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1

Rancière, Jacques. Le destin des images. Fabrique éditions, 2003.

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2

Marie-Antoinette: Images d'un destin. M. Lafon, 2005.

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3

1922-, Guéna Yves, ed. De Gaulle, les images d'un destin. Cherche midi, 2007.

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4

The true image: The origin and destiny of man in Christ. Eerdmans, 1989.

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5

The true image: The origin and destiny of man in Christ. Eerdmans, 1989.

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6

Mattson, Brian G. Restored to our destiny: Eschatology & the image of God in Herman Bavinck's Reformed dogmatics. Brill, 2012.

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7

Gourg, Marianne. Mikail Boulgakov : 1891 1940 : Un Maitre et son destin / Biographie en images. Laffont, 1992.

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8

Gourg, Marianne. Mikhaïl Boulgakov, 1891-1940: Un maître et son destin : biographie en images. R. Laffont, 1992.

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9

Vanites, Les. Images de la destinee : gravures des XVIe et XVIIe siecles de la collection Mancel. Musee des Beaux-Arts, 1991.

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10

The Black image in the white mind: The debate on Afro-American character and destiny, 1817-1914. Wesleyan University Press, 1987.

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11

Baldini, Michela, and Teresa Spignoli, eds. L'Approdo. Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-8453-617-4.

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In December 1945 the "L'Approdo" transmissions were launched at the RAI headquarters in Florence. The radio programme, one of the most important in Italy at the time, went on the air up to 1977, being accompanied from 1952 by a magazine and from 1963 to 1972 by a television programme. The three parallel cultural "enterprises" boasted an impressive number of important collaborators, gravitating around the decisive figure of Carlo Betocchi as leader and organiser. Nevertheless, despite its significance, even the adventure of "L'Approdo" was destined to die. When the transmissions and the publica
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12

Robertson, Howard H. Images of Our True Destiny. PublishAmerica, 2006.

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13

Forman, Werner. Quo Vadis? Images Destiny Time. Vintage/Ebury (A Division of Random House Group), 2003.

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14

Kamal Joumblatt: Images dʾun destin. Almassar, 2000.

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15

Gallo, Max, and Hervé Gaymard. De Gaulle, les images d'un destin. CHERCHE MIDI, 2020.

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16

Gallo, Max, and Hervé Gaymard. De Gaulle, les images d'un destin. CHERCHE MIDI, 2020.

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17

Dignity and destiny: Humanity in the image of God. William B. Eerdmans, 2015.

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18

Ohnuma, Reiko. Unfortunate Destiny. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190637545.001.0001.

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This book focuses on the imagery and roles of nonhuman animals in premodern South Asian Buddhist literature. Part I examines the animal realm of rebirth in Buddhist doctrine and cosmology and shows that early Buddhist literature depicts the animal rebirth as a most “unfortunate destiny” (Skt. durgati), won through negative karma and characterized by violence, fear, suffering, and a lack of wisdom, moral agency, or spiritual potential. It also shows that although animals are capable of being reborn in heaven, the means by which this occurs are passive in nature, highly dependent upon the physic
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19

Ackerman, Laurence D. Identity Is Destiny: Leadership and the Roots of Value Creation. Berrett-Koehler Publishers, 2000.

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20

Mihailova, Tatyana, ed. Mis-, semi- and over communication. Grammar of Unreal-4. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1765.978-5-317-06511-9.

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The conference is devoted to the different problems of communication, including misunderstanding and ‘over-understanding'. A special attention is given to the destiny of new personages and images and their function in the legendary tradition. The used data belong to the examples of Medieval Germanic and Celtic narrative tradition, but a modern Scandinavian material is also involved.
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21

Mattson, Brian G. Restored to Our Destiny: Eschatology and the Image of God in Herman Bavinck's Reformed Dogmatics. BRILL, 2011.

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22

Coward, John M. Illustrating the Indian Wars. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0006.

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This chapter studies illustrations of the Indian wars. Looking at Indian–white violence in the 1860s, it argues that Indian war coverage and related images of Indian–white violence were considerably more imaginary than real, functioning in ways that supported the ideology of Manifest Destiny. Although some illustrations depicted scenes of actual battles by “on the spot” artists, reality was less important than the creation of white heroes and Indian demons, images that reinforced the necessity of military conquest. Other violent illustrations were purely allegorical, invented scenes meant to s
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23

Fredrickson, George M. The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817-1914. ACLS Humanities E-Book, 2008.

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24

Palm Reading: the secrets of character and destiny revealed in your hand: A practical workbook with 100 images. Southwater, 2008.

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25

Lurie, Peter. “Orders from the House”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199797318.003.0003.

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This chapter takes its title from an essay about The Shining by Fredric Jameson, “Historicism in the Shining,” which, for all its acuity about the film’s awareness of economic history, demonstrates a notable blind spot around issues of race and the violence subtending America’s past in regions like the U.S. west. It shows a troubling alliance between Jack Torrance’s will to mastery and director Stanley Kubrick’s unique wielding of cinematic omniscience, suggesting the film’s awareness of the frontier as both a space of supposed white sovereignty and aesthetic spectacle. It employs key visual t
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26

Kids, June20. Destiny Coloring Book: Great Book for Fans, Teens, and Adults with GIANT PAGES and HIGH QUALITY IMAGES. Well - Designed Gift for Indoor Activities at Home. Independently Published, 2020.

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27

Gayley, Holly. Love Letters from Golok. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231180528.001.0001.

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Love Letters from Golok chronicles the courtship between two Buddhist tantric masters, Tare Lhamo (1938–2002) and Namtrul Rinpoche (1944–2011), and their passion for reinvigorating Buddhism in eastern Tibet during the post-Mao era. In fifty-six letters exchanged from 1978 to 1980, Tare Lhamo and Namtrul Rinpoche envisioned a shared destiny to "heal the damage" done to Buddhism during the years leading up to and including the Cultural Revolution. Holly Gayley retrieves the personal and prophetic dimensions of their courtship and its consummation in a twenty-year religious career that informs is
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28

Pereira, Ana Cristina, and Rosa Cabecinhas. Abrir os Gomos do Tempo: Conversas Sobre Cinema em Moçambique. UMinho Editora/CECS, 2022. http://dx.doi.org/10.21814/uminho.ed.49.

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Este conjunto de conversas destina-se essencialmente a quem gosta de ouvir contar histórias. São conversas com um forte pendor cinematográfico, não só porque o mote que as atravessa é o cinema em Moçambique, mas sobretudo porque a forma como são reveladas as memórias que habitam esse espaço é também ela, muitas vezes, formulada através de imagens que têm movimento. Abrir os Gomos do Tempo: Conversas Sobre Cinema em Moçambique é também para aquelas pessoas que, como nós, ficam felizes ao ouvir de novo a frase, “um outro mundo é possível!” e tem, a nosso ver, a beleza e a força das palavras daqu
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