Books: 'Image editor'

1

Image makers, image takers: Interviews with today's leading curators, editors & photographers. Thames & Hudson, 2007.

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2

Digital SLR cameras & photography for dummies. 3rd ed. Wiley Pub., inc, 2009.

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Hasse, Julián. Cómo editar fotos digitales. Longseller, 2003.

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4

Grace: A memoir. Random House, 2012.

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5

Andreev, Vladislav. Angel lit︠s︡a Bozhii︠a︡: Teologii︠a︡ i ikonologii︠a︡ bogoi︠a︡vlenii︠a︡ ; O edinom bozhestve v izobrazhenii "Gospoda Savaofa". Izdatelʹ I.V. Balabanov, 2011.

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6

International Congress on Image and Signal Processing (3rd 2010 Yantai, Shandong Sheng, China). Proceedings / 2010 3rd International Congress on Image and Signal Processing, CISP 2010, 16-18 October 2010, Yantai, China ; editors, Zheng-Hua Tan ... [et al.] ; Yantai University, IEEE, EMB. IEEE, 2010.

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7

Kelby, Scott. Adobe Photoshop CS3: U pravy digita lni ch fotografii : unika tni 7bodovy syste m Scotta Kelbyho pro vyleps eni a u pravy vas ich digita lni ch fotografii. Zoner Press, 2008.

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8

Borden, Kay. Bulletproof news releases: Practical, no-holds-barred advice for small business from 135 American newspaper editors. Franklin-Sarrett Publishers, 1994.

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9

Robert, Wreschniok, ed. Reputation capital: Building and maintaining trust in the 21st century / Joachim Klewes, Robert Wreschniok, editors. Springer, 2009.

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10

Hiitola, Bethany. Inkscape 0.48 essentials for web designers: Use the fascinating Inkscape graphics editor to create attractive layout designs, images, and icons for your website. Packt Pub., 2010.

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11

K, Jain Vijay, McWaters Marcus M, Kunt M. 1945-, and University of South Florida. Center for Digital and Computational Video., eds. Second International Workshop on Digital and Computational Video: Proceedings : February 8-9, 2001, Tampa, Florida, USA ; sponsored by Center for Digital and Computational Video, University of South Florida ; editors, V.K. Jain, M.M. McWaters, and M. Kunt. IEEE Computer Society, 2001.

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12

Take me home from the Oscars: Arthritis, television, fashion, and me : a memoir. Skyhorse Pub., 2011.

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13

Manfredi, Claudia, ed. Models and Analysis of Vocal Emissions for Biomedical Applications. Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-961-4.

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The International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications (MAVEBA) came into being in 1999 from the particularly felt need of sharing know-how, objectives and results between areas that until then seemed quite distinct such as bioengineering, medicine and singing. MAVEBA deals with all aspects concerning the study of the human voice with applications ranging from the neonate to the adult and elderly. Over the years the initial issues have grown and spread also in other aspects of research such as occupational voice disorders, neurology, rehabilitation, image and video analysis. MAVEBA takes place every two years always in Firenze, Italy. This edition celebrates twenty years of uninterrupted and succesfully research in the field of voice analysis.

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14

Dotto, Diego, Dávid Falvay, and Antonio Montefusco. Le Meditationes Vitae Christi in volgare secondo il codice Paris, BnF, it. 115 Edizione, commentario e riproduzione del corredo iconografico. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-509-4.

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The Pseudo-Bonaventuran Meditationes vitae Christi is one of the most influential devotional narratives of the late middle ages. It was written in Tuscany in the early fourteenth century and survived in several Latin and vernacular manuscripts and early prints. An extensive discussion has engaged the scholars, especially about the issue of the first linguistic version of the text. Even if the Latin version seems to be the original text, the vernacular manuscript Paris, BnF, it. 115 stays as one of the most important and interesting witnesses of the work. One of the earliest surviving codices, it conserves the first Italian translation (penned in the Pisan area) of the text, enriched by a wonderful set of illustration. The present volume, which is the outcome of an international and interdisciplinary collaboration, offers the first critical edition of the text, the reproduction of all images, the edition of the instructions given to the artist, accompanied by detailed philological and art-historical commentaries, glossaries, and seven interdisciplinary introductory essays.

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15

Ozer, Jan. Adobe digital video how-tos: 100 essential techniques with Adobe production studio. Peachpit, 2007.

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16

Poliziano, Angelo. Coniurationis commentarium / Commentario della congiura dei Pazzi. Edited by Leandro Perini. Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-119-5.

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The Pazzi Consipracy by Angelo Poliziano is the only historical work in the vast production of the famous humanist. He was an eye-witness of the tragic episode that took place in Florence in 1478 in which Giuliano de' Medici was killed and his brother Lorenzo il Magnifico wounded. This was one episode in a conflict between rival banking houses during what Fernand Braudel has defined as "the first crisis of capitalism". Behind the veil of a highly cultured form of appropriation of the classical tradition (Sallust's De Catilinae coniuratione), we can discern a ruthless realism which, in its spare style, anticipates the mood of early cinema. The Pactianae coniurationis commentarium clearly reveals the traces of a time that was neither happy nor brilliant, as in the illusory images of the Renaissance that have come down to us, but rather bubbled with bloodshed and also featured phenomena such as gambling which are typical of times of crisis. Following Alessandro Perosa's by now impossible to get hold of edition, Poliziano's work is presented here in a historic perspective updated with the most recent historical reconstructions, with a series of appendices and a thorough chronology that help to focus the meanings and bring to the fore the features of the period in their potential entirety.

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17

W, Olsen J., ed. Cascading style sheets complete. McGraw-Hill, 1998.

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18

Arnold, J. Douglas, and Zach Metson. Awesome Sega Genesis Secrets 4. Sandwich Islands Publishing, 1994.

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19

Awesome Super Nintendo Secrets 2. Sandwich Islands Publishing, 1993.

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20

Publishing, Blossom Tree. Don't Panic! I'm a Professional Image Editor : Customized 100 Page Lined Notebook Journal Gift for a Busy Image Editor: Far Better Than a Throw Away Greeting Card. Independently Published, 2020.

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21

Long, Ben. Complete Digital Photography, Fourth Edition (Graphics Series). 4th ed. Charles River Media, 2007.

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22

Adam's image. Severn House, 2016.

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23

Kowal, Rebekah J. Dancing the World Smaller. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190265311.001.0001.

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Mark Franko, Series Editor French Moves: The Cultural Politics of le hip hop Felicia McCarren Watching Weimar Dance Kate Elswit Poetics of Dance: Body, Image, and Space in the Historical Avant-Gardes Gabriele Brandstetter Dance as Text: Ideologies of the Baroque Body,...

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24

Young, Herbert C. Water Across The Divide Screen Saver, Image Editon #1. Rockhard Software of Colorado, 1998.

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25

Lancellotti, Patrizio, José Luis Zamorano, Gilbert Habib, and Luigi Badano, eds. The EACVI Textbook of Echocardiography. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198726012.001.0001.

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Echocardiography uses ultrasound waves to generate images of cardiovascular structures and to display information regarding the blood flow through these structures. Knowledge of basic ultrasound principles and current technology is essential for image interpretation and for optimal use of equipment during image acquisition and post-processing. This fully updated second edition of the official textbook of the European Association of Cardiovascular Imaging (EACVI) serves the educational requirements of cardiologists and all clinical medical professionals, underpinning the structural training in accordance with the EACVI goals and reflecting the core European syllabus throughout.

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26

Fullerton, Edited by John, and Astrid Sderbergh Widding. Moving Images: From Edison to the Webcam. Indiana University Press, 2001.

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27

1949-, Fullerton John, and Söderbergh-Widding Astrid, eds. Moving images: From Edison to the webcam. John Libbey, 1999.

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28

Cohen, Richard I., ed. James Ross and Song Lihong (eds.), The Image of Jews in Contemporary China. Boston: Academic Studies Press, 216. 244 pp. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190912628.003.0032.

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This chapter reviews the book The Image of Jews in Contemporary China (2016), edited by James Ross and Song Lihong. The Image of Jews in Contemporary China includes philosophical reflections, Kaifeng history, a travelogue from a visit to Jewish descendants in Kaifeng, and essays on the Holocaust, Israeli literature, how the general public in China reads the Bible, and political relations between China and Israel. The book begins with the essay “Perceiving Jews in Modern China,” followed by “Images of Jews in Contemporary Books, Blogs and Films,” “Chinese Policy towards Kaifeng Jews,” “Distinctiveness: A Major Jewish Characteristic,” and “Reflections on Chinese Jewish Studies: A Comparative Perspective.”

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29

Whitmire, Ethelene. Harlem Renaissance Women and 580 St. Nicholas Avenue. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038501.003.0004.

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This chapter looks at how Regina became part of the Harlem Renaissance upon her arrival in New York City. Events collided to put Regina at the forefront of the Harlem Renaissance, a cultural movement marked by increased literary, musical, and artistic creativity by African American artists who wanted to challenge the prevailing stereotypical representation of their image. Writers and artists came from all over the United States to participate. In Los Angeles, writer Wallace Thurman encouraged fellow post-office worker Arna Bontemps to go to Harlem. Opportunity editor Charles S. Johnson encouraged Zora Neale Hurston to move to New York City. All of these great thinkers, writers, and artists would pass through the 135th Street Branch, where Regina was assigned.

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30

The Image Editors: Mind, Spirit and Voice (Sigma Theta Tau International Peer-Reviewed Monographs). SIGMA Theta Tau International, Center for Nur, 1997.

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31

Edisto Island Historical Preservation Society. Edisto Island: A Family Affair (SC) (Images of America). Arcadia Publishing, 1998.

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32

Sun, Changming, Hugues Talbot, Sebastien Ourselin, and Tony Adriaansen, eds. Digital Image Computing: Techniques and Applications. CSIRO Publishing, 2003. http://dx.doi.org/10.1071/9780643090989.

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Digital Image Computing: Techniques and Applications is the premier biennial conference in Australia on the topics of image processing and image analysis. This seventh edition of the proceedings has seen an unprecedented level of submission, on such diverse areas as: Image processing; Face recognition; Segmentation; Registration; Motion analysis; Medical imaging; Object recognition; Virtual environments; Graphics; Stereo-vision; and Video analysis. These two volumes contain all the 108 accepted papers and five invited talks that were presented at the conference. These two volumes provide the Australian and international imaging research community with a snapshot of current theoretical and practical developments in these areas. They are of value to any engineer, computer scientist, mathematician, statistician or student interested in these matters.

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33

Stirrup, James, Michelle Williams, Russell Bull, and Ed Nicol, eds. Cardiovascular Computed Tomography. Oxford University Press, 2019. http://dx.doi.org/10.1093/med/9780198809272.001.0001.

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Recent years have seen a marked increase in cardiovascular computed tomography (CT) imaging, with the technique now integrated into many imaging guidelines, including those published by NICE. Rapid clinical and technological progress has created a need for guidance on the practical aspects of CT image acquisition, analysis, and interpretation. The Oxford Specialist Handbook of Cardiovascular CT, now revised for the second edition by practising international experts with many years of hands-on experience, is designed to fulfil this need. The handbook is a practical guide on performing, analysing, and interpreting cardiovascular CT scans, covering all aspects from patient safety to optimal image acquisition to differential diagnoses of tricky images. The format is designed to be accessible and is laid out in easy to navigate sections. It is meant as a quick-reference guide, to live near the CT scanner, workstation, or on the office shelf.

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34

Solomon, Irvin D. Thomas Edison: The Fort Myers Connection (FL) (Images of America). Arcadia Publishing, 2001.

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35

Adobe Photoshop Cc For Photographers A Professional Image Editors Guide To The Creative Use Of Photoshop For The Macintosh And Pc. Taylor & Francis Ltd, 2013.

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36

La Imagen Del Amor And El Arte Del Engao. Silhouette Books, 2010.

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37

Holub, Barbara, Klaus Himpsl-Gutermann, Katharina Mittlböck, Monika Musilek-Hofer, Andrea Varelija-Gerber, and Nina Grünberger, eds. lern.medien.werk.statt Hochschullernwerkstätten in der Digitalität. Verlag Julius Klinkhardt, 2021. http://dx.doi.org/10.35468/5904.

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The volume "lern.medien.werk.statt" is dedicated to the discussion of university learning workshops about their different concepts and their different self-image. In addition, the focus is explicitly on the topic of university learning workshops and digitality. Theoretical and conceptual connections between the discourses on learning workshops and media education will be explored, as well as possible incompatibilities, in an attempt to answer the following questions: - How can digital media be systematically integrated as tools to support free experimentation in learning workshops? - How can media education and in particular the use of digital media be meaningfully integrated into learning workshop concepts? - How does the work with (digital) media in the learning workshop practice take shape in concrete terms? The series " Lernen und Studieren in Lernwerkstätten – Impulse für Theorie und Praxis" is edited by Barbara Müller-Naendrup, Hartmut Wedekind, Markus Peschel and Eva Franz. The editors Barbara Holub, Klaus Himpsl-Gutermann, Monika Musilek-Hofer, Andrea Varelija-Gerber, Nina Grünberger work at the Institute for Interdisciplinary Education (IBS) at the Vienna University of Teacher Education. Katharina Mittlböck (formerly also PH Vienna) works at the University of Innsbruck.

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38

LoBrutto, Vincent. Ridley Scott. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177083.001.0001.

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This, the first biography of film director Ridley Scott, investigates the life and moving-image work of a major cinema artist. Ridley Scott is a supreme visualist who applies artistry to telling motion picture narratives. The influence of his early work in commercials, television projects, short films, and music videos is explored. The arc of his life experience is examined to provide a total picture of the man, with emphasis on the look and content of his films. Each Ridley Scott film is presented from a series of views: conception, production, postproduction, critical and social reactions, box office results, and impact on his long and continuing career. Scott’s ability to make and release feature films on a regular timetable and run a multifaceted production company at the same time reveals his stamina and work ethic. Thematic patterns in Ridley Scott’s filmography give further insight into his artistic personality; he repeatedly examines subjects such as war, the nature of the male of the species, and the strength of women. Scott deals with these themes through hands-on collaboration with screenwriters and film craft artists such as the director of photography, production designer, and editor. The book embraces the concept that Ridley Scott is a complex artist driven to apply his art in a constant flow of projects. This biography will fill in many gaps of the life and films of this British-born director, who is known and respected by audiences, film critics, and scholars all over the globe.

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39

Leeson, Paul, Daniel Augustine, Andrew R. J. Mitchell, and Harald Becher. OSH Echocardiography. Oxford University Press, 2012. http://dx.doi.org/10.1093/med/9780199591794.001.0001.

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Comprehensively updated and now including over 175 videos, this new edition is a unique and practical training guide for all those wanting easily accessible, detailed information on how to get good images, make key measurements and report their findings.

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40

Leeson, Paul, Cristiana Monteiro, Daniel Augustine, and Harald Becher, eds. Echocardiography. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780198804161.001.0001.

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Fully updated for its third edition, Echocardiography provides all of the essential information you need on echo acquisition, interpretation, and reporting in an easily readable and concise format. Featuring over 400 full colour images, this resource also comes with online access to 155 video clips to clarify complex issues, making it an invaluable guide for both the experienced and trainee cardiologist who performs echocardiography as part of their practice. Designed to align to international guidelines and help trainees undergoing accreditation or certification, including the BSE, EACVI, and ASE requirements, this handbook bridges the gap between entry-level texts and large textbooks, and is compact enough to carry around in clinical settings. It covers all echocardiography modalities, from acute echocardiography to transoesophageal and stress imaging. The third edition includes a simplified approach to the physics of ultrasound, a brand new chapter on interventional echocardiography, and a streamlined navigation between basic and advanced techniques. The sections on diastolic function, heart failure, and congenital heart disease have been expanded, and over 100 new illustrations, images, and schematic diagrams have been added to simplify images and anatomy for the reader.

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41

Bishop, Ryan, and Sunil Manghani, eds. Seeing Degree Zero. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474431415.001.0001.

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In the fields of literature and the visual arts, 'zero degree' represents a neutral aesthetic situated in response to, and outside of, the dominant cultural order. Taking Roland Barthes' 1953 book Writing Degree Zero as just one starting point, but with reference to broader historical discourse that picks up on critical notions of 'zero', 'zero degree', and the 'neutral, this volume examines the historical, theoretical and visual impact of the term and draws directly upon the editors' ongoing collaboration with artist and writer Victor Burgin. The book is composed of key chapters by the editors and Burgin, a series of collaborative texts with Burgin and four commissioned essays concerned with the relationship between Barthes and Burgin in the context of the spectatorship of art. It includes an in-depth dialogue regarding Burgin's long-term reading of Barthes and a lengthy image-text, offering critical exploration of the Image (in echo of earlier theories of the Text). Also included are translations of two projections works by Burgin, Belledonne and Prairie, which work alongside and inform the collected essays. Overall, the book provides a combined reading of both Barthes and Burgin, which in turn leads to new considerations of visual culture, the spectatorship of art and the political aesthetic. Taken together, the volume argues that the critical concept of 'zero degree' presents a common, underlying interest threaded through the work of Roland Barthes and Victor Burgin. With respect to literature and the visual arts, it specifies a 'neutral' aesthetic situated in response to and outside of the dominant cultural order. This book provides an historical, theoretical and visual exploration of this term as it pertains to the writing and art practices of both Barthes and Burgin.

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42

Shelley, Mary. Introduction to Frankenstein (1831). Edited by David H. Guston, Ed Finn, Jason Scott Robert, Joey Eschrich, and Mary Drago. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9780262533287.003.0004.

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In her introduction to the 1831 “Standard Novels” edition of Frankenstein, Mary Shelley accedes to the ongoing requests that she explain how she “then a young girl, came to think of, and to dilate upon, so very hideous an idea?” After describing a bit about her childhood, Mary then describes the gathering of her, Percy Bysshe Shelley, and their friends in the cold, wet summer of 1816 and the challenge issued by Lord Byron to “each write a ghost story.” After suffering from “that blank incapability of invention which is the greatest misery of authorship,” Mary finally conceives of the central image of the revivification of the creature and its abandonment by his creator. Mary also describes the contributions that Percy made to the original work and describes as merely stylistic the alterations she made between the original and the 1831 edition.

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43

Clark, Catherine E. Style and Subjectivity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190681647.003.0005.

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Parisians’ interest in photography’s potential as a historical medium gained increasing purchase after World War II, as exemplified by the celebrations of the Bimillénaire de Paris, a public festival to commemorate Paris’s two thousandth birthday, the two millennia since the arrival of Julius Caesar. Exhibitions, press coverage, and books sold photography to the world as the future of studying the past. Faced with the specter of Paris—and France’s—global decline, writers, magazine editors, and municipal officials nonetheless leaned heavily on old prints, paintings, and their historical styles in order to call forth better times from the city’s venerated past. They contributed to Paris’s visual vocabulary, a set of standard image subjects and styles that knit the past into the present both on the printed page and in the historical imagination.

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44

Mitchell, Andrew, Giovanni Luigi De Maria, and Adrian Banning, eds. Cardiac Catheterization and Coronary Intervention. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780198705642.001.0001.

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Cardiac catheterization and coronary angiography are both key components to routine cardiology practice. This new edition of Cardiac Catheterization and Coronary Intervention has been fully updated since the first edition, with new sections on primary percutaneous coronary intervention, trends in vascular access, bioabsorbable stents, optical coherence tomography, and more. Filled with over 150 clinical images and schematic illustrations, the handbook is an accessible ‘how-to’ guide, designed to demystify complex cardiac catheterization investigations. Expanded to reflect developments in practice, this new edition also introduces a new chapter on the multidisciplinary team and their roles and responsibilities from pre- to post-procedural care and relevant training requirements. It contains detailed instructions on how to perform a comprehensive left and right heart catheterization procedure, choosing the correct catheter for coronary and graft angiography, and how to perform a diagnostic coronary angiogram and interpret the subsequent findings.

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45

Schwab, Christine. Take Me Home from the Oscars: Arthritis, Television, Fashion, and Me. Skyhorse Publishing Company, Incorporated, 2011.

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46

Zamorano, Jose Luis, Jeroen Bax, Juhani Knuuti, Udo Sechtem, Patrizio Lancellotti, and Luigi Badano, eds. The ESC Textbook of Cardiovascular Imaging. Oxford University Press, 2015. http://dx.doi.org/10.1093/med/9780198703341.001.0001.

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Now fully revised and updated with the latest imaging techniques and technology and covering even more conditions than before, this new edition of The ESC Textbook of Cardiovascular Imaging provides extensive coverage of all cardiovascular imaging modalities, and is produced in collaboration with the European Association of Cardiovascular Imaging with contributions from specialists across the globe and edited by a distinguished team of experts. It not only discusses the principles of individual modalities but also clearly demonstrates the added value each technique can bring to the treatment of all cardiac diseases. Richly illustrated with colour figures, images, and tables and using a wealth of newly available evidence to link theory to practice, it demonstrates how these techniques can be used in the diagnosis of a range of cardiovascular diseases. Learning how to apply them in practice is made easy with videos and imaging loops online, and it contains information on cutting-edge technical developments in echocardiography, CT, CMR and hybrid imaging, as well as imaging's current role in cardiac interventions, such as identifying cardiac structures, helping to guide procedures and exclude possible complications. The application of imaging modalities in conditions such as valvular and coronary heart disease, heart failure, cardiomyopathies, peri-myocardial disease, adult congenital heart disease and aortic disease, is also extensively considered.

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47

Lyons, John D., ed. The Oxford Handbook of the Baroque. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190678449.001.0001.

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Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term ‘Baroque,’ the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankind’s view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.

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48

Smyth, J. E. Designing Women. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840822.003.0007.

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During the early 1940s, journalists observed that after years of men controlling women’s fashion, Hollywood had become “a fashion center in which women designers are getting to be a big power.” In a town where “the working girl is queen,” it was women who really knew how to dress working women. Edith Head’s name dominates Hollywood costume design. Though a relatively poor sketch artist who refused to sew in public, Head understood what the average woman wanted to wear and knew better than anyone how to craft her image as the-one-and-only Edith Head. However, she was one of many women who designed Hollywood glamour in the studio era. This chapter juxtaposes Head’s career with that of a younger, fiercely independent designer who would quickly upstage Head as a creative force. In many senses, Dorothy Jeakins’s postwar career ascent indicated the waning of the Hollywood system and the powerful relationship between female designers, stars, and fans.

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49

Swift, Jonathan. Journal to Stella. Edited by Abigail Williams. Cambridge University Press, 2013. http://dx.doi.org/10.1017/9780521841665.

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The Journal to Stella, Jonathan Swift's letters to Esther Johnson, or 'Stella', and Rebecca Dingley, written between September 1710 and June 1713, offers an extraordinary commentary on Swift's experiences in London during the most politically active and exciting years of his career and evidence of his evolving relationship with the two women. This edition seeks for the first time both to situate the letters alongside Swift's other works and to place them within their original political, historical and cultural contexts. It brings together a combination of printed work and manuscript to present the most complete and accessible text possible, enhanced by the use of the latest digital image analysis techniques to reinstate previously indecipherable material. In addition to a new critical introduction and appendices, there is also a biographical appendix derived from recently available resources.

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50

Fisch, Adam J. Neuroanatomy. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190259587.001.0001.

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Neuroanatomy: Draw It to Know It, Second Edition teaches neuroanatomy in a purely kinaesthetic way. In using this resource, each neuroanatomical pathway and structure is learned by drawing, and through this process, memorable and reproducible schematics for the various learning points in neuroanatomy are created in a hands-on, enjoyable, and highly effective manner. In addition to this unique method, this resource also provides a remarkable repository of reference materials, including numerous anatomic and radiographic brain images, muscle-testing photographs, and illustrations from many other classic texts, which all enhance the learning experience. This new edition adds "Know-It" points to each chapter, providing high-yield learning methods that separate the essential from the advanced topics. It engages the reader in a direct manner while covering both the advanced level of detail needed as well as retaining the simplistic approach used in learning this challenging subject.

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Books on the topic 'Image editor'

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