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1

Yee, Martha M. Moving image works and manifestations. UMI, 1997.

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2

Brown, Rosemary. Creating visual imagery in worship. Abingdon Press, 1986.

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3

Jörgensen, Corinne. Image attributes: An investigation. UMI, 2000.

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4

Hébuterne-Poinssac, Béatrice. L' image éducatrice? Presses universitaires de France, 2000.

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5

Thériault, Michèle. Harun Farocki: One image doesn't take the place of the previous one. Edited by Farocki Harun, Agnes Etherington Art Centre, and Leonard and Bina Ellen Art Gallery. Galerie Leonard & Bina Ellen Art Gallery, 2008.

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6

Mezey, Phiz. Multi-image design and production. Focal Press, 1988.

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7

1966-, Brosius Christiane, and Butcher Melissa 1966-, eds. Image journeys: Audio-visual media and cultural change in India. Sage Publications, 1999.

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8

Williams, Jane. The use and capture of images for computer-based learning. Educational Technology Service, University of Bristol, 1994.

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9

Corff, Isabelle Le. Les images en question: Cinéma, télévision, nouvelles images : les voies de la recherche. Presses universitaires de Bordeaux, 2010.

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10

Timón, Vicente Peña. La imagen narrativa y nuevas tecnologías. Universidad de Málaga, 1998.

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11

Fryrear, Jerry L. Instant images: A guide to using photography in therapy. Kendall/Hunt Pub. Co., 1992.

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12

International, Isis, ed. Powerful images: A women's guide to audiovisual resources. Isis International, 1986.

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13

Iconothèque du département de la Sarthe. Images d'archives: Guide de l'Iconothèque du département de la Sarthe. Conseil général de la Sarthe, 1992.

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14

Gail, Travis, and University of Sydney. Institute of Criminology, eds. Interrogating images: Audio-visually recorded police questioning of suspects. Sydney Institute of Criminology, 2007.

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15

Clive, Carré, ed. Visual communication in science: Learning through sharing images. Cambridge University Press, 1985.

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16

Berton, Mireille, and Charlotte Bouchez. La circulation des images: Cinéma, photographie et nouveaux médias = Die Zirkulation der Bilder : Kino, Fotografie und neue Medien. Schüren, 2018.

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17

Stalnaker, Norwood Nancy, Intermedia Arts Minnesota, and National Endowment for the Arts., eds. Integrating elements: Creative approaches to video and computer imagery in education. Intermedia Arts Minnesota, 1989.

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18

D, Kenyon N., and Nightingale C, eds. Audiovisual telecommunications. Chapman & Hall, 1992.

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19

Moore, Jason. Design matters: Creating powerful images for worship. Abingdon Press, 2006.

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20

Bernd-Rüdiger, Hüppauf, and Weingart Peter, eds. Science images and popular images of science. Routledge, 2007.

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21

Overlin, Mike. Photography in worship: The art and science of iconic imagery. Hal Leonard Books, 2011.

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22

Bernd-Rüdiger, Hüppauf, and Weingart Peter, eds. Science images and popular images of the sciences. Routledge, 2008.

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23

Goodman, Douglas S. Optics demonstrations with the overhead projector. Optical Society of America, 2000.

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24

Eck, Diana L. Darsán, seeing the divine image in India. 2nd ed. Anima Books, 1985.

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25

Yoshimura, Hirokazu. Zuteki ni shinrigaku: Shichōkaku kyōiku e no shiza. Nakanishiya Shuppan, 1999.

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26

National Film and Sound Archive (Australia), ed. World War II: Australians at home and overseas : a selected catalogue of moving image, recorded sound, and documentation materials from the collection of the National Film and Sound Archive. The Archive, 1995.

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27

Ann, Ellsworth Elizabeth, and Whatley Mariamne H, eds. The Ideology of images in educational media: Hidden curriculums in the classroom. Teachers College Press, Teachers College, Columbia University, 1990.

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28

Yves, Alix, Vernet Marc, and Desrichard Yves, eds. Cinéma en bibliothèque. Cercle de la librairie, 2004.

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29

Yves, Desrichard, ed. Cinéma en bibliothèque. Electre/Cercle de la librairie, 2004.

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30

Storm, William D. Unified strategy for the preservation of audio and video. William D. Storm, 1997.

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31

Storm, William D. Unified strategy for the preservation of audio and video. William D. Storm, 1998.

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32

Klein, Annabelle. La communication audio-visuelle : entre réalité et fiction: Approche pluridisciplinaire. Presses universitaires de Namur, 2009.

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33

Andrew, Wright. Pictures for language learning. Cambridge University Press, 1989.

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34

Council on Library and Information Resources. and European Commission on Preservation and Access., eds. Digitizing historical pictorial collections for the Internet. European Commission on Preservation and Access, 1998.

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35

Council on Library and Information Resources. Commission on Preservation and Access. and Council on Library and Information Resources. Digital Libraries., eds. Digitizing historical pictorial collections for the Internet. Council on Library and Information Resources, 1998.

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36

BKSTS dictionary of image technology. 2nd ed. Focal Press, 1988.

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37

Uren, Martin. BKSTS Illustrated Dictionary of Moving Image Technology. Taylor & Francis Group, 2013.

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38

Uren, Martin. BKSTS Illustrated Dictionary of Moving Image Technology. Taylor & Francis Group, 2013.

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39

Uren, Martin. BKSTS Illustrated Dictionary of Moving Image Technology. Taylor & Francis Group, 2013.

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40

Uren, Martin. BKSTS Illustrated Dictionary of Moving Image Technology. Taylor & Francis Group, 2013.

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41

BKSTS Illustrated Dictionary of Moving Image Technology. Taylor & Francis Group, 2017.

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42

Audio Visual Multi Image and Educational Computer/1988. Bill Daniels Co, 1988.

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43

Brown, Rosemary. Creating Visual Imagery in Worship. Abingdon Pr, 1986.

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44

Duarte Loza, Daniel Martín, ed. Música: sonido e imagen. Editorial de la Universidad Nacional de La Plata (EDULP), 2022. http://dx.doi.org/10.35537/10915/145139.

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Este libro de cátedra da cuenta de algunos tópicos fundamentales que atraviesan la materia Música y Medios, de la Facultad de Artes UNLP. El objetivo principal del trabajo es resignificar la escucha y elaborar, en consecuencia, procesos constructivos sonoro-musicales que logren transformar los medios en medios de realización artístico-audio-visual.
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45

(Editor), Christiane Brosius, and Melissa Butcher (Editor), eds. Image Journeys: Audio-Visual Media and Cultural Change in India. Sage Publications Pvt. Ltd, 1999.

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46

(Editor), Christiane Brosius, and Melissa Butcher (Editor), eds. Image Journeys: Audio-Visual Media and Cultural Change in India. Sage Publications Pvt. Ltd, 1999.

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47

Rawlinson, Jules. A Requiem for Edward Snowden. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450566.

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A Requiem for Edward Snowden is a 50-minute audio-visual work by Matthew Collings and Jules Rawlinson which addresses surveillance, data privacy, loss of faith, moral choice, and personal sacrifice in an environment where we are totally reliant on electronic communication and daily routines; and in which our privacy is routinely compromised. The work is performed by a chamber trio comprising violin, cello and clarinet, with live electronics and live visuals. The work is multi-layered and textured, both sonically and visually, and includes computer generated, fixed-media and live captured image
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48

Positive images of women. Manitoba Education and Training, 1989.

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49

Projected Still Images in Training. CRC Press LLC, 1987.

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50

Envisioning The Word: The Use Of Visual Images In Preaching (Fortress Resources for Preaching). Augsburg Fortress Publishers, 2005.

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