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1

Monaco, Musée océanographique de, ed. Les poissons: Illustrations scientifiques, dessins naturalistes & fantaisies : Musée océanographique Monaco, juin-octobre 1998. Musée océanographique, 1998.

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2

Hamonou-Mahieu, Aline. Claude Aubriet: Artiste naturaliste des Lumières. Editions du CTHS, 2010.

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3

Brosse, Jacques. Retour à l'origine: Itinéraire d'un naturaliste zen, avec 99 illustrations. Plon, 2002.

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4

Demiriz, Yıldız. Osmanlı kitap sanatında naturalist üslupta çiçekler. Edebiyat Fakültesi, 1986.

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5

Florike, Egmond, Hoftijzer P. G, Visser Robert Paul Willem, and Koninklijke Nederlandse Akademie van Wetenschappen., eds. Carolus Clusius: Towards a cultural history of a Renaissance naturalist. Koninklijke Nederlandse Akademie van Wetenschappen, 2007.

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6

1940-, Small Ernest, National Research Council Canada, and National Research Council Canada. Monograph Publishing Program., eds. Audubon: Beyond birds : plant portraits and conservation heritage of John James Audubon. NRC Research Press, 2009.

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7

Rookmaaker, L. C. The zoological exploration of southern Africa, 1650-1790. A. Balkema, 1989.

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8

Hollender, Wendy. Botanical drawing in color: A basic guide to mastering realistic form and naturalistic color. Watson-Guptill Publications, 2010.

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9

1667-1675, Nicolas Louis active, and Art Canada Institute, eds. Louis Nicolas: Life & work. Art Canada Institute = Institut de l'art canadien, 2017.

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10

Seton, Ernest Thompson. Anatomy of animals: Being a brief analysis of the visible forms of the more familiar mammals and birds : designed for the use of sculptors, painters, illustrators, naturalists, and taxidermists. Crescent Books, 1990.

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11

Grabowski, Carin. Maria Sibylla Merian zwischen Malerei und Naturforschung: Pflanzen- und Schmetterlingsbilder neu entdeckt. Reimer, 2017.

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12

Armando, García González, Museo Nacional de Ciencias Naturales (Spain), and Consejo Superior de Investigaciones Científicas (Spain), eds. La colección Van Berkheij: Arte y naturaleza en el Museo Nacional de Ciencias Naturales. Consejo Superior de Investigaciones Científicas, 2008.

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13

Robert, Bateman. The art of Robert Bateman. Swan Hill Press, 1994.

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14

Armando, García González, Museo Nacional de Ciencias Naturales (Spain), and Consejo Superior de Investigaciones Científicas (Spain), eds. La colección Van Berkheij: Arte y naturaleza en el Museo Nacional de Ciencias Naturales. Consejo Superior de Investigaciones Científicas, 2008.

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15

Armando, García González, Museo Nacional de Ciencias Naturales (Spain), and Consejo Superior de Investigaciones Científicas (Spain), eds. La colección Van Berkheij: Arte y naturaleza en el Museo Nacional de Ciencias Naturales. Consejo Superior de Investigaciones Científicas, 2008.

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16

Nicholas, F. W. Charles Darwin in Australia: With illustrations and additional commentary from other members of the Beagle's company including Conrad Martens, Augustus Earle, Captain FitzRoy, Philip Gidley King, and Syms Covington. Cambridge University Press, 1989.

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17

Kendall, Martha E. John James Audubon: Artist of the wild. Millbrook Press, 1993.

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18

Melissa, Sweet, ed. The boy who drew birds: A story of John James Audubon. Houghton Mifflin Co., 2004.

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19

Les poissons: Illustrations scientifiques, dessins naturalistes & fantaisies : Musee oceanographique Monaco, juin-octobre 1998. Musee oceanographique, 1998.

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20

Mathurin Méheut: Richesse & diversité. Ouest-France, 1997.

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21

Mathurin Méheut: Richesse & diversité. Ouest-France, 2002.

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22

Upton, John. Three Great Naturalists - With Portraits and Illustrations. Thousand Fields, 2018.

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23

Cesare Majoli: Naturalista tra scienza e arte. Cartacanta, 2010.

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24

William, Jardine. 286 Full-Color Animal Illustrations: From Jardine's Naturalist's Library. Dover Publications, Incorporated, 2012.

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25

The Naturalists Library the Illustrations of Parrots Ornithology Volume 6. Wildhern Press, 2009.

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26

Merian, Maria Sibylla. Maria Sibylla Merian: Artist And Naturalist. Hatje Cantz Publishers, 1998.

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27

Mr JW Lewin: Painter & naturalist. New South Pub., University of New South Wales Press, 2012.

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28

The Art Of The New Naturalists Forms From Nature. HarperCollins UK, 2009.

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29

Dibujar la naturaleza: Ilustradores naturalistas en el Jardín Botánico de la Universidad de Valencia. Universitat de València, 2002.

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30

Guest, Coral G. Painting Flowers in Watercolour: A Naturalistic Approach. Timber Press, Incorporated, 2001.

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31

William, Jardine. 286 Full-Color Animal Illustrations: From Jardine's "Naturalist's Library" (Dover Pictorial Archive Series). Dover Publications, 1998.

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32

Colecciones de historia natural: Laminas de naturalistas espanoles. Consejo Superior de Investigaciones Cientificas, 1992.

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33

Mayfield, Enid. Illustrated Plant Glossary. CSIRO Publishing, 2021. http://dx.doi.org/10.1071/9781486303540.

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The Illustrated Plant Glossary is a comprehensive glossary of over 4000 terms related to plant sciences, featuring many superb colour illustrations to aid understanding.
 
 The topics covered in this glossary include anatomy, angiosperms, bryophytes, chemistry, cytology, family specific terms, ferns and fern allies, flowers, fruit, genetics, gymnosperms, habit and growth, habitat and ecology, indumentum, inflorescence, leaves, reproduction, roots, seeds, systematics and more.
 
 The Illustrated Plant Glossary is a must-have reference for plant scientists, plant science teac
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34

(Editor), Florike Egmond, Paul G. Hoftijzer (Editor), and Robert P. W. Visser (Editor), eds. Carolus Clusius in a New Context: Towards a Cultural History of a Renaissance Naturalist. Edita-the Publishing House of the Royal, 2008.

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35

Fauna e flora brasileira, século XVIII =: Brazilian fauna and flora, 18th century. Spala Editora, 1986.

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36

Osmanlı kitap sanatında doğal çiçekler =: Naturalistic flowers in Ottoman manuscripts. Yorum Sanat, 2005.

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37

Reid, Amanda. Cephalopods of Australia and Sub-Antarctic Territories. CSIRO Publishing, 2016. http://dx.doi.org/10.1071/9781486303946.

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Australian waters contain the highest diversity of cephalopods (squid, cuttlefish and octopus) found anywhere in the world. They are highly significant ecologically, both as top-level predators and as prey for numerous vertebrates, including fishes, seals, cetaceans and seabirds.
 Cephalopods of Australia and Sub-Antarctic Territories is a comprehensive guide covering 226 species, which represent over a quarter of the world’s cephalopod fauna. With an emphasis on identification, this book includes keys, species descriptions, full-colour illustrations and distribution maps, as well as a su
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38

Joseph Hooker: Botanical Trailblazer. Royal Botanic Gardens, Kew, 2012.

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39

Debus, Stephen. Birds of Prey of Australia. CSIRO Publishing, 2019. http://dx.doi.org/10.1071/9781486311125.

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Raptors are popular and iconic birds, and are important ecologically, with some species listed as threatened. Yet they are among the most difficult birds to identify. This fully updated Third Edition of the popular and award-winning field guide Birds of Prey of Australia contains two sections: a field guide with distribution maps, detailed illustrations and information on identification; and a handbook which includes an overview of the current knowledge about raptors, including their biology, ecology and behaviour. An illustrated section on difficult-to-distinguish species pairs is also includ
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40

Gelder, Roelof van, Heidrun Ludwig, Maria Sibylla Merian, and Natalie Zemon Davis. Maria Sibylla Merian. 1647 - 1717. Künstlerin und Naturforscherin. Hatje, Kunst- u. Architektur-Verlag(Hatje/Cantz Verlagsge5Gerd Gerd, 2002.

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41

Ellis Rowan: A life in pictures. NLA Publishing, 2020.

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42

Hoekstra, Kinch, and Mark Fisher. Thucydides and the Politics of Necessity. Edited by Sara Forsdyke, Edith Foster, and Ryan Balot. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199340385.013.10.

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Thucydides’ text is a locus classicus for political-theoretical discussions of necessity. Such figures as the Athenian envoys in Sparta and Melos frequently draw upon the concept to explain and justify their actions, while Thucydides himself employs it to great explanatory effect in accounting for the actions and origins of the Peloponnesian War. But necessity does not work in only one mode for Thucydides, nor do his characters draw on one consistent argument from necessity throughout the text. Rather, Thucydides’ text offers a rich illustration of the many different ways that necessity affect
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43

Theischinger, Günther, John Hawking, and Albert Orr. Complete Field Guide to Dragonflies of Australia. CSIRO Publishing, 2021. http://dx.doi.org/10.1071/9781486313754.

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Dragonflies and damselflies are conspicuous insects: many are large and brightly coloured. They are also valuable indicators of environmental wellbeing. A detailed knowledge of the dragonfly fauna is therefore an important basis for decisions about environmental protection and management.
 
 This comprehensive guide to the Australian dragonfly fauna covers eight families of dragonflies and 10 families of damselflies, comprising the 113 genera and 333 species found in Australia. It has been updated with newly identified species and revised family names to reflect new world consensus s
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44

Art and Science of Ernst Haeckel. TASCHEN, 2016.

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45

Library), Art and Science in America: Issues of Representation (1994 :. Huntington. Art and Science in America: Issues of Representation. Huntington Library Press, 1999.

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46

Dickens, Charles. The Old Curiosity Shop. Edited by Elizabeth M. Brennan. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199538232.001.0001.

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‘… holding her solitary way among a crowd of wild, grotesque companions; the only pure, fresh, youthful object in the throng.’ ‘Little Nell’ cares for her grandfather in the gloomy surroundings of his curiosity shop. Reduced to poverty the pair flee London, pursued by the grotesque and vindictive Quilp. In a bizarre and shifting kaleidoscope of events and characters the story reaches its tragic climax, an ending that famously devastated the novel's earliest readers. Dickens blends naturalistic and allegorical styles to encompass both the actual blight of Victorian industrialization and textual
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47

Aspher, Nicole. Decomposition Notebook Vintage Naturalist Illustration Rabbit: Vintage Decomposition Notebook College Ruled, 100 Pages, 7. 5 X 9. 75. Independently Published, 2021.

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48

Thomason, Krista K. Ajax Reconsidered. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843274.003.0003.

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Ajax sees no problem with the idea of becoming a murderer, but the shame of looking like a madman drives him to suicide. Ajax is one illustration of a common phenomenon: people either prefer being violent to feeling shame, or their feelings of shame are alleviated by acts of aggression. This chapter argues that neither the traditional view nor the naturalistic view can explain why people prefer violence to shame. A close examination of the connection between violence and shame will reveal important features of the experience of shame more generally. Two features of shame are present in the cas
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49

Endeavouring Banks: Exploring the Collections from the Endeavour Voyage 1768-1771. Holberton Publishing, Paul, 2016.

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50

Attenborough, David. Endeavouring Banks: Exploring Collections from the Endeavour Voyage, 1768-1771. University of Washington Press, 2016.

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