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Books on the topic 'Image structure representation'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Cervel, M. Sandra Peña. Topology and cognition: What image-schemas reveal about the metaphorical languages of emotions. Lincom Europa, 2003.

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2

Neretina, Tat'yana, and Tat'yana Orehova. Formation at students of pedagogical profile "image of the parent" in the process of professional training at the University. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1043103.

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In modern conditions of development of mankind, when, for various reasons endangered is the institution of the family, especially actual is a problem of formation of the growing person in the period of schooling parental position as an essential part not only of development but also the survival of humanity as a species. The solution to this problem in terms of the organization of Russian society goes along with the family on a school teacher. Hence the need to prepare future teachers for performing this task.  In the present monograph presents one approach to solving this problem throug

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3

Chung, Simone Shu-Yeng, and Mike Douglass, eds. The Hard State, Soft City of Singapore. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463729505.

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With Singapore serving as the subject of exploration, The Hard State, Soft City of Singapore explores the purview of imaginative representations of the city. Alongside the physical structures and associated practices that make up our lived environment, and conceptualized space engineered into material form by bureaucrats, experts and commercial interests, a perceptual layer of space is conjured out of people’s everyday life experiences. While such imaginative projections may not be as tangible as its functional designations, they are nonetheless equally vital and palpable. The richness of its

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4

Grenander, Ulf, and Michael I. Miller. Pattern Theory. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780198505709.001.0001.

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Pattern Theory provides a comprehensive and accessible overview of the modern challenges in signal, data, and pattern analysis in speech recognition, computational linguistics, image analysis and computer vision. Aimed at graduate students in biomedical engineering, mathematics, computer science, and electrical engineering with a good background in mathematics and probability, the text includes numerous exercises and an extensive bibliography. Additional resources including extended proofs, selected solutions and examples are available on a companion website. The book commences with a short ov

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Kuppers, Petra. Dancing Disabled. Edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.55.

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This chapter provides ways of linking phenomenology, feminist analysis, embodiment in dance, and corporeal representational politics. It engages Iris Marion Young’s argument about “Throwing Like a Girl,” addressing the pervasive structure at the heart of the meaning of femininity: the “disabling” object/subject bind that throws woman out of agency, and into the image. Using Young, Simone de Beauvoir, and Maurice Merleau Ponty as historical touchstones, the chapter shows how this agency/object bracket is at work in disability representation, and how examples of contemporary dance practice can f

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Asada, Minoru. Proprioception and body schema. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199674923.003.0018.

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Proprioception is our ability to sense the position of our own limbs and other body parts in space, and body schema is a body representation that allows both biological and artificial agents to execute their actions based on proprioception. The proprioceptive information used by current artificial agents (robots) is mainly related to posture (and its change) and consists of joint angles (joint velocities) given a linked structure. However, the counterpart in biological agents (humans and other animals) includes more complicated components with associated controversies concerning the relationsh

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de Vignemont, Frédérique. Taxonomies of Body Representations. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198735885.003.0009.

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This chapter considers the relationship between body representations, action, and bodily experiences. It first clarifies the conceptual landscape of body representations and stresses the conceptual and empirical difficulties that the current body schema/body image taxonomy faces, difficulties that can be explained by their constant interaction but not only. There is indeed a lack of precise understanding of the functional role of the body schema as opposed to the body image. Instead of these unclear notions, the chapter proposes distinguishing different types of body representations on the bas

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8

Rothermel, Dennis. Becoming-Animal Cinema Narrative. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0014.

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This chapter connects distinctive animal territories to specific uses of film language through a series of case studies, most notably Robert Bresson’s Au hasard Balthazar (1966), Michelangelo Frammartino’s Le Quattro Volte (2011), Bela Tarr’s The Turin Horse (2011), and Ang Lee’s Life of Pi (2012). Significantly, becoming-animal cannot be represented by conventional point-of-view and shot-reverse-shot editing (the structural mainstay of filmic suture), because it ties the animal to the conventional (and thus delimiting) human vectorial space of Deleuze’s action-image. Instead, inspired by Pier

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Clüver, Claus. Ekphrasis and Adaptation. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.26.

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In discussing word-and-image interactions, ekphrasis and adaptation are frequently cited as major instances of intermedial transposition. Ekphrasis, redefined as “the verbal representation of real or fictive configurations composed in a non-kinetic visual medium,” can occur in literary and non-literary texts and represent two- and three-dimensional images. Some ekphrastic texts can be read as fully developed intermedial translations; others may render readers’ encounters with visual images that the text does not actually transpose at all. Ekphrasis is a descriptive monomedial mode of intermedi

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Birtwistle, Andy. Meaning and Musicality. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0009.

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The chapter critically reappraises the work of the British experimental filmmaker John Smith, drawing on analyses of key films and interview material to explore his use of sound, music and voice. Smith’s films often engage self-reflexively with how sound creates or accepts meaning within an audiovisual context. Influenced by structural film practice of the 1960s and 1970s, and underpinned by a Brechtian concern with the politics of representation, Smith’s often humorous work both foregrounds and deconstructs the sound-image relations at work in dominant modes of cinematic representation. This

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11

Beeston, Alix. In and Out of Sight. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190690168.001.0001.

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This book reappraises the connections between modernist writing and photography in the light of new work in visual culture studies that emphasizes the interplay between still and moving images. Arguing for the importance of photography to the work of four major modernist authors—Gertrude Stein, Jean Toomer, John Dos Passos, and F. Scott Fitzgerald—it proposes a new theory of composite literary form in the first half of the twentieth century. Segmented and reiterative, composite modernist writing is shaped by the figure of the woman-in-series, whose appearances and disappearances map its connec

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12

Urban, Elizabeth. Hagar and Mariya. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190622183.003.0012.

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The chapter discusses representations of Hajar and Mariya, two prominent female figures from the early Islamic tradition, widely treated in Arabic-Islamic biographical dictionaries, Quranic exegeses, and Tales of the Prophets literature. It treats the varied images of both women, with a focus on two elements: Both women were slaves and both bore children to prophets. Islamic sources, penned almost exclusively by men, expunge nearly all other aspects of these women’s stories. But, slave women had an impact not just on family structures and notions of marriage and sexuality that people often ass

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Kukla, Rebecca. Shame, Seduction, and Character in Food Messaging. Edited by Anne Barnhill, Mark Budolfson, and Tyler Doggett. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199372263.013.15.

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This chapter explores the rhetorical and ethical structure of our public communications and representations concerning food, eating, health, and obesity. Food messages in our culture are deeply contradictory and tension-ridden, leaving us with no “right” way to eat. Moreover, eating practices are routinely portrayed as having characterological significance, so there is no right kind of person to be, when it comes to food. Food messaging follows a broadly pornographic logic, in which images of shame, sin, disgust, temptation, risk, safety, perversion, pleasure, and recklessness are mixed togeth

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Pinder, Kymberly N. Visualizing Christ Our Redeemer, Man Our Brother. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039928.003.0001.

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This book explores the visualization of religious imagery in public art for African Americans in Chicago between 1904 and the present. It examines a number of case studies of black churches whose pastors have consciously nurtured a strong visual culture within their congregation. It features examples of religious art associated with some of Chicago's most historically significant black churches and art in their neighborhoods. It considers how the arts interact with each other in the performance of black belief, explains how empathetic realism structures these interactions for a variety of publ

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Roche, David. Quentin Tarantino. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819161.001.0001.

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An in-depth study of all Tarantino’s feature films to date (from Reservoir Dogs to The Hateful Eight), Quentin Tarantino: A Poetics and Politics of Cinematic Metafiction argues that, far from wallowing in narcissism and solipsism, a charge directed not only at Tarantino but at metafiction in general, these self-conscious fictions do more than just reflexively foreground their status as artefacts; they offer metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical and political potential of creation as re-recreation and resignification. By combi

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White, Jonathan. Politics of Last Resort. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198791720.001.0001.

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Prominent in the EU’s recent transformations has been the tendency to advance extraordinary measures in the name of crisis response. From emergency lending to macro-economics, border management to Brexit, policies are pursued unconventionally and as measures of last resort. This book investigates the nature, rise, and implications of this politics of emergency as it appears in the transnational setting. As the author argues, recourse to this method of rule is an expression of the deeper weakness of executive power in today’s Europe. It is how policy-makers contend with rising socio-economic po

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