Log in

Relevant bibliographies by topics / Image representation methods / Books

To see the other types of publications on this topic, follow the link: Image representation methods.

Books on the topic 'Image representation methods'

Author: Grafiati

Published: 19 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 29 books for your research on the topic 'Image representation methods.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Florack, Luc, Remco Duits, Geurt Jongbloed, Marie-Colette van Lieshout, and Laurie Davies, eds. Mathematical Methods for Signal and Image Analysis and Representation. London: Springer London, 2011. http://dx.doi.org/10.1007/978-1-4471-2353-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Remco, Duits, Jongbloed Geurt, Lieshout Marie-Colette, Davies Laurie, and SpringerLink (Online service), eds. Mathematical Methods for Signal and Image Analysis and Representation. London: Springer London, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Martial, Hebert, National Science Foundation (U.S.), and United States. Advanced Research Projects Agency., eds. Object representation in computer vision: International NSF-ARPA Workshop, New York City, NY, USA, December 5-7, 1994 : proceedings. Berlin: Springer, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

ECCV '96 International Workshop (1996 Cambridge, England). Object representation in computer vision II: ECCV '96 International Workshop, Cambridge, UK, April 13-14, 1996 : proceedings. Berlin: Springer, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Pink, Sarah. Doing visual ethnography: Images, media, and representation in research. London: Sage, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Doing visual ethnography: Images, media and representation in research. 2nd ed. London: SAGE, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Doing visual ethnography: Images, media, and representation in research. London: Sage, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Dibazar, Pedram, and Judith Naeff, eds. Visualizing the Street. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984356.

Full text

Abstract:

From user-generated images of streets to professional architectural renderings, and from digital maps and drone footages to representations of invisible digital ecologies, this collection of essays analyses the emergent practices of visualizing the street. Today, advancements in digital technologies of the image have given rise to the production and dissemination of imagery of streets and urban realities in multiple forms. The ubiquitous presence of digital visualizations has in turn created new forms of urban practice and modes of spatial encounter. Everyone who carries a smartphone not only plays an increasingly significant role in the production, editing and circulation of images of the street, but also relies on those images to experience urban worlds and to navigate in them. Such entangled forms of image-making and image-sharing have constructed new imaginaries of the street and have had a significant impact on the ways in which contemporary and future streets are understood, imagined, documented, navigated, mediated and visualized. Visualizing the Street investigates the social and cultural significance of these new developments at the intersection of visual culture and urban space. The interdisciplinary essays provide new concepts, theories and research methods that combine close analyses of street images and imaginaries with the study of the practices of their production and circulation. The book covers a wide range of visible and invisible geographies — From Hong Kong’s streets to Rio’s favelas, from Sydney’s suburbs to London’s street markets, and from Damascus’ war-torn streets to Istanbul’s sidewalks — and engages with multiple ways in which visualizations of the street function to document street protests and urban change, to build imaginaries of urban communities and alternate worlds, and to help navigate streetscapes.

APA, Harvard, Vancouver, ISO, and other styles

9

Robert, Hopkins. Picture, image and experience: A philosophical inquiry. Cambridge: Cambridge University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Picture, image and experience: A philosophical inquiry. Cambridge: Cambridge University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Stanczak, Gregory C. Visual Research Methods: Image, Society, and Representation. Sage Publications, Inc, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Visual research methods: Image, society, and representation. Thousand Oaks, CA: Sage Publications, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Stanczak, Gregory C. Visual Research Methods: Image, Society, and Representation. SAGE Publications, Incorporated, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Jongbloed, Geurt, Luc Florack, and Remco Duits. Mathematical Methods for Signal and Image Analysis and Representation. Springer, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Jongbloed, Geurt, Luc Florack, Remco Duits, Marie-Colette van Lieshout, and Laurie Davies. Mathematical Methods for Signal and Image Analysis and Representation. Springer, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Jongbloed, Geurt, Luc Florack, Remco Duits, Marie-Colette van Lieshout, and Laurie Davies. Mathematical Methods for Signal and Image Analysis and Representation. Springer, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

(Editor), Jean Ponce, Andrew Zisserman (Editor), and Martial Hebert (Editor), eds. Object Representation in Computer Vision II: ECCV '96 International Workshop, Cambridge, UK, April 13 - 14, 1996. Proceedings (Lecture Notes in Computer Science). Springer, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Patnaik, Srikanta, Roumen Kountchev, Margarita N. Favorskaya, and Junsheng Shi. Advances in 3D Image and Graphics Representation, Analysis, Computing and Information Technology: Methods and Algorithms, Proceedings of IC3DIT 2019, Volume 1. Springer Singapore Pte. Limited, 2021.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Patnaik, Srikanta, Roumen Kountchev, Margarita N. Favorskaya, and Junsheng Shi. Advances in 3D Image and Graphics Representation, Analysis, Computing and Information Technology: Methods and Algorithms, Proceedings of IC3DIT 2019, ... Innovation, Systems and Technologies ). Springer, 2020.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

(Editor), Martial Hebert, Jean Ponce (Editor), Terry Boult (Editor), and Ari Gross (Editor), eds. Object Representation in Computer Vision: International Nsf-Arpa Workshop, New York City, Ny, Usa, December 5-7, 1994 : Proceedings (Lecture Notes in Computer Science). Springer, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Smeets, Roel. Character Constellations. Leuven University Press, 2021. http://dx.doi.org/10.11116/9789461664129.

Full text

Abstract:

Fiction has a major social impact, not least because it co-shapes the image that society has of various social groups. Drawing on a collection of 170 contemporary Dutch-language novels, Character Constellations presents a range of data-driven, statistical models to study depictions of characters in terms of gender, race, ethnicity, class, age, sexuality, and other identity categories. Incorporating the tools of network analysis, each chapter highlights an aspect of fictional social networks that affects the representation of social groups: their centrality, their communities, and their conflicts. While reading individual novels in light of emerging statistical patterns, combining the formal methods of social network analysis with the interpretive tools of narratology, this study shows how central societal themes such as (in)equality and emancipation, integration and segregation, and social mobility and class struggle are foregrounded, replicated, or distorted in the Dutch novel. Showcasing what character-based critiques of literary representation gain by integrating data-driven methods into the practice of critical close reading, Character Constellations contributes to societal debates on cultural representation and identity and the role fiction and art have in those debates.

APA, Harvard, Vancouver, ISO, and other styles

22

Smeets, Roel. Character Constellations. Leuven University Press, 2021. http://dx.doi.org/10.11116/9789461664136.

Full text

Abstract:

Fiction has a major social impact, not least because it co-shapes the image that society has of various social groups. Drawing on a collection of 170 contemporary Dutch-language novels, Character Constellations presents a range of data-driven, statistical models to study depictions of characters in terms of gender, race, ethnicity, class, age, sexuality, and other identity categories. Incorporating the tools of network analysis, each chapter highlights an aspect of fictional social networks that affects the representation of social groups: their centrality, their communities, and their conflicts. While reading individual novels in light of emerging statistical patterns, combining the formal methods of social network analysis with the interpretive tools of narratology, this study shows how central societal themes such as (in)equality and emancipation, integration and segregation, and social mobility and class struggle are foregrounded, replicated, or distorted in the Dutch novel. Showcasing what character-based critiques of literary representation gain by integrating data-driven methods into the practice of critical close reading, Character Constellations contributes to societal debates on cultural representation and identity and the role fiction and art have in those debates.

APA, Harvard, Vancouver, ISO, and other styles

23

Rafter, Nicole, and Michelle Brown, eds. The Oxford Encyclopedia of Crime, Media, and Popular Culture. Oxford University Press, 2018. http://dx.doi.org/10.1093/acref/9780190494674.001.0001.

Full text

Abstract:

Over 120 scholarly articlesCrime and punishment fascinate. Overwhelming in their media dominance, they present us with our most popular television programs, films, novels, art works, video games, podcasts, social media streams and hashtags. This encyclopedia, a massive and unprecedented undertaking, offers a foundational space for understanding the cultural life and imaginative force and power of crime and punishment. Across five areas foundational to the study of crime and media, leading scholars from five continents engage cutting edge scholarship in order to provide definitive overviews of over 120 topics. In the context of an unprecedented global proliferation in the production of images, they take up the perennial and emergent problems of crime's celebrity and fascination; stereotypes and innovations in portrayals of crime and criminals; and the logics of representation that follow police, courts, capital punishment, prisons, and legal systems across the world. They also engage new, timely, and historically overlooked categories of offense and their representations, including child sexual abuse, violence against women, and human trafficking. A series of entries on mediums and methods provide a much needed set of critical approaches at a historical moment when doing media and visual research is a daunting, formidable undertaking. This is also a project that stretches our understanding of conventional categories of crime representation. One example of this is homicide, where entries include work on the ever-popular serial killer but also extend to filicide, infanticide, school shootings, aboriginal deaths in custody, lynchings, terrorism and genocide. Readers will be will be hard-pressed to find a convention, trope, or genre of crime representation that is not, in some way, both present and enlarged. From film noir to police procedurals, courtroom dramas and comedies to comic books, crime news to true crime and reality tv, gaming to sexting, it is covered in this encyclopedia.

APA, Harvard, Vancouver, ISO, and other styles

24

Leskinen, Maria V., and Eugeny A. Yablokov, eds. All men and beasts, lions, eagles, quails… Anthropomorphic and Zoomorphic Representations of Nations and States in Slavic Сultural Discourse. Institute of Slavic Studies, Russian Academy of Sciences, 2020. http://dx.doi.org/10.31168/0441-1.

Full text

Abstract:

The book was compiled on the materials of the scientific conference “Anthropomorphic and zoomorphic representations of nations and states in the Slavic cultural discourse” (2019), held at the Institute of Slavic Studies of the Russian Academy of Sciences (Moscow) and devoted to the history of the nations’ personifications and generalized ethnic images in period of “imagined communities” formation. This process is reconstructing on verbal and visual sources and by methods of various disciplines. The historical evolution of such zoomorphic incarnations of nations as an Eagle (in the Polish patriotic poetry of the first third of the 19th cent), a Falcon (in the South Slavic and Czech cultures in the 19th cent), a Griffin (during the formation of the Cassubian ethnocultural identity) is considered. The animalistic national representations in the Estonian caricature of the interwar twenty years of the 20th cent., so as the functioning of the Bear’s allegory as a symbol of Russia in modern Russian souvenir products are analyzed. The originality of zoomorphic symbolism in Polish and Soviet cultures is shown оn the examples of para- and metaheraldic images in XXth cent. The transformation of the verbal and visual images of “Mother Russia” personifications in Russian Empire was reconstructed. The evolution of various allegories of ethnic “Self” and “Others” is presented by caricatures of 19th – 20th cent. in Slovenian periodic and in Russian “Satyricon” journal (1914–1918).

APA, Harvard, Vancouver, ISO, and other styles

25

Elkins, Nathan T. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190648039.003.0001.

Full text

Abstract:

Although Nerva’s reign is largely the province of historians, owing to the lack of state-sanctioned art from his short reign, his coinage is very diverse and has been an untapped resource for studying contemporary “self-representation” in this period. It is argued that the emperor did not necessarily formulate coin iconography or messaging, as often assumed, but that it was directed at him, as were contemporary panegyric and poetry. He was, however, not the only audience. Coins were used by people throughout Roman society and so deploying quantitative and finds-based methods informs what images played the biggest role in contemporary praise and rhetoric and, to some degree, at what populations they were targeted.

APA, Harvard, Vancouver, ISO, and other styles

26

Whitehead, James. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733706.003.0009.

Full text

Abstract:

The introductory chapter discusses the popular image of the ‘Romantic mad poet’ in television, film, theatre, fiction, the history of literary criticism, and the intellectual history of the twentieth century and its countercultures, including anti-psychiatry and psychoanalysis. Existing literary-historical work on related topics is assessed, before the introduction goes on to suggest why some problems or difficulties in writing about this subject might be productive for further cultural history. The introduction also considers at length the legacy of Michel Foucault’s Folie et Déraison (1961), and the continued viability of Foucauldian methods and concepts for examining literary-cultural representations of madness after the half-century of critiques and controversies following that book’s publication. Methodological discussion both draws on and critiques the models of historical sociology used by George Becker and Sander L. Gilman to discuss genius, madness, deviance, and stereotype in the nineteenth century. A note on terminology concludes the introduction.

APA, Harvard, Vancouver, ISO, and other styles

27

Rony, Fatimah Tobing. How Do We Look? Duke University Press, 2022. http://dx.doi.org/10.1215/9781478021902.

Full text

Abstract:

In How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics—the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul Gauguin’s 1893 portrait of Annah la Javanaise—a trafficked thirteen-year-old girl found wandering the streets of Paris—as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati’s The Dance that Makes You Vanish, Vincent Monnikendam’s Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability.

APA, Harvard, Vancouver, ISO, and other styles

28

Rowett, Catherine. Truth and Belief. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199693658.003.0002.

Full text

Abstract:

The first part of the chapter explores the relations between knowledge and truth and between knowledge and belief. It challenges a number of muddles in the literature concerning propositional attitudes, particularly the idea that while belief is a propositional attitude, knowledge is not. Second, it explores ancient words for ‘truth’, and how truth and being are related in ancient thought, including the so-called veridical sense of the verb einai. It argues that truth is (both for Plato, and in truth) first a property of things, and is then derivatively found in likenesses, such as reflections, pictures, and descriptions, where it comes in degrees according to the representation’s faithfulness to the truth. Finally, it connects this to the iconic method in Plato, whereby he uses such images as a means of accessing the truth that cannot be seen.

APA, Harvard, Vancouver, ISO, and other styles

29

White, Jonathan. Politics of Last Resort. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198791720.001.0001.

Full text

Abstract:

Prominent in the EU’s recent transformations has been the tendency to advance extraordinary measures in the name of crisis response. From emergency lending to macro-economics, border management to Brexit, policies are pursued unconventionally and as measures of last resort. This book investigates the nature, rise, and implications of this politics of emergency as it appears in the transnational setting. As the author argues, recourse to this method of rule is an expression of the deeper weakness of executive power in today’s Europe. It is how policy-makers contend with rising socio-economic power and diminishing representative ties, seeking fall-back authority in the management of crises. In the structure of the EU they find incentives and few impediments. Whereas political exceptionalism tends to be associated with sovereign power, here it is power’s diffusion and functional disaggregation that spurs politics in the emergency mode. The effect of these governing patterns is not just to challenge and reshape ideas of EU legitimacy rooted in constitutionalism and technocracy. The politics of emergency fosters a counter-politics in its mirror image, as populists and others play with themes of necessity and claim the right to disobedience in extremis. The book examines the prospects for democracy once the politics of emergency takes hold, and what it might mean to put transnational politics on a different footing.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!