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Books on the topic 'Imageur portal'

Author: Grafiati
Published: 22 July 2022
Last updated: 31 July 2025

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1

Meertens, Harm. On-line acquisition and analysis of portal images. Univ., 1989.

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2

(Firm), COIMA Image. Private portraits of living: Porta Nuova - Milano. Skira, 2021.

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3

Alum, Tony. Images from a broken mirror: A story from Porta Pallazzo. Raymond Pub., 2004.

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4

Moskatova, Olga, ed. Images on the Move. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839452462.

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In contemporary society, digital images have become increasingly mobile. They are networked, shared on social media, and circulated across small and portable screens. Accordingly, the discourses of spreadability and circulation have come to supersede the focus on production, indexicality, and manipulability, which had dominated early conceptions of digital photography and film. However, the mobility of images is neither technologically nor conceptually limited to the realm of the digital. The edited volume re-examines the historical, aesthetical, and theoretical relevance of image mobility. Th
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5

Ng, Jenna. The Post-Screen Through Virtual Reality, Holograms and Light Projections. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723541.

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Screens are ubiquitous today. They display information; present image worlds; are portable; connect to mobile networks; mesmerize. However, contemporary screen media also seek to eliminate the presence of the screen and the visibilities of its boundaries. As what is image becomes increasingly indistinguishable against the viewer’s actual surroundings, this unsettling prompts re-examination about not only what is the screen, but also how the screen demarcates and what it stands for in relation to our understanding of our realities in, outside and against images. Through case studies drawn from
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6

Nascimento, Mário. O lugar do torreão: Imagem de Lisboa = The place of the tower : image of Lisbon. Edited by Museu de Lisboa (2015-). Museu de Lisboa, 2019.

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7

de, Abreu Dinis, and Foyos Pedro, eds. A Vida das imagens. Diário de Notícias, E.P., 1989.

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8

Reynolds, Brian. Porta paradisi: Marian doctrine and devotion, image and typology in the patristic and medieval periods. Fu Jen University Press, 2009.

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9

Silva, Orlando da. Manuel Laranjeira, 1877-1912: Vivências e imagens de uma época. s.n.,], 1992.

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10

Silva, Orlando da. Manuel Laranjeira, 1877-1912: Vivências e imagens de uma época. s.n.,], 1992.

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11

Midal, Alexandra. Antidesign: Petite histoire de la capsule d'habitation en images. Epithème, 2004.

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12

João Paulo Ascenso Pereira da Silva. Temas, mitos e imagens de Portugal numa revista inglesa do Porto: The Lusitanian (1844-1845). Fundação Calouste Gulbenkian, 2001.

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13

João Paulo Ascenso Pereira da Silva. Temas, mitos e imagens de Portugal numa revista inglesa do Porto: The Lusitanian (1844-1845). Fundação Calouste Gulbenkian, 2001.

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14

Reis, Claudio de Britto. O Marquês de Pombal e as imagens da verdade. C. Reis, 1987.

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15

Moniz, Jorge Botelho. A caminho da república: Imagens que mudaram a face da opinião pública portuguesa. Tenacitas, 2014.

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16

Sousa, Luís Correia de. Imagens de música: Itinerário iconográfico-musical. Palácio Fronteira, 2019.

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17

Soares, Joaquina. A imagem da mulher na literatura oral do Torrão. Museu de Arqueologia e Etnografia do Distrito de Setúbal, 1986.

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18

Porto, Carlos. O TEP e o teatro em Portugal: Histórias e imagens. Fundação Eng. António de Almeida, 1997.

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19

(Portugal), Biblioteca Nacional. Arte médica e imagem do corpo: De Hipócrates ao final do século XVIII. Biblioteca Nacional de Portugal, 2010.

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20

(Portugal), Biblioteca Nacional, and Comissão Nacional para as Comemorações dos Descobrimentos Portugueses., eds. A Nova Lusitania: Imagens cartográficas do Brasil nas colecções da Biblioteca Nacional (1700-1822) : catálogo. Comissão Nacional para as Comemorações dos Descobrimentos Portugueses, 2001.

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21

Pedro, Penteado, ed. Antiguidade da sagrada imagem de Nossa Senhora de Nazaré. Ediçoes Colibri, 2001.

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22

Raus, Rachele, Gloria Cappelli, and Carolina Flinz, eds. Le guide touristique: lieu de rencontre entre lexique et images du patrimoine culturel. Vol. II. Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-514-2.

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Ce livre est le deuxième volet de l’ouvrage consacré au guide touristique en tant que lieu de rencontre entre lexique et images du patrimoine culturel, ouvrage issu du colloque qui s’est déroulé le 11 et 12 juin 2015 à Pise et Florence. Ce volume porte l’attention sur l’image, en tant que représentation du réel mais aussi en tant que lieu à partir duquel l’imagination peut s’exercer en évoquant des représentations mentales (l’imaginaire). Les trois parties proposées (I. Les images du voyage; II. L’art dans le guide; III. Les guides entre imaginaire et propagande) entendent suggérer des parcour
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23

Gonçalves, Cláudia. Serralves 2009 the collection: Images : an exhibition in three parts and permanent works in the park. Fundação de Serralves, 2009.

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24

Rendell, James. Transmedia Terrors in Post-TV Horror. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463726320.

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In the twenty-first century horror television has spread across the digital TV landscape, garnering mainstream appeal. Located within a transmedia matrix, Transmedia Terrors in Post-TV Horror triangulates this boom across screen content, industry practices, and online participatory cultures. Understanding the genre within a post-TV paradigm, the book readdresses what is horror television, analysing not only broadcast TV and streaming platforms but also portals such as YouTube, Twitch.TV, and apps. The book also investigates complex digital media ecologies, blurring distinctions between niche a
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25

A, Rees Margaret, ed. Leeds papers on symbol and image in Iberian arts. Trinity and All Saints, 1994.

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26

Myers, Bill. The Portal (Book One) (The Imager Chronicles). Thomas Nelson, 2005.

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27

Doquang, Mailan S. The True Vine. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190631796.003.0004.

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This chapter focuses on the messianic and Eucharistic aspects of monumental foliage, namely its function as a symbol of Christ as the true vine. It demonstrates that the botanical friezes articulating the borders of church portals not only thematically complemented (and at times amplified) central/figural scenes, but also functioned as signposts for the visual imagery inside buildings and the liturgy of the Mass. Thus, the chapter sheds new light on the dynamic interaction between sculpture, architecture, and the viewer, while also illuminating and complicating interconnections of edge and cen
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28

Islam, Mohammad Khairul. Real-time portal imaging of megavoltage therapeutic photon beams. 1987.

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29

Direct stock.com.: Web catalog and portal to photography sites. Direct Stock, 2000.

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30

Krass, Urte. The Portuguese Restoration of 1640 and Its Global Visualization. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463725637.

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The Portuguese Restoration of 1640 ended the dynastic union of Portugal and Spain. This book pioneers in reconstructing the global image discourse related to the event by bringing together visualizations from three decades and four continents. These include paintings, engravings, a statue, coins, emblems, miniatures, a miraculous crosier and other regalia, buildings, textiles, a castrum doloris, drawings, and ivory statues. Situated within the academic field of visual studies, the book interrogates the role of images and depictions before, during, and after the overthrow and how they functione
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31

Architectonica percepta : texts and images 1989-2015. Park Books, 2016.

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32

Anderson, Catherine. Portals, Pathways and Labyrinths: A Collection of Photographic Images for Use in Personal Art. Creative Pilgrimage Press, 2017.

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33

Ho, Joseph W. Developing Mission. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501760945.001.0001.

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This book offers a transnational cultural history of US and Chinese communities framed by missionary lenses through time and space—tracing the lives and afterlives of images, cameras, and visual imaginations from before the Second Sino-Japanese War through the first years of the People's Republic of China. When American Protestant and Catholic missionaries entered interwar China, they did so with cameras in hand. Missions principally aimed at the conversion of souls and the modernization of East Asia, became, by virtue of the still and moving images recorded, quasi-anthropological ventures tha
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34

A nau de Icaro: Seguido de imagem e miragem da lusofonia. Gradiva, 2004.

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35

Cimenta, Luiz Angelo. Janelas e Portas de Itu - Um Olhar para o Passado Pensando No Futuro: Arquitetura e Imagens de Itu. Independently Published, 2019.

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36

Baracchini, Leïla. Entre désert et toile. Création d’un art san contemporain au Kalahari. Éditions Alphil-Presses universitaires suisses, 2021. http://dx.doi.org/10.33055/alphil.03150.

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En 1990, à D’kar (Botswana), était créé le premier projet d’art à destination des populations san naro du Kalahari : le Kuru Art Project. De ce projet allait émerger un mouvement artistique de portée internationale, désormais connu sous le nom d’art san contemporain. À partir d’une ethnographie détaillée, Entre désert et toile raconte comment l’art est venu à D’kar et a transformé les pratiques et les modes de représentation, mais aussi le regard porté sur celles et ceux que la culture populaire avait jusqu’alors fait connaître en Occident en tant que chasseurs-cueilleurs nomades ou « Bushmen
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37

Sears, Erin L. Mesoamerica—Maya. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.011.

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This chapter reviews attempts to derive meaning from Late Classic Maya ceramic figurines. Early concerns with classificatory procedures have evolved beyond an often site-specific viewpoint to include more regional perspectives that incorporate technological characteristics and an awareness of manufacturing practices. Recent studies have gained inspiration from the content analysis of figural painted polychrome vessels or other relief renderings to permit interpretative forays into the meaning of the represented figurine imagery. Rather than discussing figurines as an isolated body of material
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38

A pintura mural do Real Paço da Ajuda: 1796-1833 : imagens do poder = The mural painting at Ajuda Royal Palace : 1796-1833 : images of power. Scribe, 2015.

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39

Eduardo Souto de Moura: Atlas de parede, imagens de método. Dafne Editora, 2011.

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40

Kirby, David A. The Changing Popular Images of Science. Edited by Kathleen Hall Jamieson, Dan M. Kahan, and Dietram A. Scheufele. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190497620.013.32.

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Studies of popular culture show that contemporary images of science have become far less negative and much more complex than earlier stereotypical depictions. Scientists are now more likely to be characterized as heroes rather than villains, and modern scientist characters exhibit a moral complexity not found in previous portrayals. But the historic depiction of scientists as white, privileged American males has not changed. Scholarly analyses demonstrate a shift away from fictional interpretations of scientific knowledge as inherently dangerous toward a representation of science as being thre
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41

Deschler Canossi, Lesly, and Zoraida Lopez-Diago, eds. Black Matrilineage, Photography, and Representation. Leuven University Press, 2022. http://dx.doi.org/10.11116/9789461664631.

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Black Matrilineage, Photography, and Representation questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities. The essays and interviews, paired with a curated selection of images, address the complicated relationship betwe
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42

Lopes, Dominic McIver. Directive Pictures. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796657.003.0010.

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Pictures are principally descriptive. Advertising images highlight features of potential purchases; cartoons open portals to scenes in fictional worlds; snapshots in the family photo album remind us of our past selves and landmark events in our personal histories; works of pictorial art express thoughts or feelings about depicted scenes. In addition, pictures serve a directive or action-guiding function that, though not taken into account by theorists, deserves no less attention than their descriptive one. Theories of depiction and the appreciation of pictures stand to benefit by taking ‘direc
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43

Bailey, Heather L. The Public Image of Eastern Orthodoxy. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749513.001.0001.

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Focusing on the period between the revolutions of 1848 to 1849 and the First Vatican Council (1869–1870), this book explores the circumstances under which westerners, concerned about the fate of the papacy, the Ottoman Empire, Poland, and Russian imperial power, began to conflate the Russian Orthodox Church with the state and to portray the Church as the political tool of despotic tsars. As the book demonstrates, in response to this reductionist view, Russian Orthodox publicists launched a public relations campaign in the West, especially in France, in the 1850s and 1860s. The linchpin of thei
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44

Imagens falantes: A história de José do Egipto na Misericórdia de Cabeção. Centro de Estudos Históricos, Universidade Nova de Lisboa, 2017.

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45

Arcand, Kimberly, and Megan Watzke. Stars in Your Hand. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/13800.001.0001.

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An illustrated guide to exploring the Universe in three dimensions. Astronomers have made remarkable discoveries about our Universe, despite their reliance on the flat projection, or 2D view, the sky has offered them. But now, drawing on the vast stores of data available from telescopes and observatories on the ground and in space, astronomers can now use visualization tools to explore the cosmos in 3D. In Stars in Your Hand, Kimberly Arcand and Megan Watzke offer an illustrated guide to exploring the Universe in three dimensions, with easy-to-follow instructions for creating models of stars a
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46

Arte médica e imagem do corpo: De Hipócrates ao final do século XVIII. Biblioteca Nacional de Portugal, 2010.

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47

Schneider, Florian. Selling Sovereignty on the Web. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190876791.003.0006.

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Chapter 6 examines the East China Sea dispute on China’s web. This includes an analysis of the official Chinese Diaoyu Islands website, but also of various military news portals and the web presence of non-governmental advocacy groups. While the issue is more dynamic, and notably involves more commercial actors, than the Nanjing Massacre case of the previous chapter, Chinese sites nevertheless fall back on traditional mass-media scripts. The analysis also reveals how this nationalist topic ‘sells’ in digital China: the prominent web resources make heavy use of advertising pop-ups and click-bai
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48

Nesbitt, Eleanor. 2. Guru Nanak and his first successors. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780198745570.003.0002.

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In Sikh belief, there are ten human Gurus all of whom are physical embodiments of the same Guru. Sikh religious images portray two figures most frequently: Guru Nanak, the first human Guru, and Guru Gobind Singh, the tenth. ‘Guru Nanak and his first successors’ focuses mainly on the first Guru, who lived 1469‐1539, but also looks at the four Gurus who followed him. What do Sikhs today know about Guru Nanak? Most of what they are familiar with comes from religious depictions of the Guru. Narratives of the first Guru’s life exist in the form of the janam-sakhi. Janam means ‘birth’ and sakhi mean
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49

Min, Eungjun. Reading the Homeless. Greenwood Publishing Group, Inc., 1999. http://dx.doi.org/10.5040/9798216005490.

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As one of our country's major social problems, homelessness is often in the news. The media tend to portray the homeless as drunk, stoned, crazy, or sick individuals—a portrayal that is only partly accurate and represents an obstacle to our understanding of the wider social implications of this complex issue. This edited collection examines the various ways—both verbal and visual—in which the homeless have been portrayed by the media from the 1980s to the present day. The contributors apply different frameworks, ranging from phenomenology to culture studies, to analyze the characteristics, imp
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50

Hayden-Roy, Patrick. The Luther Myth. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198930297.001.0001.

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Abstract This study traces the transposition of Luther’s image from religious reformer to völkisch icon in the period from the close of the Napoleonic Wars up through the immediate post-World-War II era. Using evidence drawn from not only theological works and literary and philosophical sources, but also speeches, theatrical works, public celebrations and monuments, it traces the development of Luther’s image within the German Protestant imagination. The study demonstrates how this image evolved within the environment of German nationalist sentiment of the nineteenth and twentieth centuries fr
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