance of the manuscripts, but
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Trombley, Justine Lida. "The mirror broken anew : the manuscript evidence for opposition to Marguerite Porete's Latin 'Mirror of simple souls' in the later Middle Ages." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6313.

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This thesis examines three manuscripts which demonstrate negative attitudes towards the Latin translation of the fourteenth-century Old French mystical work The Mirror of Simple Souls, written by Marguerite Porete. Marguerite was burned at the stake for heresy in Paris in 1310, and her Mirror was also condemned and meant to be destroyed. The Mirror survived inquisitorial efforts to exterminate it, was translated into Italian, Middle English, and Latin, and became accepted and valued by many religious circles in the later fourteenth and early fifteenth centuries. Examination of the Latin manusc
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Brefeld, Josephie. "A guidebook for the Jerusalem pilgrimage in the late Middle Ages a case for computer-aided textual criticism /." Hilversum : Verloren, 1994. http://catalog.hathitrust.org/api/volumes/oclc/30968186.html.

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Iacobellis, Lisa Daugherty. "“Grant peine et grant diligence:” Visualizing the Author in Late Medieval Manuscripts." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500504999935605.

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Studer, Monika Beatrice. "Exempla im Kontext : Untersuchungen zur Sammelhandschrift Berlin, Staatsbibliothek, mgf 863 aus dem Strassburger Reuerinnenkloster." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:2f7ac871-523f-4fe6-aec3-e52b9eceb1b0.

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The manuscript Berlin, SBB-PK, mgf 863 was written in about 1430 to 1435 and contains more than 600 short narrative texts in German prose (with some Latin insertions). Among them is the collection of the ›Alemannische Vitaspatrum‹ as well as an additional, extensive and multifarious exempla corpus, which mostly contains translations from well-known Latin collections such as – for example and most prominently – Caesarius' of Heisterbach ›Dialogus miraculorum‹. Because of the specific composition of the corpus and its large extent, mgf 863 builds an excellent basis for the investigation of exemp
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Walls, Abby. "Libro de las claras e virtuosas mugeres: A Critical Edition and Study of Alvaro de Luna's 15th Century Castilian Manuscripts." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/187515.

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Spanish<br>Ph.D.<br>The purpose of this dissertation is to produce a critical edition of Álvaro de Luna's 15th century manuscript, Libro de las claras e virtuosas mugeres. This Castilian text is a compilation of biographies of good and virtuous women similar to that of the widely studied De claris mulieribus by Giovanni Boccaccio. Scholars however, have neglected Luna's version for various reasons that are discussed within this dissertation. Libro de las claras e virtuosas mugeres is a significant work because it complements other texts within the genre of defense literature and provides a goo
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Rock, Catherine A. "Romances Copied by the Ludlow Scribe: Purgatoire Saint Patrice, Short Metrical Chronicle, Fouke le Fitz Waryn, and King Horn." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1207073118.

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Thesis (Ph. D.)--Kent State University, 2008.<br>Title from PDF t.p. (viewed May 29, 2008). Advisor: Susanna Fein. Keywords: British Library; manuscripts; scribal studies; manuscript studies. Includes bibliographical references.
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Books on the topic "Illuminated manuscripts of the Middle Ages"

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Noel, Humphreys Henry. The Illuminated Books of the Middle Ages. Bracken Books, 1989.

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Pächt, Otto. Book illumination in the Middle Ages: An introduction. Harvey Miller, 1986.

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Sam Fogg Rare Books & Manuscripts (Firm). Treasures from the Middle ages: A selection of illuminated manuscripts and works of art. Sam Fogg, 1995.

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(Firm), Bernard Quaritch. Bookhands of the Middle Ages.: Medieval manuscripts. B. Quaritch, 2007.

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(Firm), Bernard Quaritch. Bookhands of the middle ages: Part III. Bernard Quaritch Ltd., 1988.

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(Firm), Bernard Quaritch. Bookhands of the middle ages: Part II. Bernard Quaritch Ltd., 1985.

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Sam Fogg Rare Books & Manuscripts (Firm). Text manuscripts of the Middle Ages and Renaissance. Sam Fogg, 1992.

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Light, Laura. Shared language: Vernacular manuscripts of the Middle Ages. Paul Holbertson Publishing, London for Les Enluminures, 2018.

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Shaw, Henry. Alphabets and numbers of the Middle Ages. Barnes & Noble, 1994.

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Santosuosso, Alma C. Letter notations in the Middle Ages. Institute of Mediaeval Music, 1989.

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Book chapters on the topic "Illuminated manuscripts of the Middle Ages"

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Bartal, Renana. "Ducitur et reducitur: Passion Devotion and Mental Motion in an Illuminated Meditationes Vitae Christi Manuscript (Oxford, Corpus Christi College, MS 410)." In Cultural Encounters in Late Antiquity and the Middle Ages. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.celama-eb.5.103092.

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Fredell, Joel. "Ricardian Confessio Manuscripts in Lancastrian England." In The New Middle Ages. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-27964-5_7.

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Collette, Carolyn P., and Harold Garrett-Goodyear. "Book Production: The World of Manuscripts, Patrons, and Readers." In The Later Middle Ages. Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-1-137-28510-2_6.

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Rogos-Hebda, Justyna. "Making Sense of Abbreviation in Late Middle English Literary Manuscripts." In The New Middle Ages. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-68613-9_8.

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Da Rold, Orietta, and Mary Swan. "Linguistic Contiguities: English Manuscripts 1060–1220." In Studies in the Early Middle Ages. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.sem-eb.4.8013.

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Rogos-Hebda, Justyna. "Abbreviations in Late Middle English Literary Manuscripts: Evolution of Forms and Functions." In The New Middle Ages. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-68613-9_7.

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Scragg, Donald. "Old English Manuscripts, their Scribes, and their Punctuation." In Studies in the Early Middle Ages. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.sem-eb.1.100484.

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Brown, Michelle P. "‘Excavating’ Northumbrian Manuscripts: Reappraising Regionalism in Insular Manuscript Production." In Studies in the Early Middle Ages. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.sem-eb.1.100499.

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Palmer, Nigel F. "Manuscripts for Reading: The Material Evidence for the Use of Manuscripts Containing Middle High German Narrative Verse." In Orality and Literacy in the Middle Ages. Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.usml-eb.3.4248.

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Toswell, M. J. "The Codicology of Anglo-Saxon Homiletic Manuscripts, Especially the Blickling Homilies." In Studies in the Early Middle Ages. Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.sem-eb.3.3778.

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Conference papers on the topic "Illuminated manuscripts of the Middle Ages"

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Cartelli, Antonio, Luisa Miglio, and Marco Palma. "New Technologies and New Paradigms in Historical Research." In 2001 Informing Science Conference. Informing Science Institute, 2001. http://dx.doi.org/10.28945/2417.

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After a short introduction on media evolution and their implications on human history the paper presents the results of two experiences held by the authors while using new technologies in disseminating bibliographical and historical information. The former experience concerns the Web publication of a bibliography on Beneventan manuscripts and arises from the need of overcoming the long edition times of printed information. It also proposes itself as an online resource for all researchers involved in studies on the South Italian book script in the Middle Ages. The latter one originates from mos
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Tong, Ling. "THE MANUSCRIPT CULTURE OF CONFUCIANISM AND BUDDHISM IN THE WEI, JIN, NORTHERN AND SOUTHERN DYNASTIES, SUI AND TANG CHINA." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.18.

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The Medieval China is a “Manuscript era”. The four divisions of Jing, Shi, Zi, Ji, and the documents of Buddhism and Taoism, all have to be considered based on this general background. For the first part of this paper, the keyword used in the comparison with “Buddhism” in the Medieval China is “Confucianism” rather than “Confucian classics”. Then, the concept and classification of Jiyi (collection of the lost parts of classics) are explained. The second part, starting from the newly published Lunyu Yi shu in Japan in 2020 and integrating with Jiang Zhou yi shulunjia yi ji and other manuscripts
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