Relevant bibliographies by topics / Images of Blacks

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Images of Blacks'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Images of Blacks"

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Fiske, Susan T., Hilary B. Bergsieker, Ann Marie Russell, and Lyle Williams. "IMAGES OF BLACK AMERICANS." Du Bois Review: Social Science Research on Race 6, no. 1 (2009): 83–101. http://dx.doi.org/10.1017/s1742058x0909002x.

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AbstractImages of Black Americans are becoming remarkably diverse, enabling Barack Obama to defy simple-minded stereotypes and succeed. Understood through the Stereotype Content Model's demonstrably fundamental trait dimensions of perceived warmth and competence, images of Black Americans show three relevant patterns. Stereotyping by omission allows non-Blacks to accentuate the positive, excluding any lingering negativity but implying it by its absence; specifically, describing Black Americans as gregarious and passionate suggests warmth but ignores competence and implies its lack. Obama's credentials prevented him from being cast as incompetent, though the experience debate continued. His legendary calm and passionate charisma saved him on the warmth dimension. Social class subtypes for Black Americans differentiate dramatically between low-income Blacks and Black professionals, among both non-Black and Black samples. Obama clearly fit the moderately warm, highly competent Black-professional subtype. Finally, the campaign's events (and nonevents) allowed voter habituation to overcome non-Blacks' automatic emotional vigilance to Black Americans.
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Brown-Guillory, Elizabeth. "Images of Blacks in Plays by Black Women." Phylon (1960-) 47, no. 3 (1986): 230. http://dx.doi.org/10.2307/274990.

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Cooke, Michael G., David Dabydeen, and Angelo Costanzo. "Hogarth's Blacks: Images of Blacks in Eighteenth Century English Art." Eighteenth-Century Studies 22, no. 2 (1988): 225. http://dx.doi.org/10.2307/2738869.

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Sabor, Peter, and David Dabydeen. "Hogarth's Blacks: Images of Blacks in Eighteenth Century English Art." Yearbook of English Studies 18 (1988): 288. http://dx.doi.org/10.2307/3508233.

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White, Sylvia E., and Tania Fuentez. "Analysis of Black Images in Comic Strips, 1915–1995." Newspaper Research Journal 18, no. 1-2 (January 1997): 72–85. http://dx.doi.org/10.1177/073953299701800107.

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Negative stereotypes of blacks were dominant in strips before 1955, but virtually nonexistent in 1995. Black characters in current strips are portrayed in a wider variety of occupational roles and social settings than in the past.
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Spears, Arthur K. "Culture Critique and Colorstruction: Black-Produced Media Images of Blacks." Transforming Anthropology 3, no. 1 (January 1992): 24–29. http://dx.doi.org/10.1525/tran.1992.3.1.24.

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CLARKE, A. "White on Black: Images of Blacks in Western Popular Culture." Journal of Design History 6, no. 3 (January 1, 1993): 218–20. http://dx.doi.org/10.1093/jdh/6.3.218.

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Kim, Seog-Jun, and Darrell H. Reneker. "Scanning Tunneling Microscopy of Carbon Blacks." Rubber Chemistry and Technology 66, no. 4 (September 1, 1993): 559–66. http://dx.doi.org/10.5254/1.3538328.

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Abstract Three kinds of carbon black, HAF (high abrasion furnace, N330), MT (medium thermal, N990), and graphitized MT were observed with the scanning tunneling microscope (STM), the transmission electron microscope (TEM), and the scanning electron microscope (SEM) All the STM images are formed from measurements of the x, t, and z position of points on the surface of the particle. The STM images of carbon blacks were compared to transmission electron microscope (TEM) photographs. Pitted and stepped bumps were observed on the surface of HAF carbon black. The surface of MT carbon black was more rough and disorganized At the atomic scale, ordered structure was found on the surface of HAF carbon-black particles Graphitized MT carbon-black particles were faceted polyhedra. Some facets were smooth while others had multiple terraces. The surface of graphitized MT carbon black was so well ordered that a lattice of carbon atoms similar to HOPG (highly ordered pyrolytic graphite) was observed on the smooth facets.
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Torres, Kimberly C., and Camille Z. Charles. "METASTEREOTYPES AND THE BLACK-WHITE DIVIDE: A Qualitative View of Race on an Elite College Campus." Du Bois Review: Social Science Research on Race 1, no. 1 (March 2004): 115–49. http://dx.doi.org/10.1017/s1742058x0404007x.

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We employ qualitative in-depth and focus group data to examine how racial stereotypes affect relations between Black and White undergraduates at the University of Pennsylvania. Specifically, we employ the concept of metastereotypes—Blacks' knowledge and perceptions of the racial attitudes that Whites have of Blacks. Our interest is in the accuracy of Black students' beliefs about Whites' racial attitudes to their group, and the consequences of metastereotypical thinking for Black students' academic performance. We find that the Black students in our sample possess some clear and largely negative metastereotypes concerning how Whites generally think about Blacks, and these metastereotypes are quite accurate. Moreover, these negative group images are at the heart of a key campus “problem”—Whites' hostility to affirmative action and the assumption that Blacks are not qualified to be at the university; and, ironically, most Blacks seem to have internalized a piece of these negative stereotypes. These results are a tangible manifestation of double-consciousness—Blacks' perceptions of themselves both through their own eyes and through the eyes of Whites, and evidence of Steele's theory of stereotype threat, in as much as Black students expend considerable energy attempting to debunk the myth of Black intellectual inferiority.
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Whatley, Mariamne H. "Photographic Images of Blacks in Sexuality Texts." Curriculum Inquiry 18, no. 2 (1988): 137. http://dx.doi.org/10.2307/1179455.

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Dissertations / Theses on the topic "Images of Blacks"

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Malik, Sarita. "Representing Black Britain : Black images on British television from 1936 to the present day." Thesis, n.p, 1998. http://ethos.bl.uk/.

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Jackson, Nicole E. "The Tyler Perry effect examining the influence of black media images on the black identity." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4938.

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This study investigated the influence of Tyler Perry's House of Payne and Meet the Browns on black viewers' racial identity, based on a survey of 145 members of four predominantly African American churches in the Central Florida area. Mirroring Allen, Dawson, and Brown's (1989) model of an African American racial belief system, this study proposed that both shows would positively influence three dimensions of the black identity including closeness to blacks, black separatism, and the belief in positive stereotypes about blacks, while negatively influencing the dimension that emphasizes negative stereotypes about blacks. Socioeconomic status and religiosity were also hypothesized to predict exposure to both shows. The results show that while House of Payne positively influenced two dimensions of the black identity including closeness to blacks and the belief in positive stereotypes about blacks, Meet the Browns did not have a statistically significant relationship with any of the dimensions of the black identity. Additionally, results showed mixed support for the relationship between socioeconomic status, religiosity, and show exposure. While education had a negative relationship with exposure to both House of Payne and Meet the Browns, the income variable revealed no significant results with either show. Lastly, religiosity was shown to be a significant predictor of exposure to House of Payne, but not Meet the Browns. The findings suggest that Perry's shows may be considered by viewers as more beneficial than harmful to viewers to their racial identity and experience, which contradicts the critiques of his images as reverberating with negative stereotypical images of the past. Findings also suggest the importance of education and religion to black socialization patterns.
ID: 030423203; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 87-96).
M.A.
Masters
Nicholson School of Communication
Sciences
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Collins, Megan Marie. "The Portrait of Citizen Jean-Baptiste Belley, Ex-Representative of the Colonies by Anne-Louis Girodet Trioson: Hybridity, History Painting, and the Grand Tour." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1237.pdf.

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Ruiz-Laverde, Manuel Fabián. "Image quality analysis of the reproductions of black and white photographs obtained from a desktop publishing system /." Online version of thesis, 1989. http://ritdml.rit.edu/handle/1850/11485.

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Pathare, Sneha P. "Detection of black-backed jackal in still images." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/97023.

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Thesis (MSc)--Stellenbosch University, 2015.
ENGLISH ABSTRACT: In South Africa, black-back jackal (BBJ) predation of sheep causes heavy losses to sheep farmers. Different control measures such as shooting, gin-traps and poisoning have been used to control the jackal population; however, these techniques also kill many harmless animals, as they fail to differentiate between BBJ and harmless animals. In this project, a system is implemented to detect black-backed jackal faces in images. The system was implemented using the Viola-Jones object detection algorithm. This algorithm was originally developed to detect human faces, but can also be used to detect a variety of other objects. The three important key features of the Viola-Jones algorithm are the representation of an image as a so-called ”integral image”, the use of the Adaboost boosting algorithm for feature selection, and the use of a cascade of classifiers to reduce false alarms. In this project, Python code has been developed to extract the Haar-features from BBJ images by acting as a classifier to distinguish between a BBJ and the background. Furthermore, the feature selection is done using the Asymboost instead of the Adaboost algorithm so as to achieve a high detection rate and low false positive rate. A cascade of strong classifiers is trained using a cascade learning algorithm. The inclusion of a special fifth feature Haar feature, adapted to the relative spacing of the jackal’s eyes, improves accuracy further. The final system detects 78% of the jackal faces, while only 0.006% of other image frames are wrongly identified as faces.
AFRIKAANSE OPSOMMING: Swartrugjakkalse veroorsaak swaar vee-verliese in Suid Afrika. Teenmaatreels soos jag, slagysters en vergiftiging word algemeen gebruik, maar is nie selektief genoeg nie en dood dus ook vele nie-teiken spesies. In hierdie projek is ’n stelsel ontwikkel om swartrugjakkals gesigte te vind op statiese beelde. Die Viola-Jones deteksie algoritme, aanvanklik ontwikkel vir die deteksie van mens-gesigte, is hiervoor gebruik. Drie sleutel-aspekte van hierdie algoritme is die voorstelling van ’n beeld deur middel van ’n sogenaamde integraalbeeld, die gebruik van die ”Adaboost” algoritme om gepaste kenmerke te selekteer, en die gebruik van ’n kaskade van klassifiseerders om vals-alarm tempos te verlaag. In hierdie projek is Python kode ontwikkel om die nuttigste ”Haar”-kenmerke vir die deteksie van dié jakkalse te onttrek. Eksperimente is gedoen om die nuttigheid van die ”Asymboost” algoritme met die van die ”Adaboost” algoritme te kontrasteer. ’n Kaskade van klassifiseerders is vir beide van hierdie tegnieke afgerig en vergelyk. Die resultate toon dat die kenmerke wat die ”Asymboost” algoritme oplewer, tot laer vals-alarm tempos lei. Die byvoeging van ’n spesiale vyfde tipe Haar-kenmerk, wat aangepas is by die relatiewe spasieëring van die jakkals se oë, verhoog die akkuraatheid verder. Die uiteindelike stelsel vind 78% van die gesigte terwyl slegs 0.006% ander beeld-raampies verkeerdelik as gesigte geklassifiseer word.
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Malik, Sarita. "Representing Black Britain : a history of Black and Asian images on British television /." London : Sage, 2002. http://catalogue.bnf.fr/ark:/12148/cb37742086d.

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Jean, Elizabeth Ashley. "Stereotypical Media Images and Anxiety in Black Adolescent Girls." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1556492963344352.

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Santiago, Bruna Oliveira. "Humor e artes gráficas: a representação do negro na revista Semana Ilustrada (1860-1876)." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-26052017-110432/.

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Esta pesquisa se propõe a analisar a revista Semana Illustrada, dirigida pelo prussiano Henrique Fleiuss, com especial atenção para as representações do negro e do tema da escravidão. O periódico circulou no Rio de Janeiro entre 1860 e 1876 e é pioneiro no que se refere ao uso de imagens na imprensa. As novas tecnologias, associadas à demanda por imagens, incitaram o surgimento e posterior consolidação da imprensa ilustrada. A invenção e a popularização da fotografia evidenciavam uma sociedade ávida por imagens e que estava em pleno processo de transformação e elaboração de uma educação visual. Nesta pesquisa, a reflexão sobre as imagens presentes no periódico Semana Illustrada que se referem ao negro e ao escravo tem como objetivo entender a visão que este veículo de comunicação tinha sobre o assunto, como parte das questões cotidianas da sociedade oitocentista do Rio de Janeiro na segunda metade do século XIX. O contexto brasileiro se revela peculiar, uma vez que se tratava de uma sociedade que se pretendia moderna, mas que convivia ainda com grande contingente de mão de obra escrava. Ao estudar essas imagens, descortina-se a cultura visual de um tempo emblemático para o Brasil.
This research aims to analyse the magazine Semana Illustrada, managed by the prussian Henrique Fleiuss, focusing on the representation of black people and slavery. The magazine circulated in Rio de Janeiro between 1860 and 1876 and plays a pioneer role concerning the use of images in the press. The new technologies associated to the demand for images incited the appearing and consolidation of illustrated press. The invention and popularization of photography evinced a society avid for images and in process of transformation and elaboration of a visual education. This research intends to reflect upon the images found in Semana Illustrada that refers to the black people and the slave in order to understand the vision of this vehicle of communication about the subject as part of social life in Rio de Janeiro by the second half of nineteenth century. The brazilian context is peculiar once there was a society pretending to be modern, that nevertheless cohabited with a big contingent of slave work force. Study this images is to discover the visual culture of an emblematic time for Brazil.
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Chagas, Claudia Regina Ribeiro Pinheiro das. "Mulheres negras - tecendo identidades com cabelos e artefatos culturais: uma questão para os currículos." Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5922.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Minha tese teve como base a busca de imagens de mulheres negras, para tentar contar uma história, aquela que aparece em álbuns e histórias para jovens e crianças. Essas imagens me indicam possibilidades para a aplicação da Lei n 10.639/3. Nesses espaçostempos tão plurais, repletos de cores, identidades e significados podemos trabalhar de uma maneira simples seguindo um currículo único? A tese principal da minha pesquisa é buscar entender a importância dessas publicações que crescem significativamente em nosso país, nos últimos anos, em práticas curriculares possíveis. Esse aumento de produções de álbuns, conjugado a uma forte vertente editorial visando à publicação de literatura que resgata a história da África, reforçado por uma linha voltada para o público infanto-juvenil se relaciona à expansão de ações de movimentos sociais, relacionados à igualdade social de negros. Tudo isto reforçou a necessidade de um comprometimento governamental, através de leis, decretos e reformas educacionais. Desse modo pesquisei, utilizando esse material, buscando compreender sua importância para a discussão da questão da educação étnico-cultural e racial e na desconstrução social do preconceito e da discriminação racial direcionados à população negra. Nossa base teórica se encontra em Stuart Hall, Franz Fanon, Kabenguele Munanga, Nilma Gomes, Raul Lody, Nilda Alves, Michel de Certeau, Boris Kossoy, Arlindo Machado, Armando Silva, entre outros tantos.
My thesis was based on the search for images of black women, in order to try to tell a story, one that appears in albums and stories for teenagers and children. These images suggest to me a number of possibilities for applying Law No. 10.639/3. In these space-times that are so plural and so full of colors, identities and meanings, is it possible for us to work in a simple way following a single curriculum? The main thesis of my research has been to try to understand the importance of these publications, which have, in recent years become increasingly prevalent in our country, in relation to possible curricular practices. This increase in the production of albums, combined with a strong editorial bias towards the publication of literature that revives African history, and reinforced by a line aimed at the child/teen audience, is related to the expansion of initiatives by social movements aimed at social equality for black people. All this has reinforced the need for a commitment by government, in the form of laws, decrees and educational reforms. Thus I researched, using this material, trying to understand its importance to the debate over the issue of ethnic-cultural and racial education and to the social dismantling of prejudice and racial discrimination aimed at the black population. Our theoretical foundations are based on Stuart Hall, Franz Fanon, Kabenguele Munanga, Nilma Gomes, Raul Lody, Nilda Alves, Michel de Certeau, Boris Kossoy, Arlindo Machado, Armando Silva, among many others.
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Ip, Leong-Teng. "Comprehensive Black Liquor Droplet Combustion Studies." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd677.pdf.

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Books on the topic "Images of Blacks"

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Hogarth's Blacks: Images of Blacks in eighteenth century English art. Mundelstrup, Denmark: Dangaroo Press, 1985.

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Hogarth's Blacks: Images of Blacks in eighteenth century English art. Athens: University of Georgia Press, 1987.

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Flowers, H. D. Blacks in American theatre history: Images, realities, potential. 3rd ed. Dubuque, Iowa: Kendall/Hunt Pub., 2000.

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White on black: Images of Africa and Blacks in Western popular culture. New Haven: Yale University Press, 1992.

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L' Occident et l'Afrique, XIIIe-XVe siècle: Images et représentations. Paris: Karthala, 1985.

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Warfield-Coppock, Nsenga. Images of African sisterhood: Initiation and rites of passage to womanhood. Washington, D.C: Baobab Associates, 1994.

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Wood, Peter H. Winslow Homer's images of Blacks: The Civil War and Reconstruction years. Austin: Menil Collection, 1988.

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African images: Racism and the end of anthropology. Oxford: Berg, 1996.

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Célestine, Laurette. L' image du Noir dans l'oeuvre de Jacques-Henri Bernardin de Saint-Pierre: Essai de caractérisation des stéréotypes et des images novatrices. Villeneuve d'Ascq: Presses universitaires du Septentrion, 2000.

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1935-, Sachs Albie, ed. Defiant images: Photography and apartheid South Africa. Pretoria: Unisa Press, 2009.

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Book chapters on the topic "Images of Blacks"

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hooks, bell. "The Oppositional Gaze: Black Female Spectators." In Reading Images, 123–37. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-08886-4_12.

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Filling, Michelle L. "Images That Sell." In Imagining the Black Female Body, 95–108. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230115477_6.

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Léna, Pierre. "Our Neighbour, the Black Hole." In Astronomy’s Quest for Sharp Images, 183–216. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55811-6_7.

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Ellison, Mary. "Black Music and the Vietnam War." In Vietnam Images: War and Representation, 57–68. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19916-7_4.

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Adams, Valerie N., and Howard C. Stevenson, Jr. "Media Socialization, Black Media Images and Black Adolescent Identity." In Racial Stereotyping and Child Development, 28–46. Basel: S. KARGER AG, 2012. http://dx.doi.org/10.1159/000336272.

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Wright, Jonathan. "“Images of Black Identity: Spaces In-Between”." In Surveillance, Race, Culture, 101–24. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77938-6_6.

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Walvin, James. "Recurring Themes: Black Images in White Culture." In England, Slaves and Freedom, 1776–1838, 69–94. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-08191-2_5.

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Lee, Kun Jong. "Korean/American Literary Images of Black Amerasians." In Literature, Memory, Hegemony, 115–37. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-9001-1_7.

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Roy, Subhojit, Sanket Dan, Kaushik Mukherjee, Satyendra Nath Mandal, Dilip Kumar Hajra, Santanu Banik, and Syamal Naskar. "Black Bengal Goat Identification Using Iris Images." In Advances in Intelligent Systems and Computing, 213–24. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7834-2_20.

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Whitt, Phillip. "Converting Color Images into Black and White." In Pro Photo Colorizing with GIMP, 155–66. Berkeley, CA: Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-1949-2_10.

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Conference papers on the topic "Images of Blacks"

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McGhee, Scott K., and A. M. Birk. "Evaluation of an Uncooled Focal Plane Array Infrared Camera for Effusion Cooling Research." In ASME Turbo Expo 2000: Power for Land, Sea, and Air. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/2000-gt-0052.

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This study assessed a low-cost, uncooled ferroelectric detector infrared camera for effusion cooling research. Advances in uncooled IR technology have led to applications previously limited to research-grade cameras. The imager operated in the 7–14μm waveband and sampled up to 30 frames per second. Thermal images were made of a matte-black flat plate, downstream of two cylindrical jets with injection angles of α = 30° and 90°, and L/D = 6. Thermocouple calibration was specific to each image. Statistical analysis and image analysis yielded detailed temperature maps with uncertainty as small as 0.9°C, a spatial resolution of 0.4mm, and a sensitivity of 0.1 °C. The system compared favorably with established infrared systems. Advantages include minimal instrumentation, on-line results, and a high degree of accuracy and resolution, at significantly reduced cost.
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Михалина, Дарья, Daria Mikhalina, Александр Кузьменко, Aleksandr Kuz'menko, Константин Дергачев, Konstantin Dergachev, Виталий Шкаберин, and Vitaliy Shkaberin. "Image Colorization." In 29th International Conference on Computer Graphics, Image Processing and Computer Vision, Visualization Systems and the Virtual Environment GraphiCon'2019. Bryansk State Technical University, 2019. http://dx.doi.org/10.30987/graphicon-2019-2-207-210.

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The article discusses one of the latest ways to colorize a black and white image using deep learning methods. For colorization, a convolutional neural network with a large number of layers (Deep convolutional) is used, the architecture of which includes a ResNet model. This model was pre-trained on images of the ImageNet dataset. A neural network receives a black and white image and returns a colorized color. Since, due to the characteristics of ResNet, an input multiple of 255 is received, a program was written that, using frames, enlarges the image for the required size. During the operation of the neural network, the CIE Lab color model is used, which allows to separate the black and white component of the image from the color. For training the neural network, the Place 365 dataset was used, containing 365 different classes, such as animals, landscape elements, people, and so on. The training was carried out on the Nvidia GTX 1080 video card. The result was a trained neural network capable of colorizing images of any size and format. As example we had a speed of 0.08 seconds and an image of 256 by 256 pixels in size. In connection with the concept of the dataset used for training, the resulting model is focused on the recognition of natural landscapes and urban areas.
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Lin, Yan, and Weifeng Huang. "Black Female Images in Iola Leroy." In 2021 International Conference on Modern Management and Education Research (MMER 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210915.046.

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Gendreau, Keith C., Webster C. Cash, Paul Gorenstein, David L. Windt, Phil Kaaret, and Chris Reynolds. "MAXIM: the black hole imager." In SPIE Astronomical Telescopes + Instrumentation, edited by Guenther Hasinger and Martin J. L. Turner. SPIE, 2004. http://dx.doi.org/10.1117/12.551250.

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Mould, David, and Kevin Grant. "Stylized black and white images from photographs." In the 6th international symposium. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1377980.1377991.

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Chhajed, Gyankamal J., Vandana Inamdar, and Vahida Attar. "Steganography in Black and White Picture Images." In 2008 Congress on Image and Signal Processing. IEEE, 2008. http://dx.doi.org/10.1109/cisp.2008.626.

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Terentiev, E. N., and N. E. Shilin-Terentyev. "Powehi black hole images super resolution problems." In SECOND INTERNATIONAL CONFERENCE ON MATERIAL SCIENCE, SMART STRUCTURES AND APPLICATIONS: ICMSS-2019. AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5140140.

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Nakashima, Takuya, and Tomio Goto. "Sharpening Method using TV Regularization for Black-out Images." In 2020 IEEE 2nd Global Conference on Life Sciences and Technologies (LifeTech). IEEE, 2020. http://dx.doi.org/10.1109/lifetech48969.2020.1570619031.

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Chen, Yi. "Image analysis applied to black ice detection." In Orlando '91, Orlando, FL, edited by Mohan M. Trivedi. SPIE, 1991. http://dx.doi.org/10.1117/12.45497.

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Wang, Haizhou, and Conrad Tucker. "Pixel to Stroke Sketch Generation Using Reinforcement Learning." In ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-98481.

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Abstract Many engineering design tasks involve creating early conceptual sketches that do not require exact dimensions. Although some previous works focus on automatically generating sketches from reference images, many of them output exactly the same objects as the reference images. There are also models that generate sketches from scratch, which can be divided into pixel-based and stroke-based methods. Pixel-based methods generate sketches as a whole, without any information of the strokes, while stroke-based methods generate sketches by outputting strokes in a sequential manner. Pixel-based methods are frequently used to generate realistic color images. Although the pixel-based methods are more popular, stroke-based methods have the advantages to scale to a larger dimension without losing high fidelity. An image generated from stroke-based methods has only strokes on the canvas, resulting in no random noise in the blank areas of the canvas. However, one challenge in the engineering design community is that most of the sketches are saved as pixel-based images. Furthermore, many non-pixel-based methods rely on stroke-based training data, making them ill-suited for generating design conceptual sketches. In order to overcome these limitations, the authors proposed an agent that can learn from pixel-based images and generate stroke-based images. An advantage of such an agent is the ability to utilize pixel-based training data that is abundant in design repositories, to train stroke-based methods that are typically constrained by the lack of access to stroke-based training data.
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Reports on the topic "Images of Blacks"

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Li, Qunhua, Chris Fraley, Roger E. Bumgarner, Ka Y. Yeung, and Adrian E. Raftery. Donuts, Scratches and Blanks: Robust Model-Based Segmentation of Microarray Images. Fort Belvoir, VA: Defense Technical Information Center, January 2005. http://dx.doi.org/10.21236/ada454864.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Wool Evening Suit. Fall 1984. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/6gzv-pb45.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening suit is from Galanos Fall 1984 collection. The skirt and bodice of the jacket are black and white plaid wool. The jacket sleeves are black mink with leather inserts that contrast the sheen of the leather against the luster of the mink and reduce some of the bulk of the sleeve. The suit is part of The James G. Galanos Archive at Drexel University gifted to Drexel University in 2016. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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Vallor, Honor. How Gothic Influences and Eidetic Imagery in Eight Color Plates and Key Poems by William Blake Figuratively Unite Body and Soul by Dramatizing the Visionary Imagination. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6543.

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Ruiz, Pablo, Craig Perry, Alejando Garcia, Magali Guichardot, Michael Foguer, Joseph Ingram, Michelle Prats, Carlos Pulido, Robert Shamblin, and Kevin Whelan. The Everglades National Park and Big Cypress National Preserve vegetation mapping project: Interim report—Northwest Coastal Everglades (Region 4), Everglades National Park (revised with costs). National Park Service, November 2020. http://dx.doi.org/10.36967/nrr-2279586.

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The Everglades National Park and Big Cypress National Preserve vegetation mapping project is part of the Comprehensive Everglades Restoration Plan (CERP). It is a cooperative effort between the South Florida Water Management District (SFWMD), the United States Army Corps of Engineers (USACE), and the National Park Service’s (NPS) Vegetation Mapping Inventory Program (VMI). The goal of this project is to produce a spatially and thematically accurate vegetation map of Everglades National Park and Big Cypress National Preserve prior to the completion of restoration efforts associated with CERP. This spatial product will serve as a record of baseline vegetation conditions for the purpose of: (1) documenting changes to the spatial extent, pattern, and proportion of plant communities within these two federally-managed units as they respond to hydrologic modifications resulting from the implementation of the CERP; and (2) providing vegetation and land-cover information to NPS park managers and scientists for use in park management, resource management, research, and monitoring. This mapping project covers an area of approximately 7,400 square kilometers (1.84 million acres [ac]) and consists of seven mapping regions: four regions in Everglades National Park, Regions 1–4, and three in Big Cypress National Preserve, Regions 5–7. The report focuses on the mapping effort associated with the Northwest Coastal Everglades (NWCE), Region 4 , in Everglades National Park. The NWCE encompasses a total area of 1,278 square kilometers (493.7 square miles [sq mi], or 315,955 ac) and is geographically located to the south of Big Cypress National Preserve, west of Shark River Slough (Region 1), and north of the Southwest Coastal Everglades (Region 3). Photo-interpretation was performed by superimposing a 50 × 50-meter (164 × 164-feet [ft] or 0.25 hectare [0.61 ac]) grid cell vector matrix over stereoscopic, 30 centimeters (11.8 inches) spatial resolution, color-infrared aerial imagery on a digital photogrammetric workstation. Photo-interpreters identified the dominant community in each cell by applying majority-rule algorithms, recognizing community-specific spectral signatures, and referencing an extensive ground-truth database. The dominant vegetation community within each grid cell was classified using a hierarchical classification system developed specifically for this project. Additionally, photo-interpreters categorized the absolute cover of cattail (Typha sp.) and any invasive species detected as either: Sparse (10–49%), Dominant (50–89%), or Monotypic (90–100%). A total of 178 thematic classes were used to map the NWCE. The most common vegetation classes are Mixed Mangrove Forest-Mixed and Transitional Bayhead Shrubland. These two communities accounted for about 10%, each, of the mapping area. Other notable classes include Short Sawgrass Marsh-Dense (8.1% of the map area), Mixed Graminoid Freshwater Marsh (4.7% of the map area), and Black Mangrove Forest (4.5% of the map area). The NWCE vegetation map has a thematic class accuracy of 88.4% with a lower 90th Percentile Confidence Interval of 84.5%.
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