Relevant bibliographies by topics / Image file formats

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Image file formats'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Image file formats"

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Larobina, Michele, and Loredana Murino. "Medical Image File Formats." Journal of Digital Imaging 27, no. 2 (December 13, 2013): 200–206. http://dx.doi.org/10.1007/s10278-013-9657-9.

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Bode, Michael. "A Few Thoughts About Image File Storage." Microscopy Today 12, no. 1 (January 2004): 26–29. http://dx.doi.org/10.1017/s1551929500051786.

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A recent thread on the MSA list server about problems with image formats (in this case TIF or TIFF) showed, that there is a bit of confusion in the microscopy community about the best file format for digital images. I will try to shed a bit of light onto this problem.Digital images are at the core a large array of numbers. One number per pixel for b/w images, 3 numbers per pixel for color images. The simplest file format consists of 2 numbers that define the width and height of the image, and then just a listing of numbers for each pixel. By using the right conventions, the image can be recreated from a data file like mis. In essence, this is the format of a bitmap image (BMP), and other formats derived from it.
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Moldovan, Grigore, and Michael Zabel. "Quantitative Image Format for Electron Microscopy." Microscopy and Microanalysis 26, S2 (July 30, 2020): 1176–78. http://dx.doi.org/10.1017/s1431927620017225.

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AbstractExperimental data, simulation, data analysis and visualisation require image file formats that are open source and able to contain and manage quantitative data. Quantification techniques bring the new challenge of managing image calibration parameters and formulas in an open and efficient format, compatible with routine microscopy workflows. A practical approach to quantitative image format is presented and discussed here, relying on open and extensible file formats - Tagged Image File (TIF) and Extensible Metadata Platform (XMP).
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Kim, JeongYeon. "Protecting Metadata of Access Indicator and Region of Interests for Image Files." Security and Communication Networks 2020 (January 22, 2020): 1–10. http://dx.doi.org/10.1155/2020/4836109.

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With popularity of social network services, the security and privacy issues over shared contents receive many attentions. Besides, multimedia files have additional concerns of copyright violation or illegal usage to share over communication networks. For image file management, JPEG group develops new image file format to enhance security and privacy features. Adopting a box structure with different application markers, new standards for privacy and security provide a concept of replacement substituting a private part of the original image or metadata with an alternative public data. In this paper, we extend data protection features of new JPEG formats to remote access control as a metadata. By keeping location information of access control data as a metadata in image files, the image owner can allow or deny other’s data consumption regardless where the media file is. License issue also can be resolved by applying new access control schemes, and we present how new formats protect commercial image files against unauthorized accesses.
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Wiggins, Richard H., H. Christian Davidson, H. Ric Harnsberger, Jason R. Lauman, and Patricia A. Goede. "Image File Formats: Past, Present, and Future." RadioGraphics 21, no. 3 (May 2001): 789–98. http://dx.doi.org/10.1148/radiographics.21.3.g01ma25789.

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Linkert, Melissa, Curtis T. Rueden, Chris Allan, Jean-Marie Burel, Will Moore, Andrew Patterson, Brian Loranger, et al. "Metadata matters: access to image data in the real world." Journal of Cell Biology 189, no. 5 (May 31, 2010): 777–82. http://dx.doi.org/10.1083/jcb.201004104.

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Data sharing is important in the biological sciences to prevent duplication of effort, to promote scientific integrity, and to facilitate and disseminate scientific discovery. Sharing requires centralized repositories, and submission to and utility of these resources require common data formats. This is particularly challenging for multidimensional microscopy image data, which are acquired from a variety of platforms with a myriad of proprietary file formats (PFFs). In this paper, we describe an open standard format that we have developed for microscopy image data. We call on the community to use open image data standards and to insist that all imaging platforms support these file formats. This will build the foundation for an open image data repository.
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Cheng, Wei-Chung, Samuel Lam, Qi Gong, and Paul Lemaillet. "Evaluating whole-slide imaging viewers used in digital pathology." Electronic Imaging 2020, no. 9 (January 26, 2020): 372–1. http://dx.doi.org/10.2352/issn.2470-1173.2020.9.iqsp-372.

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As a Class II medical device, whole-slide imaging (WSI) systems are emerging to succeed light microscopes used by pathologists in the past decades by digitalizing histological tissue slides into millions of pixels saved in a WSI file. Unlike the standard image file formats such as JPEG or TIFF, a WSI file usually consists of hundreds of compressed images of different magnification levels and focal planes that need to be decompressed, stitched, scaled, and colormanaged to reproduce the view demanded by the user with zooming and panning operations. Currently, most WSI files are stored in proprietary file formats, due to the lack of adopting a standard WSI file format, which hinders the development of third-party WSI viewers by making it difficult to interpret WSI files faithfully. To examine the fidelity of third-party WSI viewers, in this study, three freely available viewers, Sedeen, QuPath, and ASAP, were compared with the factory viewer, NDP, at the pixel level. A software tool was developed to register and calculate the 1976 CIE color difference for each pixel between two viewers. The average color differences were found as 1.30, 18.69, and 18.79 ΔE for Sedeen, QuPath, and ASAP, respectively.
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Sudirman, Sudirman. "Enkripsi Citra Bitmap Menggunakan Algoritma Kompresi Lampel-Ziv-Welch (LZW)." ALGORITMA : JURNAL ILMU KOMPUTER DAN INFORMATIKA 4, no. 1 (May 4, 2020): 9. http://dx.doi.org/10.30829/algoritma.v4i1.7242.

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<p><em>The use of data in the form of image files has become more widespread in various fields. Therefore, security of image files from unauthorized persons is important. Various techniques to reduce file size, including securing files, have been developed, one of which is compression. Compression technique becomes important in processing large images such as Bitmap images. Ziv Welch seal is a loseless compression algorithm that can compress images without any loss of pixel elements in them or the resulting compression image is identical to the original image. The image will be encrypted first and then performed the compression technique using the Ziv Welch Lempel algorithm. The resulting compression is no longer in the form of images but in the form of files with the * .mat extension. The different file formats from images to non-image files can help avoid cryptanalysis</em></p>
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Kim, Yunhyong, and Seamus Ross. "Digital Forensics Formats: Seeking a Digital Preservation Storage Container Format for Web Archiving." International Journal of Digital Curation 7, no. 2 (October 23, 2012): 21–39. http://dx.doi.org/10.2218/ijdc.v7i2.227.

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In this paper we discuss archival storage container formats from the point of view of digital curation and preservation, an aspect of preservation overlooked by most other studies. Considering established approaches to data management as our jumping off point, we selected seven container format attributes that are core to the long term accessibility of digital materials. We have labeled these core preservation attributes. These attributes are then used as evaluation criteria to compare storage container formats belonging to five common categories: formats for archiving selected content (e.g. tar, WARC), disk image formats that capture data for recovery or installation (partimage, dd raw image), these two types combined with a selected compression algorithm (e.g. tar+gzip), formats that combine packing and compression (e.g. 7-zip), and forensic file formats for data analysis in criminal investigations (e.g. aff – Advanced Forensic File format). We present a general discussion of the storage container format landscape in terms of the attributes we discuss, and make a direct comparison between the three most promising archival formats: tar, WARC, and aff. We conclude by suggesting the next steps to take the research forward and to validate the observations we have made.
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T, Vijayakumar. "A SECURE STEGANOGRAPHY CREATION ALGORITHM FOR MULTIPLE FILE FORMATS." Journal of Innovative Image Processing 1, no. 01 (October 8, 2019): 1–10. http://dx.doi.org/10.36548/jiip.2019.1.001.

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Nowadays the skin cancer has become a more dangerous and an unpredictable disease among the humans. Nearly one million of people all over the world every year are been affected by the skin cancer and left with no treatment due to the lack of early diagnosis. Besides the usual types of cancer such as the melanoma, basal cell carcinoma and squamous cell carcinoma that could be identified easily there are certain types of unusual skin cancer such as the Merkel cell skin cancer that are rare and difficult to diagnose. As the identification of the Merkel cell skin cancer at the early stage would be very useful in deciding the necessary treatment for its cure, the paper has put forward preprocessing techniques to improve the image quality to make the further image processing procedure easy in the identification of the skin cancer. The proposed method applies the combined image enhancement and the restoration (CIEIR) on the input skin lesion images and makes it more presentable with the improved quality for the further image processing steps in the identification of the normal skin and the skin affected by the Merkel cell tumor. The CIEIR is implemented in the MATLAB and the parameters such as the PSNR, SSIM and the MSE are measured.
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Dissertations / Theses on the topic "Image file formats"

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Spring, Ted. "Uncertainty comparison of Digital Elevation Models derived from different image file formats." Thesis, Högskolan i Gävle, Avdelningen för Industriell utveckling, IT och Samhällsbyggnad, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-17193.

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Unmanned Aerial Systems (UAS) have become increasingly popular recently for surveying and mapping because of their efficiency in acquiring remotely sensed data in a short amount of time and the low cost associated with them. They are used to generate digital elevation models (DEM) derived from aerial photography for various purposes such as the documentation of cultural heritage sites, archaeological surveying or earthwork volume calculations. This thesis investigates the possible effects different file formats may have on the quality of elevation models. In this thesis, an UAS survey was simulated using a digital camera to produce six DEMs based on JPEG, TIFF and RAW format in Agisoft Photoscan by taking two sets of images of a city model, in different light conditions. Furthermore, a reference DEM was produced in Geomagic Studio using data from a Leica Nova MS50 Multistation. The DEMs were then compared in Geomagic Control. The results from the 3D comparison in Geomagic Control show that the standard deviation of all elevation models is 4 mm with the exception of the elevation model derived from raw-edited images taken with lighting, which has a standard deviation of nearly 6 mm. Also, all of the models have an average deviation of 0.4 mm or less. The significant deviations in all DEMs occur in areas where the multistation lacked vision of certain objects of the city model such as walls, or on the edges of the analysed area. Additionally, the georeferencing results from Photoscan show that the DEMs based on normal light condition images have slightly lower georeferencing errors than the DEMs with lighting. It has been concluded that it is difficult to say whether file formats have any noticeably effect on the uncertainty of digital elevation models.
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Chien, Chi-Hao. "A comparison study of the implementation of digital camera's RAW and JPEG and scanner's TIFF file formats, and color management procedures for inkjet textile printing applications /." Online version of thesis, 2009. http://hdl.handle.net/1850/10886.

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Turner, Martin John. "The contour tree image encoding technique and file format." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/254706.

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The process of contourization is presented which converts a raster image into a discrete set of plateaux or contours. These contours can be grouped into a hierarchical structure, defining total spatial inclusion, called a contour tree. A contour coder has been developed which fully describes these contours in a compact and efficient manner and is the basis for an image compression method. Simplification of the contour tree has been undertaken by merging contour tree nodes thus lowering the contour tree's entropy. This can be exploited by the contour coder to increase the image compression ratio. By applying general and simple rules derived from physiological experiments on the human vision system, lossy image compression can be achieved which minimises noticeable artifacts in the simplified image. The contour merging technique offers a complementary lossy compression system to the QDCT (Quantised Discrete Cosine Transform). The artifacts introduced by the two methods are very different; QDCT produces a general blurring and adds extra highlights in the form of overshoots, whereas contour merging sharpens edges, reduces highlights and introduces a degree of false contouring. A format based on the contourization technique which caters for most image types is defined, called the contour tree image format. Image operations directly on this compressed format have been studied which for certain manipulations can offer significant operational speed increases over using a standard raster image format. A couple of examples of operations specific to the contour tree format are presented showing some of the features of the new format.
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Roman, Mark A. (Mark Anthony). "The revision, evaluation, and extension of an image file format." Thesis, Massachusetts Institute of Technology, 1987. http://hdl.handle.net/1721.1/17214.

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Harward, Gregory Brent. "Suitability of the NIST Shop Data Model as a Neutral File Format for Simulation." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd899.pdf.

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Marin, Carrillo Alba. "L'evolution du documentaire audiovisuel. Des formats interactifs aux expériences immersives." Thesis, Université Grenoble Alpes (ComUE), 2019. http://www.theses.fr/2019GREAL018.

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La conception du documentaire a changé et, avec cela, les possibilités de créer des histoires non-fictives et les formes associées aux techniques. Dans ce contexte, nous nous intéressons à la pratique documentaire et à l'influence d'outils et de dispositifs tels que la réalité virtuelle et la réalité augmentée, l'utilisation d'applications mobiles et le développement de travaux web.Nous défendons la thèse selon laquelle la technologie influence les formes de représentation du documentaire et a provoqué l'évolution des formes narratives qui doivent être repensées dans leur contexte de création. Cela signifie que la recherche de productions documentaires reposant sur des supports numériques a besoin d'un cadre ouvert et interdisciplinaire pouvant couvrir leur complexité. Grâce au caractère international que l'accord de cotutelle contribue à ce travail, des méthodes visuelles sont insérées dans une enquête dans le cadre d'études visuelles. Tout cela façonne l'approche épistémologique du présent travail.Afin d'analyser l'apport des techniques numériques aux qualités communicatives du documentaire et de connaître l'évolution des formes de représentation, nous avons choisi une méthodologie visuelle. Nous nous appuyons sur trois études de cas dans lesquelles nous appliquons notre propre méthodologie, qui inclut la création d’une pièce audiovisuelle interactive. Tout cela est finalement complété par l'analyse d'un échantillon de documentaires sélectionnés.Les résultats du travail nous montrent en quoi l'évolution du documentaire, parallèlement à l'évolution de la technologie, place le spectateur au centre de l'histoire. Le documentaire devient une expérience multisensorielle créée pour une consommation individuelle dans laquelle l'utilisateur acquiert un rôle central
The conception of the documentary has changed, as well as the possibilities of creating fiction narratives and the forms associated with the techniques. In this context, we are interested in documentary practice and the influence of tools and devices such as virtual reality and augmented reality, the use of mobile applications and the development of web works on the web.We defend the thesis that technology influences the forms of representation of the documentary and has led to the evolution of narrative forms that must be rethought in their context of creation. This means that research on non-fiction productions based on the digital medium needs an open and interdisciplinary framework that can encompass its complexity.Thanks to the international character that the co-tutelage agreement contributes to this work, visual methods are inserted in in a research within the framework of visual studies. All this shapes the epistemological approach of this work.We have opted for a visual methodology with the objective of analyzing the contribution of digital technologies to the communicative qualities of the documentary and of knowing the evolution of the forms of representation. We rely on three case studies in which we apply our own method. It is a composite method in which we include the creation of an interactive audiovisual piece. All this is complemented finally with the analysis of a sample of selected documentaries.The results of the work tell us how the evolution of the documentary, in parallel with the advancement of technology, puts the viewer at the center of the story. The documentary becomes a multisensory experience created for an individual consumption in which the user acquires a central role
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Menclík, Tomáš. "3D model z MRI." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2012. http://www.nusl.cz/ntk/nusl-219464.

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The main aim of the thesis is the reconstruction of three-dimensional surface from a~set of two-dimensional images. For the implementation of this application the programming language Java and its extension, that allows work with three-dimensional models, were chosen. First, viewing of three-dimensional models of two different file formats was necessary to allow. To create the three-dimensional models, the Marching Cubes algorithm was used. This algorithm is decribed theoretically in the text, description of the implementation and correction of deficiencies follows. Finally, the implementation of the inversion procedure of reconstruction of the three-dimensional surface, which is the extraction of two-dimensional images from the three-dimensional model, is described.
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Liu, Je-Hung, and 劉哲宏. "Image Indexing in JPEG Format Files for Image Database." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/95776757265940203797.

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碩士
立德管理學院
應用資訊研究所
93
With the rapid growing of multimedia technology, more and more multimedia content are disseminated in the network or stored in the database. Image data is one of the multimedia types to be seen or accessed for the users in the Internet or from the database. Searching the related images by the querying image content is helpful to the management of image database. Most of the images are Joint Photographic Experts Group (JPEG) file format. Full decompression of JPEG file to spatial domain to extract the features for indexing takes time. Therefore, the research of JPEG file format indexing technique is worthwhile because it does not need the extra time to fulfill inverse discrete cosine transform (IDCT). Essentially, the proposed method is a content-based image retrieval (CBIR) system that can retrieval the images from the image database. In order to increase the efficiency of processing time, the proposed method fulfills partial decoding to JPEG file directly instead of full decoding and the feature vector extracted from the partial decoding can ensure the precise indexing as well. The system can output ranked images according to the similarity values in short time. In addition, the system has the property of robustness to rotation, scaling, translation, darkening, lightening, cropping, noise corruption, etc. Simulation results demonstrate that the performance of the proposed method outperforms the other existing DCT-based image indexing skills both from the aspects of robustness and processing burden.
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Vychodil, Bedřich. "Produkce digitálních obrazových dat a jejich kontrola." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-322214.

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(EN) This dissertation provides a broad understanding of fundamental terminology and an inside view of the digitization workflow and quality control processes. The main foci are on quality assurance during and outside the digitization processes and identification of the most suitable format for access, long term preservation, rendering and reformatting issues. An analysis of selected digitization centers is also included. An application called DIFFER (Determinator of Image File Format propERties) and subsequently The Image Data Validator - DIFFER has been developed using results from previously conducted research. The application utilizes new methods and technologies to help accelerate the whole processing and quality control. The goal was to develop a quality control application for a select group of relevant still image file formats capable of performing identification, characterization, validation and visual/mathematical comparison integrated into an operational digital preservation framework. This application comes with a well-structured graphic user interface, which helps the end user to understand the relationships between various file format properties, detect visual and non visual errors and simplify decision-making. Additional comprehensive annexes, describing the most crucial still image...
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Books on the topic "Image file formats"

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William, VanRyper, ed. Encyclopedia of graphics file formats. 2nd ed. Bonn: O'Reilly & Associates, 1996.

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Murray, James D. Encyclopedia of graphics file formats. Sebastopol, CA: O'Reilly & Associates, Inc., 1994.

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Compressed image file formats: JPEG, PNG, GIF, XBM, BMP. Reading, Ma: Addison Wesley Longman, 1999.

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Steinmueller, Uwe. The art of raw conversion: How to produce art-quality photos with Adobe Photoshop CS2 and leading raw converters. San Francisco: No Starch Press, 2005.

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Yiling, Chen, ed. Shu wei she ying zhi dao: Geng ju chuang yi de Photoshop she ying hou zhi zhi lu. Taibei Shi: Qi feng zi xun gu fen you xian gong si, 2014.

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Photoshop CS3 RAW: Transform your RAW images into works of art. Beijing [China]: O'Reilly, 2008.

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Fraser, Bruce. Real world Camera Raw with Adobe Photoshop CS4. Berkeley, Calif: Peachpit, 2009.

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Chen, Mark. Unleashing the raw power of Adobe Camera Raw: Master techniques for professional digital photographers. Buffalo, N.Y: Amherst Media, 2010.

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Adobe Camera Raw for digital photographers only. Hoboken, N.J: Wiley, 2005.

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1954-2006, Fraser Bruce, ed. Real world Camera Raw with Adobe Photoshop CS5. Berkeley, Calif: Peachpit Press, 2011.

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Book chapters on the topic "Image file formats"

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Taubman, David S., and Michael W. Marcellin. "File Format." In JPEG2000 Image Compression Fundamentals, Standards and Practice, 573–95. Boston, MA: Springer US, 2002. http://dx.doi.org/10.1007/978-1-4615-0799-4_14.

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Weik, Martin H. "tag image file format." In Computer Science and Communications Dictionary, 1732. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_19024.

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Wicks, D. A. G., G. J. Barker, and D. L. Plummer. "A General Image File Format." In Computer Assisted Radiology / Computergestützte Radiologie, 471–76. Berlin, Heidelberg: Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-662-00807-2_76.

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Reddy, David P., Gerald Q. Maguire, Marilyn E. Noz, and Robert Kenny. "Automating Image Format Conversion — Twelve Years and Twenty-Five Formats Later." In Computer Assisted Radiology / Computergestützte Radiologie, 253–58. Berlin, Heidelberg: Springer Berlin Heidelberg, 1993. http://dx.doi.org/10.1007/978-3-642-49351-5_43.

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Ratib, Osman, Yves Ligier, Ron Appel, and Jean Raoul Scherrer. "PAPYRUS: a portable image file format." In Picture Archiving and Communication Systems (PACS) in Medicine, 91–94. Berlin, Heidelberg: Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-642-76566-7_12.

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Appel, Ron D., Osman Ratib, and Jean-Raoul Scherrer. "CHAMPOLION: an Image File Format Translator." In Picture Archiving and Communication Systems (PACS) in Medicine, 347–49. Berlin, Heidelberg: Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-642-76566-7_50.

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Sakamoto, Joji, Jennifer Dumont, Laure Fauch, Sarita Keski-Saari, Lars Granlund, Ilkka Porali, Joni Orava, et al. "Natural Vision Data File Format as a New Spectral Image Format for Biological Applications." In Lecture Notes in Computer Science, 124–32. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07998-1_15.

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Lee, Changhyun, Yeonju Choi, Hyeongmin Park, Kangbin Yim, and Sun-Young Lee. "Novel Encryption Method of GPS Information in Image File Using Format-Preserving Encryption." In Innovative Mobile and Internet Services in Ubiquitous Computing, 815–23. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22263-5_78.

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Tseng, Chiao-I. "Truthfulness and Affect via Digital Mediation in Audiovisual Storytelling." In Beyond Media Borders, Volume 1, 175–95. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49679-1_5.

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Abstract This chapter investigates different ways in which the film techniques of digitally mediated images—such as found footage, diegetic camera, and computer screen—achieve story truthfulness and affective engagement in the viewer’s narrative interpretation process. The pursuit of truthful storytelling is to demonstrate objective facts, while mediated images in film are predominantly subjective. The chapter starts by reviewing the perennial paradox of two seemingly mutually exclusive narrative functions and then tackles the paradox by proposing a multi-leveled framework, synthesizing semiotic conceptualization and cognitive research findings. It also analyzes the various forms of digital mediated images in films over the last two decades and sheds light on how the functions of truthfulness and affective engagement can be closely intertwined rather than in conflict.
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Gowanlock, Jordan. "Engineering Moving Images: “Tech Dev” Meets “Look Dev”." In Palgrave Animation, 85–117. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74227-0_4.

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AbstractThis chapter investigates the way engineering principles have transformed cinematic visual effects and animation production since the 1980s, noting the growing influence of “agile” software development. Film industry training manuals, trade press articles, and interviews with workers show that the flexible, reprogrammable nature of production “workflows” requires constant work to maintain the technical connective tissue of “pipelines.” This emphasis on making and re-making custom tools for every production serves post-Fordist demands of flexibility. Automated simulation-based forms of animation offer a paradigmatic case for these trends, where a spectrum of technical work spans basic research done by lead scientists, through to the scripts written and plug-ins installed by simulation artists.
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Conference papers on the topic "Image file formats"

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Patil, Sandeep R. "Accessible image file formats." In the 2007 international cross-disciplinary conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1243441.1243455.

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Abu-Taieh, Evon, Abdullah El-Haj, Alia Abu-Tayeh, Asim El-Sheikh, and Nazeeh Ghatasheh. "Taxonomy of Image File Formats." In 2013 Fourth International Conference on e-Learning "Best Practices in Management, Design and Development of e-Courses: Standards of Excellence and Creativity". IEEE, 2013. http://dx.doi.org/10.1109/econf.2013.62.

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Lins, R. D., and C. M. de Sa Rodrigues. "Assessing file formats for static image transmission." In 2006 International Telecommunications Symposium. IEEE, 2006. http://dx.doi.org/10.1109/its.2006.4433343.

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Neu, Scott C., Daniel J. Valentino, Keith R. Ouellette, and Arthur W. Toga. "Managing multiple medical image file formats and conventions." In Medical Imaging 2003, edited by H. K. Huang and Osman M. Ratib. SPIE, 2003. http://dx.doi.org/10.1117/12.481935.

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Lins, Rafael Dueire, and Charlana Rodrigues. "Comparisons of file formats for image transmission through networks." In the 2006 ACM symposium. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1141277.1141475.

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Seyedghorban, Zahra, and Mehdi Teimouri. "Evaluating the Effect of Compression Settings in the Classification of Image File Formats." In 2020 10th International Conference on Computer and Knowledge Engineering (ICCKE). IEEE, 2020. http://dx.doi.org/10.1109/iccke50421.2020.9303655.

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Claiboon, Phakphoom, and Sartra Wongthanavasu. "Image cellular automata coding based on resolution progressive experiments with color spaces and file formats." In 2014 International Computer Science and Engineering Conference (ICSEC). IEEE, 2014. http://dx.doi.org/10.1109/icsec.2014.6978240.

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Curry, K., G. Kennel, M. McCrackan, and D. Snider. "Digital Image Exchange: File Format and Calibration." In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1992. http://dx.doi.org/10.5594/m00725.

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Lainema, Jani, Miska M. Hannuksela, Vinod K. Malamal Vadakital, and Emre B. Aksu. "HEVC still image coding and high efficiency image file format." In 2016 IEEE International Conference on Image Processing (ICIP). IEEE, 2016. http://dx.doi.org/10.1109/icip.2016.7532321.

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Mori, Masako, Tetsuo Taguchi, Mikio Takagi, and Yoshimitsu Aoki. "Digital Image Acquisition Method for Film Based Radiographic Testing." In ASME/JSME 2004 Pressure Vessels and Piping Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/pvp2004-2831.

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Radiographic Test (RT) has been widely used in various industries to detect inner defects of weld structures and other significant components. In terms of digitization, although the ASME Boiler and Pressure Vessel Code Section V provides general outlines of digital image acquisition and processing of RT film, it is not widely implemented in industries as medical radiography instruments. One major reason for not being able to drive RT film digitization is that they cannot quantitatively guarantee each RT film and its digital image resolution directly. To solve these bottlenecks, the present paper proposes two things: 1) Line pair type penetrameter corresponding to current image quality indicators (IQIs) for both hole and wire type, which enables us to not only easily guarantee radiographic testing film resolution but also quantify digitalized RT film image resolution [1]; and 2) Line pair type standard film which is used for digitizing “existing RT film” with commonly used imaging scanners. Prototypes of line pair type penetrameters have been developed and prepared for various materials and verified for its applicability to RT digitalization. Also, prototypes of standard film are manufactured and verified that used with scanners, we can get RT film images of which resolution are quantitatively guaranteed. These two new RT film digitizing methodologies enable us to get “resolution guaranteed film images” and “digital inspection.” Furthermore, this will contribute to “remote inspection” where manufacturers, inspectors, customers and government inspectors can share the results of inspection in electronic format and timely confirm them from a remote place.
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Reports on the topic "Image file formats"

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Parsons, G., and J. Rafferty. Tag Image File Format (TIFF) - image/tiff MIME Sub-type Registration. RFC Editor, September 2002. http://dx.doi.org/10.17487/rfc3302.

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Parsons, G., J. Rafferty, and S. Zilles. Tag Image File Format (TIFF) - image/tiff MIME Sub-type Registration. RFC Editor, March 1998. http://dx.doi.org/10.17487/rfc2302.

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Parsons, G., and J. Rafferty. Tag Image File Format (TIFF) - F Profile for Facsimile. RFC Editor, March 1998. http://dx.doi.org/10.17487/rfc2306.

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McIntyre, L., G. Parsons, and J. Rafferty. Tag Image File Format Fax eXtended (TIFF-FX) - image/tiff-fx MIME Sub-type Registration. RFC Editor, February 2005. http://dx.doi.org/10.17487/rfc3950.

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McIntyre, L., G. Parsons, and J. Rafferty. Tag Image File Format Fax eXtended (TIFF-FX) - image/tiff-fx MIME Sub-type Registration. RFC Editor, September 2002. http://dx.doi.org/10.17487/rfc3250.

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Katz, A., and D. Cohen. A File Format for the Exchange of Images in the Internet. RFC Editor, April 1992. http://dx.doi.org/10.17487/rfc1314.

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Neeley, Aimee, Stace E. Beaulieu, Chris Proctor, Ivona Cetinić, Joe Futrelle, Inia Soto Ramos, Heidi M. Sosik, et al. Standards and practices for reporting plankton and other particle observations from images. Woods Hole Oceanographic Institution, July 2021. http://dx.doi.org/10.1575/1912/27377.

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This technical manual guides the user through the process of creating a data table for the submission of taxonomic and morphological information for plankton and other particles from images to a repository. Guidance is provided to produce documentation that should accompany the submission of plankton and other particle data to a repository, describes data collection and processing techniques, and outlines the creation of a data file. Field names include scientificName that represents the lowest level taxonomic classification (e.g., genus if not certain of species, family if not certain of genus) and scientificNameID, the unique identifier from a reference database such as the World Register of Marine Species or AlgaeBase. The data table described here includes the field names associatedMedia, scientificName/ scientificNameID for both automated and manual identification, biovolume, area_cross_section, length_representation and width_representation. Additional steps that instruct the user on how to format their data for a submission to the Ocean Biodiversity Information System (OBIS) are also included. Examples of documentation and data files are provided for the user to follow. The documentation requirements and data table format are approved by both NASA’s SeaWiFS Bio-optical Archive and Storage System (SeaBASS) and the National Science Foundation’s Biological and Chemical Oceanography Data Management Office (BCO-DMO).
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