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Journal articles on the topic 'Image processing Television broadcasting of news'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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1

Amreev, M., R. Safin, V. Yakubov, and T. Pavlova. "CHOOSING A COMPRESSION STANDARD FOR TRANSMITTING A TELEVISION IMAGE." PHYSICO-MATHEMATICAL SERIES 5, no. 333 (2020): 5–9. http://dx.doi.org/10.32014/2020.2518-1726.76.

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With the advent of the MPEG-4 Visual and H.264 compression standards, the role of the MPEG-2 compression standard has not diminished at the present time, since these standards are largely compatible, especially for information highways. Today, in a number of countries, the MPEG-2 compression standard is actually the main one for broadcasting, the functioning of which is based on the operation of DVB-T terrestrial digital television systems. Due to the fact that the majority of the currently used STBs support the MPEG-2 standard, it will remain widespread for at least the next few years. The IT
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Houri, Osamu, and Kouichi Mizushima. "Special Edition. Telecommunications and Image Processing for Mobile System. 2. Application for Television Broadcasting." Journal of the Institute of Television Engineers of Japan 46, no. 8 (1992): 961–70. http://dx.doi.org/10.3169/itej1978.46.961.

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3

Dong, Xiao Lei, Pei Tian, and Zi Zhe Wang. "The Detection Method of Black Field Failure and Static Frame Failure in Radio and Television Broadcast." Advanced Materials Research 912-914 (April 2014): 1456–60. http://dx.doi.org/10.4028/www.scientific.net/amr.912-914.1456.

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Black field failure and static frame failure are two kinds of abnormal states in the process of radio and television broadcast. To explore an effective method to eliminate the two faults, so as to ensure the safety of radio and television broadcasting, has a very important practical significance. This paper introduces a method to detect black field failure and static frame failure which based on digital image processing techniques. During the detection,the image block processing is introduced, and the gray values of the inner frame images and the adjacent frame images need to be calculated and
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4

Yatchuk, Olha. "Live-TV and interactive broadcasting: genre features." Obraz 3, no. 32 (2019): 126–35. http://dx.doi.org/10.21272/obraz.2019.3(32)-126-135.

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Introduction. Research on live broadcasting television and interactive projects is an important contribution not only to the history and theory of social communications, but also a promising field for further research of this type of broadcasting that can be also applied to the investigation of the Internet. Generalization and distinguishing features of this type of broadcasting are less common in the scientific community. During the research the following methods were used: historical and historical-comparative to analyze and organize data concerning ways of live broadcasting and interactive
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Chobanyan, Karine. "Trupization of American Television Journalism." Theoretical and Practical Issues of Journalism 8, no. 4 (2019): 719–34. http://dx.doi.org/10.17150/2308-6203.2019.8(4).719-734.

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Since of Donald Trump was elected President of the US, American journalism in general and TV journalists in particular has been going through transformations in genres, topics, variety of linguistic means and general content strategy. The article is an attempt to determine the most significant changes in the news broadcast. Using the information content of CNN as the main detractor of Trump’s media policy, the author analyzes and describes the new trends in the broadcasting policy. These include a significant reduction in the number of news items per news bulletin, attractivation of panel disc
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., Christina. "Strategi Pemasaran TVRI dalam Menaikkan Brand Image." Jurnal Komunikasi Nusantara 2, no. 1 (2020): 67–79. http://dx.doi.org/10.33366/jkn.v2i1.37.

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Televisi Republik Indonesia (TVRI) is a state television. Since its establishment on August 24, 1962, TVRI has indeed experienced various phases in its life. Through Law No.32 of 2002 concerning Broadcasting, TVRI was established as a Public Broadcasting Institution (LPP). LPP is a broadcasting institution in the form of a legal entity established by the state, independent, neutral, non-commercial and functions to provide services for the benefit of the community. At present, TVRI has changed its Director since March 2018 namely Helmi Yahya, known as the King of Quiz. With the new Managing Dir
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Goyvaerts, Peter. "Beeldvorming van het politieke bedrijf via de openbare omroep : Inhoudsanalyse van de politieke verslaggeving in het BRTn-televisie journaal in de periode 1982-1991." Res Publica 35, no. 2 (1993): 167–82. http://dx.doi.org/10.21825/rp.v35i2.18799.

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The image-building of the political system through the public broadcasting corporation BRTn is analysed on the base of a content analysis of the political information in the television news during the period 1982-1991. The study shows that political coverage in the public television news is subject to actualisation, fragmentation, personifying, dramatisation and the introduction of entertainment-techniques. Political items are transferred to the back of the newsbroadcast and there is less room for interpretation of the facts. Journalists point out that the attention for politics has diminished
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8

Su, Yu, Shu Hong Wen, and Jian Ping Chai. "Embedded System Based Television Data Collection and Return Technology." Applied Mechanics and Materials 48-49 (February 2011): 496–501. http://dx.doi.org/10.4028/www.scientific.net/amm.48-49.496.

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Television data collection and return technologies are one of key technologies in television secure broadcasting system, TV video content surveillance, TV program copyright protection, and client advertisement broadcasting. In china, the dominating methods of TV video content surveillance are manual tape recording and whole TV program Automatic Return. Manual method costs too much, whole TV program return method needs lots of net bandwidth and storage space. This paper proposes a new method of television data collection and return technology, video field is extracted from continuous video and
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9

Sundar, K. Joseph Abraham, V. Vaithiyanathan, M. Manickavasagam, and A. K. Sarkar. "Enhanced Singular Value Decomposition based Fusion for Super Resolution Image Reconstruction." Defence Science Journal 65, no. 6 (2015): 459. http://dx.doi.org/10.14429/dsj.65.8336.

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<p>The singular value decomposition (SVD) plays a very important role in the field of image processing for applications such as feature extraction, image compression, etc. The main objective is to enhance the resolution of the image based on Singular Value Decomposition. The original image and the subsequent sub-pixel shifted image, subjected to image registration is transferred to SVD domain. An enhanced method of choosing the singular values from the SVD domain images to reconstruct a high resolution image using fusion techniques is proposesed. This technique is called as enhanced SVD
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10

Al-saleem, Riyadh M., Baraa M. Al-Hilali, and Izz K. Abboud. "Mathematical Representation of Color Spaces and Its Role in Communication Systems." Journal of Applied Mathematics 2020 (May 18, 2020): 1–7. http://dx.doi.org/10.1155/2020/4640175.

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In this research, the color system was analyzed according to the International Lighting Commission (CIE) standard by studying the theoretical aspect of the general color system according to the latest communication theories of the visual image supported by mathematical equations and illustrations supporting the relevant hypotheses and then a comparison of evolution. There is an enormous use in color spaces and systems according to their own use, where the use of colors has become in various areas including television systems; computer systems; industry and product colors; printing of all kinds
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Hadaš, Jiří. "Národní muzeum pohledem Československé televize ve druhé polovině 20. století." Acta Musei Nationalis Pragae – Historia 72, no. 3-4 (2020): 53–61. http://dx.doi.org/10.37520/amnph.2018.015.

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Based on historiographical procedures and methods used in the field of media science, a research was conducted, through quantitative and qualitative analysis, on unique historical sources in the form of television programs which provided information on the National Museum. In the selected period, which is delimited by the year 1953, when television broadcasting began in Czechoslovakia and the year 1993, an analysis of these media was undertaken focusing on their use as historical sources. In the period under review, a genre diversity was detected, which offered news service, opinion journalism
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Aikens, R., and G. Sims. "Survey of electronic imaging past, present, and future." Proceedings, annual meeting, Electron Microscopy Society of America 44 (August 1986): 82–83. http://dx.doi.org/10.1017/s0424820100142098.

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Since its inception in the 1920's, electronic imaging has evolved from placing a photocell behind a rotating disk with a spiral pattern of holes to solid-state sensors backed by powerful image-processing computers. In the early years, developments in electronics imaging were driven by the possibility of broadcasting images over the airwaves. A number of scientists attempted to adapt devices for television to other forms of electronic imaging. However, success in applying televison pickup tubes to high-performance imaging was minimal because of the high cost, low performance, and scarcity of la
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Oktavianti, Roswita, and Budi Utami. "Strategi Mempertahankan Brand Knowledge Program Televisi Seputar Indonesia di RCTI." Jurnal Komunikasi 11, no. 1 (2019): 81. http://dx.doi.org/10.24912/jk.v10i1.3045.

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Brand of television programs has positive equity. It marks by the strength of audience awareness and familiarity with the name of the program. Marketer of television station are considered can create brand knowledge of the program in the audience memory. Nevertheless, as a business, television industries supposed to dynamically follow market need and wants. The brand of the television program which has strength awareness as well as the image on the audience memory will gradually change as much as a media business. This study using a qualitative method and case study as a research strategy to r
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Portugal, Rigliana, and Ignacio Aguaded. "Representación de mujeres en noticias sobre violencia de género difundidas por televisión en Bolivia frente a las competencias mediáticas." Media Education 12, no. 1 (2021): 115–23. http://dx.doi.org/10.36253/me-10249.

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The study analyzes the news content of three national television channels in Bolivia (one public and two private), where the treatment of news on gender violence is observed. The methodology proposed by Monitoreo Global de Medios, which addresses gender and media issues, is applied. At the same time, the dimensions of media literacy proposed by Ferrés and Piscitelli (2012) are analyzed in university women who observed the news broadcast on television. The findings show that there are more women (59.05%) than men (40.95%) as protagonists of the articles on gender violence, and that sexist stere
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15

Qiang, Haifeng. "Consumption Reduction Solution of TV News Broadcast System Based on Wireless Communication Network." Complexity 2021 (April 20, 2021): 1–13. http://dx.doi.org/10.1155/2021/9936803.

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At present, the news broadcast system using mobile network on the market provides the basic functions required by TV stations, but there are still many problems and shortcomings. In view of the main problems existing in the current system and combined with the actual needs of current users, this paper has preliminarily developed a news broadcast system based on 5G Live. The card frame adaptive strategy significantly improves the user experience by using gradual video frame buffering technology. Hardware codec technology significantly reduces the consumption of system resources; H.264 high-comp
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16

Malkova, Liliana Yu. "Newsreel: Is Its Revival Possible?" Journal of Flm Arts and Film Studies 8, no. 4 (2016): 8–18. http://dx.doi.org/10.17816/vgik848-18.

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The Concept of development of documentary cinema and the film chronicle of Russia, put forward by the Filmmakers Union of the Russian Federation, contains a disputable proposal to revive newsreels, which is analyzed in the article in social, historical and media contexts. Filmed press was in demand at the time when the cinema was the only audiovisual channel in mass media. It has been an instrument of propaganda but still it constitutes the bulk of filmed chronicles or the visual history of this country. On the other hand, film documents, initially not meant to be shown, later served as materi
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Iosif, Corina. "“Traditions” from Folklore Studies to Media Product and the Beginnings of Broadcasting in Romania." Acta Ethnographica Hungarica 65, no. 1 (2020): 27–38. http://dx.doi.org/10.1556/022.2020.00003.

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The rhetorical logic of the discourse which is currently building the image of the junction between tradition and nation (and of the concepts thus required) is also due to processing this discourse in the media. That is to say that the connection between media communication and the political instrumentalization of traditions as a domain of national constructs has offered proper soil for shaping the political and ideological narratives based on nation. The use of some concepts, such as nation, national culture, traditions and folklore in the first decades of the 20th century, and their instrume
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18

Merchant, Melissa, Katie M. Ellis, and Natalie Latter. "Captions and the Cooking Show." M/C Journal 20, no. 3 (2017). http://dx.doi.org/10.5204/mcj.1260.

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While the television cooking genre has evolved in numerous ways to withstand competition and become a constant feature in television programming (Collins and College), it has been argued that audience demand for televisual cooking has always been high because of the daily importance of cooking (Hamada, “Multimedia Integration”). Early cooking shows were characterised by an instructional discourse, before quickly embracing an entertainment focus; modern cooking shows take on a more competitive, out of the kitchen focus (Collins and College). The genre has continued to evolve, with celebrity che
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19

King, Ben. "Invasion." M/C Journal 2, no. 2 (1999). http://dx.doi.org/10.5204/mcj.1741.

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The pop cultural moment that most typifies the social psychology of invasion for many of us is Orson Welles's 1938 coast to coast CBS radio broadcast of Invaders from Mars, a narration based on H.G. Wells's The War of the Worlds. News bulletins and scene broadcasts followed Welles's introduction, featuring, in contemporary journalistic style, reports of a "meteor" landing near Princeton, N.J., which "killed" 1500 people, and the discovery that it was in fact a "metal cylinder" containing strange creatures from Mars armed with "death rays" which would reduce all the inhabitants of the earth to
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20

Morales, Pablo Sebastian. "International broadcasters and country image management: Comparing audience perceptions of China, Russia and Iran in Latin America." Global Media and China, October 5, 2020, 205943642096088. http://dx.doi.org/10.1177/2059436420960882.

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This article focuses on international news channels in the Global South and the perceptions by audiences in Latin America. Designed with the intention of re-shaping global narratives, international broadcasting is considered instrumental to public diplomacy and improving the image of particular countries. While many studies focus on global media policies of specific countries or the messages broadcast by international media outlets, less attention has been paid to the impact on audiences. Based on a series of focus groups conducted in Mexico and Argentina, this article discusses how Latin Amer
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Hess-Lüttich, Ernest W. B. "Interkulturelle Medienwissenschaft und Kulturkonflikt." Linguistik Online 14, no. 2 (2003). http://dx.doi.org/10.13092/lo.14.824.

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The paper attempts a combination of intercultural studies and media studies. It first provides a terminological framework for the analysis of intercultural communication. Secondly, it gives a short outline of current research in the field of intercultural media studies, with special reference to the press and to television. It then opens up a perspective of empirical investigation into forms and functions of the depiction of ethnic minorities in the media, of implicit racism and hidden forms of discrimination in the news broadcasting, and of the image of foreigners in contemporary film. The ma
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Kardaras, Konstantinos, George I. Lambrou, and Dimitrios Koutsouris. "Quantization Algorithms in Healthcare Information Telematics Using Wireless Interactive Services of Digital Video Broadcasting." Recent Advances in Computer Science and Communications 13 (August 21, 2020). http://dx.doi.org/10.2174/2666255813999200821145606.

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Background: In the new era of wireless communications new challenges emerge including the provision of various services over the digital television network. In particular, such services become more important when referring to the tele-medical applications through terrestrial Digital Video Broadcasting (DVB). Objective: One of the most significant aspects of video broadcasting is the quality and information content of data. Towards that end several algorithms have been proposed for image processing in order to achieve the most convenient data compression. Methods: Given that medical video and d
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Marín-Lladó, Carles. "Is television news an informative and educational programme or just a way of entertainment?" Comunicar 13, no. 25 (2005). http://dx.doi.org/10.3916/c25-2005-139.

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The arrival of private TV channels and the Internet has brought about changes within news broadcasting in Spain . Whereas use of language was previously deemed essential to convey the message to the public, emphasis is now placed on the image the TV viewer receives. New technology and a desire to learn about the world around us has made these programmes a regular guaranteed feature within TV audience ratings for the channel. This report questions whether TV news should educate as well as inform, or simply entertain the viewer. El 90% de la población española consume televisión y el 50% sólo se
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Williams, Deborah Kay. "Hostile Hashtag Takeover: An Analysis of the Battle for Februdairy." M/C Journal 22, no. 2 (2019). http://dx.doi.org/10.5204/mcj.1503.

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We need a clear, unified, and consistent voice to effect the complete dismantling, the abolition, of the mechanisms of animal exploitation.And that will only come from what we say and do, no matter who we are.— Gary L. Francione, animal rights theoristThe history of hashtags is relatively short but littered with the remnants of corporate hashtags which may have seemed a good idea at the time within the confines of the boardroom. It is difficult to understand the rationale behind the use of hashtags as an effective communications tactic in 2019 by corporations when a quick stroll through their
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Green, Lelia. "Relating to Internet 'Audiences'." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1826.

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Audiences are a contested domain with Ang and others desperate to analyse, anatomise, understand and describe them. They are particularly important for the commercialisation of any medium since advertisers like to know what they are getting for their money and, in the famous aphorism, 'the role of the commercial media is to deliver audiences to advertisers'. Marshall's concept of 'audience-commodity' continues this intellectual interrogation of the audience and its production by individual practices of media consumption. Mass media audiences have consumed much research attention over most of t
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Hayward, Mark. "Two Ways of Being Italian on Global Television." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2718.

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 “We have made Italy, now we must make Italians,” in the (probably apocryphal) words of the Prime Minister, sometime after the unification of the nation in 1860. Perhaps in French, if it was said at all. (The quotation is typically attributed to Massimo D’Azeglio, the prime minister of Piedmont and predecessor of the first Italian prime minister Camillo Cavour. Many have suggested that the phrase was misquoted and misunderstood (see Doyle.) D’Azeglio spoke in Italian when he addressed the newly-formed Italian parliament, but my reference to French is meant to indicate the f
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Hayward, Mark. "Two Ways of Being Italian on Global Television." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.25.

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“We have made Italy, now we must make Italians,” in the (probably apocryphal) words of the Prime Minister, sometime after the unification of the nation in 1860. Perhaps in French, if it was said at all. (The quotation is typically attributed to Massimo D’Azeglio, the prime minister of Piedmont and predecessor of the first Italian prime minister Camillo Cavour. Many have suggested that the phrase was misquoted and misunderstood (see Doyle.) D’Azeglio spoke in Italian when he addressed the newly-formed Italian parliament, but my reference to French is meant to indicate the fragility of the natio
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Rocavert, Carla. "Aspiring to the Creative Class: Reality Television and the Role of the Mentor." M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1086.

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Introduction Mentors play a role in real life, just as they do in fiction. They also feature in reality television, which sits somewhere between the two. In fiction, mentors contribute to the narrative arc by providing guidance and assistance (Vogler 12) to a mentee in his or her life or professional pursuits. These exchanges are usually characterized by reciprocity, the need for mutual recognition (Gadamer 353) and involve some kind of moral question. They dramatise the possibilities of mentoring in reality, to provide us with a greater understanding of the world, and our human interaction wi
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Green, Lelia. "Scanning the Satellite Signal in Remote Western Australia." M/C Journal 8, no. 4 (2005). http://dx.doi.org/10.5204/mcj.2379.

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 I can remember setting up the dish, all the excitement of assembling it [...] and then putting the motor on. And in the late afternoon, you position the dish and kind of turn it, to find the right spot, and all of a sudden on this blank television screen there was an image that came on.
 
 
 And it was shocking knowing that this noise and this thing would be there, and begin to infiltrate – because I see it as an infiltration, I see it as invasion – I’m not mad on television, very choosy really about what I watch – and I see it as an invasion, and there was
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Cinque, Toija. "A Study in Anxiety of the Dark." M/C Journal 24, no. 2 (2021). http://dx.doi.org/10.5204/mcj.2759.

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Introduction This article is a study in anxiety with regard to social online spaces (SOS) conceived of as dark. There are two possible ways to define ‘dark’ in this context. The first is that communication is dark because it either has limited distribution, is not open to all users (closed groups are a case example) or hidden. The second definition, linked as a result of the first, is the way that communication via these means is interpreted and understood. Dark social spaces disrupt the accepted top-down flow by the ‘gazing elite’ (data aggregators including social media), but anxious users m
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Downes, Daniel M. "The Medium Vanishes?" M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1829.

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Introduction The recent AOL/Time-Warner merger invites us to re-think the relationships amongst content producers, distributors, and audiences. Worth an estimated $300 billion (US), the largest Internet transaction of all time, the deal is 45 times larger than the AOL/Netscape merger of November 1998 (Ledbetter). Additionally, the Time Warner/EMI merger, which followed hard on the heels of the AOL/Time-Warner deal and is itself worth $28 billion (US), created the largest content rights organisation in the music industry. The joining of the Internet giant (AOL) with what was already the world's
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Champion, Katherine M. "A Risky Business? The Role of Incentives and Runaway Production in Securing a Screen Industries Production Base in Scotland." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1101.

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IntroductionDespite claims that the importance of distance has been reduced due to technological and communications improvements (Cairncross; Friedman; O’Brien), the ‘power of place’ still resonates, often intensifying the role of geography (Christopherson et al.; Morgan; Pratt; Scott and Storper). Within the film industry, there has been a decentralisation of production from Hollywood, but there remains a spatial logic which has preferenced particular centres, such as Toronto, Vancouver, Sydney and Prague often led by a combination of incentives (Christopherson and Storper; Goldsmith and O’Re
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Maras, Steven. "One or Many Media?" M/C Journal 3, no. 6 (2000). http://dx.doi.org/10.5204/mcj.1888.

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The theme for this issue of M/C is 'renew'. This is a term that could be approached in numerous ways: as a cultural practice, in terms of broader dynamics of change, in terms of the future of the journal. In this piece, however, I'd like to narrow the focus and think about renewal in the context of the concept of 'media' and media theory. This is not to diminish the importance of looking at media in relation to changing technologies, and changing cultural contexts. Indeed, most readers of M/C will no doubt be aware of the dangers of positing media outside of culture in some kind of determinist
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Brown, Adam, and Leonie Rutherford. "Postcolonial Play: Constructions of Multicultural Identities in ABC Children's Projects." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.353.

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In 1988, historian Nadia Wheatley and indigenous artist Donna Rawlins published their award-winning picture book, My Place, a reinterpretation of Australian national identity and sovereignty prompted by the bicentennial of white settlement. Twenty years later, the Australian Broadcasting Corporation (ABC) commissioned Penny Chapman’s multi-platform project based on this book. The 13 episodes of the television series begin in 2008, each telling the story of a child at a different point in history, and are accompanied by substantial interactive online content. Issues as diverse as religious diff
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Boler, Megan. "The Transmission of Political Critique after 9/11: “A New Form of Desperation”?" M/C Journal 9, no. 1 (2006). http://dx.doi.org/10.5204/mcj.2595.

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 Investigative journalist Bill Moyers interviews Jon Stewart of The Daily Show:
 MOYERS: I do not know whether you are practicing an old form of parody and satire…or a new form of journalism.
 STEWART: Well then that either speaks to the sad state of comedy or the sad state of news. I can’t figure out which one. I think, honestly, we’re practicing a new form of desperation….
 July 2003 (Bill Moyers Interview of Jon Stewart, on Public Broadcasting Service)
 
 
 Transmission, while always fraught and ever-changing, is particularly so at a moment
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Kellner, Douglas. "Engaging Media Spectacle." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2202.

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In the contemporary era, media spectacle organizes and mobilizes economic life, political conflict, social interactions, culture, and everyday life. My recently published book Media Spectacle explores a profusion of developments in hi-tech culture, media-driven society, and spectacle politics. Spectacle culture involves everything from film and broadcasting to Internet cyberculture and encompasses phenomena ranging from elections to terrorism and to the media dramas of the moment. For ‘Logo’, I am accordingly sketching out briefly a terrain I probe in detail in the book from which these exampl
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Denisova, Anastasia. "How Vladimir Putin’s Divorce Story Was Constructed and Received, or When the President Divorced His Wife and Married the Country Instead." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.813.

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A politician’s political and personal selves have been in the spotlight of academic scholarship for hundreds of years, but only in recent years has a political ‘persona’ obtained new modes of mediation via networked media. New advancements in politics, technology, and media brought challenges to the traditional politics and personal self-representation of major leaders. Vladimir Putin’s divorce announcement in June 2013, posed a new challenge for his political self-mediation. A rather reserved leader (Loshak), he nonetheless broadcast his personal news to the large audience and made it in a ve
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Pettigrew, Simone. "Creating Text for Older Audiences." M/C Journal 7, no. 1 (2004). http://dx.doi.org/10.5204/mcj.2326.

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The World Health Organisation has noted the ageing of the world’s population and has emphasised the growing need for older people’s needs to be considered in a range of contexts (WHO 1999, 2001). In Australia, people over the age of 65 currently constitute approximately 13% of the population (Australian Bureau of Statistics [ABS] 2002), but this number is expected to increase to 24% by 2051 (ABS 1999). As our population ages it will become increasingly necessary to cater to the particular needs of older audiences. This will involve a change in attitudes as the needs of this group have been lar
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Haller, Beth. "Switched at Birth: A Game Changer for All Audiences." M/C Journal 20, no. 3 (2017). http://dx.doi.org/10.5204/mcj.1266.

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The American Broadcasting Company (ABC) Family Network show Switched at Birth tells two stories—one which follows the unique plot of the show, and one about the new openness of television executives toward integrating more people with a variety of visible and invisible physical embodiments, such as hearing loss, into television content. It first aired in 2011 and in 2017 aired its fifth and final season.The show focuses on two teen girls in Kansas City who find out they were switched due to a hospital error on the day of their birth and who grew up with parents who were not biologically relate
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Broderick, Mick, Stuart Marshall Bender, and Tony McHugh. "Virtual Trauma: Prospects for Automediality." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1390.

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Unlike some current discourse on automediality, this essay eschews most of the analysis concerning the adoption or modification of avatars to deliberately enhance, extend or distort the self. Rather than the automedial enabling of alternative, virtual selves modified by playful, confronting or disarming avatars we concentrate instead on emerging efforts to present the self in hyper-realist, interactive modes. In doing so we ask, what is the relationship between traumatic forms of automediation and the affective impact on and response of the audience? We argue that, while on the one hand there
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Pugsley, Peter. "At Home in Singaporean Sitcoms." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2695.

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 The use of the family home as a setting for television sitcoms (situation comedies) has long been recognised for its ability to provide audiences with an identifiable site of ontological security (much discussed by Giddens, Scannell, Saunders and others). From the beginnings of American sitcoms with such programs as Leave it to Beaver, and through the trail of The Brady Bunch, The Cosby Show, Roseanne, The Fresh Prince of Bel Air, and on to Home Improvement, That 70s Show and How I Met Your Mother, the US has led the way with screenwriters and producers capitalising on the
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Howarth, Anita. "A Hunger Strike - The Ecology of a Protest: The Case of Bahraini Activist Abdulhad al-Khawaja." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.509.

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Introduction Since December 2010 the dramatic spectacle of the spread of mass uprisings, civil unrest, and protest across North Africa and the Middle East have been chronicled daily on mainstream media and new media. Broadly speaking, the Arab Spring—as it came to be known—is challenging repressive, corrupt governments and calling for democracy and human rights. The convulsive events linked with these debates have been striking not only because of the rapid spread of historically momentous mass protests but also because of the ways in which the media “have become inextricably infused inside th
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Leishman, Kirsty. "Flesh." M/C Journal 2, no. 3 (1999). http://dx.doi.org/10.5204/mcj.1748.

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When I think of 'flesh' at this moment in human history, it's difficult not to think of the images on television and in print news reports in recent weeks. The first pictures of Kosovo's Albanian population being purged from their homes and amassed on the borders of neighbouring countries have left an impression. While cameras have stood witness from afar, we have been confronted by images of people being shot at point-blank range. Rows of corpses have lined up after ill-executed bombing raids by NATO forces and the more systematic slaughter of pro-independence activists by wayward Indonesian
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Pearce, Lynne. "Diaspora." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.373.

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For the past twenty years, academics and other social commentators have, by and large, shared the view that the phase of modernity through which we are currently passing is defined by two interrelated catalysts of change: the physical movement of people and the virtual movement of information around the globe. As we enter the second decade of the new millennium, it is certainly a timely moment to reflect upon the ways in which the prognoses of the scholars and scientists writing in the late twentieth century have come to pass, especially since—during the time this special issue has been in pre
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Heurich, Angelika, and Jo Coghlan. "The Canberra Bubble." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2749.

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According to the ABC television program Four Corners, “Parliament House in Canberra is a hotbed of political intrigue and high tension … . It’s known as the ‘Canberra Bubble’ and it operates in an atmosphere that seems far removed from how modern Australian workplaces are expected to function.” The term “Canberra Bubble” morphed to its current definition from 2001, although it existed in other forms before this. Its use has increased since 2015, with Prime Minister Scott Morrison regularly referring to it when attempting to deflect from turmoil within, or focus on, his Coalition government (Gw
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Rodan, Debbie, and Jane Mummery. "Animals Australia and the Challenges of Vegan Stereotyping." M/C Journal 22, no. 2 (2019). http://dx.doi.org/10.5204/mcj.1510.

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Introduction Negative stereotyping of alternative diets such as veganism and other plant-based diets has been common in Australia, conventionally a meat-eating culture (OECD qtd. in Ting). Indeed, meat consumption in Australia is sanctioned by the ubiquity of advertising linking meat-eating to health, vitality and nation-building, and public challenges to such plant-based diets as veganism. In addition, state, commercial enterprises, and various community groups overtly resist challenges to Australian meat-eating norms and to the intensive animal husbandry practices that underpin it. Hence act
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Ashton, Daniel. "Digital Gaming Upgrade and Recovery: Enrolling Memories and Technologies as a Strategy for the Future." M/C Journal 11, no. 6 (2008). http://dx.doi.org/10.5204/mcj.86.

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IntroductionThe tagline for the 2008 Game On exhibition at the Australian Centre for the Moving Image in Melbourne invites visitors to “play your way through the history of videogames.” The Melbourne hosting follows on from exhibitions that have included the Barbican (London), the Royal Museum (Edinburgh) and the Science Museum (London). The Game On exhibition presents an exemplary instance of how digital games and digital games culture are recovered, organised and presented. The Science Museum exhibition offered visitors a walkthrough from the earliest to the latest consoles and games (Pong t
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Pavlidis, Adele, and David Rowe. "The Sporting Bubble as Gilded Cage." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2736.

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Introduction: Bubbles and Sport The ephemeral materiality of bubbles – beautiful, spectacular, and distracting but ultimately fragile – when applied to protect or conserve in the interests of sport-media profit, creates conditions that exacerbate existing inequalities in sport and society. Bubbles are usually something to watch, admire, and chase after in their brief yet shiny lives. There is supposed to be, technically, nothing inside them other than one or more gasses, and yet we constantly refer to people and objects being inside bubbles. The metaphor of the bubble has been used to describe
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Middlemost, Renee. "The Simpsons Do the Nineties." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1468.

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Now in its thirtieth season, in 2018, The Simpsons is a popular culture phenomenon. The series is known as much for its social commentary as its humour and celebrity appearances. Nonetheless, The Simpsons’ ratings have declined steadily since the early 2000s, and fans have grown more vocal in their calls for the program’s end. This article provides a case study of episode “That 90s Show” (S19, E11) as a flashpoint that exemplifies fan desires for the series’ conclusion. This episode is one of the most contentious in the program’s history, with online outrage at the retconning of canon and both
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Brien, Donna Lee. "From Waste to Superbrand: The Uneasy Relationship between Vegemite and Its Origins." M/C Journal 13, no. 4 (2010). http://dx.doi.org/10.5204/mcj.245.

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This article investigates the possibilities for understanding waste as a resource, with a particular focus on understanding food waste as a food resource. It considers the popular yeast spread Vegemite within this frame. The spread’s origins in waste product, and how it has achieved and sustained its status as a popular symbol of Australia despite half a century of Australian gastro-multiculturalism and a marked public resistance to other recycling and reuse of food products, have not yet been a focus of study. The process of producing Vegemite from waste would seem to align with contemporary
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