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Journal articles on the topic 'Imagined Audience/User'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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1

Sun, Jingle, Akmar Hayati Ahmad Ghazali, and Rahman Saiful Nujaimi Abdul. "The Imagined Audience in Social Media: A Systematic Review." Studies in Media and Communication 13, no. 1 (2024): 301. https://doi.org/10.11114/smc.v13i1.7346.

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Determining the audience for social media posts is complex due to platform algorithms and mixed audiences. The "invisible audience" and the collapse of distinct social contexts challenge users’ capacity to manage their social circles effectively. This systematic review, adhering to PRISMA guidelines, identified 17 relevant articles through a structured search and screening. It outlines study backgrounds, sample characteristics, data collection methods, and highlights factors influencing audience categorization, aiding the understanding of imagined audience formation. The review discusses the i

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Jenkins, Matthew. "Bringing the Cross Pressures Thesis into the Digital Realm: Subjective Social Network Heterogeneity and Online Political Expression." JeDEM - eJournal of eDemocracy and Open Government 13, no. 1 (2021): 144–63. http://dx.doi.org/10.29379/jedem.v13i1.641.

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Approaches to social network heterogeneity in political communication research tend to focus on the effect of accumulated interactions among individuals with different political views. This line of research has provided a number of rich insights into the nature of the relationship between sociality and political participation. At the same time, this research tradition has been hampered by inconsistent terminology, and it has not been updated to reflect the fact that the experience of engaging with politics through digital media produces a unique subjective experience wherein the user is made t

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Stoltenberg, Daniela, Barbara Pfetsch, Alexa Keinert, and Annie Waldherr. "Who Are They and Where? Insights Into the Social and Spatial Dimensions of Imagined Audiences From a Mobile Diary Study of Twitter Users." Social Media + Society 8, no. 3 (2022): 205630512211230. http://dx.doi.org/10.1177/20563051221123032.

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Social media users hardly know who is reading their posts, but they form ideas about their readership. Researchers have coined the term imagined audience for the social groups that actors imagine seeing their public communication. However, social groups are not the only aspect that requires imagination: In the potentially borderless online environment, the geographical scope and locations of one’s audience are also unknown. Furthermore, research has demonstrated that imagined audiences vary between people and situations, but what explains these variations is unclear. In this article, we addres

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Sapon, Irina. "Public and Private on a Social Media Profile through the Lens of Sandra Petronio’s Theory." Ideas and Ideals 13, no. 2-1 (2021): 126–42. http://dx.doi.org/10.17212/2075-0862-2021-13.2.1-126-142.

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A profile on a social network site (SNS) containing the user’s personal information qualifies as both a personal and public space, which raises the problem of delineating, what is private and what is public in this virtual domain. The paper attempts to identify privacy boundaries in the social media environment and the actual ownership of personal information disclosed on users’ profiles. The stated problem is considered through the lens of Communication Privacy Management theory, an influential approach to the study of privacy in the online environment proposed by Sandra Petronio. The terms a

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Fox, Jesse, Jessica R. Frampton, Elizabeth Jones, and Kathryn Lookadoo. "Romantic relationship dissolution on social networking sites: Self-Presentation and public accounts of breakups on Facebook." Journal of Social and Personal Relationships 38, no. 12 (2021): 3732–51. http://dx.doi.org/10.1177/02654075211052247.

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Social media users post an endless stream of life updates, commentary, and other content. This online self-presentation constitutes a narrative that can be examined as a shared account. In this study, we tested the applicability of Duck’s model of relational dissolution (Duck, 1982; Rollie & Duck, 2006) to participants’ personal and public accounts of their romantic breakups on social networking sites (also referred to as social network sites). We adopted mixed methods (content analysis, survey, and interview) to examine emerging adults’ ( N = 97) account-making during romantic relationshi

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Kim, Ji-Young, and Sooyoung Lee. "Exploring ‘Audience Awareness’ Among Instagram Users : Focusing on the Concept of the Imagined Audience." Korean Journal of Journalism & Communication Studies 68, no. 1 (2024): 193–230. http://dx.doi.org/10.20879/kjjcs.2024.68.1.006.

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Das Biswas, Shristi, Matthew Shreve, Xuelu Li, Prateek Singhal, and Kaushik Roy. "PIXELS: Progressive Image Xemplar-based Editing with Latent Surgery." Proceedings of the AAAI Conference on Artificial Intelligence 39, no. 3 (2025): 2663–71. https://doi.org/10.1609/aaai.v39i3.32270.

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Recent advancements in language-guided diffusion models for image editing are often bottle-necked by cumbersome prompt engineering to precisely articulate desired changes. An intuitive alternative calls on guidance from in-the-wild image exemplars to help users bring their imagined edits to life. Contemporary exemplar-based editing methods shy away from leveraging the rich latent space learnt by pre-existing large text-to-image (TTI) models and fall back on training with curated objective functions to achieve the task. Though somewhat effective, this demands significant computational resources

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Mikosza, Janine. "In Search of the ‘Mysterious’ Australian Male: Editorial Practices in Men's Lifestyle Magazines." Media International Australia 107, no. 1 (2003): 134–44. http://dx.doi.org/10.1177/1329878x0310700113.

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The men's lifestyle magazines FHM (For Him Magazine) and Ralph are a significant presence in the Australian market, and both target a specific readership of young, heterosexual men. My central research question concerns how desired audiences are constructed or imagined at the ‘front end’ of magazine production. One of the major tasks of the editors and publishers of these magazines is to access, and compete for, an audience. This paper aims to examine the contradictions apparent in the editorial practices of defining or envisioning an audience for Ralph and FHM. To understand the process of ho

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Martires, Laura. "Future Matters." Pacific Journal of Technology Enhanced Learning 7, no. 2 (2025): 33–34. https://doi.org/10.24135/pjtel.v7i2.226.

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This paper explores the integration of gaming software, specifically Unreal Engine into architectural design practice and education. It presents two case studies illustrating how these tools can be utilized to enhance architectural design processes, challenging abstract, static and service-oriented representation techniques. It argues for the importance of simulation and filmic practices as generative tools for architectural design allowing for immersive and interactive stakeholder engagement as well as public broadcasting, expanding modes of future practice. The paper advocates for the inclus

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Marwick, Alice E., and danah boyd. "I tweet honestly, I tweet passionately: Twitter users, context collapse, and the imagined audience." New Media & Society 13, no. 1 (2010): 114–33. http://dx.doi.org/10.1177/1461444810365313.

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Jović, Svetlana. "Evaluative devices as a narrative tool for enacting relational complexity." Narrative Inquiry 24, no. 1 (2014): 113–31. http://dx.doi.org/10.1075/ni.24.1.06jov.

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In the present article, I explore how urban youth use narrating for self-presentation as they relate to diverse contexts and audiences. Diverse narrative genres employed in this study were used as a socio-cognitive tool for looking into enactments of relational complexity — a skill of adjusting one’s communications to audiences and contexts. Thirteen adolescents were asked to narrate about the most important aspects of their lives, using two different genres and addressing two different audiences. I explored youth’s systematically varied use of psychological state expressions, as they navigate

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Rikitianskaia, Maria. "Media and audiences in historical and sociological perspective." Vestnik of Saint Petersburg University. Sociology 15, no. 3 (2022): 285–98. http://dx.doi.org/10.21638/spbu12.2022.307.

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What role do audiences play in the formation of the media? What influence do consumer practices have on media? This article explores the relationship between media and audiences from a historical and sociological perspectives. Using a literature review on audiences in media and communications history, this paper analyses the role of audiences in the formation of media and outlines the key terms and concepts for understanding the audiences of different media from a historical perspective. As media studies is an important part of the social sciences, conceptualising the audiences as a key part o

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Muhammad Gaffari. "Persepsi dan Pemaknaan Anak Muda terhadap Tayangan Konten Pemuda Tersesat di Channel YouTube Majelis Lucu Indonesia." Jurnal Media dan Komunikasi 3, no. 1 (2023): 33–45. http://dx.doi.org/10.20473/medkom.v3i1.36286.

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The presence of the Pemuda Tersesat show which is broadcast through the Majelis Lucu Indonesia channel seems to create a new breakthrough that presents a collaboration between comedians and preachers on YouTube media. With the concept of answering absurd, unique, and humorous questions posed by the audience, this content became popular and attracted the attention of the audience, and gave rise to a group of fans who are also known as Pemuda Tersesat. However, on the other side, there are also parties who do not agree with the presence of this content because it is considered to be discussing r

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Edmonds, Radcliffe G. "And You Will Be Amazed: The Rhetoric of Authority in the Greek Magical Papyri." Archiv für Religionsgeschichte 21-22, no. 1 (2020): 29–49. http://dx.doi.org/10.1515/arege-2020-0003.

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AbstractAn analysis of the rhetorical strategies used in the so-called Greek Magical Papyri to bolster the authority of the authors provides insight into the authors of these texts and their intended audiences. This article reviews the scholarship on the identity of the composers of the Greek Magical Papyri and explores the rhetorical strategies used in the texts to create authority, before comparing the dominant strategies in the Greek Magical Papyri with similar ones in other kinds of recipe collections, specifically alchemical and medical texts. The authors of the recipes in the Greek Magic

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van Es, Karin, and Thomas Poell. "Platform Imaginaries and Dutch Public Service Media." Social Media + Society 6, no. 2 (2020): 205630512093328. http://dx.doi.org/10.1177/2056305120933289.

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Over the past decade, public service media (PSM) have increasingly distributed content through digital platforms, most prominently YouTube, Facebook, Twitter, and Instagram. This article explores how this process of platformization, the integration of digital platforms in PSM, affects the public service remit of promoting key public values, such as universality, independence, and diversity. Specifically, it interrogates how Dutch PSM imagine platforms and their users, as well as how these imaginaries affect online public service strategies. The starting point is the notion of platform imaginar

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Sellers, Julie A. "From Radio Guarachita to El Tieto eShow: Bachata’s Imagined Communities." Latin American Research Review 57, no. 2 (2022): 440–55. http://dx.doi.org/10.1017/lar.2022.20.

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AbstractBachata has used mass media throughout its history to foster a sense of inclusion and community among fans, from Radio Guarachita in the 1960s to livestreaming on social media in the twenty-first century. This article considers how the Dominican Facebook Live program, El Tieto eShow, continues bachata’s intimate relationship with mass media through the creation and development of a virtual imagined community of bachata enthusiasts around the globe. The article explores how the cultural roots of the imagined community—the decline of sacred languages and societal high centers and the acc

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Taher, Hassan, Giuseppina Addo, Pille Pruulmann Vengerfeldt, Maria Engberg, and Åsa Harvard Maare. "Reuse and Appropriation: Remediating Digital Museum Collections and Digital Tools for a Participatory Culture in Transition." Baltic Screen Media Review 10, no. 1 (2022): 122–38. http://dx.doi.org/10.2478/bsmr-2022-0009.

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Abstract Museums have always used different media to communicate, widen perspectives and bring new knowledge, but in the era of digital media, their various offerings are increasingly part of the media ecosystem. Our research interventions explored the possibility of reusing existing digitised material in a participatory setting. The aim was to explore the object-centred audience participatory method in digital settings. We held a series of digital and in-person workshops that invited the participants to “imagine” narratives about the provenance of the museum’s objects and journeys to Sweden i

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Schulz, Heather Marie. "Reference group influence in consumer role rehearsal narratives." Qualitative Market Research: An International Journal 18, no. 2 (2015): 210–29. http://dx.doi.org/10.1108/qmr-02-2012-0009.

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Purpose – This paper aims to analyse reference group influence through the imagined audience construct of the role theory. Prior research has shown the influential nature of reference groups on an individuals’ behaviour. The studied theatrical metaphor supplies a new perspective to the social phenomenon of reference group dynamics in consumer behaviour. Design/methodology/approach – Twenty face-to-face interviews were conducted utilizing a naturalistic research study design. The interviews took place in the participants’ homes, and participants were asked to create five outfits for various soc

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Prade-Weiss, Juliane. "Staging enmity: reading populist productions of shame with Jelinek’s On the Royal Road." Open Research Europe 3 (February 1, 2023): 23. http://dx.doi.org/10.12688/openreseurope.15469.1.

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Background: Populism is often perceived as a shamelessly loud segment of political discourse. However, Jelinek’s play On the Royal Road, written on the occasion of Trump’s 2016 election as US president, suggests that populism leads to societal silencing. Jelinek’s text expounds that when a society’s public sphere is marked by ubiquitous enmity against an imagined “we”, grounded in antagonism, then the possibility of speaking to one another disappears, because speaking to one another is based on the willingness to give one’s counterpart space and listen to them. In a public discourse that stage

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Prade-Weiss, Juliane. "Staging enmity: reading populist productions of shame with Jelinek’s On the Royal Road." Open Research Europe 3 (July 26, 2023): 23. http://dx.doi.org/10.12688/openreseurope.15469.2.

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Background: Populism is often perceived as a shamelessly loud segment of political discourse. However, Jelinek’s play On the Royal Road, written on the occasion of Trump’s 2016 election as US president, suggests that populism leads to societal silencing. Jelinek’s text expounds that when a society’s public sphere is marked by ubiquitous enmity against an imagined “we”, grounded in antagonism, then the possibility of speaking to one another disappears, because speaking to one another is based on the willingness to give one’s counterpart space and listen to them. In a public discourse that stage

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Poškaitė, Loreta. "Mitų apie Kiniją transformacijos XXI amžiaus medijose." Lietuvos kultūros tyrimai 10 (2018): 83–96. https://doi.org/10.53630/lkt.2018.5.

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The article focuses on the Western and Chinese stereotipical images and myths about China, aiming to investigate their manifestation and changes in XXIth century, since this is the time of the gradual disappearance (or questionning) of the cultural and geographic boundaries of China and chineseness (like of many other cultures-states in the global world). This makes the relationship between reality (so-called „Real China“) and phantasy („China imagined“) even more problematic than before, because of the globalization of the media and audiences, as well as the contradictoriness of its naratives

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Kang, Hyo-wook. "A Study on the Interaction between Film Narrative and Sound Design." Korean Society of Human and Nature 5, no. 2 (2024): 11–27. https://doi.org/10.54913/hn.2024.5.2.11.

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Film is a comprehensive art form composed of various elements such as acting, cinematography, music, sound, and lighting. Yet, from the perspective of visual art, it is clear that the picture remains the most central component of film. This is evidenced by the term “Silent Film,” used to describe works from the era when only visuals existed, underscoring the indispensable nature of the picture in cinema. As film developed over time, auditory elements like music and sound were integrated, enhancing the narrative delivery. Consequently, the film’s narrative has achieved greater clarity and expre

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Yan, Yueru, and Pnina Fichman. "“You can’t imagine how hard it is”: hardship streamers in live crowdfunding." Information Research an international electronic journal 30, iConf (2025): 23–37. https://doi.org/10.47989/ir30iconf47599.

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Introduction. The combination of Live streaming and E-commerce also offers opportunities for people whose family members are severely ill, disabled, or old and facilitates their ability to raise funds by selling commodities and receiving virtual gifts. Unlike other streamers, hardship live streamers are driven by unique motivations and may employ distinct self-presentation techniques. Method. We analysed TikTok video clips and sales data from 14 male and female hardship streamers. Analysis. We used both quantitative and qualitative analyses of the data, including topic modelling, sentiment ana

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Shafie, Latisha Asmaak, Aizan Yaacob, and Paramjit Kaur Karpal Singh. "The Roles of English Language and Imagined Communities of a Facebook Group." International Journal of Emerging Technologies in Learning (iJET) 10, no. 6 (2015): 21. http://dx.doi.org/10.3991/ijet.v10i6.4831.

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Social network sites are the networked public places for university students. The most famous social network site in Malaysia for university students is Facebook. University students spend a lot of their time navigating collapsed contexts with global and local audience. Thus, Facebook is the most appropriate site to investigate ESL learning acquisition through L2 learners’ interactions and digital footprints. The study investigates the roles of English language and the types of imagined communities of ten L2 learners at a public university. Transcripts of a Facebook group’s online discussion a

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Rakhimova, Zarina Uktamovna. "INFORMATIVE-COMMUNICATIVE NATURE OF MASS MEDIA ." МЕДИЦИНА, ПЕДАГОГИКА И ТЕХНОЛОГИЯ: ТЕОРИЯ И ПРАКТИКА 2, no. 6 (2024): 214–21. https://doi.org/10.5281/zenodo.12191377.

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It is hard to imagine any area of modern society experiencing the process of globalization without the language of the media. The breadth of media opportunities requires an in-depth study of their activities and development, and their impact on the audience. Media science is a new interdisciplinary field based on traditional methods. The formation of the language of the media is closely linked to their common mission. How viewers perceive information also depends on what tool is used to convey it. Each media uses its own language and methods of updating

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Gałązka, Alicja. "Drama as a Tool of Appreciative Inquiry in Creative Learning." New Educational Review 24, no. 2 (2011): 45–56. https://doi.org/10.15804/tner.11.24.2.03.

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Drama is an art form, a practical activity, and an intellectual discipline highly accessible to young people. In education, it is a mode of learning that challenges students to make their world meaningful. Through active identification with imagined roles and situations in drama, students can learn to explore issues, events and relationships. In drama students draw on their knowledge and experience the real world but they explore them in a safe fictional context. Drama is the enactment of real and imagined events through roles and situations. It enables both individuals and groups to explore s

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Rakhimova, Zarina. "THE LANGUAGE AND STYLE OF MASS MEDIA." MODERN SCIENCE AND RESEARCH 3, no. 2 (2024): 879–86. https://doi.org/10.5281/zenodo.10684628.

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  <em>It is hard to imagine any area of modern society experiencing the process of globalization without the language of the media. The breadth of media opportunities requires an in-depth study of their activities and development, and their impact on the audience. Media science is a new interdisciplinary field based on traditional methods. The formation of the language of the media is closely linked to their common mission. How viewers perceive information also depends on what tool is used to convey it. Each media uses its own language and methods of updating information to shape its esse

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Maulana, Imam, and Muthia Mubasyira. "Figurative Language in Video of Comedy Central Stand-Up “Losing Arguments with Your Wife After Her Brain Surgery” by Jim Gaffigan." JEdu: Journal of English Education 1, no. 1 (2021): 14–18. http://dx.doi.org/10.30998/jedu.v1i1.4411.

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In our daily life, we are using language to communicate with each other. A lot of linguistic aspects in a language, one of them is called figurative language. Figurative language is a word or phrase that has an isolated meaning from its exact definition. People usually use figurative language to emphasize or modify their sentences, so their sentences don't sound like something you often hear; making their sentences more unique has a lot of advantages, just imagine everyone using the same structure, emphasis, and the same emotion in their sentences, it's very horrible. Figurative language is al

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Ermakov, Pavel N., and Ekaterina E. Belousova. "Value orientations of vkontakte users with different strategies for meanings transferring." Vestnik of Samara State Technical University Psychological and Pedagogical Sciences 18, no. 4 (2021): 139–58. http://dx.doi.org/10.17673/vsgtu-pps.2021.4.11.

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The paper presents the results of a study of strategies for transferring the meanings and the value orientations of young people in social networks. The Internet is so firmly rooted in our everyday life that we can no longer imagine our life without it. It is penetrating into an increasing number of human life spheres, becoming the environment in which communication, educational and work processes, leisure and shopping take place. Its hard not to notice that the youth audience is especially interested in the virtual environment. The Internet and, in particular, social networks are becoming the

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Virtanen, Mikko T., and Liisa Kääntä. "At the intersection of text and conversation analysis: analysing asynchronous online written interaction." AFinLA-e: Soveltavan kielitieteen tutkimuksia, no. 11 (December 14, 2018): 137–55. http://dx.doi.org/10.30660/afinla.69081.

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This paper demonstrates how two approaches from discourse studies – digital Conversation Analysis (CA) and Textual Interaction Studies (TIS) – can be used in tandem to analyse asynchronous written conversation. The main motivation for this mixed-methods approach is our observation that interaction in many asynchronous platforms, such as blogs and discussion forums, tends to be located somewhere in between the main focuses of digital CA and TIS. On the one hand, the posts in these platforms are often textually complex, multiparagraph entities. Furthermore, the opening posts usually address an i

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Svetanant, Chavalin, Brian Ballsun-Stanton, and Attapol T. Rutherford. "Emotional engagement in Thai and Japanese insurance advertising: corpus-based keyword analysis." Corpora 17, no. 1 (2022): 69–96. http://dx.doi.org/10.3366/cor.2022.0235.

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Advertisements demonstrate patterns of communication that are imagined to be acceptable to the communities at which they are aimed, serving as cultural artefacts that provide insights into shared cultural interpretations and social interactions. Drawing on techniques from corpus linguistics, text linguistics and the Appraisal framework, we conducted an analysis of salient keywords in a collection of Thai and Japanese tv commercials (tvcs) for insurance products in order to identify statistically significant keywords and examine emotional engagement. We reveal how specific keywords and communic

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Sanborn, Geoffrey. "The Pleasure of Its Company: Of One Blood and the Potentials of Plagiarism." American Literary History 32, no. 1 (2019): e1-e22. http://dx.doi.org/10.1093/alh/ajz054.

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Abstract In this essay, Sanborn extends his earlier work on Pauline Hopkins’s plagiarism by showing that Hopkins plagiarized a total of 143 passages from 36 texts in her novel Of One Blood and that at least 10,492 of the roughly 52,730 words in the novel—20%—were imported from other people’s publications. Sanborn argues that plagiarism is, for Hopkins, not a canny subversion or artful transmutation of another writer’s work; it is a means by which she can hold her text internally open to other voices and temporalities. It does not point us backward to a critique of the texts from which she drew

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Saltzman, Benjamin A. "The mind, perception and the reflexivity of forgetting in Alfred's Pastoral Care." Anglo-Saxon England 42 (December 2013): 147–82. http://dx.doi.org/10.1017/s0263675113000094.

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AbstractThe verb forgytan is used reflexively six times in the extant Old English corpus, and all six instances are found in King Alfred's translation of Gregory the Great's Regula pastoralis. As the translation adopts from its Latin source the concept of what I call ‘completely reflexive forgetting’ (the forgetting of one's self), it adjusts the concept for an Anglo-Saxon audience by reimagining and reconfiguring the logistics of the mind and its mechanisms of perception. Completely reflexive forgetting is thus imagined as the process by which a ruler ceases to perceive himself from within (a

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Sorber, Andrew. "The Indiculus Luminosus and the Creation of a Ninth-Century Prophetic Conflict between Christianity and Islam." Medieval Globe 5, no. 2 (2019): 17–37. http://dx.doi.org/10.17302/tmg.5-2.2.

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This article reappraises a frequently misunderstood witness to relations between Christianity and Islam in ninth-century al-Andalus, the polemical Indiculus luminosus. Written in 854 by Paulus Alvarus, a lay Christian in Umayyad Córdoba, the Indiculus attempts to incite opposition to Islam among the Christian elites of the city by appropriating the language of prophetic authority, increasingly used throughout the Latin West, in imagined opposition to the Prophet Muḥammad. Alvarus's Indiculus reflects his—and his intended audience's—profound anxiety about Islam in the wake of the Córdoban matyr

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Darkwa, Ernest. "Review of Benedict Anderson’s IMAGINED COMMUNITIES: Reflections on the origin and spread of nationalism." Inverge Journal of Social Sciences 2, no. 1 (2023): 37–40. https://doi.org/10.63544/ijss.v2i1.13.

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Jennifer Hasty in her book “the press and political culture in Ghana” makes critical steps towards exploring Ghana’s news discourse in the 1990s. This period also characterizes the consolidation of Ghana’s liberalization process and dynamics that emerged in its political contestation, as well as the journey towards consolidation of democracy. The main thesis of the book is that “Ghana’s press project a unified voice, which stems from the multifarious and contentious processes which join the country in local and global debates and are characterized by the production of news that is influenced b

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Mujumdar, Omkar. "Augmented Reality." International Journal for Research in Applied Science and Engineering Technology 10, no. 12 (2022): 487–95. http://dx.doi.org/10.22214/ijraset.2022.47902.

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Abstract: Imagine a world with a technology that creates the 3 dimensional images of a virtual object around you with which you can interact, see, hear, smell, and even touch it. Technologies such as computer graphics, virtual reality, and augmented reality together can be used to implement this in real world. Augmented reality actually superimposes virtual objects into the real environment with the real objects for enriching the viewer’s experience Augmented reality with virtual reality in virtual space, also enhances the audience perception by displaying additional information. In this surve

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Wei, Sophie Ling-chia. "Jesuit Figurists’ written space." Culture and Society 5, no. 2 (2016): 271–88. http://dx.doi.org/10.1075/ts.5.2.06wei.

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As the Jesuit Figurists journeyed through the sea of commentaries on the Yijing and the trans-textual dialogue, they did not just play the role of translators and commentators by doing intralingual translation. They also sought the attention of the Kangxi Emperor and the elite literati by producing handwritten Chinese manuscripts that mimicked the format and grammatology of Chinese commentaries. Besides the commentarial tradition, and the Classical and vernacular language employed in the Chinese manuscripts of the Jesuit Figurists, their formats, writing/calligraphy, layout and other visual fe

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Leung, Genevieve Y., and Ming-Hsuan Wu. "Linguistic landscape and heritage language literacy education." Written Language and Literacy 15, no. 1 (2012): 114–40. http://dx.doi.org/10.1075/wll.15.1.06leu.

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This paper investigates the ways languages are used in Philadelphia Chinatown through qualitative content analysis of 330 photos. Examining the linguistic landscape of public spaces exposes issues of linguistic tensions, language vitality, and language shift in multilingual settings. While Chinese in the form of Mandarin is highly publicized, thereby placing disproportionate emphasis upon one language over others, Philadelphia Chinatown shows diversity, coexistence, and creative uses of multiple Chinese languages alongside English. The signage suggests linguistic rescaling connecting real and

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Erlita Khrisinta Dewi. "KECEMASAN MAHASISWA DALAM PRAKTIK PUBLIC SPEAKING (STUDI KASUS MAHASISWA MANAJEMEN PEMASARAN INDUSTRI ELEKTRONIKA ANGKATAN 2021)." Nusantara Hasana Journal 2, no. 4 (2022): 252–60. http://dx.doi.org/10.59003/nhj.v2i4.833.

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This study aims to find out the description of student anxiety in public speaking practice, the causes of students experiencing anxiety, and how to overcome anxiety in public speaking practice in the Electronics Industry Marketing Management Study Program, especially students in class of 2021. This research is a descriptive qualitative research. This qualitative research uses the case study method. Data was collected through observation, interviews and documentation. Data analysis techniques were carried out through three stages, namely, data reduction, data presentation, and drawing conclusio

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Świdziński, Wojciech. "Tam i z powrotem do gwiazd: sprzężenie zwrotne pseudonauki i popkultury. Przypadek Dänikena." Panoptikum, no. 32 (December 30, 2024): 53–64. https://doi.org/10.26881/pan.2024.32.04.

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Erich von Däniken’s ideas looked until recently to have been exploited and partly forgotten. Meanwhile, the last few years have brought several super-productions referring directly to his theories. In Ridley Scott’s Prometheus, Steven Spielberg’s Indiana Jones and the Kingdom of the Crystal Skull and Chloé Zhao’s Eternals, Dänikenian ideas have returned with full force. These were used as practical foundations, allowing the imagination to develop. On the other hand, the movies received an ambivalent reception from critics and audiences. The feedback loop between pseudoscience and pop culture s

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Widyaningrum, Anastasia Yuni, Mateus Yumarnamto, and V. Luluk Prijambodo. "ANALISIS RESEPSI REMAJA KOTA SAMPIT MENGENAI KEBERAGAMAN DI MEDIA." WACANA: Jurnal Ilmiah Ilmu Komunikasi 19, no. 1 (2020): 51. http://dx.doi.org/10.32509/wacana.v19i1.1002.

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The aim of the study is to reveal the viewpoints of adolescents as media audiences, how they interpret their lives in the midst of Indonesia's diversity. The method used is Reception Analysis using encoding and decoding models from Stuart Hall. The subjects of the study were 9 Sampit City teenagers aged 15-18 years with a diversity of sex, religion, and ethnicity. While the concept used is the study of Indonesian-ness, imagined communities, nation and state and identity. The results showed that adolescents in Sampit City were traumatized by stories of riots based on ethnic sentiment as told by

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Feklyunina, Valentina. "Soft power and identity: Russia, Ukraine and the ‘Russian world(s)’." European Journal of International Relations 22, no. 4 (2016): 773–96. http://dx.doi.org/10.1177/1354066115601200.

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What is soft power, and how can we analyse it empirically? The article proposes a social constructivist take on soft power by anchoring it to the concept of collective identity, and by suggesting a set of criteria that can be used to assess whether soft power is present in a relationship between two or more states. It argues that soft power is generated through continuous renegotiation of collective identity. We can assess the weight of a state’s soft power vis-a-vis another state by investigating the extent to which the discursively constructed collective identity projected by the first state

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Hope, Steffen. "The functions of religion and science in utopian thinking in the middle ages and the early modern period." Belgrade Philosophical Annual 37, no. 2 (2024): 123–38. https://doi.org/10.5937/bpa2402123h.

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This paper explores the ways in which religion and science - broadly defined - have been used to construct and imagine ideal societies in the medieval and early modern periods. By examining how otherness is constructed through descriptions of religious practices, attitudes to religious plurality, technological marvels, and natural wonders, I argue that both religion and science serve to simultaneously enhance and bridge the gap between the intended audience and the ideal society. This dual function enables to authors of the ideal societies to ensure that the text in question communicates what

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Ciancia, Mariana, Francesca Piredda, and Simona Venditti. "Shaping and Sharing Imagination." Interactive Film and Media Journal 1, no. 1 (2021): 19–40. http://dx.doi.org/10.32920/ifmj.v1i1.1492.

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   Changes in business and social environments have led society towards a complex landscape in which the relationship between mainstream media and participatory culture is completely changed, with a consequential blurring of boundaries between public and virtual space. As audience media habits are changing, a digital vision of reality is rising and engagement practices are evolving. As a consequence, there is the need for a new design methodology based on different skills working together. It is then necessary to adopt a disruptive approach to overcome the contemporary comple

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Liu, Xin. "Comparative Study on the Development of Shaolin Zen Martial Medicine and Zheng Huaixian’s Martial Medicine." Tobacco Regulatory Science 7, no. 5 (2021): 2073–81. http://dx.doi.org/10.18001/trs.7.5.126.

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Using the methods of logical analysis, literature, case analysis and comparative analysis, this paper reviews the thoughts of Shaolin Zen martial medicine and Zheng Huaixian’s martial medicine, analyzes and compares the thoughts of Shaolin martial art, Zen martial medicine and Traditional Chinese medicine with Zheng Huaixian’s martial medicine, and finds out the problems existing in the development of Zheng Huaixian’s medical science: Entity enterprise has not established, the industrial structure, marketing strategy, strategic consciousness is weak, the audience consumption less guidance, les

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Krug, Maximilian. "Erzählen inszenieren:." Linguistik Online 104, no. 4 (2020): 59–81. http://dx.doi.org/10.13092/lo.104.7303.

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Narrating is a crucial activity in theatre rehearsals. Through this activity, narratives are performed, expanded, reinterpreted, or even completely improvised. The communicative practices used by theatre professionals to develop a play as a theatrical narrative have rarely been researched, both in linguistics and theatre studies. Therefore, this paper addresses how actors, directors, and other members of a theatre production collectively develop monologues as self-contained narratives within a play. The research focuses on how narrators and listeners, as an interactional ensemble, use multimod

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NAZARENKO, O., and D. YARMAK. "EXPRESSIVE MEANS IN ENGLISH-LANGUAGE ONLINE MEDIA (BASED ON ARTICLES ABOUT THE WAR IN UKRAINE)." Current issues of linguistics and translations studies, no. 25 (September 30, 2022): 61–64. http://dx.doi.org/10.31891/2415-7929-2022-25-12.

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The problem of expressiveness has been quite relevant for some time now. Scholars have been studying the expressiveness in various aspects since the 50s of the 20th century. However, there has been great interest in the research of this notion in mass media discourse. This is due to the fact that the media cover the largest audience in the Internet. It is difficult to imagine the scale of the information’s impact on the recipients, especially when it comes to the emotional aspect of a person. This is where the significance of expressiveness in the texts of mass media arises. The research is de

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Hawkins, Rowena. "“Hopeful feeling[s]:” Utopian Shakespeares and the 2021 Reopening of British Theatres." Multicultural Shakespeare: Translation, Appropriation and Performance 26, no. 41 (2022): 51–70. http://dx.doi.org/10.18778/2083-8530.26.04.

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This article focuses on a specific moment in recent British theatre history: the late spring of 2021 when theatres reopened after a prolonged period of closure that had been enforced during the first waves of the Coronavirus pandemic. It considers The HandleBards’ production of Romeo and Juliet (performed at York’s Theatre Royal) and Shakespeare’s Globe Theatre’s production of A Midsummer Night’s Dream in the context of that unusual time. The productions, which both used bright colours and irreverent approaches to create festive atmospheres, had a shared joyful aesthetic which encouraged me to

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LAMBLA, ANNIE, and CAMILLE RONCERAY. "Toilet Talk: The Subtle Art of Awkward Research." Ethnographic Praxis in Industry Conference Proceedings 2023, no. 1 (2023): 384. https://doi.org/10.1111/epic.12175.

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Imagine you are dealing with bladder or bowel problems, and while sometimes your life is joyful, you also sometimes struggle so much you feel you have to hide from others. How likely are you to have a vulnerable conversation with a stranger through your bathroom door?At Coloplast, we really interview people while they sit on the toilet; there are some taboo topics we can't avoid. Starting from how people “go to the bathroom,” our conversations expand into topics of their joys, hopes, and fears about life with intimate healthcare needs: e.g. ostomy care, urinary retention, bowel incontinence.In

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Jackson, Peter. "Familial fictions: families and food, convenience and care." European Journal of Marketing 52, no. 12 (2018): 2512–20. http://dx.doi.org/10.1108/ejm-11-2017-0882.

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Purpose The purpose of this paper is to explore the way diverse family forms are depicted in recent TV advertisements, and how the ads may be read as an indication of contemporary attitudes to food. It focuses particularly on consumers’ ambivalent attitude towards convenience foods given the way these foods are moralised within a highly gendered discourse of “feeding the family”. Design/methodology/approach The paper presents a critical reading of the advertisments and their complex meanings for diverse audiences, real and imagined. The latter part of the paper draws on the results of ethnogra

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