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Books on the topic 'Image-to-image translation'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Crombie, John. The ill-made image: Being a critique of the unacknowledged English translation of Samuel Beckett's L'image, published by John Calder under the title "The image" in As the story was told, in anticipation of, and as a contribution to, any revised edition authorized by the literary executor or heirs to the Beckett estate. [The Author], 1995.

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2

1948-, Sinkewicz Robert E., and Pontifical Institute of Mediaeval Studies, eds. Saint Gregory Palamas: The one hundred and fifty chapters, a critical edition, translation and study. Pontifical Institute of Mediaeval Studies, 1988.

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3

Rao, K. Sreenivasa. Predicting Prosody from Text for Text-to-Speech Synthesis. Springer New York, 2012.

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4

J, Sahas Daniel, ed. Icon and logos: Sources in eighth-century iconoclasm : an annotated translation of the sixth session of the seventh Ecumenical Council (Nicea, 787) ... University of Toronto Press, 1986.

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5

Solanki, Arun, Anand Nayyar, and Mohd Naved. Generative Adversarial Networks for Image-To-Image Translation. Elsevier Science & Technology Books, 2021.

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6

Generative Adversarial Networks for Image-to-Image Translation. Elsevier, 2021. http://dx.doi.org/10.1016/c2020-0-00284-7.

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7

Solanki, Arun, Anand Nayyar, and Mohd Naved. Generative Adversarial Networks for Image-To-Image Translation. Elsevier Science & Technology, 2021.

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8

C[underscore]Images image analysis and image processing library: Version 5.2. : Library reference functions A-E [and]A programmer's guide to C[underscore]Images for data translation DT 2855 board. Foster Findlay Associates, 1994.

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9

Vernallis, Carol, Amy Herzog, and John Richardson, eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199757640.001.0001.

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This collection of essays explores the relations between sound and image in a rapidly shifting landscape of audiovisual media in the digital age. Featuring contributions from scholars who bring with them an impressive array of disciplinary expertise, from film studies and philosophy to musicology, pornography, digital gaming, and media studies, the book charts new territory by analyzing what it calls the “media swirl” and the “audiovisual turn.” It draws on a range of media texts including blockbuster cinema, video art, music videos, video games, amateur video compilations, visualization techn

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10

Wan Qing zhi wu si wen xue fan yi yu min zu xing xiang gou jian: Literary translation as a means for constructing Chinese national image from late Qing dynasty to the May 4th movement. Jiu zhou chu ban she, 2020.

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11

Dillon, George F. Virgin Mother of Good Counsel: A History of the Ancient Sanctuary of Our Lady of Good Counsel in Genazzano, and of the Wonderful Apparition and Miraculous Translation of Her Sacred Image from Scutari in Albania to Genazzano In 1467. Creative Media Partners, LLC, 2018.

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12

Dillon, George F. Virgin Mother of Good Counsel: A History of the Ancient Sanctuary of Our Lady of Good Counsel in Genazzano, and of the Wonderful Apparition and Miraculous Translation of Her Sacred Image from Scutari in Albania to Genazzano In 1467. Creative Media Partners, LLC, 2018.

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13

Virgin Mother of Good Counsel: A History of the Ancient Sanctuary of Our Lady of Good Counsel in Genazzano, and of the Wonderful Apparition and Miraculous Translation of Her Sacred Image from Scutari in Albania to Genazzano In 1467. Creative Media Partners, LLC, 2022.

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14

Laer, Sven Van. Image-Processing Speed Improvement: Translating Matlab to C Code Using ANTLR. VDM Verlag Dr. Müller, 2010.

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15

Rao, K. Sreenivasa. Predicting Prosody from Text for Text-to-Speech Synthesis. Springer, 2012.

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16

In His image devotional Bible. Tyndale House Publishers, 2010.

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17

Duve, Thomas. Global Legal History. Edited by Heikki Pihlajamäki, Markus D. Dubber, and Mark Godfrey. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198785521.013.5.

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As shown in the previous chapters, our image of European legal history itself has evolved as a result of the nineteenth-century national legal historiographies and their translation into the political and intellectual constellations of the mid twentieth century European movement. It is only more recently that the path-dependencies resulting from this tradition have been problematized and that stronger claims have been made to situate European legal history within global perspectives. This chapter presents an overview of both this development and what might be called ‘global perspectives on Eur

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18

Daniel, Morris. Kenneth Goldsmith's Recent Works on Paper. Published by Fairleigh Dickinson University Press, 2019. https://doi.org/10.5040/9781683935025.

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Kenneth Goldsmith's Recent Works on Paper is the first critical book devoted to Kenneth Goldsmith, the acclaimed conceptual poet, pedagogue, and provocateur. The book’s focus is on Capital, Wasting Time on the Internet, Against Translation, and Theory, all published within a year of Goldsmith's controversial reading of a poem based on the Michael Brown autopsy report at Brown University in March 2015. These four books address issues of historiography, translation, pedagogy, authorship, and celebrity culture. Each book serves a retrospective function for an author who is, mid-career, taking sto

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19

Mollaghan, Aimee. Rebalancing the Picture-Sound Relationship. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0011.

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This chapter explores how experimental filmmaker Lis Rhodes subverts the hegemonic relationship between sound and image across her body of moving image work in order to highlight and address inequitable power structures and the absence of the female voice in music and society. This is achieved on a material level by translating the optical soundtrack into visual presentations in her direct animation Dresden Dynamo (1971–72) and within an expanded, performative context in her audiovisual composition Light Music (1975). Further to this, Rhodes’s later films, Light Reading (1978) and A Cold Draft

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20

Millie, Julian. The Public Metaculture of Islamic Preaching. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190652807.003.0012.

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The chapter concerns the public culture of Islam in Indonesia. Drawing on field experience in West Java, it observes that Islamic oratory invariably includes repetitive and solemn elements, especially the citation and translation of Qur’an and Hadith. Yet preachers also rely on their abilities to move listeners with skillful multivocality, drawing on many genres and ways of speaking within listeners’ competency, not just religious ones. When speaking and writing normatively about oratory, however, Indonesians construct a monologic image that characterizes preaching as the circulation of religi

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21

Everson, Jane E., Andrew Hiscock, and Stefano Jossa, eds. Ariosto, the Orlando Furioso and English Culture. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266502.001.0001.

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The volume assesses the changing impact on English culture over 500 years of Ariosto’s poem, the Orlando Furioso, first published in Italy in 1516, and subsequently in an expanded version in 1532. Individual chapters address the recurring presence of Ariosto’s poem in English literature, but also the multimedial nature of the transmission of the Furioso into English culture: through the visual arts, theatre, music and spectacle to video games and the internet, as well as through often heated critical debates. The introduction provides an overview of the history of criticism and interpretation

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22

Icon and logos: Sources in eighth-century iconoclasm : an annotated translation of the sixth session of the Seventh Ecumenical Council (Nicea, 787), containing the definition of the Council of Constantinople (754) and its refutation, and the definition of the Seventh Ecumenical Council. University of Toronto Press, 1988.

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23

Davies, Peter. Interpreting at the First Frankfurt Auschwitz Trial. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350469679.

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This book explores the work of interpreters and translators at the First Frankfurt Auschwitz Trial of 22 former SS Auschwitz personnel in the mid-1960s, when the voices of dozens of witnesses, speaking 10 different languages, had a profound impact on public understanding of the Holocaust in Germany and beyond. The book asks vital questions about how victims of genocide can make their voices heard in legal systems, and the processes by which the testimony of Holocaust survivors has entered the public record. The author discusses interpreters’ professional practice and ethical self-understanding

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24

Staël, Madame de, and John Isbell. Corinne. Edited by Sylvia Raphael. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199554607.001.0001.

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‘Look at her, she is the image of our beautiful Italy.’ Corinne, or Italy (1807) is both the story of a love affair between Oswald, Lord Nelvil and a beautiful poetess, and an homage to the landscape, literature and art of Italy. On arriving in Italy, Oswald immediately falls under Corinne’s magical spell as she is crowned a national genius at the Captitol. Yet, on returning to England, he succumbs to convention and honours his late father’s wish by marrying the dutiful English girl, Lucile, despite having learned that Corinne is Lucile’s Italian half-sister. Corinne dies of a broken heart and

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25

Ezell, Margaret J. M. Humphrey Moseley and London Literary Publishing: Making the Book, Image, and Word. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198183112.003.0003.

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The London publisher Humphrey Moseley produced over 300 titles between 1645 and 1660, many of them by writers now considered to be the period’s leading literary figures, including works by Donne, Beaumont and Fletcher, John Milton, and many royalist poets. Moseley was part of a publishing practice that offered readers portraits of living contemporary writers. During this period readers could also purchase expensive folios with engraved illustrations, such as John Ogilby’s translation of Aesop’s Fables.

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26

Grewal, Gwenda-lin. Thinking of Death in Plato's Euthydemus. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192849571.001.0001.

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Thinking of Death places Plato’s Euthydemus among the dialogues that surround the trial and death of Socrates. A premonition of philosophy’s fate arrives in the form of Socrates’ encounter with the two-headed sophist pair, Euthydemus and Dionysodorus, who appear as if they are the ghost of the Socrates of Aristophanes’ thinkery. The pair vacillates between choral ode and rhapsody, as Plato vacillates between referring to them in the dual and plural number in Greek. Both the structure of the dialogue and the pair’s back-and-forth arguments bear a striking resemblance to thinking itself. In its

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27

Schrock, Chad D. Chaucer and the Invention of Biblical Narrative. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350417441.

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Demonstrating how Chaucer uses the Bible inThe Canterbury Talesas an authoritative literary source and model for his own literary production, this book explores the ways in which the Bible was a key tool for Chaucer's self-definition and innovation as an author. Chad Schrock unravels Chaucer’sTalesin the light of topics important to biblical reception in 14th-century England: authority, textuality, interpretation, translation, rephrasing and marginalia. When theCanterbury Talesare summed up in this way, they show the great extent to which Chaucer was drawing upon the Bible as a meta-poetical r

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28

Caputi, Jane. Call Your "Mutha". Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190902704.001.0001.

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The proposed new geological era, The Anthropocene (a.k.a. Age of Humans, Age of Man), marking human domination of the planet long called Mother Earth, is truly The Age of the Motherfucker. The ecocide of the Anthropocene is the responsibility of Man, the Western- and masculine-identified corporate, military, intellectual, and political class that masks itself as the exemplar of the civilized and the human. The word motherfucker was invented by the enslaved children of White slave masters to name their mothers’ rapist/owners. Man’s strategic motherfucking, from the personal to the planetary, is

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29

Agamben, Giorgio. A Jurist Confronting Himself. Edited by Jens Meierhenrich and Oliver Simons. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199916931.013.36.

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This chapter was originally published as a preface to a collection of Italian translations of texts by and interviews with Carl Schmitt. It shows how each text offers an image of Schmitt that can best be seen in light of what Walter Benjamin called the "now of knowability": in a constellation formed by the decisive political problems of Schmitt’s time. The challenge these texts thus propose is akin to that of finding figures hidden in a landscape painting. The chapter argues that the hidden figures in Schmitt’s works designate those points at which their contemporary relevance is greatest. Onl

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30

Political Testament of Cardinal Richelieu. The Rowman & Littlefield Publishing Group, Inc., 2020. https://doi.org/10.5040/9798881818340.

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The Political Testament of Cardinal Richelieu ranks with the confessions of Saint Augustine and Jean-Jacques Rousseau as one of the most revealing expressions of an individual’s sense of identity in all literature. It is also one the least appreciated outside of France, in part because of Richelieu’s popular image as a tyrant, in part because the history is unfamiliar to English-speaking readers, in part because historians have not yet considered the work closely. Leading scholar Paul Sonnino has now filled an essential gap with the first comprehensive translation of one of the most famous wor

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31

Clüver, Claus. Ekphrasis and Adaptation. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.26.

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In discussing word-and-image interactions, ekphrasis and adaptation are frequently cited as major instances of intermedial transposition. Ekphrasis, redefined as “the verbal representation of real or fictive configurations composed in a non-kinetic visual medium,” can occur in literary and non-literary texts and represent two- and three-dimensional images. Some ekphrastic texts can be read as fully developed intermedial translations; others may render readers’ encounters with visual images that the text does not actually transpose at all. Ekphrasis is a descriptive monomedial mode of intermedi

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32

Bishop, Ryan, and Sunil Manghani, eds. Seeing Degree Zero. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474431415.001.0001.

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In the fields of literature and the visual arts, 'zero degree' represents a neutral aesthetic situated in response to, and outside of, the dominant cultural order. Taking Roland Barthes' 1953 book Writing Degree Zero as just one starting point, but with reference to broader historical discourse that picks up on critical notions of 'zero', 'zero degree', and the 'neutral, this volume examines the historical, theoretical and visual impact of the term and draws directly upon the editors' ongoing collaboration with artist and writer Victor Burgin. The book is composed of key chapters by the editor

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33

Hall, Linda Jones. The Poems of Optatian. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350374409.

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For the first time, the poems and accompanying letters of Publilius Optatianus Porfyrius (Optatian) are published here with a translation and detailed commentary, along with a full introduction to Optatian’s work during this period. Optatian was sent into exile by Constantine sometime after the emperor’s ascent to power in Rome in 312 AD. Hoping to receive pardon, Optatian sent a gift of probably twenty design poems to Constantine around the time of the ruler’s twentieth anniversary (325/326 AD). To enable the reader to experience the multiple messages of the poems, the Latin text is presented

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34

Hassan, Waïl S., ed. The Oxford Handbook of Arab Novelistic Traditions. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.001.0001.

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The Oxford Handbook of Arab Novelistic Traditions traces the emergence of the Arabic novel in the second half of the nineteenth century and its development to the present, both in Arabic-speaking countries and in Arab immigrant destinations around the world. Several chapters consider the ways in which the Arabic novel arose from a syncretic merger between Arabic and European forms and techniques, rather than being a simple importation of the latter and rejection of the former, as earlier scholars claimed. Topics range from theories of the Arabic novel to the link between the novel and history,

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35

Ufimtseva, Nataliya V., Iosif A. Sternin, and Elena Yu Myagkova. Russian psycholinguistics: results and prospects (1966–2021): a research monograph. Institute of Linguistics, Russian Academy of Sciences, 2021. http://dx.doi.org/10.30982/978-5-6045633-7-3.

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The monograph reflects the problems of Russian psycholinguistics from the moment of its inception in Russia to the present day and presents its main directions that are currently developing. In addition, theoretical developments and practical results obtained in the framework of different directions and research centers are described in a concise form. The task of the book is to reflect, as far as it is possible in one edition, firstly, the history of the formation of Russian psycholinguistics; secondly, its methodology and developed methods; thirdly, the results obtained in different research

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