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Journal articles on the topic 'Image of thought'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Hein, Serge F. "Deleuze’s New Image of Thought: Challenging the Dogmatic Image of Thought in Qualitative Inquiry." Qualitative Inquiry 23, no. 9 (2017): 656–65. http://dx.doi.org/10.1177/1077800417725354.

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For Deleuze, modern philosophy presupposes a dogmatic image of thought, one that precedes thinking itself. Deleuze engages in a radical critique of this dogmatic image and rejects both common sense and the form of representation. Changes occurred over time in Deleuze’s thinking about thought and images, but ultimately, he advocated a new image of genuine, nonrepresentational thought. In his final philosophical work, this new image of thought is equated with the plane of immanence. Thus, the new image of thought provides the basis for the development and use of all other concepts in research. M

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2

Han, Xiaoqiang. "Image-based de re thought." Disputatio 2, no. 24 (2008): 317–33. http://dx.doi.org/10.2478/disp-2008-0004.

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Abstract In this paper I argue that in addition to the three generally recognized kinds of de re thought, i.e., perception-based, memory-based and communication-based thought, there is a kind of de re thought, which is based on image and cannot be assimilated to any of these recognized kinds of de re thought. I call it simply image-based de re thought. Although image-based thought shares some similarities with the other kinds of de re thought, it should and can be distinguished from each of them. The focus of this paper is on the distinction between image-based thought and perception-based tho

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Martin, Jean-Clet. "The Image of Thought." Deleuze Studies 3, no. 1 (2009): 1–25. http://dx.doi.org/10.3366/e1750224109000464.

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The image of thought that Rembrandt proposes with his Philosopher in Meditation still wears the mask of the old philosophical pedagogy based on ascent and the heights, but it ushers in new percepts and affects corresponding to the philosopher's concept, fold, that Leibniz elevates to the status of the principle of Baroque variation. The fold unleashes a power that carries forms and statements over a variety of disjunctive statements.

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Beplate, Justin. "The Image of Thought." Symposium 9, no. 1 (2005): 11–30. http://dx.doi.org/10.5840/symposium2005912.

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Morgan, Hamish. "Presenting an Image of Thought in Flux." Cultural Studies Review 11, no. 2 (2013): 171–78. http://dx.doi.org/10.5130/csr.v11i2.3666.

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I remember lots of things about living in an Aboriginal community; hundreds of images, voices and feelings make a pastiche of such experience. If I focus on a single image I am always enchanted by the images that follow, these images released and thrown into movement by one moment of stationary thought. Memories slowing down, speeding away, through their difference and repetition. Most especially I remember first meeting the Ululla mob, but, oddly enough other memories must be described to get you there, and to convey a certain context, feeling, a certain freedom to what I am trying to say.

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Carlson. "Lyric Image as Sensuous Thought." Journal of Modern Literature 35, no. 3 (2012): 158. http://dx.doi.org/10.2979/jmodelite.35.3.158.

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7

Dronsfield, Jonathan. "Deleuze and the Image of Thought." Philosophy Today 56, no. 4 (2012): 404–14. http://dx.doi.org/10.5840/philtoday20125643.

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8

Choe, Hwa Sun. ""To Read what was Never Written": Divination-Thought and Image-Thought." Critical Review of Religion and Culture 36 (September 30, 2019): 48–73. http://dx.doi.org/10.36429/crrc.36.2.

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9

LEE, SEUNG-GOO. "Calvin and Later Reformed Theologians on the Image of God." Unio Cum Christo 2, no. 1 (2016): 127. http://dx.doi.org/10.35285/ucc2.1.2016.art9.

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Abstract: Even though John Calvin, in contrast with other theologians, presented a biblical view of the image of God, several aspects of his thought raise questions, including his language about the body as the prison of the human soul and his view of women as the image of God in a subsidiary sense. Several Reformed theologians have learned from Calvin’s understanding of the imago Dei and corrected his concept by reﬁning it. This paper proposes a theological development in our understanding of the imago Dei.

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Islami, S. Yahya. "What is surficial thought in architecture?" Architectural Research Quarterly 18, no. 1 (2014): 39–46. http://dx.doi.org/10.1017/s1359135514000281.

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In the early twentieth century, Modernists problematised ornament in their refashioning of architecture for the industrial age. Today, architects are formulating different responses to image and its (re)production in the information age. In both discourses of ornament and image, surfaces are often the perpetrators: visual boundaries that facilitate false appearances, imprisoning humanity in a shadowy cave of illusion. The negativity and shallowness associated with superficiality is also closely related to the separation of images from the real, where the former is seen to be a deficient repres

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Frichot, Hélène. "Local Real(i)ties: A Contemporary Image of Thought." Artifact 4, no. 1 (2017): 2. http://dx.doi.org/10.14434/artifact.v4i1.13372.

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Noopolitics is a neologism that designates how minds (nous) come to think collaboratively at the scale of populations, a phenomenon facilitated by increasingly sophisticated information societies and their capacity for instantaneous electronic communications. Noopolitics complements the already well-established term biopolitics, which designates how the lives and deaths, and general health and well-being of individuals are managed at the scale of populations through practices of governance. What happens when a noopolitics rigidifies, what kinds of effects does it produce? A dogmatic Image of T

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Tatukude, Farlen, and Billy Kristanto. "THE CONCEPT OF IMAGO DEI IN THE THOUGHT OF GERRIT CORNELIS BERKOUWER." VERBUM CHRISTI: JURNAL TEOLOGI REFORMED INJILI 6, no. 1 (2019): 5–26. http://dx.doi.org/10.51688/vc6.1.2019.art1.

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Gerrit Cornelis Berkouwer was a significant Dutch Reformed theologian. This article will observe Berkouwer’s concept of imago Dei based on systematic-biblical method. In other words, biblical concept will only support the systematic-theological based discussion. It will be demonstrated through this article that, in comparison to previous approaches of explaining the concept of the image, Berkouwer had made a significant contribution. That contribution is found in his emphasis on the functional aspect of being the image. In doing this, on one hand, he followed the path of Reformatory tradition,

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13

Srbic, Dario. "Fissures in the image of thought: Difference, photography and the networked image." Philosophy of Photography 6, no. 1 (2015): 105–11. http://dx.doi.org/10.1386/pop.6.1-2.105_1.

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Srbic, Dario. "Fissures in the image of thought: Difference, photography and the networked image." Philosophy of Photography 6, no. 1 (2015): 107–13. http://dx.doi.org/10.1386/pop.6.1-2.107_1.

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15

Davis, Whitney, Erik Hornung, and Elizabeth Bredeck. "Idea into Image: Essays on Ancient Egyptian Thought." American Journal of Archaeology 97, no. 3 (1993): 575. http://dx.doi.org/10.2307/506374.

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16

Semetsky, Inna. "Deleuze's New Image of Thought, or Dewey Revisited." Educational Philosophy and Theory 35, no. 1 (2003): 17–29. http://dx.doi.org/10.1111/1469-5812.00003.

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17

Ellis, Ralph D. "The imagist approach to inferential thought patterns." Pragmatics and Cognition 3, no. 1 (1995): 75–109. http://dx.doi.org/10.1075/pc.3.1.07ell.

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Tmagists' hold that inferential thinking is built up from combinations of sensory and sensorimotor images in various patterns and modalities, and that the images are a more basic mental and neurophysiological operation than the logical thinking and conceptualization that are built up front them. 'Computationalists' hold just the opposite view — that images result from previous inferential processing which is more basic than the images. Suppose we define inference as the kind of thought process that we actually undergo when we do logical thinking, and not in the trivial sense in which any natur

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Wang, Di. "Transformation from an Idea to Image — An Analysis on Visual Training and Representation for a Designer." Advanced Materials Research 368-373 (October 2011): 3362–65. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3362.

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In design process, visual representation bridges creative thoughts, communication flow and personality style, as well as accomplishes the transformation from an idea to a physical image. Rational thinking and emotional expression supplement each other but not fetter. A designer can reach to the delicate and extensive realm of thought to show the high level of amalgamation of appearance and spirit in art representation when understanding the dialectical relationship between ideas and images.

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Pritt, Bobbi, Pamela Gibson, Kumarasen Cooper, and Nicolas Hardin. "What Is a Picture Worth?: Digital Imaging Applications in Autopsy Reports." Archives of Pathology & Laboratory Medicine 128, no. 11 (2004): 1247–50. http://dx.doi.org/10.5858/2004-128-1247-wiapwd.

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Abstract Context.—An image-enhanced report (IER) containing color digital images can serve as an educational tool and document important gross and microscopic findings in anatomic pathology. Objective.—To determine the clinical impression of IERs on an academic autopsy service. Design.—Autopsy IERs were initiated at this institution in December 2001. From January 2002 to July 2003, 261 hospital-service autopsies were performed; color images were produced for 39 (15%) of these autopsies. Of these IERs, 29 were distributed to 74 hospital-employed physicians. Each hospital physician recipient was

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20

de Carvalho, Mario Jorge. "Bilder-wahrnehmen und Bild-sein." Fichte-Studien 47 (2019): 105–28. http://dx.doi.org/10.5840/fichte20194710.

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Images are usually understood as something perceived: as something presented to us and different from us. But since Antiquity the concept has also been given a different meaning: it has been used to describe our own being, and indeed so much so that it also stands for our essential nature: we are ourselves an image (we are ourselves but an image); and being an image (being but an image) is what is what really defines us. The experience of being oneself an image (as opposed to just perceiving something else as an image) – or, as one might also say, this basic understanding of oneself as being j

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21

Adkins. "Information as the Image of Thought: A Deleuzian Analysis." Journal of Speculative Philosophy 33, no. 3 (2019): 489. http://dx.doi.org/10.5325/jspecphil.33.3.0489.

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22

Tschofen, Monique. "TheDenkbild(‘Thought-Image’) in the Age of Digital Reproduction." Theory, Culture & Society 33, no. 5 (2016): 139–57. http://dx.doi.org/10.1177/0263276415598628.

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23

Lassan, Eleonora. "From Mythical Thinking to Political Thought." Respectus Philologicus 28, no. 33 (2015): 177–87. http://dx.doi.org/10.15388/respectus.2015.28.33.17.

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The article focuses on the Russian epos as well as Russian fairy tales: the images that are frequently there tend to be projected on the contemporary political discourse. The author assumes that the analysis of the folklore stories might allow defining the archetypes, which in a certain manner affect the contemporary political thought in Russia. The author demonstrates the way in which the national cultural archetypes relate to the common cultural ones (Greek myths), on the one hand, and, on the other hand, contain their specific national modification. Thus, the Hero Archetype in Russian epos

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24

Canullo, Carla. "God and Man as Unrepresentable Images." Open Theology 5, no. 1 (2019): 158–65. http://dx.doi.org/10.1515/opth-2019-0015.

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Abstract The Syrian bishop Theophilus of Antioch said: «Show me your man, and I will show you my God!». This sentence is a way of conveying that man is the image of God. Philosophical thought has attempted to grasp this image through the representation, which suggests the representation as both visual model and act of thought. The image as representation of thought is the method through which both God and man have been thought. This is confirmed by Immanuel Kant who, in the ‘transcendental Dialectic’ of the Critique of Pure Reason, showed that metaphysics thought both man (transcendental paral

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25

Flockemann, Miki. "After thought: Why not a prism?" Multilingual Margins: A journal of multilingualism from the periphery 6, no. 1 (2019): 87–88. http://dx.doi.org/10.14426/mm.v6i1.124.

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This paper is a reflective retrospective that suggests a new image of multilingualism. Instead of a "cat's cradle", the author proposes viewing multilingualism as a prism through which to view languages as different but non hirarchical and equal in value.

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Giambra, Leonard M., Alicia Grodsky, Craig Belongie, and Edwin H. Rosenberg. "Depression and Thought Intrusions, Relating Thought Frequency to Activation and Arousal." Imagination, Cognition and Personality 14, no. 1 (1994): 19–29. http://dx.doi.org/10.2190/jyyr-twwl-tjhu-0vrg.

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Laboratory studies have demonstrated that task-unrelated image and thought (TUIT) likelihood decreased with increased age, displayed a circadian rhythm, and increased with hyperactivity; these outcomes are consistent with the speculation that TUIT production is directly related to brain activation/arousal level. We examined the association between TUIT likelihood and depression and anxiety and their putative activation/arousal levels. Individuals diagnosed with a major depressive disorder reported TUITs while performing a vigilance task. Significant, p < .05, correlations indicated that dee

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Liu, Cai Fang, Bing Liang Hu, Cai Ling Wang, and Lei Liu. "The Redevelopment of Matrox Meteor-II/Digital Image Grabbing Board with VC++." Advanced Materials Research 532-533 (June 2012): 1152–56. http://dx.doi.org/10.4028/www.scientific.net/amr.532-533.1152.

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In order to store real-time images, a digital image grabbing system is proposed in this paper. The principles and design of real-time image continuous grabbing, displaying and storing system are presented. It has been redeveloped based on Matrox Meteor-II /Digital Image Grabbing Board by the use of VC++, and the whole implementation was introduced by an example. The developed image capture software is given at the end of this paper. And this gives a new thought and platform for real-time image processing.

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Charles, Nickie, and Marion Kerr. "Food for Feminist Thought." Sociological Review 34, no. 3 (1986): 537–72. http://dx.doi.org/10.1111/j.1467-954x.1986.tb00688.x.

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Women's relationship with food on a daily basis is contradictory and problematic. Women are expected to deny themselves food in order to remain sexually attractive and, at the same time, they have to feed their partners and children with healthy and nutritious meals. The power of ideologies equating sexual attractiveness with slimness means that most women are not happy with their body image. This dissatisfaction is reinforced by the comments of men, particularly their partners. Food, as well as being a ‘fattening’ enemy is a comfort and is resorted to at times of emotional stress. Women's ‘no

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Chong, Sze-Ning, Sun Kwok, Hiroshi Imai, and Daniel Tafoya. "Multipolar planetary nebulae: Not as geometrically diversified as thought." Proceedings of the International Astronomical Union 7, S283 (2011): 184–87. http://dx.doi.org/10.1017/s1743921312010927.

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AbstractWe present a general three-dimensional model of multipolar planetary nebulae (PNe). By rotating to different viewing angles and adjusting the angles between the multiple lobes, we demonstrate that the model is able to reproduce HST Hα images of 20 multipolar young PNe. Though this model only considers the geometrical projection effects, it significantly unifies the selected PNe and can be considered as a first-order fundamental model of the “multipolar” morphological class. This kind of model reduces complexity and is essential to pursuing of the shaping mechanism. In addition, we illu

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Crocker, Stephen. "Citizen Kant: Flatness and Depth in the Image of Thought." Deleuze Studies 1, no. 2 (2007): 126–43. http://dx.doi.org/10.3366/e1750224108000044.

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In the final pages of his Cinema books, Deleuze explains that his aim is not to understand films, but to extract from them concepts that the cinema has itself given rise to ‘which are themselves related to other concepts corresponding to other practices’ ( Deleuze 1989 : 272). Cinema does not resemble concepts, it creates them. The Cinema books are not a guide to reading films. Instead, we are invited to see how concepts such as ‘image’, ‘plane’ or ‘orelations of thought’ correspond to and interfere in creative ways with other practices outside the cinema. So, a cinematic concept such as ‘imag

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Baranova, Jūratė. "Thought as a ‘Territory-In-Between’ for Word and Image." Žmogus ir žodis 17, no. 4 (2015): 6–19. http://dx.doi.org/10.15823/zz.2015.32.

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Hong, Sung Youn. "The Buddhist thought and image of water shown in Hachidaishu." Journal of Japanese Studies ll, no. 78 (2018): 137–56. http://dx.doi.org/10.15733/jast.2018..78.137.

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33

Hurst, Andrea. "Thinking through thinking: Deleuze and “the dogmatic image of thought”." South African Journal of Philosophy 38, no. 4 (2019): 392–407. http://dx.doi.org/10.1080/02580136.2019.1695095.

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34

Francis, John Gregory, and Leslie Francis. "Freedom of Thought in the United States: The First Amendment, Marketplaces of Ideas, and the Internet." European Journal of Comparative Law and Governance 8, no. 2-3 (2021): 192–225. http://dx.doi.org/10.1163/22134514-bja10019.

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Abstract Freedom of thought is not directly protected as a right in the United States. Instead, US First Amendment law protects a range of rights that may allow thoughts to be expressed. Freedom of speech has been granted especially robust protection. US courts have extended this protection to a wide range of commercial activities judged to have expressive content. In protecting these rights, US jurisprudence frequently relies on the image of the marketplace of ideas as furthering the search for truth. This commercial image, however, has increasingly detached expressive rights from the underst

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Wegelin, Lucía. "La imagen sociológica. Crítica y autorreflexividad en la Sociología de Georg Simmel." Revista Temas Sociológicos, no. 17 (January 26, 2017): 19. http://dx.doi.org/10.29344/07194145.17.165.

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Resumen:Este escrito se sumerge al interior de la obra de Georg Simmel con el propósito de recuperar la impronta crítica de su Sociología a través de la diferenciación entre dos modos en los que la imagen aparece en sus reflexiones. Se construirá aquí esa diferencia entre la imagen urbana y la imagen sociológica como crítica de la anterior, realizando un recorrido por el movimiento autorreflexivo de su pensamiento. Su sociología será interrogada en relación con sus diagnósticos sobre la modernidad para determinar el modo en el que sus conceptos sociológicos cargan con su crítica hacia la moder

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Wegelin, Lucía. "La imagen sociológica. Crítica y autorreflexividad en la Sociología de Georg Simmel." Revista Temas Sociológicos, no. 17 (January 26, 2017): 19. http://dx.doi.org/10.29344/07196458.17.165.

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Resumen:Este escrito se sumerge al interior de la obra de Georg Simmel con el propósito de recuperar la impronta crítica de su Sociología a través de la diferenciación entre dos modos en los que la imagen aparece en sus reflexiones. Se construirá aquí esa diferencia entre la imagen urbana y la imagen sociológica como crítica de la anterior, realizando un recorrido por el movimiento autorreflexivo de su pensamiento. Su sociología será interrogada en relación con sus diagnósticos sobre la modernidad para determinar el modo en el que sus conceptos sociológicos cargan con su crítica hacia la moder

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Cole, Andrew. "How to Think a Figure; or, Hegel’s Circles." Representations 140, no. 1 (2017): 44–66. http://dx.doi.org/10.1525/rep.2017.140.1.44.

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This essay suggests that Hegel’s philosophy of the concept is also a philosophy of the figure, a demonstration of conceptuality by other means. Neither images nor symbols, Hegel’s figures—primarily, circles—initiate and image the movement of thought.

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Meagher, Michael A. "The Multiple Personalities of Daniel J. Boorstin: A Third Image Analysis." American Review of Politics 15 (January 1, 1995): 461–80. http://dx.doi.org/10.15763/issn.2374-7781.1994.15.0.461-480.

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This article presents a new interpretation of Boorstin's political thought. I contend that there are three Daniel J. Boorstins. and that the third image represents the core of Boorstin's political thought. The third image centers on Boorstin's insistence that an essence guides and directs American politics and thought. Boorstin terms his version of essence "givenness." According to Boorstin, essence, or "givenness," was assigned to America by a Supreme Being. While Louis Hartz bases his concept of "irrational Lockeanism" in the thought of a social contract theorist. Daniel Boorstin bases his n

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Shi, ChaoYuan, and Li Gu. "The impact of interdisciplinary dynamic images on public perception." E3S Web of Conferences 236 (2021): 05085. http://dx.doi.org/10.1051/e3sconf/202123605085.

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Dynamic image, usually defined as motion graphics or dynamic graphics, is a kind of image art based on art design and computer science. In a broad sense, dynamic image is a discipline that integrates animation, film, and graphic design. Its expression content is more refined and straightforward than animated movies. It is more comprehensive than graphic design in conveying information. There are more types of dynamic images in the new media era. There are virtual reality technologies that rely on computer science and interactivity, and there are self-media on the Internet. Together with tradit

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Hack, Lilian, and Édio Raniere Da Silva. "Escrever sob o fascínio da imagem – ressonâncias entre o pensamento de Maurice Blanchot e Georges Didi-Huberman." Visualidades 15, no. 2 (2017): 69. http://dx.doi.org/10.5216/vis.v15i2.48066.

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Resumo O artigo problematiza o conceito de imagem a partir do pensamento de Maurice Blanchot e Georges Didi-Huberman. Explorando especialmente os conceitos de duplicidade da imagem em Blanchot e dupla distância do olhar em DidiHuberman, pretende-se verificar os pontos em que se faz convergir nesses autores um modo de operar o pensamento e a escrita sobre a arte em sua relação com a imagem. Nesse jogo, sujeito e objeto são lançados a uma instabilidade, movimento em que o sujeito se desfaz de si mesmo pela imagem, se desfaz de si no encontro com uma obra. Momento em que a imagem solicita a palav

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Rosales, Israel, and Edward Zigler. "Role Taking and Self-Image Disparity: A Further Test of Cognitive-Developmental Thought." Psychological Reports 64, no. 1 (1989): 41–42. http://dx.doi.org/10.2466/pr0.1989.64.1.41.

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34 seventh graders were assigned to two groups according to developmental level as defined by role-taking ability. High role-takers exhibited greater self-image disparity than low role-takers. The data support the developmental formulation that self-image disparity is positively related to developmental status. These findings indicate a positive rather than an ominous relation between self-image disparity and psychological adjustment.

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Bino, Carla Maria. "Images and Performative Vision in the Middle Ages." Eikon / Imago 6, no. 1 (2017): 69–84. http://dx.doi.org/10.5209/eiko.73547.

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During the Middle Ages, images had to be tied to the truth. Otherwise, they were considered idols. And the idols are always dangerous and, therefore, banned. So, to be justified, the imago had to be true or really refer to truth. It follows that the images were not considered just objects ‘to see’, but were perceived as almost ‘alive bodies’, real bodies: they could act as if were actually present. This essay studies the image concept in Christian thought, with particular attention to Eastern Europe, in connection to the patristic and conciliar sources. The result is the shift of its ontologic

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Zhang, Jie Xin. "The Research on Image Semantic Correlation Metrics Based on Word-Net in Communication Material." Advanced Materials Research 738 (August 2013): 268–71. http://dx.doi.org/10.4028/www.scientific.net/amr.738.268.

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In this paper, the semantics of the video image in different size, different levels of abstraction inherent in the semantic concept relations is proposed based on lexical semantic relations between concepts, with Word-Net tree concept hierarchy to organize marked keywords and search keywords thought, between the two images semantic similarity measure convert path from Word-Net concept between the nodes in communication material. The relationship between image semantic concepts is to measure and matching.

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Cooper, Myra, and Selen Osman. "Metacognition in Body Dysmorphic Disorder—A Preliminary Exploration." Journal of Cognitive Psychotherapy 21, no. 2 (2007): 148–55. http://dx.doi.org/10.1891/088983907780851568.

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A preliminary exploration of metacognition in Body Dysmorphic Disorder (BDD) was undertaken. The study investigated how 18 patients with BDD controlled, corrected, regulated, and appraised their thinking, in relation to a mental image of their concerns with appearance. Verbal thoughts related to these concerns were also investigated. A semistructured interview was administered. Patients reported attempts to distract themselves from their (invariably distressing) images, which had few advantages and many disadvantages. Images increased self-consciousness and decreased self-confidence. Some pati

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Irala-Hortal, Pilar. "La imagen como terapia = Image as therapy." REVISTA ESPAÑOLA DE COMUNICACIÓN EN SALUD 9, no. 2 (2018): 237. http://dx.doi.org/10.20318/recs.2018.4502.

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Resumen: Cuando hablamos de fotografía solemos pensar en la captación de un momento o acontecimiento, probablemente caracterizado por breves impases de clímax y con una trascendencia cultural, social, artística o política. Bien se trate de fotografía artística o documental, tanto fotógrafos como historiadores o teóricos hemos abordado la imagen desde el enfoque de la preservación de un momento. En este caso la fotografía es un conservador de la memoria. Pero la fotografía puede cumplir otras funciones como la de ahondar, profundizar, extraer y exorcizar conocimientos o sentimientos íntimos con

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Novosel'skii, Sergei S. "The Image of the Revolution in Russian Political Thought in 1905." Historia provinciae – the journal of regional history 4, no. 3 (2020): 799–833. http://dx.doi.org/10.23859/2587-8344-2020-4-3-4.

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The article covers the analysis of the transformation of the concept revolution in Russian political thought in 1905. It shows that in Russia as well as in Europe, there were two interpretations of this term. Some contemporaries referred to the process of political modernization as a revolution and evaluated this phenomenon positively, while their opponents regarded it as a violent attempt on the legitimate state power and were antagonistic to such actions. These attitudes determined the views of contemporaries on the events of 1905 in Russia. Speaking of the revolution in Russia, the overwhel

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Treadgold, Donald, and Nicholas V. Riasanovsky. "The Image of Peter the Great in Russian History and Thought." Russian Review 45, no. 3 (1986): 329. http://dx.doi.org/10.2307/130132.

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최진석. "Cultural Politics of Transgredience and Transition : “people-image” in Bakhtinian Thought." Cross-Cultural Studies 35, no. ll (2014): 35–58. http://dx.doi.org/10.21049/ccs.2014.35..35.

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Tschofen, Monique. "Drawing out a new image of thought: Anne Carson's radical ekphrasis." Word & Image 29, no. 2 (2013): 233–43. http://dx.doi.org/10.1080/02666286.2013.794916.

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Burton, Charles. "The Image of China in Western Social and Political Thought (review)." China Review International 9, no. 2 (2002): 453–54. http://dx.doi.org/10.1353/cri.2003.0075.

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