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Books on the topic 'Imaginary instituting'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Kaviraj, Sudipta. The imaginary institution of India. Nehru Memorial Museum and Library, 1991.

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2

The imaginary institution of society. Polity Press, 1987.

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3

The imaginary institution of society. MIT Press, 1987.

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4

Kaviraj, Sudipta. The imaginary institution of India: Politics and ideas. Columbia University Press, 2010.

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5

The imaginary institution of India: Politics and ideas. Columbia University Press, 2010.

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6

La société incertaine: Pour un imaginaire social contemporain. Librairie des Méridiens, 1986.

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7

Miranda, Michel. La société incertaine: Por un imaginaire social contemporain. Librairie des Méridiens, 1986.

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8

Roade, Juan Rial. El imaginario social: Los mitos políticos y utopías en el Uruguay : cambios y permanencias durante y después del autoritarismo. CIESU, Centro de Informaciones y Estudios del Uruguay, 1986.

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9

Castoriadis, Cornelius. The Imaginary Institution of Society. Polity Press, 1997.

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10

Castoriadis, Cornelius. The Imaginary Institution of Society. The MIT Press, 1998.

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11

Kaviraj, Sudipta. Imaginary Institution of India: Politics and Ideas. Columbia University Press, 2010.

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12

Castoriadis, Cornelius. Gesellschaft als imaginäre Institution. Entwurf einer politischen Philosophie. Suhrkamp, 1990.

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13

Castoriadis, Cornelius. L'institution imaginaire de la société. Seuil, 1999.

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14

Blaustein, George. Pictures from an Institution. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190209209.003.0004.

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The founding Americanist institution in postwar Europe took place in a baroque, bomb-damaged castle and had only the tenuous approval of the US military government in Austria. Leopoldskron Castle had been owned by the theater impresario Max Reinhardt before the Nazis expropriated it. The Salzburg Seminar in American Civilization, a transnational collaboration of student organizations and Christian relief agencies, repurposed the castle in 1947 to bring American thought and art to occupied Europe. Scholars, novelists, and poets carried the American word abroad and, in turn, were shaped by their
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15

Dodge, Jennifer. Nightmares and Dreams. Edited by Debra J. Davidson and Matthias Gross. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190633851.013.24.

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Shale gas development rapidly transformed energy production when new techniques emerged in the late 1990s and 2000s. The combination of high-volume hydraulic fracturing and horizontal drilling, or “fracking,” allowed development in vast, previously inaccessible, “unconventional” oil and gas deposits. Fracking has been welcomed by many national governments as a purportedly low-greenhouse-gas-emitting, energy-security-providing windfall. But it has simultaneously motivated vehement local opposition, to some surprising political effect. Many jurisdictions around the globe now have bans on the pra
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16

Hammond, Marlé. A Dictionary of Arabic Literary Terms and Devices. Oxford University Press, 2018. http://dx.doi.org/10.1093/acref/9780191836954.001.0001.

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Over 300 entriesThis new dictionary provides clear definitions of the most important literary terms and devices in classical and modern Arabic literature. It covers technical terms and rhetorical devices, themes and motifs, concepts, historical eras, literary schools and movements, forms and genres, and significant figures and institutions. Defining terms such as ‘root-play’, highlighting schools such as the Mahjar poets, and exploring concepts such as ‘imaginary evocation’, the dictionary introduces students of Arabic and Arabic literature to the specificities of the Arabic literary tradition
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17

Jamil, Ghazala. Avenues of Hope and Optimism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199470655.003.0006.

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This chapter attempts to capture and present an account of social spaces of counter-hegemony. These are actual places and institutions inside or connected to the Muslim localities in Delhi where hope and optimism is carefully being fostered. Also included are ideational spaces that encourage hope among the struggling. These are scraps of memory—real or imaginary that speak to the collective consciousness though they are rarely heard in the din of dominant discourses. I try hard in this chapter not to fall prey to insipid optimism and attempt to capture some of the trials and tribulations of th
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18

Fludernik, Monika. Metaphors of Confinement. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840909.001.0001.

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Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy focuses on a historical survey of our imaginings of the prison as expressed in carceral metaphors that occur in great numbers in texts about imprisonment from Antiquity to the present but are also used to describe many non-penal situations as confining or restrictive. These imaginings are argued to coalesce into a ‘carceral imaginary’ that determines the way we think about prisons, just as social debates about punishment and criminals feed into the way our carceral imaginary develops over time. The book juxtaposes literary and
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19

Rosenblatt, Jason. Making Law and Recording It. Edited by Lorna Hutson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199660889.013.30.

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The chapter analyzes Selden’s struggle to limit the reach of ecclesiastical jurisdiction in the mid-1640s, as Presbyterians in the Westminster Assembly of Divines attempted to exclude from communion anyone it identified as scandalous or ignorant. As a corollary, he defended parliamentary rule on religious matters in a number of venues, including the Assembly itself, where he was a minority lay member, in the House of Commons, and in a monograph-length excursus on excommunication in his massive De synedriis, a study of the great Synedrion as a continuous civil rather than ecclesiastical institu
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20

Cohan, Steven. Hollywood by Hollywood. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190865788.001.0001.

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The backstudio picture, or movie about filmmaking, is a genre as old and as recent as commercial filmmaking itself. This genre’s longevity is due to its function in branding filmmaking with the mystique of Hollywood. As the backstudio picture depicts it, Hollywood is simultaneously (1) an actual locale in the Los Angeles metropolitan area, (2) a business dedicated to the standardized production of motion pictures, and (3) an enduring cultural fantasy about fame, leisure, consuming, sexuality, artistry, and modernity. This overlapping of the literal (the locale) onto the material (the business)
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