Relevant bibliographies by topics / Image of Napoleon

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Image of Napoleon'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Image of Napoleon"

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Mogilevskiy, N. A. "«Unclear Enemy»: Why the Guerrilla War in France in 1814 Failed." MGIMO Review of International Relations, no. 5(44) (October 28, 2015): 7–13. http://dx.doi.org/10.24833/2071-8160-2015-5-44-7-13.

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Abstract: Author of the article analyzes the reasons of the fail of Napoleon’s attempts to set the guerrilla war in France during the campaign of 1814. While the forces of anti-Napoleonic coalition were standing near the border of France, Napoleon did his best to recruit his new army. But the human resources of France were exhausted, and that’s why Napoleon decided to set the guerrillia. But all his proclamations and even his orders were disobeyed - French people were too tired of incessant war, and Napoleon again decided to gain his goals on the battlefield. Besides author shows great efforts
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Postnikova, A. "Napoleonic era in art and multimedia space of France." Bulletin of Science and Practice, no. 12 (December 14, 2017): 400–409. https://doi.org/10.5281/zenodo.1116420.

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The author pursued the aim — to reveal features of an image of the Napoleonic era in art and multimedia space of France. Using methodology of “communicative memory”, the author analysed an image of the French emperor in fiction, advertising, cinema, computer games. The image of Napoleon is actively used in the art forming mass ideas of historical events. In recent years there was a huge number of the computer games devoted to the Napoleonic era and allowing players not only to like the spirit of that time but also to offer a possible alternative to a succession of events of t
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Vol’skii, Aleksei L. "Through the prism of aesthetics. Napoleonic myth in the works of Goethe and Nietzsche." Vestnik of Saint Petersburg University. Language and Literature 20, no. 3 (2023): 446–61. http://dx.doi.org/10.21638/spbu09.2023.303.

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The reception of Napoleon in Germany was carried out under the sign of an aesthetic myth. The aesthetic myth is understood as a set of theories, concepts and texts of culture based on the idea of transforming the world through artistic creativity. Starting with romanticism, the aesthetic myth determines the specifics of the German discourse of culture. Under the sign of the aesthetic myth in Germany, the image of the French emperor is also comprehended. J.W.Goethe sees in Napoleon the embodiment of genius, the secret of which he is trying to unravel. Goethe sees in Napoleon a demonic personali
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Melnikova, Lyubov Alexandrovna. "The Napoleonic theme in the story by A. Zegers "Slavery returned to Guadeloupe" in the context of the traditions of F.M. Dostoevsky." Филология: научные исследования, no. 8 (August 2024): 71–80. http://dx.doi.org/10.7256/2454-0749.2024.8.71520.

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The subject of the study is the specifics of the disclosure of the Napoleonic theme in the story by A. Zegers "Slavery returned to Guadeloupe" in the context of the development of the traditions of F.M. Dostoevsky. This work belongs to the so-called "Negro" novels by Anna Zegers. The development of the events described in the work is based on antagonism and the problem of mutual rejection of blacks and whites. The problem of the oppressed position of Blacks in the story is closely related to the image of Napoleon. In her literary and critical articles, A. Zegers repeatedly denounced the Napole
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KONDRATYEVA, O. N. "THE IMAGE OF NAPOLEON BONAPARTE AS A SOURCE FOR CONSTRUCTING MEDIA IMAGES OF MODERN POLITICIANS (BASED ON THE MATERIAL OF RUSSIAN MEDIA)." Imagologiya i komparativistika, no. 22 (2024): 285–309. https://doi.org/10.17223/24099554/22/16.

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The article examines the features of using the image of Napoleon in constructing media images of modern political leaders. The material was Russian media texts collected and processed using the corpus method and content analysis, and interpreted using the methods of lexical-semantic, distributional and pragmatic analysis. It has been established that, in the Russian media, in terms of frequency of associations with the French emperor, the leaders are two young, ambitious politicians who are ideological opponents of Russia -French President Emmanuel Macron and Ukrainian President Vladimir Zelen
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Podosokorsky, Nikolay N. "The Religious Element of the Myth of Napoleon in the Novel Crime and Punishment: The Image of “Napoleon-Prophet” and the Mystic Sects of Russian Schismatics, Worshippers of Napoleon." Dostoevsky and World Culture. Philological journal, no. 2 (2022): 89–143. http://dx.doi.org/10.22455/2619-0311-2022-2-89-143.

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The article is dedicated to the presence of the Napoleonic myth in Dostoevsky’s novel Crime and Punishment (1866) through its religious aspect, namely the historical and cultural mergence of Napoleon and Mohammed and the worship of Napoleon among the mystic sects of Russian schismatics in the first half of the 19th century. The formation of a lasting perception of Napoleon Bonaparte as the new “prophet”, “Mohammed of the West” — which can be found in Stendhal, Alexandre Dumas, Honoré de Balzac, and others — is here traced, as well as the way Napoleon used religion and art for political aims du
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Bilate, Danilo. "Le cas Napoléon." Nietzsche-Studien 50, no. 1 (2021): 121–40. http://dx.doi.org/10.1515/nietzstu-2021-500108.

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Abstract Napoleon Bonaparte is a veritable “case” for Nietzsche: he does not reduce Napoleon to a single image, but he rather builds up an ambiguous image of Napoleon for years without trying to define a final result. This ongoing construction is due to Nietzsche’s deep admiration for Napoleon that, however great it may be, does not avoid a certain distancing. Defined as the synthesis of Unmensch and Ubermensch, Nietzsche regards Napoleon as an extraordinary human being because of his immorality when he exercised power. It is precisely this extraordinary nature that makes Napoleon a model for
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Bilate, Danilo. "Le cas Napoléon." Nietzsche-Studien 50, no. 1 (2021): 121–40. http://dx.doi.org/10.1515/nietzstu-2021-0006.

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Abstract Napoleon Bonaparte is a veritable “case” for Nietzsche: he does not reduce Napoleon to a single image, but he rather builds up an ambiguous image of Napoleon for years without trying to define a final result. This ongoing construction is due to Nietzsche’s deep admiration for Napoleon that, however great it may be, does not avoid a certain distancing. Defined as the synthesis of Unmensch and Übermensch, Nietzsche regards Napoleon as an extraordinary human being because of his immorality when he exercised power. It is precisely this extraordinary nature that makes Napoleon a model for
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Denis, Béatrice. "Représenter Austerlitz : le système icono-textuel napoléonien." RACAR : Revue d'art canadienne 47, no. 1 (2022): 23–41. http://dx.doi.org/10.7202/1091819ar.

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This article examines how the battle of Austerlitz (December 2, 1805) became a symbol of Napoleonic power. It argues that this happened through deliberate propaganda efforts, with a carefully crafted written version of the events leading to the battle, found in the 30th bulletin de la Grande Armée, as well as three paintings commissioned by Napoleon in March 1806, not long after the close of the successful 1805 campaign. The fame of the battle was forged by Napoleon himself by way of a text/image system that constructs its own authority and veracity. The images commissioned and created repeat
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Kondratyeva, O. N., and E. E. Yurieva. "Precedent Anthroponym “Napoleon” as a Means of Constructing Media Images of European Politicians." Vestnik NSU. Series: History and Philology 24, no. 2 (2025): 42–53. https://doi.org/10.25205/1818-7919-2025-24-2-42-53.

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Purpose. The article examines the usage peculiarities of the universal precedent anthroponym “Napoleon” by the Russian mass media in the process of modeling media images of two modern European politicians – the French President Emmanuel Macron and the Ukrainian President Vladimir Zelensky.Results. A corpus of the Russian media texts including more than 500 contexts serve as the material for the analysis. The texts were scrutinised with the help of lexical-semantic, distributional and frame methods to identify and describe the differential features of the precedent anthroponym “Napoleon”. These
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Dissertations / Theses on the topic "Image of Napoleon"

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Kern, Émile. "Représentations et images contrastées de Napoléon dans les commémorations : de 1869 à 2009." Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30093/document.

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Entre 1869 et 2009, Napoléon Bonaparte fait l'objet de manifestations culturelles à l'occasion de la commémoration des grands moments de sa vie ou de sa carrière politique et militaire. Ces commémorations se déroulent dans des contextes politiques nationaux et internationaux différents. Sous Napoléon III, on note une certaine indifférence, voire même beaucoup de recul pour ne pas trop honorer le fondateur de la dynastie dans un contexte politique difficile pour l'Empereur du Second Empire. La Troisième République alterne entre une attitude prudente et un engagement très fort en 1921. Le moment
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Paquette, Maxime. "La représentation du guide national en France et en Allemagne les cas de Napoléon Bonaparte et d'Adolf Hitler." Mémoire, Université de Sherbrooke, 2012. http://hdl.handle.net/11143/5702.

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À travers ce mémoire, nous avons tenté de répondre à la problématique suivante : comment Napoléon Bonaparte et Adolf Hitler ont-ils organisé leur image de dirigeant et de guide de la nation, et ce, dans quels buts? Nous avons formulé notre réponse selon notre opinion, c'est-à-dire que le guide national est un vecteur identitaire qui mélange le culte de la personnalité, les symboles du pouvoir et le nationalisme. Pour saisir tous les aspects que comprend cette réponse, il nous faut inévitablement faire appel à la propagande qui joue un rôle prédominant dans l'opinion publique française et allem
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Mathis, Véronique. "Louis Lafitte : un peintre d'histoire de la Révolution à la Restauration." Thesis, Normandie, 2020. http://www.theses.fr/2020NORMR081.

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Louis Lafitte (1770-1828) a tenu toute sa vie à se présenter, avec fierté, comme peintre d’histoire, ce que sa formation artistique justifie pleinement. Après un apprentissage chez le graveur Gilles-Antoine Demarteau, il entre dans l’atelier de Jean-Baptiste Regnault, concurrent et rival de celui de Jacques Louis David dans les années 1780. Présenté par ce maître, il est inscrit à l’Académie royale de peinture, sculpture et architecture en 1784 ; son cursus y est honorable : première médaille au quartier d’octobre 1788, et surtout grand prix de peinture, lors de sa première participation au co
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Books on the topic "Image of Napoleon"

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C, Hirsh John, and Severino Roberto, eds. Napoleon: One image, ten mirrors. Georgetown University Faculty of Languages and Linguistics, 2002.

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Murgia, Camilla. Space, Images, and Art Perception in Napoleonic Paris. Amsterdam University Press, 2025. https://doi.org/10.5117/9789463724142.

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This book examines the impact of space on the perception of art and visual culture in early nineteenth-century Paris. It turns its attention to the way in which space determines the understanding and the development of visual culture. The abundance of images, their status, and their employment alike offer a means to grasp the extent of the development of an approach to art which further involved the spectator. Space is here conceived as a multifaceted entity, spanning architectural, scholarly, artistic, and visual dimensions. These various aspects offer means to consider the way in which image
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Cantarel-Besson, Yveline. Napoléon: Images et histoire : peinture du château de Versailles (1789-1815). Réunion des Musées Nationaux, 2001.

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Bertaud, Jean Paul. Napoléon, le monde et les Anglais: Guerre des mots et des images. Editions Autrement, 2004.

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Day, Barbara Ann. Napoleonic art (1830-1835): From the religious image to a new secular reality. University Microfilms, 1988.

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Shlapentokh, Dmitry. The counter-revolution in revolution: Images of Thermidor and Napoleon at the time of Russian Revolution and Civil War. St. Martin's Press, 1999.

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Forrest, Alan. Napoleon : Life, Legacy, and Image: A Biography. St. Martin's Press, 2012.

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Napoleon Life Legacy And Image A Biography. St. Martin's Press, 2012.

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Napoleon : Life, Legacy, and Image: A Biography. St. Martin's Griffin, 2013.

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Napoléon: Images of the Napoleonic Legend. Somogy Editions d'Art, 2017.

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Book chapters on the topic "Image of Napoleon"

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Boudon, Jacques-Olivier. "Un prédateur sexuel au temps de Napoléon : Charles Paul Courant." In Des histoires, des images. Éditions de la Sorbonne, 2021. http://dx.doi.org/10.4000/12r4f.

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Marott, Anna. "The Encrypted Communication in Napoleon’s Telegraph: Chappe’s Vocabulary from Morphemes to Graphemes." In Proceedings of the 2nd International and Interdisciplinary Conference on Image and Imagination. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41018-6_32.

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Mannori, Luca. "Da Verri a Cuoco. Il dibattito sul carattere degli Italiani tra Sette e Ottocento." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-160-0.06.

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Even today, Italians tend to adopt a double imagine of their national character, played on the contrast between an evolved and conscious minority (‘us’) and a backward and typically pre-modern majority (‘them’). As Giulio Bollati has shown better than any other in a famous essay, this self-representation draws its origins first of all from the period between the late Enlightenment and the early Napoleonic age, in which for the first time the Peninsula was called to deal with the models imposed by the great European modernization. The paper aims to reconstruct the process that led some of the m
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Delogu, Giulia. "Free Ports, Free Trade, Freedom: Napoleon’s Manifold Legacy in Institutions and Images." In War, Culture and Society, 1750–1850. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-15996-1_7.

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Fransoni, Alessio. "Design and Self-reproduction: A Theoretical-Political Perspective." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_12.

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AbstractArt, in the strictest sense, and industrial design, are associated with many other phenomena, activities, and objects in lists that constitute the field of visual studies. From this subsumption, the traditional hierarchical preeminence of pure or fine art over industrial design, and the corresponding disciplines that deal with them, seems to be reversed.As the means of recording and disseminating images of everyday life have further developed – and the visual domain of private and social spheres has been able to disproportionately expand its audiences – a self-reproductive function has
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Taylor, David Francis. "Harlequin Napoleon; or, What Literature Isn’t." In The Politics of Parody. Yale University Press, 2018. http://dx.doi.org/10.12987/yale/9780300223750.003.0007.

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This concluding chapter begins by addressing the image of Napoleon as Harlequin. In appropriating the iconography of pantomime, conscripting it in the service of wartime propaganda, Harlequin-Napoleon prints and broadsides are involved in a complex form of cultural negotiation. They map onto military conflict the vocabulary of a longstanding culture war whereby the highly charged and always renewed binaries of high–low, literature–entertainment, and elite–popular become a means of comprehending the military and political confrontation between Britain and Napoleonic France. Moreover, images of
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Jensen, Lotte. "Hispanophobia and Hispanophilia in the Netherlands : Continuities and Ruptures in the Nineteenth Century." In Literary Hispanophobia and Hispanophilia in Britain and the Low Countries (1550-1850). Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989375_ch09.

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The celebration of the revolt against the Spaniards during the Eighty Years’ War (1568-1648) was central to the rise of Dutch nationalism. Authors depicted triumphant scenes, exaggerating the wicked nature of the Spanish, while reinforcing a positive self-image. This chapter shows that at least two ruptures can be witnessed in the Dutch perception of the Spanish. The first took place during the Napoleonic era, in particular after the successful uprising of the Spanish against Napoleon in 1808. This led to an ambiguous representation of the Spanish in Dutch resistance literature. A second shift
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Michelakis, Pantelis. "Introduction Agamemnons in Performance." In Agamemnon in Performance 458 BC to AD 2004. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199263516.003.0001.

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Abstract This brief extract from the Memorial of Saint Helena, a work in eight volumes providing a day-by-day account of the last eighteen months of Napoleon’ s life, is striking for a number of reasons. There is an unmistakable echo of the judgement of Aeschylus as forceful and simple to be found in Aristophanes’ Frogs, as well as an allusion to Clytemnestra’ s beacon speech (A. Ag. 281–316) intertwined in the vocabulary of the Enlightenment with its celebration of progress.2 But perhaps nothing is more fascinating than the very image of Aeschylus’ Agamemnon recited by one of the greatest
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"The Historiographical Images of Power." In Napoleon. Routledge, 2014. http://dx.doi.org/10.4324/9781315837710-7.

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Riasanovsky, Nicholas V. "The Image of Peter the Great in Russia in the Age of Idealistic Philosophy and Romanticism, 1826-1860." In The Image of Peter the Great in Russian History and Thought. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195074802.003.0002.

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Abstract The Russian Enlightenment image of Peter the Great had a remarkable unity and clarity. For 125 years it was painted, explicated, and defended according to the canon of the Age of Reason. Even when it was under at­ tack, its proponents knew how to respond and exactly what was at issue. Only toward the end of the period Shcherbatov’s and Karamzin’s strange nostalgia for prePetrine morals and their praise of “natural”-organic, so to speak, although they did not use the word-patriotism seemed to carry the discussion beyond the accepted frame of reference. And Shcherbatov and Karamzin, too
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Conference papers on the topic "Image of Napoleon"

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Siregar, Findi Ruzika Audini, Isfenti Sadalia, and Beby Karina Fawzeea Sembiring. "The Influence of Celebrity Endorser to the Purchase Intention of Medan Napoleon Cake with Brand Image as Intervening Variable." In Proceedings of the 2019 International Conference on Organizational Innovation (ICOI 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icoi-19.2019.108.

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Iliev, Andrej, Lazar Gjurov, and Zoran Cikarski. "HISTORICAL DEVELOPMENT OF STRATEGIC LEADERSHIP IN WARFARE." In SECURITY HORIZONS. Faculty of Security- Skopje, 2021. http://dx.doi.org/10.20544/icp.2.5.21.p19.

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The Industrial Revolution of the 19th century had a profound effect on the way the wars were fought. Historians often refer to the American Civil War (1861-65) as the first genuine modern war. History has shown that the effects of technological advances in industry are processes which follow the revolution in the history of war. Napoleon's military campaigns formed the basis of formal military education and lidership in the Western world. Wars as a social phenomenon were more effective through the use of the first modern railways, roads, and warships, which in most military operations changed
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Tartaglino, Elisa. "Il paesaggio archeologico del castello di Nucetto (Piemonte, Italia): una possibile conservazione." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11439.

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The archaeological landscape of Nucetto’s Castle (Piedmont, Italy): a possible conservationEach fortified architecture has its own specificities thanks to which defend the territory, it is usually part of garrison systems and has always been a protagonist of the events of the place where it was built. Through this reading can be interpreted the ruins of the Castle of Nucetto (CN, Italy), which insist on the land of Alta Valle Tanaro –mostly located on the south-east portion of Cuneo’s territory and in a little part of Savona’s one– as real landmark visible from the historical road axis of the
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André, Ayla Nóbrega, João Victor Bezerra Ramos, and Lakymê ângelo Mangueira Porto. "QUALITY OF LIFE OF YOUNG WOMEN WITH BREAST CANCER IN A REFERENCE HOSPITAL IN PARAÍBA." In XXIV Congresso Brasileiro de Mastologia. Mastology, 2022. http://dx.doi.org/10.29289/259453942022v32s1068.

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Introduction: Breast cancer is the main cancer in women in Brazil and worldwide, it and is the leading cause of death among women in Brazil. Although it is more common in women over 40 years, when it occurs in younger women, it generally has a worse prognosis, thus leading to more aggressive treatments and generating more long-term sequelae. Objective: The aim of this research was to analyze the quality of life of women breast cancer survivors under 40 years of age. Methods: This is an observational, cross-sectional study that was carried out at the Hospital Napoleão Laureano, which is the ref
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