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Journal articles on the topic 'Illustration'

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1

Grove, Jaleen. "What is illustration? A shadowy definition for illustration research." Journal of Illustration 11, no. 1 (2024): 21–44. http://dx.doi.org/10.1386/jill_00083_1.

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The field of artistic research in illustration requires an updated definition of illustration to accompany recent exploratory research methods, concepts and media. A consideration of the etymology of ‘illustration’ and ‘illumination’ leads to the pre-Latin root, leuk (‘light’), and the problematic conflation of illustrating with enlightenment. Referring to Derrida’s Socratic theory of illustration and critique of mimicry, I argue for expanding illustration definitions to include ‘shadows’ – illustration’s propensity to mislead or falsify. I adopt the ancient word ghel (‘glow’) to recuperate th
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Lalić-Vučetić, Nataša, and Nada Ševa. "Odnos teksta i ilustracije - perspektiva ilustratora i učitelja." Inovacije u nastavi 34, no. 2 (2021): 44–62. http://dx.doi.org/10.5937/inovacije2101044l.

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Illustrations as an effective means of communication help children to understand what they have read, enriching at the same time their vocabulary and ultimately influencing children's motivation and achievement. The aim of this paper is to determine how teachers and illustrators perceive and understand the relationship between a text and an illustration in a primer. A qualitative research was conducted using a focus group with primary school teachers and an interview with an illustrator. The research results show that from the illustrator's and teachers' narratives one can single out, on one h
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Sinaga, Dongan Maruli Tua, and R. Triyanto. "Tinjauan Ilustrasi Cover Novel Harry Potter Edisi Indonesia Karya Nicolas Fiber Ditinjau Dari Elemen Visual." Journal of Education, Humaniora and Social Sciences (JEHSS) 3, no. 1 (2020): 265–72. http://dx.doi.org/10.34007/jehss.v3i1.292.

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The cover illustration of the Harry Potter novel has many variants in various parts of the world, by bringing their respective nusions represented by each element presented by the illustrator. The cover illustration of the Indonesian edition of the Harry Potter novel by Nicholas Filbert is one of the official covers of the Indonesian edition of the Harry Potter novel. By reviewing the visual elements presented by the illustrator qualitatively, it can be seen that the visual elements are related to the concepts and nuances offered by the illustrator. This study aims to review the visual element
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Agah, Masoud Mojaveri. "The Structure of Discourse: Visual Semiotic in Picture book of "Creation" by Wolf Erlbruch." European Journal of Interdisciplinary Studies 4, no. 1 (2018): 43. http://dx.doi.org/10.26417/ejis.v4i1.p43-48.

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Illustration of children's books, such as the concept of childhood, has been shaped by a wide range of different choices, and each Illustrator finds a way to link and communicate with the text through the discourse device. Discourse means applying the language through individual action, illustration, also depicts the discourse of the work in the type of function and language manifestation; A language that in expression has a function different from that of a particular language which leads to a kind of active search in collective cultural visual memory. Although both the writing material and t
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Dai, Jiatong ‘Diana’. "The neurological basis for non-visual illustration." Journal of Illustration 12, no. 1 (2025): 61–66. https://doi.org/10.1386/jill_00117_7.

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This article breaks down the neurological process of visual processing and mental imagery to explore the possibilities of applying illustrative methods to create non-visual illustration for visually impaired people. With illustration as a visual means of communication, this article poses the question of whether there is a theoretical precedent for creating visual imagery in the minds of blind people. Can non-visual illustration be effective? This is explored through looking at the functions of visual perception, visual imagery and mental imagery, and how these manifest in the visual cortex of
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Cook, Nina Elisabeth. "Illustration as Simile: Conversations between Visual and Textual in Tales from Shakespeare." CEA Critic 86, no. 1 (2024): 27–45. http://dx.doi.org/10.1353/cea.2024.a922348.

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Abstract: The relationship between word and image reached new levels of complexity with the rise of illustration in the late-eighteenth and nineteenth centuries. Scholars in recent years have argued for the visual arts as not merely a means of textual enrichment but also as interpretation and critique, a view particularly prevalent in studies of nineteenth-century paintings of Shakespearean subjects. While many of these contemporary studies center on painting, this theory of the critical role of visual art can be applied to illustration. Taking the oeuvre of Victorian illustrator John Moyr Smi
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Bulduk, Banu. "Contemporary illustration methods and new application areas on illustrations: Interaction induced animated illustrations." New Trends and Issues Proceedings on Humanities and Social Sciences 3, no. 5 (2017): 47–55. http://dx.doi.org/10.18844/prosoc.v3i5.1960.

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8

Luo, Yang, and Yuewu Lin. "Effects of Illustration Types on the English Reading Performance of Senior High School Students with Different Cognitive Styles." English Language Teaching 10, no. 9 (2017): 1. http://dx.doi.org/10.5539/elt.v10n9p1.

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Illustration is always used as an example to make the written text or the utterance more clear in general. In Winarski’s opinion (1997), one picture equals thousands of words. That is to say, illustrations are capable to express the meaning of unfamiliar language or a great deal of information in the reading material by vivid pictures, tables, drawings, paintings and so on. As a result, illustrations are applied to many different fields including English language teaching. Based upon Song’s 3 types of illustration classification (2005), decorational illustrations, explainable illustrations and
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Negin, Amin Dehkordi, and Raju Valliappan. "Children's Book Illustration for Preschool and Primary Education in Iran: A Visual Analysis of Digital and Traditional Styles in Picture Book." International Journal of Innovative Science and Research Technology 7, no. 6 (2022): 739–59. https://doi.org/10.5281/zenodo.6806617.

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Illustration is folk art through which the illustrator conveys ideas and concepts to the audience. The artist's awareness of different illustration methods leads to better communication with the viewer. In this regard, the views of the audience, the publisher, and the author are influential on the illustrator's choices in the execution of the artwork [1]. Contemporary Iranian illustration arises from the experiences of Iranian illustrators of the past decades, influenced by European methods and combining it with indigenous, traditional, and ethnic characteristics. Despite all the effor
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Blum, Ann. ""A Better Style of Art": The Illustrations of the Paleontology of New York." Earth Sciences History 6, no. 1 (1987): 72–85. http://dx.doi.org/10.17704/eshi.6.1.5635758n4521384g.

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James Hall, like other authors and editors of 19th-century American state and federal surveys, learned first hand that publishing illustrations was time-consuming, frustrating and expensive. But illustrations were indispensible, providing the graphic communication of morphology that justified the author's taxonomic decisions. That essential information, however, passed through the hands of an illustrator and either an engraver or lithographer before it reached the scientific audience that would test and judge it. Artists and printers, therefore, needed close supervision; plates required carefu
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Seleznova, Anna. "Recent Trends in the Development of Fashion-illustration in Ukraine." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 17–26. https://doi.org/10.31866/2410-1176.43.2020.220059.

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The purpose of the article is to investigate recent trends in the development of fashion illustrations based on the analysis of the work of famous Ukrainian illustrator designers; to determine the main artistic techniques, graphic means and composition techniques used by modern illustrator designers; and to establish the application fields of these illustrations in the fashion industry. Research methodology. As materials for the article, we used fashion illustrations presented in print fashion publications Vogue, Vanity Fair, InStyle, Harper’s Bazaar and Internet sources that were posted
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12

Mumby, Hannah. "A psychoanalytic approach to illustration." Journal of Illustration 7, no. 1 (2020): 39–66. http://dx.doi.org/10.1386/jill_00024_1.

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This article explores the possibilities of a psychoanalytic approach to illustration; asking whether an illustration practice can be developed that draws on influences from psychoanalytic theory and clinical practice. The author uses research with a group of participants to explore how psychoanalysis can illuminate or problematize the illustrator’s encounter with a text, looking into the ways psychoanalysis works to trouble straightforward narratives, and asking how an illustrator may use a psychoanalytic approach to take up a more subversive position in their work. A central interest in this
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Pace-Asciak, P., and T. Gelfand. "38. Max Brodel (1870-1941): His artistic influence on surgical learning at John Hopkins Medical School." Clinical & Investigative Medicine 30, no. 4 (2007): 47. http://dx.doi.org/10.25011/cim.v30i4.2798.

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Medical students depend on illustration to learn anatomical facts and details that may be too subtle for the written or spoken word. For surgical disciplines, learners rely on tools such as language, 2-dimensional illustrations, and 3-dimensional models to pass on important concepts. Although a photograph can convey factual information, illustration can highlight and educate the pertinent details for understanding surgical procedures, neurovascular structures, and the pathological disease processes.
 In order to understand the current role of medical illustration in education, one needs t
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Bulduk, Banu. "Contemporary illustration methods and new application areas on illustrations: Interaction induced animated illustrations." Global Journal of Arts Education 6, no. 3 (2016): 77–84. http://dx.doi.org/10.18844/gjae.v6i3.1699.

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Illustration can be defined as a sub-discipline of graphic design enabling the realization of visual communication which mediates to the description of ideas and thoughts in a formal way. From the past to the present, illustrations find various areas of usage as visual elements in communication environment and it can be used as a design element for many graphic products ranging from product designs to children’s books. Over time, stylistic differences in illustration languages have also turned into structural differences in design and production process and concepts such as interaction, user c
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Lord, John Vernon. "‘Mere’ illustration." Journal of Illustration 10, no. 2 (2023): 385–405. http://dx.doi.org/10.1386/jill_00080_7.

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John Vernon Lord is an author, illustrator and teacher. He began his career in freelance illustration in the early 1960s and has carried out commissions for books, magazines and advertising. His books include a number of editions for the Folio Society. As a university professor, Lord has lectured for over sixty years in the United Kingdom and abroad. Here he presents a personal view of the historic and contemporary roles of the illustrator, particularly the book illustrator, examines the distinctions between fine art and illustration, and gives a passionate defence of illustration in the face
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Muhamad Nizar Al Muizzy and Maria Saraswati Bijakbestari. "PERANCANGAN ILUSTRASI RUMAH BERTEMA “NURSE” UNTUK KARAKTER OCTALAND IP DI OCTAGON STUDIO BANDUNG." Jurnal Dimensi Seni Rupa dan Desain 19, no. 2 (2023): 197–204. http://dx.doi.org/10.25105/dim.v19i2.15762.

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Learning media using technology is currently very influential in the world of education. With the development of technology, education is easy to obtain. Technology media in the form of 3D illustrations, makes it easier for children aged 4-6 years to understand the lessons. Octaland is an exploratory IP aimed primarily at children who want to get to know the types of work that exist with an interesting illustrative approach. The making illustrations of Nadia’s house is made using objects that are correlated with the medical world to make it easier for children to get to know Nadia as a nurse.
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17

Cheng, Kejia, Yanhong Zhan, Junhao Ma, and Lixia Ye. "Comparative Study of Illustration Design in Chinese and Japanese Mathematics Textbooks Using the Parallel Lines Units as an Example." Asian Journal of Education and Social Studies 51, no. 5 (2025): 837–50. https://doi.org/10.9734/ajess/2025/v51i51964.

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In this paper, the "Parallel Lines" unit in the seventh grade mathematics textbooks of Zhejiang Education Press and the eighth grade mathematics textbooks in Japan are considered. Kim's textbook illustration quality analysis framework is used to examine the distribution and quality differences between junior high school mathematics textbook illustrations in China and Japan. The paper first analyzes the quantity distribution of the four types of illustrations in both textbooks, namely, illustrations of the history of mathematics, mathematical illustrations, physical scene diagram class illustra
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Gistrama, Ionove, and Yeny Prastiwi. "A Semiotics Analysis of the Novel Illustration on Harry Potter and the Prisoner of Azkaban by J.K. Rowling." International Journal of Cultural and Art Studies 4, no. 2 (2020): 27–38. http://dx.doi.org/10.32734/ijcas.v4i2.4559.

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This research aims to study the novel illustration as a sign in Harry Potter and The Prisoner of Azkaban novel by J.K. Rowling (2014). The researcher shows how the illustrations can influence readers by illustrating images, events, colors, and the typography displayed on the novel's cover. This research is qualitative. The data source used is the Harry Potter and The Prisoner of Azkaban novel by J.K. Rowling (2014) UK edition. The data collection technique is from analyzing the novel illustration. The theory used in this study is a semiotic analysis of literature, the course of the sign, meani
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19

Stevenson, Gabrielle Brace, and Nicholas Stevenson. "Texture: Faking the physical." Journal of Illustration 6, no. 1 (2019): 57–76. http://dx.doi.org/10.1386/jill_00004_1.

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Contemporary illustration is infatuated with texture. The imperfections of analogue processes and signs of physical decay, which were once incidental, or even irritating, are now highly sought after and frequently replicated in order to provide an ornamental layer to contemporary digital illustration. Nicholas Stevenson is an illustrator who uses texture this way. His visual language centres around analogue textures that are digitally applied from an ever-growing library of scanned surfaces: taken from worn book jackets, watermarked paper and ink smudges. This visual essay explores this topic
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20

Hong, Seung Tae. "The Paintings and Biography Of Wen Tian Xiang : In The Illustration For Five Moral Disciplines & Behavior Of Confucianism." Institute of History and Culture Hankuk University of Foreign Studies 93 (February 28, 2025): 503–30. https://doi.org/10.18347/hufshis.2025.93.503.

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This paper analyzes the illustrations and biographical content of Wen Tianxiang(文天祥), a loyal subject of the Song Dynasty in China, as included in the “The Illustration For Five Moral Disciplines Of Confucianism” compiled by King Jeongjo during the late Joseon Dynasty. The “The Illustration For Five Moral Disciplines Of Confucianism” published in 1797, is a document that corrects and supplements the errors and shortcomings found in King Sejong's “The Illustration For Three Fundamental Principles Of Confucianism” and King Jungjong's “The Illustration For Two Fundamental Principles Of Confuciani
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Zhu, Yuqing, and Yunyu Ouyang. "Immersive study in illustration narrative of vernacular culture: A practice-based research in northern Italy." Journal of Illustration 12, no. 1 (2025): 131–50. https://doi.org/10.1386/jill_00114_1.

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This study explores a novel approach to food illustration by integrating embodied cognition theory, which emphasizes the deep connection between sensory experiences (particularly taste and smell) and emotional responses. Traditional food illustration has largely relied on visual cues, often prioritizing sight over other senses that play crucial roles in food culture. By shifting focus from a visual-centred approach to a multisensory one, this research proposes a new method where illustrators take on dual roles as both interviewers and co-creators. Using taste and emotional memories provided by
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Foster Asamoah, Emmanuel. "A Second Look at the Illustration of Matthew 2:11 in Selected Ghanaian Bibles." African Journal of Culture, History, Religion and Traditions 5, no. 1 (2022): 12–25. http://dx.doi.org/10.52589/ajchrt-5l8zv6vm.

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One of the ways to make the word of God become relevant in a new culture is through Bible translation and illustration. Some Ghanaian Bibles with illustrations enable local indigenes to understand the word of God in their language and give them a pictorial view of the written text. However, there seem to be some illustrations that do not give a precise description of the corresponding texts. One of such is the illustration of Matthew 2:11. Using exegesis and Erwin Panofsky’s iconographic analysis approaches, it was identified that the illustration does not give an exact representation of the t
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Sobirov, Sarvar Tursunmurotovich. "Developing Students’ Imagination Through Illustration and Illustrations in Fine Arts Classes." International Journal of Social Science Research and Review 5, no. 6 (2022): 12–16. http://dx.doi.org/10.47814/ijssrr.v5i6.408.

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The article discusses the specific features of illustrations and their importance in the development of students’ imagination. In addition, the development of imagination in students through the use of illustration, the use of opportunities for illustration in ensuring the continuity of age in children, the continuity of art classes, the requirements for the use of illustration in fine arts classes and the book the functions of illustrations in understanding the content are highlighted.
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Adi, Danendro. "Memaknai Bahasa Visual pada Ilustrasi Bergambar Soeharto di Sampul Muka Majalah Tempo." Humaniora 5, no. 2 (2014): 612. http://dx.doi.org/10.21512/humaniora.v5i2.3118.

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Illustration on publication media has become a form to deliver message visually that is more powerful than written message. Illustration is able to build readers perception and attention. Illustration on the cover of a magazine needs the writer and the artist synergy in order to create artwork that deliver messages in a certain visual language at the same time gives identity to the magazine. This paper will discuss the illustrations and visual language used and the extent of utilization and the impact of the illustrations of the readers and the media in which the illustration shown. Illustrati
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Adisasmito, Nuning Damayanti. "TRANSFORMASI VISUALISASI GAMBAR ILUSTRASI : pada Naskah Jawa Periode 1800-1920, Sebagai Refleksi Gejala Sosial-Budaya Masyarakat Jawa." Jurnal Budaya Nusantara 1, no. 1 (2014): 74–83. http://dx.doi.org/10.36456/b.nusantara.vol1.no1.a298.

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The tradition of writing and drawing illustrations found in old manuscripts in various ethnic In- donesia, especially on Java community. Most Old Javanese manuscript contains illustrations that unique and local characteristics of Javanese art. Illustration of the ancient Javanese manuscripts are well documented and have a varied range of visual form, unique in styling, how to draw, the theme, as well as a visual object. Visual image is an illustration concept frameworks Java community, as well as a reflection of social life - Javanese culture Colonial period.
 
 Illustration on Java
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Seva, Nada, and Natasa Lalic-Vucetic. "The relation between text and illustration: The analysis of contemporary primers." Zbornik Instituta za pedagoska istrazivanja 51, no. 2 (2019): 507–72. http://dx.doi.org/10.2298/zipi1902507s.

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Numerous research projects underline the importance of illustrations in improving cognitive part of learning, pointing out that positive influence is exerted only when illustrations are directly connected with the content of ? text and when this connection is further strengthened by the interaction between teachers and pupils. This paper analyses the relation between text and illustration in primers as first textbooks used by first graders. Applied taxonomy identifies 46 types of relations between illustration and text (Marsh & White, 2003), divided into three groups according to degrees o
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Kim, Kyungran, and Kwang-Ho Lee. "The Characteristics of Students’ Eye Movement According to the Introduction Presentation Method of Text and Illustrations in Elementary Mathematics Textbook." Brain, Digital, & Learning 15, no. 1 (2025): 1–18. https://doi.org/10.31216/bdl.2025.15.1.1.

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This study examines the characteristics of eye movement during problem-solving based on the presentation of introductory text and illustrations in mathematics textbooks and proposes effective presentation methods. Text and illustrations were categorized into essential and supplementary content, with supplementary content further classified by its equivalence to text. Eye-tracking data revealed that students referenced both text and illustrations, transitioning their gaze from text to illustrations. Fixation duration was longest on key elements such as speech bubble and relevant objects. Regard
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Ж. Петровић, Душан. "ИЛУСТРАЦИЈЕ КЊИЖЕВНОСТИ – ОДЛИКЕ И МОГУЋНОСТИ У НАСТАВИ". ГОДИШЊАК ЗА СРПСКИ ЈЕЗИК 21, № 1 (2023): 237–50. http://dx.doi.org/10.46630/gsrj.21.2023.15.

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The goal of this paper is the interpretation of illustrations that are not primarily part of a textbook. Analysis of illustrations in the context of transmedial narratology, we want to show that each illustration has a narrative potential, so it can become a teaching tool in literature classes. By finding the common characteristics of the illustrations, we will try to show that the illustration can be viewed within a wider system.
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Li, Shangyang, and Ye Chen. "The Application and Research of Illustration Art in Brand Image." Highlights in Art and Design 3, no. 3 (2023): 115–16. http://dx.doi.org/10.54097/hiaad.v3i3.11308.

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Illustration, as a more direct image expression than text communication, has spread from ancient times to the present, broadly speaking, from the stone age murals to the patterns on bronze heavy objects, and then to the New Year pictures posted by every household in ancient times. It is the best way to explain the information by image processing. However, in modern business, the application of illustrations developed and expanded with the changes of newspapers and books in the early 19th century. With the variety of illustrations becoming more and more abundant, and the differences in painting
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Mauleti, Eston Kamelang. "NARASI ILUSTRASI KONTEMPORER : SEBUAH PENDEKATAN EKSPERIMEN." Jurnal Nawala Visual 5, no. 1 (2023): 34–39. http://dx.doi.org/10.35886/nawalavisual.v5i1.430.

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In accordance with one of the elements of the Tri Dharma of Higher Education, Community Service was carried out through Contemporary Illustration Art Education training at PKBM Negeri 26 Bintaro, South Jakarta. The purpose of this training is to provide knowledge and briefing to students about the development of the world of illustration which is currently growing rapidly, especially in Indonesia. The basis of illustration is drawing, in this training students are given teaching and guidance on drawing illustrations through a contemporary illustration approach. The meaning of the word contempo
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Solano-Flores, Guillermo, and Chao Wang. "Complexity of Illustrations in PISA-2009 Science Items and Its Relationship to the Performance of Students from Shanghai-China, the United States, and Mexico." Teachers College Record: The Voice of Scholarship in Education 117, no. 1 (2015): 1–18. http://dx.doi.org/10.1177/016146811511700103.

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Background While illustrations are widely used in international test comparisons, very scant research has been conducted on their design and on their influence on student performance. It is not clear how the features of illustration act in combination supporting students’ access to the content of items or increasing their interpretation demands. Purpose The purpose of this study was to examine how the characteristics of illustrations used in science items are related to the performance of students in PISA-2009. Population We used PISA-2009 data on the responses of 1571 to 1582, 1601 to 1617, a
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Solano-Flores, Guillermo, and Chao Wang. "Complexity of Illustrations in PISA-2009 Science Items and Its Relationship to the Performance of Students from Shanghai-China, the United States, and Mexico." Teachers College Record: The Voice of Scholarship in Education 117, no. 1 (2015): 1–18. http://dx.doi.org/10.1177/016146811511700112.

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Background While illustrations are widely used in international test comparisons, very scant research has been conducted on their design and on their influence on student performance. It is not clear how the features of illustration act in combination supporting students’ access to the content of items or increasing their interpretation demands. Purpose The purpose of this study was to examine how the characteristics of illustrations used in science items are related to the performance of students in PISA-2009. Population We used PISA-2009 data on the responses of 1571 to 1582, 1601 to 1617, a
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Soyluçiçek, Seza. "Looking through the sphere; Illustration in virtual reality." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 6 (2018): 53–59. http://dx.doi.org/10.18844/prosoc.v5i6.3695.

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Illustration field has developed different visual communication ways and reached a broad usage area. Instead of consisting of just book limning, with various techniques, methods and technological opportunities, it continues to take place in other places. Especially the usage area of two–three-dimensional illustrations on digital media enlarged, led to different production processes and designers found new display possibilities and design processes. One of the examples about this situation is 360-degree illustrations that can be designed and displayed on virtual reality (VR) media. VR is an int
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Soylucicek, Seza. "Looking through the Sphere; Illustration in virtual reality." Global Journal of Arts Education 9, no. 1 (2019): 22–28. http://dx.doi.org/10.18844/gjae.v9i2.3953.

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Artistic expression ways of Illustration that take place in visual communication design/graphic design changes and develops day by day. Having a rich history, illustration field has developed different visual communication ways and reached a broad usage area. Instead of consisting of just book limning, with various techniques, methods and technological opportunities it continues to take place in other places. Especially the usage area of two-three dimensional illustrations on digital media enlarged, led to different production processes and designers found new display possibilities and design
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Galkina, Marina V. "Fashion Illustration: Retrospective And Modern Resources." Scientific and analytical journal Burganov House. The space of culture 20, no. 3 (2024): 86–93. http://dx.doi.org/10.36340/2071-6818-2024-20-3-86-93.

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As part of world culture, modern fashion has been formed under the influence of many factors, one of which was the popularisation of fashion trends and tendencies in clothing design through the publication of illustrations made by outstanding artists, whose creative activity was focused on visualising original ideas of clothing designers, in magazines and other printed publications. Many artists almost completely connected their activities with only one publication, others became the founders of numerous trends and schools in fashion illustration. A retrospective vision of illustration from th
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Miranda, Marta Jiménez. "The especial relationship between text and illustrations in Castile and Andalucia by Louisa Mary Anne Tenison." International Journal of English Literature and Social Sciences 7, no. 6 (2022): 242–49. http://dx.doi.org/10.22161/ijels.76.35.

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Many studies show the close relationship that exists between text and illustration. In case of travel literature, this relationship is much closer, because for most of the authors of this type of literature, illustration is as necessary as the text to convey to the reader that wonderful reality that they have experienced far home. On many occasions it was the writer who illustrated the book, but on others the writer commissioned the work to a professional illustrator. The case of Louisa Tenison catches our attention, given that, despite being a drawer, she orders the illustrations that depict
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Černá, Jana. "Orbis Naturalis Pictus: ilustrování přírody, zobrazování podivuhodného." Dějiny věd a techniky 47, no. 3 (2014): 152–75. https://doi.org/10.70391/7de.3.b.

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Orbis Naturalis Pictus: Illustration of nature, viewing of the marvellous This paper deals with the problem of early modern natural history illustration. It concentrates on the ways scientific illustrations are legitimized and changes in its forms. Particular attention is paid to illustrations of exotic specimens, originating from the New World, and also to their reception in the Czech lands in the early modern era.
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Dewanto, Thomas Hanandry, and Muhammad Bahruddin. "Psychedelic: An Illustration that Reveals False Power in Rhythm 0 Performance Art." Mudra Jurnal Seni Budaya 39, no. 4 (2024): 446–55. http://dx.doi.org/10.31091/mudra.v39i4.2723.

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The performance art entitled Rhythm 0 by Marina Abramovic is controversial, raising various questions regarding its power and influence in the context of art. This research aims to illustrate the microphysical approach to power in the performing arts Rhythm 0, where power emerges from fear and shifts to the dominance of the ideology of power. A qualitative approach with visual analysis techniques was used in this research to explain the phenomenon of this performing arts from a very subjective view. This created illustration entitled "Psychedelic" reveals false powers in the form of intense ha
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Saputri, Febriani, and Hendra Afriwan. "TINJAUAN VISUAL TERHADAP ILUSTRASI KEMASAN BOTOL AQUA 600ML “LABEL KHUSUS TEMUKAN INDONESIAMU”." DEKAVE : Jurnal Desain Komunikasi Visual 10, no. 3 (2020): 496. http://dx.doi.org/10.24036/dekave.v10i3.108168.

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This study was created by the writer with the aim of describing the meaning and also the cultural values contained in the Aqua packaging illustration of the special label "Discover Your Indonesia".The research method used by researchers is a type of descriptive qualitative method with literature study data collection techniques where the data used is obtained from various journal and internet book sources. This study focuses on the visual analysis of illustrations, colors, and characters on objects contained in the Aqua packaging of the special label "Discover Your Indonesia" reviewed with the
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Turkmen, Banu Bulduk. "Fictional Illustration Language with Reference to M. C. Escher and Istvan Orosz Examples." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 156–63. http://dx.doi.org/10.18844/prosoc.v4i11.2870.

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Alternative approaches in illustration language have constantly been developing in terms of material and technical aspects. Illustration languages also differ in terms of semantics and form. Differences in formal expressions for increasing the effect of the subject on the audience lead to diversity in the illustrations. M. C. Escher’s three-dimensional images to be perceived in a two-dimensional environment, together with mathematical and symmetry-oriented studies and the systematic formed by a numerical structure in its background, are associated with the notion of illustration in terms of fi
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Zulfikar, Melsha Haq, and Happy Yugo Prasetiya. "PERANCANGAN ILUSTRASI GERAK BERGAYA GAMBAR SEMI REALIS SEBAGAI TEROBOSAN PRODUK BARU FARARAFA STUDIO." JOURNAL OF DIGITAL EDUCATION, COMMUNICATION, AND ARTS (DECA) 5, no. 02 (2023): 87–99. http://dx.doi.org/10.30871/deca.v5i02.4599.

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This study discusses how to design motion illustrations with a semi-realist art style as a new product breakthrough for Fararafa Studio. The product in this study is an updated design from the previous product, namely an illustration image with a JPG extension. The purpose of this research is to produce a work process that can underlie the production process of motion illustrations with GIF and MP4 output as a product sample for Fararafa Studio and to test the feasibility of the illustration products that have been made by researchers. Using a Research and Development Methodology whose applica
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Bel'skaya, Anna O. "FEATURES OF COMPOSITION IN THE ART OF CHILDREN’S BOOKS BY ARTHUR RACKHAM." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2020): 131–49. http://dx.doi.org/10.28995/2073-6401-2020-3-131-149.

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The article studies the book illustration by the English artist Arthur Rackham (1867–1939), the features of his work in the context of time and the experience that can be used in the process of teaching the book design and illustration. Here, research interest is focused on six main techniques that the artist actively used when illustrating in the children’s books in England in the late 19 – early 20th century. The name of A. Rackham and his graphics, are entirely associated with the English Art Nouveau. Having studied the graphic heritage of A. Rackham, on the example of his seven illustratio
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Turkmen, Banu Bulduk. "Use of experimental materials in illustrations: Illustrated notebook designs." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 6 (2018): 44–52. http://dx.doi.org/10.18844/prosoc.v5i6.3694.

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The illustration is a field kneaded with contemporary interpretation languages and finds a new breath with the forms used in new media environments. Similarly, this doesn’t substitute for the traditional materials so artists continue to describe what is intended on various surfaces and encourage artists to develop alternative languages in their illustrations. When the tendency of illustrator’s interpretation is combined with the idea of bringing paper and material together, the formation of originally designed areas is the result of this orientation. This article focuses on the diversity of th
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Pacey, Margaret. "New Brunswick Illustration Index." Art Libraries Journal 22, no. 4 (1997): 41–45. http://dx.doi.org/10.1017/s0307472200010658.

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The New Brunswick illustration index is an index to the illustrations in the Legislative Library’s New Brunswick Collection. The illustrations include photographs, engravings, woodcuts, etc. and each is described in a database entry comprised of ten distinct fields. The project, begun in 1989, is not yet complete. The Index is designed to make the unique New Brunswick Collection more accessible.
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Putri, Citra Kemala. "Illustration Imaging Style on Indie Band T-Shirts in Indonesia." ArtComm : Jurnal Komunikasi dan Desain 3, no. 2 (2020): 179–93. http://dx.doi.org/10.37278/artcomm.v3i2.357.

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The birth of Counter Culture and subculture are associated with the development of postmodernism. The various of counter cultures and subcultures then bared new cultural activities and products, one of which was indie music. Like a domino effect, indie music then produces subcultural music consumption activities, thus contributing to the growth of fan culture and shopping activities. Indie band merchandises later became a potential commodity. One of the most consumed form of merchandises is indie band t-shirts with illustration on it.. This study is analized the illustrative imagery style that
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Wu, Zijing. "Modern Trends in the Development of the Art of Children's Book Illustration." Journal of Aesthetic Education 58, no. 3 (2024): 107–23. http://dx.doi.org/10.5406/15437809.58.3.07.

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Abstract The relevance of the presented research is due to the importance of familiarizing modern children with the culture of reading, in the context of which illustrations for children's books play an especially important role. Book illustrations attract the attention of a child and create the necessary focus in the perception of the information presented in books. The purpose of this article is to analyze the creativity of illustrators of children's literature and to study the modern trends in the art of children's book illustration. During the study, the methods of theoretical and comparat
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Yi, Seong-Yong. "A Study on the Analysis of Mathematics Textbook’s Illustrations in Special Elementary School." Korean Association For Learner-Centered Curriculum And Instruction 23, no. 8 (2023): 247–66. http://dx.doi.org/10.22251/jlcci.2023.23.8.247.

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Objectives It is to systematically analyze the mathematics textbook’s illustrations of special education elementary schools and present basic data on textbook’s illustrations related to future textbook development.
 Methods The subject of analysis is six books of special education elementary mathematics textbooks developed according to the 2015 special education curriculum. A total of 1,586 pages were analyzed using an analysis tool. The analysis tool is an analysis framework consisting of formal parts (number of illustrations, type, size, arrangement, clarity) and content parts (illustra
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He, Junfen. "Analyze the application of illustration in food packaging design." Highlights in Art and Design 2, no. 3 (2023): 40–44. http://dx.doi.org/10.54097/hiaad.v2i3.7994.

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Modern illustration is widely used in packaging design, the expression of illustration in beverage packaging is constantly changing, illustration packaging design is also constantly innovating, promoting the development of packaging design, in order to adapt to the economic competition, the competition of innovative design. Taking Nongfu Spring, a well-known product, as the research object, the application of illustration art in beverage packaging is presented. Nongfu Spring cleverly makes use of consumers' psychology, and uses exquisite visual illustrations to stimulate consumers. At the same
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Abdel-Raheem, Ahmed. "Metaphoric moral framing and image-text relations in the op-ed genre." Information Design Journal 24, no. 1 (2018): 42–66. http://dx.doi.org/10.1075/idj.24.1.04abd.

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This article examines the role of visual metaphor for moral-political cognition. It makes use of a large corpus of 250 multimodal op-eds about the Euro crisis and lays the foundation for establishing a general system of image-text relations in the op-ed genre. Specifically, the paper addresses the following questions: Is there a difference between a cartoon and an illustration? Why do not op-ed illustrations have captions? What role does layout play in conveying meaning? How do ‘op-ed’ and ‘illustration’ relate to each other in terms of the metaphors and moral values employed in both of them?
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Oliinyk, Viktoriia. "Transformation of the Female Image in Ukrainian Illustration from Soviet Times to the Present." Demiurge: Ideas, Technologies, Perspectives of Design 6, no. 2 (2023): 266–78. http://dx.doi.org/10.31866/2617-7951.6.2.2023.292150.

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The purpose of the study is to investigate the corpus of creative illustration, the appearance of which was caused by the full-scale Russian invasion. To reveal the common and different in artistic practices in illustration between artists in the Ukrainian SSR and artists of the era of Independence. Research methods include theoretical, source-scientific, comparative, chronological and analytical. Scientific novelty. For the first time, the specifics of the relationship between the Ukrainian illustration of the Ukrainian SSR period and the era of Independence were investigated, with an emphasi
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