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Relevant bibliographies by topics / Illustrations naturalistes

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Academic literature on the topic 'Illustrations naturalistes'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Illustrations naturalistes"

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Maddi, Franck A. "Redécouverte botanique et typifications des noms Aymenea De Faugère et Aymenea topiaria H. Aymen (Boraginaceae, Ehretioideae)." Le Journal de botanique 91, no. 1 (2020): 15–24. http://dx.doi.org/10.3406/jobot.2020.2290.

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Jean-Baptiste Aymen (1728-1784) était un éminent médecin français, réputé naturaliste et fervent linnéen. Il entretenait une correspondance suivie avec les savants naturalistes de son époque, dont Bernard de Jussieu et Carl von Linné. En 1754, sur la base d’un échantillon d’une plante procurée par Bernard de Jussieu, le genre Aymenea a été proposé à Linné pour publication. Ce taxon n’a pas été retenu et reste un témoignage posthume en l’honneur d’Aymen. Sur la base de la diagnose et de ses illustrations, en se fondant sur les descriptions de genres proches, nous proposons de rattacher le genre

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Christians, Elisabeth. "Introduction du numéro spécial d’Arts et Sciences sur la Station Marine de Villefranche." Arts et sciences 8, no. 3 (2024): 1–5. http://dx.doi.org/10.21494/iste.op.2024.1181.

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La station marine de Villefranche-sur-Mer a reçu de nombreux noms au cours de son histoire dont les deux derniers sont OOV pour Observatoire Océanologique de Villefranche (1989) et IMEV pour Institut de la Mer de Villefranche (depuis 2019). Ce numéro spécial montre combien cette station est riche d’histoire en architecture, en géopolitique, en sciences et en fortes personnalités. Fin 18ème des naturalistes ont découvert la riche biodiversité de la rade de Villefranche : des myriades de formes vivantes si artistiquement assemblées qui se laissent porter par la mer au gré des courants et des s

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TOGNONI, FEDERICO. "NATURE DESCRIBED: FABIO COLONNA AND NATURAL HISTORY ILLUSTRATION." Nuncius 20, no. 2 (2005): 347–70. http://dx.doi.org/10.1163/182539105x00024.

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Abstracttitle ABSTRACT /title The article analyses Fabio Colonna's interest in natural history illustration. The re-examination of several pieces of unjustly neglected documentary evidence has allowed us to focus on the essential role of naturalistic illustration in the work of this Neapolitan naturalist. Of great importance was the opportunity to study a herbal that was recently discovered at Blickling Hall, near Norwich in England. This herbal was created using the technique of nature-printing, and reflects Colonna's interest in naturalistic illustration as an essential means of presenting n

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Adisasmito, Nuning Damayanti. "The Reflection of Society Culture in Visual Art Illustration of Javanese Manuscript." Mudra Jurnal Seni Budaya 33, no. 3 (2018): 374. http://dx.doi.org/10.31091/mudra.v33i3.528.

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The tradition of writing and drawing in illustration was found in the old manuscript. Some parts of those old manuscripts show unique illustrations as well as the local identity of Nusantara’s society. The manuscript reflects the society culture of thinking and aesthetic achievement of visual art. The Illustrations of old Javanese manuscripts were well documented and has various representation in visualization art and style, drawing method, theme, and visual objects, even though the visualization of the visual concepts is practically similar to another. The illustration in the old Javanese man

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Sterckx, Roel. "The Limits of Illustration: Animalia and Pharmacopeia from Guo Pu to Bencao Gangmu." Asian Medicine 4, no. 2 (2008): 357–94. http://dx.doi.org/10.1163/157342009x12526658783619.

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AbstractThis paper examines the relationship between text and illustration in Chinese pharmacopeia in the bencao tradition by focusing on depictions of animals. It explores to what extent such illustrations served a practical—read medical or pharmaceutical—purpose. The first part of the paper discusses the contexts in which animal species have been depicted in traditional China leading up to the emergence of bencao literature. The second part analyses the use of illustrations in Bencao Gangmu. The author questions whether such illustrations were aimed to reflect zoological, botanical, or pharm

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Fioravante, Karina Eugenia, and Lohanne Fernanda Gonçalves Ferreira. "Geographies of Brazil in the 18th Century: The Philosophical Journey of Alexandre Rodrigues Ferreira." Terr Plural 14 (2020): 1–17. http://dx.doi.org/10.5212/terraplural.v.14.2014474.045.

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The graphic representations have privileged space in the journeys made by naturalists since the Eighteenth century and they are fundamental elements of the geographical analysis. The main goal of this paper is to reflect on the illustrations that composed geographies of Brazil brought by the Philosophical Journey of the naturalist Alexandre Rodrigues Ferreira in the Eighteenth Century. First, it is presented the relevancy of the expeditions taken by naturalists as well as the importance of the images produced by such expeditions in the consolidation of Geography as a discipline. Next, it is di

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BELKNAP, GEOFFREY. "Illustrating natural history: images, periodicals, and the making of nineteenth-century scientific communities." British Journal for the History of Science 51, no. 3 (2018): 395–422. http://dx.doi.org/10.1017/s0007087418000511.

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AbstractThis paper examines how communities of naturalists in mid-nineteenth-century Britain were formed and solidified around the shared practices of public meetings, the publication and reading of periodicals, and the making and printing of images. By focusing on communities of naturalists and the sites of their communication, this article undermines the distinction between amateur and professional scientific practice. Building on the notion of imagined communities, this paper also shows that in some cases the editors and illustrators utilized imagery to construct a specifically British natu

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Wilkinson, David, and Janet O'Regan. "Emily Margaret Wood: Botany, illustration, nature writing and teaching in Liverpool at the end of the long nineteenth century." British & Irish Botany 6, no. 2 (2024): 116–32. https://doi.org/10.33928/bib.2024.06.116.

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Emily Margaret Wood (1865-1907) is today best known to botanists for her extensive set of illustrations in the 1902 Flora of the Liverpool District. In addition, she is a minor name in the history of British ceramics as an artist working at the Della Robbia Pottery in Birkenhead. Here we outline her life and career, showing that she had a much wider influence on botany in Liverpool around 1900, especially via the Liverpool Naturalists’ Field Club. Her botanical illustration work was more extensive than just the Flora illustrations – and includes a set of surviving water colours of fungi of the

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Putri, Citra Kemala. "Scandinavian Style On Illustration of Flora Marimekko." ArtComm : Jurnal Komunikasi dan Desain 4, no. 01 (2021): 1–14. http://dx.doi.org/10.37278/artcomm.v4i01.396.

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The Scandinavian style is one of the styles that has big influence on the development of interior design, product and visual in the world. The Scandinavian style is influenced by several things including folk culture, as well as local and international historical events. Marimekko is a Finnish and Scandinavian-style pioneered company that was founded in 1951.By today, Marimekko has produced thousands of illustrations which are used as patterns on dresses, home furnishings, etc. The objects those Marimekko's illustrations usually used such as geometric, abstract and floral objects. This study i

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Dreifuss, Jean Jacques. "Paul-Emile Pilet, Naturalistes et biologistes à Lausanne. Recherches, ensei-gnement et sociétés savantes en pays vaudois de 1537 à nos jours. Lausanne, Payot, 1991, 205 pp., nombreuses illustrations. SFr. 59.—. ISBN 2-601-03095-X." Gesnerus 49, no. 3-4 (1992): 404–5. http://dx.doi.org/10.1163/22977953-0490304024.

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Dissertations / Theses on the topic "Illustrations naturalistes"

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Guersenzvaig, Ariel. "Design rationality revisited : describing and explaining design decision making from a naturalistic outlook." Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/354613/.

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Grunert, Jonathan David. "Aesthetics for Birds: Institutions, Artist-Naturalists, and Printmakers in American Ornithologies, from Alexander Wilson to John Cassin." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/78171.

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In this project I explore the development of bird illustrations in early American natural history publication. I follow three groups in Philadelphia from 1812 to 1858: institutions, artist-naturalists, and printmakers. Each of these groups modeled a certain normative vision of illustration, promoting, producing, and publishing images that reflected their senses of what constituted good illustration. I argue that no single set of actors in this narrative did work that would become the ultimate standard-bearer for ornithological illustration; rather, all of them negotiated the conflicting intere

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Renoud-Labrosse, Sylvène. "La nature, le savant et l’image : les rapports entre textes et images dans les ouvrages de sciences naturelles du XVIe au XIXe siècle." Nantes, 2008. http://archive.bu.univ-nantes.fr/pollux/show.action?id=4a328989-9591-4325-91a7-8ead6388c648.

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Bien que souvent ignorées des rééditions ou des études, les images sont très présentes dans les ouvrages de sciences naturelles dès le XVIe siècle. L’hypothèse développée dans de cette thèse est que les images participent résolument à la construction du discours dans les ouvrages de sciences naturelles. Il s’agit alors d’étudier comment elles sont mobilisées par les naturalistes. De quelles fonctions épistémologiques les savants investissent ces images et quelle place celles-ci occupent vis-à-vis du texte en particulier. C’est-à-dire comment ces images sont mises en liaison avec le texte, comm

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Hamonou-Mahieu, Aline. "Claude Aubriet (vers 1665-1742), peintre d'histoire naturelle." Rennes 2, 2006. http://www.theses.fr/2006REN20011.

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"Habile Peintre du Roy", Claude Aubriet (vers 1665, Moncetz-3 décembre 19742, Paris), occupe une place d'importance dans la communauté scientifique du Jardin du roi et de l'Académie royale des sciences à la fin du XVIIe et durant la première moitié du XVIIIe siècle. En effet, les premières commandes de dessins scientifiques du botaniste Joseph Pitton de Tournefort et la formation à l'art de la miniature sur vélin de Jean Joubert, Peintre du roi, chargé de la Collection royale des vélins, orientent son oeuvre vers l'Histoire naturelle durant près de cinquante années. Son catalogue des oeuvres,

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Books on the topic "Illustrations naturalistes"

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Monaco, Musée océanographique de, ed. Les poissons: Illustrations scientifiques, dessins naturalistes & fantaisies : Musée océanographique Monaco, juin-octobre 1998. Musée océanographique, 1998.

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Hamonou-Mahieu, Aline. Claude Aubriet: Artiste naturaliste des Lumières. Editions du CTHS, 2010.

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Brosse, Jacques. Retour à l'origine: Itinéraire d'un naturaliste zen, avec 99 illustrations. Plon, 2002.

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Demiriz, Yıldız. Osmanlı kitap sanatında naturalist üslupta çiçekler. Edebiyat Fakültesi, 1986.

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Florike, Egmond, Hoftijzer P. G, Visser Robert Paul Willem, and Koninklijke Nederlandse Akademie van Wetenschappen., eds. Carolus Clusius: Towards a cultural history of a Renaissance naturalist. Koninklijke Nederlandse Akademie van Wetenschappen, 2007.

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6

1940-, Small Ernest, National Research Council Canada, and National Research Council Canada. Monograph Publishing Program., eds. Audubon: Beyond birds : plant portraits and conservation heritage of John James Audubon. NRC Research Press, 2009.

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Rookmaaker, L. C. The zoological exploration of southern Africa, 1650-1790. A. Balkema, 1989.

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Hollender, Wendy. Botanical drawing in color: A basic guide to mastering realistic form and naturalistic color. Watson-Guptill Publications, 2010.

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1667-1675, Nicolas Louis active, and Art Canada Institute, eds. Louis Nicolas: Life & work. Art Canada Institute = Institut de l'art canadien, 2017.

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Seton, Ernest Thompson. Anatomy of animals: Being a brief analysis of the visible forms of the more familiar mammals and birds : designed for the use of sculptors, painters, illustrators, naturalists, and taxidermists. Crescent Books, 1990.

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Book chapters on the topic "Illustrations naturalistes"

1

Evans, Mary Ann, Catherine Watson, and Dale M. Willows. "A Naturalistic Inquiry into Illustrations in Instructional Textbooks." In The Psychology of Illustration. Springer US, 1987. http://dx.doi.org/10.1007/978-1-4612-4706-7_3.

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Page, Joanna. "3. Floras, Herbaria, and Botanical Illustration." In Decolonial Ecologies. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.03.

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New World plants were exhaustively catalogued in the floras and herbaria produced by the great scientific expeditions led by European naturalists in the eighteenth and nineteenth centuries, such as the Royal Botanical Expedition to New Granada (1783–1816), directed by José Celestino Mutis. Species were primarily illustrated in a way that would allow their identification according to Linnaean taxonomies. Three contemporary artists from Colombia—Alberto Baraya, María Fernanda Cardoso and Eulalia de Valdenebro—have reworked the Enlightenment norms of botanical illustration in order to draw attent

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Brorson, Stig. "Pre-radiological Diagnostics and Classification of Shoulder Fractures." In Shoulder Fractures in Context. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-93604-3_4.

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Abstract Fractures of the humerus have been diagnosed and classified since the time of the ancient Egyptians. This chapter introduces written records predating modern imaging. Swelling, inflammation, and crepitus were described in ancient Egypt, Greece, and Rome. The Hippocratic writings (c. 415 BCE) differentiated epiphyseal and diaphyseal fractures. Celsus (25 BCE–50 CE) described various morphological traits of fractures, including oblique, transverse, and comminuted fractures. The sources indicate that it was likely trauma rather than bone weakness that caused the injuries; descriptions of

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Wissing, Marié P., Lusilda Schutte, and Christelle Liversage. "Embracing Well-Being in Diverse Contexts: The Third Wave of Positive Psychology and African Imprint." In Cross-Cultural Advancements in Positive Psychology. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-85924-4_1.

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AbstractFor a long time, well-being research had been driven from a Western perspective with a neglect of cultural and contextual variables. In this chapter we argue with reference to well-being research as manifested in positive psychology (PP) as a discipline, that contextual, metatheoretical and metadisciplinary perspectives need to be taken into account. Developments in PP over time are described, illustrating the importance of contexts and assumptions in understanding well-being, and how new assumptions in the third wave of PP resonate with old African wisdoms about interconnectedness as

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"Illustrations." In California's Frontier Naturalists. University of California Press, 2019. http://dx.doi.org/10.1525/9780520927506-001.

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Lacour, Pierre-Yves. "Liste des illustrations." In La République naturaliste. Publications scientifiques du Muséum, 2014. http://dx.doi.org/10.4000/books.mnhn.5445.

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"illustrations and map." In Naturalists at Sea. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300182200-001.

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"[Illustrations]." In The Naturalist in Britain. Princeton University Press, 2021. http://dx.doi.org/10.2307/j.ctv1nxcv20.16.

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"Illustrations." In A Naturalist's Guide to Wetland Plants. Syracuse University Press, 2002. http://dx.doi.org/10.2307/j.ctt1j5d5s3.3.

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"ILLUSTRATIONS." In Eighteenth-Century Naturalists of Hudson Bay. MQUP, 2003. http://dx.doi.org/10.2307/j.ctt80bq7.3.

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