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Journal articles on the topic 'Illustrations collectionID'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Lotti, S., A. Altobelli, S. Bambi, and M. Poggesi. "Illustrations of the anatomical wax model collection in the “La Specola” Zoology Museum, Florence." Archives of Natural History 33, no. 2 (2006): 232–40. http://dx.doi.org/10.3366/anh.2006.33.2.232.

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Anatomical illustration has evolved through the centuries, first having artistic and educational purposes and later more strictly medical objectives. Between the eleventh and fifteenth centuries, the analytical model (representation of individual parts, organs and systems) gave way to the composite model (description of the human body as a whole). Between the seventeenth and eighteenth centuries, there was a reversal of tendency: initially the anatomist requested the help of artists, but later the artist asked anatomists to check the accuracy of his work. In this way, anatomical illustration r

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2

Lack, Hans Walter, James A. Compton, Georg Pflugbeil, Helmut Wittmann, and Robert Lindner. "The Münch-Bellinghausen collection of botanical illustrations in the Haus der Natur, Salzburg." Archives of Natural History 52, no. 1 (2025): 87–101. https://doi.org/10.3366/anh.2025.0964.

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The Münch-Bellinghausen collection of botanical illustrations comprises around 10,000 prints and drawings documenting vascular plants. Gathered by Konstantin Freiherr von Münch-Bellinghausen (1752–1838) sometime between circa 1790 and circa 1836, this material remained in the hands of his descendants until it was donated to the Society for the Foundation and Maintenance of a Free Catholic University in Salzburg in 1904. Deposited on loan in the nascent Haus der Natur in 1924, the collection was donated to this natural history museum in 2015. Arranged according to the Linnaean system as interpr

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3

Abaydulova, Anna. "Luka Voronin’s Expedition Drawings in the Collection of Illustrations to Peter Simon Pallas’ Zoographia rosso-asiatica: Attribution and Descriptions." Voprosy istorii estestvoznaniia i tekhniki 44, no. 3 (2023): 524. http://dx.doi.org/10.31857/s020596060027061-9.

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Twenty three drawings by Luka Voronin, artist to the J. I. Billings – G. A. Sarychev North-East Expedition (1785–1795), were discovered in the collection of illustrations for Academician P. S. Pallas’ Zoographia rosso-asiatica at the St. Petersburg Branch of the Archive the Russian Academy of Sciences. For Pallas, this expedition became an important source of information about the Russian fauna. The expedition’s materials were used by him in the preparation of Zoographia rosso-asiatica, which is why some of Voronin’s expedition drawings that had been selected by Pallas were preserved in the co

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4

Bourdillon, Jane. "The photographic collection of the National Archives of Zimbabwe." African Research & Documentation 43 (1987): 23–27. http://dx.doi.org/10.1017/s0305862x00010347.

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The Illustrations Section of the National Archives of Zimbabwe (NAZ) is administered by the library, which, in addition to being a legal depository, is Zimbabwe’s national reference library. It collects printed and audiovisual materials, relating to this country, both published and unpublished, for permanent preservation. The photographic collection originated as a group of 343 prints and negatives illustrating the country’s history from 1561 to 1924 and collected for an exhibition in 1936, and it has grown into a classified and indexed collection of nearly 23 000 negatives and approximately 2

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Bourdillon, Jane. "The photographic collection of the National Archives of Zimbabwe." African Research & Documentation 43 (1987): 23–27. http://dx.doi.org/10.1017/s0305862x00010347.

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The Illustrations Section of the National Archives of Zimbabwe (NAZ) is administered by the library, which, in addition to being a legal depository, is Zimbabwe’s national reference library. It collects printed and audiovisual materials, relating to this country, both published and unpublished, for permanent preservation. The photographic collection originated as a group of 343 prints and negatives illustrating the country’s history from 1561 to 1924 and collected for an exhibition in 1936, and it has grown into a classified and indexed collection of nearly 23 000 negatives and approximately 2

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6

King, Louise. "Treasures from the Collections." Bulletin of the Royal College of Surgeons of England 98, no. 4 (2016): 178. http://dx.doi.org/10.1308/rcsbull.2016.178.

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7

Isaac, Susan. "Treasures from the Collections." Bulletin of the Royal College of Surgeons of England 101, no. 4 (2019): 160. http://dx.doi.org/10.1308/rcsbull.2019.160.

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8

Haq, Sara. "Good Girls Marry Doctors." American Journal of Islam and Society 34, no. 2 (2017): 131–34. http://dx.doi.org/10.35632/ajis.v34i2.772.

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From the publisher that brought us Gloria Anzaldua’s classic work Borderlands/La Frontera: The New Mestiza (1987), now comes Good Girls Marry Doctors:South Asian American Daughters on Obedience and Rebellion. AuntLute Books gives us this 2016 anthology of short stories edited by Piyali Bhattacharyathat, I envision, will strike a similar chord of deep resonance withthose who are living in the liminal spaces of mixed consciousness, mixed cultures,mixed religions – the South Asian American diasporic community andbeyond. The striking cover of the book shows a graphic illustration of a browngirl de

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9

Gibb, W. R. G. "The Ciba Collection of Medical Illustrations." Behavioural Neurology 1, no. 1 (1988): 59–60. http://dx.doi.org/10.1155/1988/259489.

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10

Cook, A. "Plants illustrating exotic collections." Notes and Records of the Royal Society of London 55, no. 1 (2001): 129–44. http://dx.doi.org/10.1098/rsnr.2001.0130.

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The study of plants was nothing new when The Royal Society was founded, but some of our earliest Fellows changed it drastically. Perhaps they did not do this as suddenly or as completely as did Newton for dynamics, but in the long run they had at least as great an influence on views of the natural world and how to study it. Did God create all the great variety of plants no one (in Europe) had ever seen before, and if so why? Plants brought back by explorers, especially from North America, and plants looked at in the microscope, together with the taxonomic system constructed by Linnaeus, replac

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11

Hayes, Erica Y., and Kacie L. Wills. "Bringing the London Monster Online: Sarah Sophia Banks's Ephemera Collection." Studies in Romanticism 63, no. 3 (2024): 403–14. http://dx.doi.org/10.1353/srm.2024.a943150.

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Abstract: This essay discusses an online exhibit we are developing on Sarah Sophia Banks's collection of ephemera relating to the London Monster, who attacked women in London between 1788 and 1790. Our exhibit contextualizes Banks's collections of print illustrations and clippings describing the Monster's attacks on white women amid the exploitation and rape of women of color across the British Empire. Bringing together scans from Banks's collections on the Monster alongside other illustrations on the topic from the Huntington Library, our exhibit offers opportunities for uncovering relationsh

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12

&NA;. "The Netter Collection of Medical Illustrations—Volume 2." Medicine & Science in Sports & Exercise 44, no. 5 (2012): 983. http://dx.doi.org/10.1249/01.mss.0000414286.33498.f0.

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13

Prosser, Siân. "From the collections: illustrating scientific lives." Astronomy & Geophysics 59, no. 4 (2018): 4.11. http://dx.doi.org/10.1093/astrogeo/aty186.

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14

KA, Bugaevsky. "Anatomy of the Heart and the Human Cardiovascular System in the Reflection of Collection Tools." Journal of Human Anatomy 7, no. 1 (2023): 1–7. http://dx.doi.org/10.23880/jhua-16000168.

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This article presents materials of the conducted research devoted to the reflection of information about the study of anatomy and physiology of the human heart and circulatory system in the reflection of various means of philately, phylocarty and numismatics in collecting media. The article presents, as illustrations, images of postage stamps, envelopes, commemorative medals and coins, gives their description and other additional information.

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15

Herman, Nicholas. "Peter Kidd, The McCarthy Collection, Volume II: Spanish, English, Flemish & Central European Miniatures; Volume III: French Miniatures." Fragmentology 4 (December 17, 2021): 141–46. http://dx.doi.org/10.24446/t9td.

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Book Review for Fragmentology IV (2021); review of Peter Kidd, The McCarthy Collection, Volume II: Spanish, English, Flemish & Central European Miniatures, London: Ad Illissum 2019, 248 pp., 150+ colour illustrations, ISBN 9781912168132; Peter Kidd, The McCarthy Collection, Volume III: French Miniatures, London: Ad Illissum 2021, 336 pp., 350 colour illustrations, ISBN 9781912168187.

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16

Zemanek, Alicja, Andrea Ubrizsy Savoia, and Bogdan Zemanek. "The beginnings of ecological thought in the Renaissance: an account based on the Libri picturati A. 18–30 collection of water-colours." Archives of Natural History 34, no. 1 (2007): 87–108. http://dx.doi.org/10.3366/anh.2007.34.1.87.

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During the Renaissance ecological thinking emerged both in printed scientific works and in pictures showing plants against the background of their natural environment. A unique source for the history of plant ecology is the Libri picturati A. 18–30 collection of water-colours kept at the Jagiellonian Library in Cracow (Poland). This collection consists of 13 volumes of plant pictures, and contains about 1,800 images illustrating more than 1,000 taxa mainly from north-western Europe and the Mediterranean region, but also from Asia and America. Some of these pictures match with woodcuts in vario

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17

Sheppard, Julia. "Care and cure in Africa: illustrations in the Wellcome Collections." African Research & Documentation 68 (1995): 65–68. http://dx.doi.org/10.1017/s0305862x00021683.

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Sheppard, Julia. "Care and cure in Africa: illustrations in the Wellcome Collections." African Research & Documentation 68 (1995): 65–68. http://dx.doi.org/10.1017/s0305862x00021683.

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19

Ward, Marilyn, and John Flanagan. "Portraying plants: illustrations collections at the Royal Botanic Gardens, Kew." Art Libraries Journal 28, no. 2 (2003): 22–28. http://dx.doi.org/10.1017/s0307472200013080.

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The Library & Archives at Kew hold one of the world’s greatest collections of botanical illustration, assembled over the last 200 years. A resource well-known to the natural history community, it contains much to interest art historians. Using this historically rich heritage our forward thinking includes acquisition of more contemporary items and the formulation of a digital strategy for 21st-century access and exploitation.

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20

Meli, Domenico Bertoloni. "The Rise of Pathological Illustrations: Baillie, Bleuland, and Their Collections." Bulletin of the History of Medicine 89, no. 2 (2015): 209–42. http://dx.doi.org/10.1353/bhm.2015.0034.

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21

Ockleford, Colin. "The Netter Collection of Medical Illustrations: Reproductive system, 2nd edn." Journal of Anatomy 220, no. 1 (2011): 117. http://dx.doi.org/10.1111/j.1469-7580.2011.01445.x.

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22

Vakhromeeva, Oksana B. "The role of the discourse of museum collections in the distance course on the history of ancient civilizations." Issues of Museology 13, no. 1 (2022): 65–77. http://dx.doi.org/10.21638/spbu27.2022.105.

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Distance education is a hotly debated subject in the scientific and pedagogical environment of the newest period; in the methodological literature, issues of practical and theoretical nature are actively discussed (from the effectiveness of remote servers to ethical issues that arise during classes). As a positive experience, the article presents the materials of practical classes of the course “History of civilizations”, which is read by the author at St Petersburg State University of Industrial Technologies and Design, in a distance format as well. The material is built according to the prob

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23

Bernasconi-Reusser, Marina. "Sandra Hindman and Federica Toniolo, eds., The Burke Collection of Italian Manuscript Paintings." Fragmentology 4 (December 17, 2021): 147–50. http://dx.doi.org/10.24446/olwc.

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Book Review for Fragmentology IV (2021); review of The Burke Collection of Italian Manuscript Paintings, edited by Sandra Hindman and Federica Toniolo, introduction by Christopher de Hamel, London: Ad Illissum 2021, 472 pp., 300 colour illustrations, ISBN 9781912168200.

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24

Marfouq, Assia. "The Patrimonial Dimension in the Children’s Book: The Case of the Collection "Malika et Karim" of Yanbow al Kitab Edition." Lublin Studies in Modern Languages and Literature 47, no. 4 (2024): 93–104. http://dx.doi.org/10.17951/lsmll.2023.47.4.93-104.

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In this study, we attempt to identify the sources of the heritage highlighted in the album collection for children Malika and Karim of the Moroccan Edition Yanbow al Kitab and how it examines the question of identity through heritage. We will see how the textual and paratextual elements (illustrations, colours, framing, etc.) contribute to conveying the Moroccan heritage culture and what linguistic and stylistic processes are implemented to facilitate understanding and memorization.

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25

Sagna, Bruno. "Shared Heritage: A Digital Collection." Z Badań nad Książką i Księgozbiorami Historycznymi 17, no. 1 (2023): 127–36. http://dx.doi.org/10.33077/uw.25448730.zbkh.2023.760.

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The National Library of France launched the Shared Heritage collection in 2017, with a series of digital libraries dedicated to France’s relationships with different countries or regions, illustrating a new way of engaging with content. The collection has also proved to be a catalyst for networking and capacity building in the field of preservation and digitisation. Shared Heritage continues to be developed technologically and scientifically.

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26

Quin, Marie-Charlotte. "La collection « Les artistes du livre » de l’éditeur Henry Babou (1928-1933)." RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 18, no. 2 (2024): 19–38. https://doi.org/10.51777/relief21155.

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The collection « Les artistes du livre » is a contemporary undertaking meant to preserve illustration as a specific artistic heritage in a period marked by a craze for illustrated books. Its publisher, Henry Babou, has adopted a system that imitates the codes of the object he is helping to sanctuarize, the luxury book. Moreover, the engagement of the authors, who were the first to benefit from the effects of illustration on their works, helped legitimize the practice, elevating it to the rank of art. In their “preface-letter”, they sketch out the outlines of a trend, the specific characteristi

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27

Iakovleva, Svetlana A. "West-European Engraving in Siberian Collection: the Problems of Attribution (on the Basis of Yudin’s Collection)." Journal of Siberian Federal University. Humanities & Social Sciences 15, no. 1 (2022): 23–37. http://dx.doi.org/10.17516/1997-1370-0885.

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The paper is devoted to the study of Siberian bibliophile G. V. Yudin’s West-European graphic arts collection, which is owned by the Krasnoyarsk Regional Local Lore Museum. There is an objective need to give additional information on the attribution of auteur, reproductive and book engravings in art and documentary research. The authors address the authorship attribution through art analysis using stylistic and biographical factors. The article also responds to the problem of relevant translation of proper nouns (artists, engravers, printers, publishers) and texts on graphics. The study presen

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28

Lewis, D. N., and S. K. Donovan. "Trace fossils - the poor relations of museum palaeontological collections?" Geological Curator 8, no. 5 (2006): 255–59. http://dx.doi.org/10.55468/gc370.

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Collections of fossil invertebrates in museums are dominated by certain taxa, such as molluscs, whereas other minor groups are "Cinderella" taxa, of little general interest. Invertebrate trace fossils belong to this latter group, rarely utilised for museum displays and of scientific interest to only a small audience of experts. Organisation of such collections may be alphabetical, stratigraphical, geographical, ethological or a combination of these, but should not be "biological". As illustrations, two national collections are discussed, those of the Natural History Museum, London, and the Nat

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29

Herman, Nicholas. "Gaudenz Freuler (with contributions by Georgi Parpulov), The McCarthy Collection, Volume I: Italian and Byzantine Miniatures." Fragmentology, no. 3 (December 2020): 155–59. http://dx.doi.org/10.24446/dms0.

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Book Review for Fragmentology III (2020); review of Gaudenz Freuler (with contributions by Georgi Parpulov), The McCarthy Collection, Volume I: Italian and Byzantine Miniatures, London: Ad Ilissvm 2018, 304 pp. 250 colour illustrations, ISBN 9781912168071.

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30

Schadewitz, Hannu J., and Dallas R. Blevins. "A Review of the Data Collection Process." Journal of Technical Writing and Communication 27, no. 4 (1997): 417–24. http://dx.doi.org/10.2190/2gqv-964g-05uq-v2g6.

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This article reviews the data collection process. This process is of crucial importance because data offer empirical answers to theoretical research questions. Although the literature provides a wealth of instruction on the treatment of already collected data, far less has been written about the selection of the data. The present view focuses on this overlooked portion of research methodology. An actual illustration is used to demonstrate the factual decisions and procedures that may be used in any data collection process.

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31

Combe, David A. "Civil Law Collections on Microfiche." International Journal of Legal Information 21, no. 1 (1993): 107–8. http://dx.doi.org/10.1017/s0731126500027475.

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The tomb of Napoleon inspires awe and reverence from its very nature: directly under the dome lies the red marble exterior sarcophagus of the Emperor. Along the circular gallery in the crypt are ten bas-reliefs in white marble illustrating the glories of Napoleon's reign. One of these honors the Code Napoléon. The supporting legal literature is shown in the form of books bearing these headings: Droit Romain, Institutes de Justinien, Pothier's Obligations, Domat, and the Customs of Paris, Orléans and Normandy. The only quotation to be found on the walls of the crypt is attributed to the Memoirs

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32

Aspin, Richard K. "Illustrations from the Wellcome Institute Library. Seeking Lister in the Wellcome collections." Medical History 41, no. 1 (1997): 86–93. http://dx.doi.org/10.1017/s0025727300062050.

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33

Bakewell, Sarah. "Illustrations from the Wellcome Institute Library: Medical gymnastics and the Cyriax collection." Medical History 41, no. 4 (1997): 487–95. http://dx.doi.org/10.1017/s0025727300063067.

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34

Waterhouse, G. R. "VIII. Notes on the Species of Triplax of Stephens' “Illustrations” and Collection." Transactions of the Royal Entomological Society of London 11, no. 2 (2009): 129–31. http://dx.doi.org/10.1111/j.1365-2311.1862.tb00594.x.

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35

Benedek, Thomas C. "The CIBA Collection of Medical Illustrations, vol 8: Musculoskeletal System, Part II." JAMA: The Journal of the American Medical Association 265, no. 22 (1991): 3027. http://dx.doi.org/10.1001/jama.1991.03460220121046.

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36

Finet, Yves, and Martin Avery Snyder. "Illustrations and taxonomic placement of the Recent Fusus and Fasciolaria in the Lamarck collection of the Muséum d'Histoire Naturelle, Geneva." Zootaxa 3507, no. 1 (2012): 1–37. https://doi.org/10.11646/zootaxa.3507.1.1.

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Finet, Yves, Snyder, Martin Avery (2012): Illustrations and taxonomic placement of the Recent Fusus and Fasciolaria in the Lamarck collection of the Muséum d'Histoire Naturelle, Geneva. Zootaxa 3507 (1): 1-37, DOI: 10.11646/zootaxa.3507.1.1, URL: http://dx.doi.org/10.11646/zootaxa.3507.1.1

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37

Picazo, Gustavo. "The Long Shadow of Semantic Platonism, Part III: Additional Illustrations, from a Collection of Classic Essays." Disputatio. Philosophical Research Bulletin 10, no. 17 (2021): 19–49. https://doi.org/10.5281/zenodo.5069211.

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The present article is the third part of a trilogy of papers, devoted to analysing the influence of semantic Platonism on contemporary philosophy of language. In Part I (Picazo 2021), the discussion was set out by examining a number of typical traces of Platonism in semantic theory since Frege. In Part II (Picazo 2021a), additional illustrations of such traces were provided, taken from a collection of recent commissioned essays on the philosophy of language (Schantz 2012). The present part is devoted to providing yet additional illustrations of such traces, taken from a collection of classic e

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38

Metzner, Philipp, Christof Schütte, and Eric Vanden-Eijnden. "Illustration of transition path theory on a collection of simple examples." Journal of Chemical Physics 125, no. 8 (2006): 084110. http://dx.doi.org/10.1063/1.2335447.

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39

Zhang, Yimin. "Graphic illustration for mechanical reliability design (3)-testing and data collection." Life Cycle Reliability and Safety Engineering 9, no. 3 (2020): 303–18. http://dx.doi.org/10.1007/s41872-020-00126-z.

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40

Izquierdo, Jose Luis, and Francisco Pando. "The algae names and collection of the Spanish Phycologist Pedro González Guerrero." Anales del Jardín Botánico de Madrid 74, no. 1 (2017): 047. http://dx.doi.org/10.3989/ajbm.2462.

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In this paper we collect the 103 algae names published by the Spanish phycologist Pedro González Guerrero during his life-long study of algae at the Royal Botanic Garden of Madrid. Names are presented with specific information to facilitate the typification of these names in the future, since P. González only used small illustrations as type elements when describing new infrageneric taxa. We also review here the status of this collection, which has been restored and databased in the process. The collection currently comprises over 2150 specimens, a fraction of what it was a much larger one.

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41

Fox, Lyndsey R., Stephen Stukins, Tom Hill, and Haydon Bailey. "New species of Cenozoic benthic foraminifera from the former British Petroleum micropalaeontology collection." Journal of Micropalaeontology 37, no. 1 (2018): 11–16. http://dx.doi.org/10.5194/jm-37-11-2018.

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Abstract. This paper describes four new Cenozoic, deep-water benthic foraminifera from the reference collections at the Natural History Museum in London. The focus is on selected calcareous taxa that are of stratigraphical and/or palaeoecological significance for academic and industrial-related activities. Alabamina heyae (urn:lsid:zoobank.org:act:1E8A66E9-1F4C-4B61-BA97-6E0ECCD0173E), Nonion cepa (urn:lsid:zoobank.org:act:9F36350A-1E49-4D69-B2CC-C83F343E2952), Uvigerina kingi (urn:lsid:zoobank.org:act:C36C89C2-2E65-4FF6-9368-C169B4591995) and Lenticulina stewarti (urn:lsid:zoobank.org:act:485

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SANJOBA, Chizu, Yusuf ^|^Ouml;ZBEL, Masahito ASADA, Yasutaka OSADA, Sambuu GANTUYA, and Yoshitsugu MATSUMOTO. "Recent collections of Sergentomyia squamirostris (Diptera: Psychodidae) in Japan, with descriptions and illustrations." Medical Entomology and Zoology 62, no. 1 (2011): 71–77. http://dx.doi.org/10.7601/mez.62.71.

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Jung, Sandro. "Robert Morison’s Collections of Extracts,The General Magazine, and the Reprinting of Illustrations." Papers of the Bibliographical Society of America 111, no. 1 (2017): 31–60. http://dx.doi.org/10.1086/690620.

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44

Longfield-Jones, G. M. "Illustrations from the Wellcome collections: A Graeco-Roman speculum in The Wellcome Museum." Medical History 30, no. 1 (1986): 81–89. http://dx.doi.org/10.1017/s0025727300045051.

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45

Arnold, Ken, and Danielle Olsen. "Illustrations from the Wellcome Collections. Medicine Man: The Forgotten Museum of Henry Wellcome." Medical History 47, no. 3 (2003): 369–81. http://dx.doi.org/10.1017/s0025727300057069.

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46

Vasilyeva, Anna V. "ILLUSTRATIONS TO THE RUSSIAN TRANSLATION OF “THE ADVENTURES OF A LITTLE PREHISTORIC BOY” (1929) BY ERNEST D'HERVILLY IN THE SCOPE OF LITERARY WORKS ABOUT PEOPLE OF THE STONE AGE FROM THE STATE DARWIN MUSEUM COLLECTION." Articult, no. 4 (2020): 104–12. http://dx.doi.org/10.28995/2227-6165-2020-4-104-112.

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The article dwells on the study of the image of a prehistoric man portrayed in children books illustrations and museum exhibitions’ design (paintings, sculptures) in 1920-1930s using the example of works from the State Darwin Museum funds. During this period, famous artists of children's books Vasily Vatagin and Mikhail Ezuchevsky worked at the State Darwin Museum. They were also well versed in anthropology and ethnography. Their drawings were the first Soviet illustrations for the book by Ernest d'Hervilly “The Adventures of a little prehistoric boy”, which became a popular science book for c

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47

Bennett, Jim, and Giorgio Strano. "The So-Called ‘Chaucer Astrolabe’ from the Koelliker Collection, Milan." Nuncius 29, no. 1 (2014): 179–229. http://dx.doi.org/10.1163/18253911-02901007.

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The so-called “Chaucer Astrolabe” from the Koelliker collection, Milan, is a remarkable 14th-century English instrument. In addition to recounting its recent story and expounding its detailed description, this article offers a multi-sided approach to the object. The instrument is examined in relation to some of the early manuscript copies and to other astrolabes that have most commonly been seen as linked to Geoffrey Chaucer’s Treatise on the Astrolabe. In particular, the article provides stylistic and astronomical analyses through comparisons with the illustrations in the early copies of the

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48

Gwynn, David. "Community connections, community collections." Digital Library Perspectives 32, no. 2 (2016): 88–102. http://dx.doi.org/10.1108/dlp-08-2015-0013.

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Purpose This paper aims to explore library–community collaboration from both a theoretical and practical perspective, highlighting successful collaborative strategies and projects and illustrating important considerations for libraries that are considering community partnerships. Design/methodology/approach This paper consists of a literature review and several “capsule” case studies of projects completed at one academic library to illustrate principles that can result in successful collaborative projects. Findings Library–community collaboration presents significant benefits if the needs and

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SUKHRAMANI, GEETIKA, and RITESH KUMAR CHOUDHARY. "Rediscovery of Smilax turbans (Smilacaceae) from Arunachal Pradesh, India, after 95 years of type collection." Phytotaxa 609, no. 2 (2023): 124–30. http://dx.doi.org/10.11646/phytotaxa.609.2.4.

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Smilax turbans, an endemic species from Arunachal Pradesh, India, was last collected in 1928 by F. Kingdon-Ward, has not been collected since then. During our recent fieldwork, we found a population in Kurung Kumey district, about 500 km from the presumable type collection, after more than 95 years of its last known collection. To facilitate its identification, eventual conservation, we present a detailed description, illustrations, field, microscopic images, distribution, phenology,, comparison with closely related species.

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Johnston, Marshall C. "DETERMINATIONS OF RHAMNACEAE OF THE TORNER COLLECTION OF SESSÉ AND MOCIÑO BIOLOGICAL ILLUSTRATIONS." TAXON 37, no. 2 (1988): 471–72. http://dx.doi.org/10.2307/1222175.

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